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Shakspeare and His Times [Vol. 2 of 2]
Shakspeare and His Times [Vol. 2 of 2]

Chapter VII

Chapter 7 of Shakspeare and His Times [Vol. 2 of 2] is here in full — 711 sentences across 143 reading sections, with audio for every sentence and word.

Cover illustration for Shakspeare and His Times [Vol. 2 of 2]
Context Illustration Reading 1/142 · 5 lines
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OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.
& II._; ON _THE MERCHANT OF VENICE_, AND ON _HAMLET_—DISSERTATION ON THE _AGENCY_ OF _SPIRITS_ AND _APPARITIONS_, AND ON THE _GHOST_ IN _HAMLET_.
In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.
It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.
7.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Shakspeare and His Times [Vol. 2 of 2]

Chapter VII

Chapter 7 of Shakspeare and His Times [Vol. 2 of 2] is here in full — 711 sentences across 143 reading sections, with audio for every sentence and word.

Reading 1/142 · 5 reading units · Lines 1–5

Line 1
OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.
Line 2
& II._; ON _THE MERCHANT OF VENICE_, AND ON _HAMLET_—DISSERTATION ON THE _AGENCY_ OF _SPIRITS_ AND _APPARITIONS_, AND ON THE _GHOST_ IN _HAMLET_.
Line 3
In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.
Line 4
It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.
/ɪt əˈpɪrz tuː ʌs ðæt æn əˈkɜːrəns ʌv ðɪs kaɪnd wɪl biː faʊnd tuː pɔɪnt aʊt mɔːr ˈækjərətli ðæn ˈhɪðɜːrˈtuː ðə prɪˈsaɪs ˈpɪriəd tuː wɪtʃ ðə fɜːrst sketʃ ʌv ðə ˈfɑːloʊɪŋ ˈtrædʒədi meɪ biː əˈskraɪbd/
Line 5
7.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

apparitions noun US /ˌæpərˈɪʃənz/

plural of “apparition” — a ghostly appearing figure

ascribed verb US /əˈskraɪbd/

past form of “ascribe” — attribute or credit to

From this reading “It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.”

chronological adjective US /ˌkrɑːnəˈlɑːdʒɪkəl/

relating to or arranged according to temporal order

From this reading “In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.”

dissertation noun US /ˌdɪsərˈteɪʃən/

a treatise advancing a new point of view resulting from research; usually a requirement for an advanced academic degree

From this reading “& II._; ON _THE MERCHANT OF VENICE_, AND ON _HAMLET_—DISSERTATION ON THE _AGENCY_ OF _SPIRITS_ AND _APPARITIONS_, AND ON THE _GHOST_ IN _HAMLET_.”

probabilities noun US /ˌprɑːbəˈbɪlətiːz/

plural of “probability” — a measure of how likely it is that some event will occur; a number expressing the ratio of favorable cases to the whole number of cases possible

romeo noun US /ˈroʊmioʊ/

an ardent male lover

taming verb US /ˈteɪmɪŋ/

-ing form of “tame” — correct by punishment or discipline

From this reading “OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.”

verona noun US /vərˈoʊnə/

a city in Veneto on the River Adige

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

turn the scale verb + article + noun counted as “turn … scale”

In this reading “In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.”

TWO GENTLEMEN noun + noun counted as “two gentleman”

In this reading “OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.”

All words in this reading · 92

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

7

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 7.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

accuratelyadverbUS /ˈækjərətli/

with few mistakes

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

additionaladjectiveUS /əˈdɪʃənəl/

further or added

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

AGENCYnounUS /ˈeɪdʒənsi/

an administrative unit of government

From this reading & II._; ON _THE MERCHANT OF VENICE_, AND ON _HAMLET_—DISSERTATION ON THE _AGENCY_ OF _SPIRITS_ AND _APPARITIONS_, AND ON THE _GHOST_ IN _HAMLET_.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

APPARITIONSnounUS /ˌæpərˈɪʃənz/

plural of “apparition” — a ghostly appearing figure

From this reading & II._; ON _THE MERCHANT OF VENICE_, AND ON _HAMLET_—DISSERTATION ON THE _AGENCY_ OF _SPIRITS_ AND _APPARITIONS_, AND ON THE _GHOST_ IN _HAMLET_.

appearsverbUS /əˈpɪrz/

third-person singular of “appear” — give a certain impression or have a certain outward aspect

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

ascertainverbUS /ˌæsərˈteɪn/

establish after a calculation, investigation, experiment, survey, or study

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

ascribedverbUS /əˈskraɪbd/

past form of “ascribe” — attribute or credit to

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

author'snounUS /ˈɔːθərz/

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

balancedadjectiveUS /ˈbælənst/

being in a state of proper equilibrium

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

choicenounUS /tʃɔɪs/

the person or thing chosen or selected

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

chronologicaladjectiveUS /ˌkrɑːnəˈlɑːdʒɪkəl/

relating to or arranged according to temporal order

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

circumstancenounUS /ˈsɜːrkəmstæns/

a condition that accompanies or influences some event or activity

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

DISSERTATIONnounUS /ˌdɪsərˈteɪʃən/

a treatise advancing a new point of view resulting from research; usually a requirement for an advanced academic degree

From this reading & II._; ON _THE MERCHANT OF VENICE_, AND ON _HAMLET_—DISSERTATION ON THE _AGENCY_ OF _SPIRITS_ AND _APPARITIONS_, AND ON THE _GHOST_ IN _HAMLET_.

endeavouring

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

equallyadverbUS /ˈiːkwəli/

to the same degree (often followed by “as”)

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

everadverbUS /ˈevər/

at any time

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

foundverbUS /faʊnd/

set up or found

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

FOURTHnounUS /fɔːrθ/

following the third position; number four in a countable series

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

generaladjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

GENTLEMENnounUS /ˈdʒentəlmɪn/

plural of “gentleman” — a man of refinement

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

GHOSTnounUS /ɡoʊst/

a mental representation of some haunting experience

From this reading & II._; ON _THE MERCHANT OF VENICE_, AND ON _HAMLET_—DISSERTATION ON THE _AGENCY_ OF _SPIRITS_ AND _APPARITIONS_, AND ON THE _GHOST_ IN _HAMLET_.

HAMLETnounUS /ˈhæmlət/

a community of people smaller than a village

From this reading & II._; ON _THE MERCHANT OF VENICE_, AND ON _HAMLET_—DISSERTATION ON THE _AGENCY_ OF _SPIRITS_ AND _APPARITIONS_, AND ON THE _GHOST_ IN _HAMLET_.

HENRYnounUS /ˈhenri/

a unit of inductance in which an induced electromotive force of one volt is produced when the current is varied at the rate of one ampere per second

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

hithertoadverbUS /ˈhɪðɜːrˈtuː/

used in negative statement to describe a situation that has existed up to this point or up to the present time

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

holdverbUS /hoʊld/

cause to continue in a certain state, position, or activity; e.g., “keep clean”

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

IInoun

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading & II._; ON _THE MERCHANT OF VENICE_, AND ON _HAMLET_—DISSERTATION ON THE _AGENCY_ OF _SPIRITS_ AND _APPARITIONS_, AND ON THE _GHOST_ IN _HAMLET_.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading & II._; ON _THE MERCHANT OF VENICE_, AND ON _HAMLET_—DISSERTATION ON THE _AGENCY_ OF _SPIRITS_ AND _APPARITIONS_, AND ON THE _GHOST_ IN _HAMLET_.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

JULIET

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

KINGnounUS /kɪŋ/

a male sovereign; ruler of a kingdom

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

MERCHANTnounUS /ˈmɜːr.tʃənt/

A person or company involved in wholesale trade, especially with foreign countries.

From this reading & II._; ON _THE MERCHANT OF VENICE_, AND ON _HAMLET_—DISSERTATION ON THE _AGENCY_ OF _SPIRITS_ AND _APPARITIONS_, AND ON THE _GHOST_ IN _HAMLET_.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

OBSERVATIONSnounUS /ˌɑːbzərˈveɪʃənz/

plural of “observation” — the act of making and recording a measurement

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

occurrencenounUS /əˈkɜːrəns/

an event that happens

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

ONprepositionUS /ɑːn/

touching and supported by a surface

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

PARTSnounUS /pɑːrts/

the local environment

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

preciseadjectiveUS /prɪˈsaɪs/

sharply exact or accurate or delimited

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

preponderancy

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

probabilitiesnounUS /ˌprɑːbəˈbɪlətiːz/

plural of “probability” — a measure of how likely it is that some event will occur; a number expressing the ratio of favorable cases to the whole number of cases possible

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

RICHARD

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

ROMEOnounUS /ˈroʊmioʊ/

an ardent male lover

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

scalenounUS /skeɪl/

an ordered reference standard

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

SECONDnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

seriesnounUS /ˈsɪriz/

similar things placed in order or happening one after another

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

SHREWnoun

a scolding nagging bad-tempered woman

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

sketchnounUS /sketʃ/

preliminary drawing for later elaboration

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

slightestadjectiveUS /ˈslaɪtəst/

superlative of “slight” — (quantifier used with mass nouns) small in quantity or degree; not much or almost none or (with “a”) at least some

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

sometimesadverbUS /səmˈtaɪmz/

on certain occasions or in certain cases but not always

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

SPIRITSnounUS /ˈspɪrɪts/

an alcoholic beverage that is distilled rather than fermented

From this reading & II._; ON _THE MERCHANT OF VENICE_, AND ON _HAMLET_—DISSERTATION ON THE _AGENCY_ OF _SPIRITS_ AND _APPARITIONS_, AND ON THE _GHOST_ IN _HAMLET_.

TAMINGverbUS /ˈteɪmɪŋ/

-ing form of “tame” — correct by punishment or discipline

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

THIRDnounUS /θɜːrd/

one of three equal parts of a divisible whole

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

tragedynounUS /ˈtrædʒədi/

an event resulting in great loss and misfortune

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

turnverbUS /tɜːrn/

change orientation or direction, also in the abstract sense

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

TWOnounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

VENICEnounUS /ˈvenəs/

the provincial capital of Veneto; built on 118 islands within a lagoon in the Gulf of Venice; has canals instead of streets; one of Italy's major ports and a famous tourist attraction

From this reading & II._; ON _THE MERCHANT OF VENICE_, AND ON _HAMLET_—DISSERTATION ON THE _AGENCY_ OF _SPIRITS_ AND _APPARITIONS_, AND ON THE _GHOST_ IN _HAMLET_.

VERONAnounUS /vərˈoʊnə/

a city in Veneto on the River Adige

From this reading OBSERVATIONS ON _ROMEO AND JULIET_; ON _THE TAMING OF THE SHREW_; ON _THE TWO GENTLEMEN OF VERONA_; ON _KING RICHARD THE THIRD_; ON _KING RICHARD THE SECOND_; ON _KING HENRY THE FOURTH, PARTS I.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

weighingnounUS /ˈweɪɪŋ/

careful consideration

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

whilstconjunctionUS /waɪlst/

an old and formal word for “while”

From this reading In endeavouring to ascertain the chronological series of our author's plays, we must ever hold in mind, that, in general, nothing more than _a choice of probabilities_ is before us, and that, whilst weighing their preponderancy, the slightest additional circumstance, so equally are they sometimes balanced, may turn the scale.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading It appears to us, that an occurrence of this kind will be found to point out, more accurately than hitherto, the precise period to which the _first_ sketch of the following tragedy may be ascribed.

Chapter 7 of Shakspeare and His Times [Vol. 2 of 2] by Nathan Drake holds 711 sentences, grouped into 143 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 7 of Shakspeare and His Times [Vol. 2 of 2] contain?

Chapter 7 holds 711 sentences of Shakspeare and His Times [Vol. 2 of 2], unabridged, divided into 143 reading sections.

This page carries chapter 7 of Shakspeare and His Times [Vol. 2 of 2] by Nathan Drake exactly as it stands in the source edition, without abridgement. It runs to 711 sentences, grouped into 143 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 7 of Shakspeare and His Times [Vol. 2 of 2]?

Work through the 143 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 143 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Yes — every sentence and every individual word in chapter 7 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Common questions about reading Shakspeare and His Times [Vol. 2 of 2] by Nathan Drake on this page, its source edition and its audio.

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Project Gutenberg eBook #53626, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Shakspeare and His Times [Vol. 2 of 2] take to read?

About 600 minutes of reading across 1454 sections of 5 sentences each, at an unhurried pace.

How to read Shakspeare and His Times [Vol. 2 of 2] section by section

How to work through Shakspeare and His Times [Vol. 2 of 2] section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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Vocabulary met early in Shakspeare and His Times [Vol. 2 of 2]

Words and structures a reader meets early in Shakspeare and His Times [Vol. 2 of 2], each tappable for pronunciation and meaning.

Shakspeare
A word that appears in the opening chapter of Shakspeare and His Times [Vol. 2 of 2]; the reader can tap it to hear it and see its dictionary entry.
Retirement
A word that appears in the opening chapter of Shakspeare and His Times [Vol. 2 of 2]; the reader can tap it to hear it and see its dictionary entry.
Anecdotes
A word that appears in the opening chapter of Shakspeare and His Times [Vol. 2 of 2]; the reader can tap it to hear it and see its dictionary entry.
Relative
A word that appears in the opening chapter of Shakspeare and His Times [Vol. 2 of 2]; the reader can tap it to hear it and see its dictionary entry.