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Shakspeare and His Times [Vol. 2 of 2]
Shakspeare and His Times [Vol. 2 of 2]

Chapter IX

Chapter 9 of Shakspeare and His Times [Vol. 2 of 2] is here in full — 745 sentences across 149 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/149 · 5 lines
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OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.
The Roman tragedy of Shakspeare, including the three pieces of _Julius Cæsar_, _Antony and Cleopatra_, and _Coriolanus_, exhibit the poet under a new aspect.
We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.
The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.
He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Shakspeare and His Times [Vol. 2 of 2]

Chapter IX

Chapter 9 of Shakspeare and His Times [Vol. 2 of 2] is here in full — 745 sentences across 149 reading sections, with audio for every sentence and word.

Reading 1/149 · 5 reading units · Lines 1–5

Line 1
OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.
Line 2
The Roman tragedy of Shakspeare, including the three pieces of _Julius Cæsar_, _Antony and Cleopatra_, and _Coriolanus_, exhibit the poet under a new aspect.
Line 3
We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.
Line 4
The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.
Line 5
He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

adhesion noun US /ædˈhiːʒən/

abnormal union of bodily tissues; most common in the abdomen

From this reading “The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.”

combining noun US /kəmˈbaɪnɪŋ/

an occurrence that results in things being united

From this reading “The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.”

discriminative adjective US /dɪˈskrɪmənətɪv/

capable of making fine distinctions

From this reading “We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.”

dissertation noun US /ˌdɪsərˈteɪʃən/

a treatise advancing a new point of view resulting from research; usually a requirement for an advanced academic degree

From this reading “OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.”

othello noun US /əˈθeloʊ/

the hero of William Shakespeare's tragedy who would not trust his wife

patriots noun US /ˈpeɪtriəts/

plural of “patriot” — one who loves and defends his or her country

From this reading “We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.”

resuscitated adjective US /rɪˈsʌsɪteɪtɪd/

restored to life or consciousness

From this reading “He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.”

unfettered adjective US /ənˈfetərd/

not bound by shackles and chains

From this reading “The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

most illustrious adverb + adjective

In this reading “We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.”

GENERAL BELIEF adjective + noun

In this reading “OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.”

new aspect adjective + noun

In this reading “The Roman tragedy of Shakspeare, including the three pieces of _Julius Cæsar_, _Antony and Cleopatra_, and _Coriolanus_, exhibit the poet under a new aspect.”

own country verb + noun

In this reading “We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.”

All words in this reading · 123

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The Roman tragedy of Shakspeare, including the three pieces of _Julius Cæsar_, _Antony and Cleopatra_, and _Coriolanus_, exhibit the poet under a new aspect.

accordinglyadverbUS /əˈkɔːrdɪŋli/

(sentence connectors) because of the reason given

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

achievedverbUS /əˈtʃiːvd/

past form of “achieve” — to gain with effort

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

adhesionnounUS /ædˈhiːʒən/

abnormal union of bodily tissues; most common in the abdomen

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

agesnounUS /ˈeɪdʒəz/

plural of “age” — how long something has existed

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

ancientadjectiveUS /ˈeɪn.ʃənt/

Belonging to the very distant past and no longer in existence or deeply revered.

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

annalsnounUS /ˈænəlz/

reports of the work of a society or learned body etc

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

ANTONYnounUS /ˈæntəni/

Roman general under Julius Caesar in the Gallic wars; repudiated his wife for the Egyptian queen Cleopatra; they were defeated by Octavian at Actium (83-30 BC)

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

ARTauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

ASconjunctionUS /æz/

at the same time that; because; in the way that

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

ASCRIBEDverbUS /əˈskraɪbd/

past form of “ascribe” — attribute or credit to

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

aspectnounUS /ˈæspekt/

a distinct feature or element in a problem

From this reading The Roman tragedy of Shakspeare, including the three pieces of _Julius Cæsar_, _Antony and Cleopatra_, and _Coriolanus_, exhibit the poet under a new aspect.

atprepositionUS /æt/

in or near a particular place or position

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

beheldverbUS /biˈheld/

inflected form of “behold” — see with attention

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

BELIEFnounUS /bɪˈliːf/

any cognitive content held as true

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

bringsverbUS /brɪŋz/

third-person singular of “bring” — take something or somebody with oneself somewhere

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

CHARACTERnounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

characteriseverb

be characteristic of

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

CLEOPATRAnounUS /ˌkliːəˈpætrə/

beautiful and charismatic queen of Egypt; mistress of Julius Caesar and later of Mark Antony; killed herself to avoid capture by Octavian (69-30 BC)

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

clothedadjectiveUS /kloʊðd/

wearing or provided with clothing; sometimes used in combination

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

combiningnounUS /kəmˈbaɪnɪŋ/

an occurrence that results in things being united

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

conceptionnounUS /kənˈsepʃən/

an abstract or general idea inferred or derived from specific instances

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

CORIOLANUS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

countrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

CÆSAR

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

discriminativeadjectiveUS /dɪˈskrɪmənətɪv/

capable of making fine distinctions

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

DISSERTATIONnounUS /ˌdɪsərˈteɪʃən/

a treatise advancing a new point of view resulting from research; usually a requirement for an advanced academic degree

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

DRAMATICadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

dramatiseverb

put into dramatic form

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

exhibitverbUS /ɪɡˈzɪbɪt/

show an attribute, property, knowledge, or skill

From this reading The Roman tragedy of Shakspeare, including the three pieces of _Julius Cæsar_, _Antony and Cleopatra_, and _Coriolanus_, exhibit the poet under a new aspect.

EXHIBITEDverbUS /ɪɡˈzɪbətəd/

past form of “exhibit” — show an attribute, property, knowledge, or skill

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

faithfuladjectiveUS /ˈfeɪθfəl/

steadfast in affection or allegiance

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

fixedadjectiveUS /fɪkst/

(of a number) having a fixed and unchanging value

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

freedomnounUS /ˈfriːdəm/

the condition of being free; the power to act or speak or think without externally imposed restraints

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

GENERALadjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

geniusnounUS /ˈdʒiːnjəs/

someone who has exceptional intellectual ability and originality

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

grandeurnounUS /ɡrænˈduːr/

the quality of being magnificent or splendid or grand

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

greatnessnounUS /ˈɡreɪtnəs/

the property possessed by something or someone of outstanding importance or eminence

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

GreecenounUS /ɡriːs/

a republic in southeastern Europe on the southern part of the Balkan peninsula; known for grapes and olives and olive oil

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

heroesnounUS /ˈhɪroʊz/

plural of “hero” — a man distinguished by exceptional courage and nobility and strength

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

illimitableadjective

without limits in extent or size or quantity

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

illustriousadjectiveUS /ˌɪˈlʌstriəs/

widely known and esteemed

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

includingverbUS /ˌɪnˈkluːdɪŋ/

-ing form of “include” — have as a part, be made up out of

From this reading The Roman tragedy of Shakspeare, including the three pieces of _Julius Cæsar_, _Antony and Cleopatra_, and _Coriolanus_, exhibit the poet under a new aspect.

JULIUS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

MAGICnounUS /ˈmædʒɪk/

any art that invokes supernatural powers

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

majestynounUS /ˈmædʒəsti/

impressiveness in scale or proportion

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

MANAGEMENTnounUS /ˈmænədʒmənt/

the act of managing something

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

mannersnounUS /ˈmænərz/

social deportment

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

matchlessadjective

eminent beyond or above comparison

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

modesnounUS /moʊdz/

plural of “mode” — how something is done or how it happens

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

mostadverbUS /moʊst/

used to form the superlative

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading The Roman tragedy of Shakspeare, including the three pieces of _Julius Cæsar_, _Antony and Cleopatra_, and _Coriolanus_, exhibit the poet under a new aspect.

NIGHTnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

OBSERVATIONSnounUS /ˌɑːbzərˈveɪʃənz/

plural of “observation” — the act of making and recording a measurement

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

ONprepositionUS /ɑːn/

touching and supported by a surface

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

OTHELLOnounUS /əˈθeloʊ/

the hero of William Shakespeare's tragedy who would not trust his wife

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

ownverbUS /oʊn/

have ownership or possession of

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

patriotsnounUS /ˈpeɪtriəts/

plural of “patriot” — one who loves and defends his or her country

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

pencilnounUS /ˈpensəl/

a thin cylindrical pointed writing implement; a rod of marking substance encased in wood

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

piecesnounUS /ˈpiːsəz/

plural of “piece” — a separate part of a whole

From this reading The Roman tragedy of Shakspeare, including the three pieces of _Julius Cæsar_, _Antony and Cleopatra_, and _Coriolanus_, exhibit the poet under a new aspect.

PLAYSnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

poetnounUS /ˈpoʊət/

a writer of poems (the term is usually reserved for writers of good poetry)

From this reading The Roman tragedy of Shakspeare, including the three pieces of _Julius Cæsar_, _Antony and Cleopatra_, and _Coriolanus_, exhibit the poet under a new aspect.

powernounUS /ˈpaʊər/

possession of controlling influence

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

recordsnounUS /rəˈkɔːrdz/

plural of “record” — anything (such as a document or a phonograph record or a photograph) providing permanent evidence of or information about past events

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

republicannounUS /rɪˈpʌblɪkən/

a member of the Republican Party

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

respectiveadjectiveUS /rɪˈspektɪv/

considered individually

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

resuscitatedadjectiveUS /rɪˈsʌsɪteɪtɪd/

restored to life or consciousness

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

RomanadjectiveUS /ˈroʊmən/

relating to or characteristic of people of Rome

From this reading The Roman tragedy of Shakspeare, including the three pieces of _Julius Cæsar_, _Antony and Cleopatra_, and _Coriolanus_, exhibit the poet under a new aspect.

RomenounUS /roʊm/

capital and largest city of Italy; on the Tiber; seat of the Roman Catholic Church; formerly the capital of the Roman Republic and the Roman Empire

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

scenenounUS /siːn/

the place where some action occurs

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

SHAKSPEARE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

SHAKSPEARE's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

skillnounUS /skɪl/

an ability that has been acquired by training

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

splendournoun

a quality that outshines the usual

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

SUMMARYnounUS /ˈsʌməri/

a brief statement that presents the main points in a concise form

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

SUPERSTITIONnounUS /ˌsuːpərˈstɪʃən/

an irrational belief arising from ignorance or fear

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

surroundedadjectiveUS /sərˈaʊndɪd/

confined on all sides

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

TALEnounUS /teɪl/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

tasknounUS /tæsk/

any piece of work that is undertaken or attempted

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

TEMPESTnounUS /ˈtempəst/

a violent commotion or disturbance

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

thinkingnounUS /ˈθɪŋkɪŋ/

the process of using your mind to consider something carefully

From this reading He has, accordingly, not only fixed his scene at Rome, during the days of Coriolanus or of Cæsar, but he has resuscitated the manners and the modes of thinking of their respective ages.

THISdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading The Roman tragedy of Shakspeare, including the three pieces of _Julius Cæsar_, _Antony and Cleopatra_, and _Coriolanus_, exhibit the poet under a new aspect.

TIMESnounUS /taɪmz/

a more or less definite period of time now or previously present

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

TOparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

touchingadjectiveUS /ˈtʌtʃɪŋ/

arousing affect

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

tragedynounUS /ˈtrædʒədi/

an event resulting in great loss and misfortune

From this reading The Roman tragedy of Shakspeare, including the three pieces of _Julius Cæsar_, _Antony and Cleopatra_, and _Coriolanus_, exhibit the poet under a new aspect.

TWELFTHadjectiveUS /twelfθ/

coming next after the eleventh and just before the thirteenth in position

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading The Roman tragedy of Shakspeare, including the three pieces of _Julius Cæsar_, _Antony and Cleopatra_, and _Coriolanus_, exhibit the poet under a new aspect.

unfetteredadjectiveUS /ənˈfetərd/

not bound by shackles and chains

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

warriorsnounUS /ˈwɔːriərz/

plural of “warrior” — someone engaged in or experienced in warfare

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The task of combining a faithful adhesion to the records of history with that grandeur and freedom of conception which characterise the unfettered poet, could alone have been achieved by the genius of Shakspeare.

WINTER'SnounUS /ˈwɪntərz/

possessive form of “winter” — the coldest season of the year; in the northern hemisphere it extends from the winter solstice to the vernal equinox

From this reading OBSERVATIONS ON _JULIUS CÆSAR_; ON _ANTONY AND CLEOPATRA_; ON _CORIOLANUS_; ON _THE WINTER'S TALE_; ON _THE TEMPEST_; DISSERTATION ON THE _GENERAL BELIEF_ OF THE TIMES IN THE _ART OF MAGIC_, AND ON SHAKSPEARE's MANAGEMENT OF THIS SUPERSTITION, AS EXHIBITED IN _THE TEMPEST_—OBSERVATIONS ON _OTHELLO_; ON _TWELFTH NIGHT_, AND ON THE _PLAYS ASCRIBED_ TO SHAKSPEARE—_SUMMARY OF SHAKSPEARE'S DRAMATIC CHARACTER_.

withprepositionUS /wɪð/

in the company of; together with

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading We have seen him dramatise the annals of his own country with matchless skill and effect; we have beheld him touching with a discriminative pencil the heroes of ancient Greece, and he now brings before us, clothed in the majesty of republican greatness, or surrounded with the splendour of illimitable power, the most illustrious patriots and warriors of the Roman world.

Chapter 9 of Shakspeare and His Times [Vol. 2 of 2] by Nathan Drake holds 745 sentences, grouped into 149 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 9 of Shakspeare and His Times [Vol. 2 of 2] contain?

Chapter 9 holds 745 sentences of Shakspeare and His Times [Vol. 2 of 2], unabridged, divided into 149 reading sections.

This page carries chapter 9 of Shakspeare and His Times [Vol. 2 of 2] by Nathan Drake exactly as it stands in the source edition, without abridgement. It runs to 745 sentences, grouped into 149 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 9 of Shakspeare and His Times [Vol. 2 of 2]?

Work through the 149 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 149 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 9 be read aloud to me?

Yes — every sentence and every individual word in chapter 9 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Shakspeare and His Times [Vol. 2 of 2]

Common questions about reading Shakspeare and His Times [Vol. 2 of 2] by Nathan Drake on this page, its source edition and its audio.

Is this the complete text of Shakspeare and His Times [Vol. 2 of 2]?

Yes. All 7269 sentences of Project Gutenberg eBook #53626 are kept, with a record of which sentences cover which part.

Which edition of Shakspeare and His Times [Vol. 2 of 2] is used?

Project Gutenberg eBook #53626, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Shakspeare and His Times [Vol. 2 of 2] take to read?

About 600 minutes of reading across 1454 sections of 5 sentences each, at an unhurried pace.

How to read Shakspeare and His Times [Vol. 2 of 2] section by section

How to work through Shakspeare and His Times [Vol. 2 of 2] section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 12 chapters of Shakspeare and His Times [Vol. 2 of 2] to begin.

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    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Shakspeare and His Times [Vol. 2 of 2]

Words and structures a reader meets early in Shakspeare and His Times [Vol. 2 of 2], each tappable for pronunciation and meaning.

Shakspeare
A word that appears in the opening chapter of Shakspeare and His Times [Vol. 2 of 2]; the reader can tap it to hear it and see its dictionary entry.
Retirement
A word that appears in the opening chapter of Shakspeare and His Times [Vol. 2 of 2]; the reader can tap it to hear it and see its dictionary entry.
Anecdotes
A word that appears in the opening chapter of Shakspeare and His Times [Vol. 2 of 2]; the reader can tap it to hear it and see its dictionary entry.
Relative
A word that appears in the opening chapter of Shakspeare and His Times [Vol. 2 of 2]; the reader can tap it to hear it and see its dictionary entry.