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Short Stories for High Schools
Short Stories for High Schools

Chapter XVII

Chapter 17 of Short Stories for High Schools is here in full — 394 sentences across 79 reading sections, with audio for every sentence and word.

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In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.
There stands the criminal queen.
She confesses her crime and explains the reason for it.
So sometimes a story opens the doors of a character’s heart and mind, and invites us to look within.
Such a story is called psychological.
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Short Stories for High Schools

Chapter XVII

Chapter 17 of Short Stories for High Schools is here in full — 394 sentences across 79 reading sections, with audio for every sentence and word.

Reading 1/78 · 5 reading units · Lines 1–5

Line 1
In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.
/ɪn wʌn ʌv ðə oʊld ɡriːk ˈtrædʒədiz ˈæftər ðə ˈæktərz ɑːn ðə steɪdʒ hæv pleɪd ðer pɑːrts ənd ðə ˈkɔːrəs ɪn ðə ˈɔːrkəstrə bɪˈloʊ hæz ˈhɪntəd ˌmɪˈstɪriəsli ʌv kraɪm ənd ˌret.rəˈbjuː.ʃən ðə dɔːrz ʌv ðə ˈpæləs ɪn ðə ˈbækɡraʊnd ˈsʌdənli flaɪ əˈpɑːrt/
Line 2
There stands the criminal queen.
/ðer stændz ðə ˈkrɪmənəl kwiːn/
Line 3
She confesses her crime and explains the reason for it.
/ʃiː kənˈfesɪz hɜːr kraɪm ənd ɪkˈspleɪnz ðə ˈriːzən fɔːr ɪt/
Line 4
So sometimes a story opens the doors of a character’s heart and mind, and invites us to look within.
/soʊ səmˈtaɪmz ə ˈstɔːri ˈoʊpənz ðə dɔːrz ʌv ə ˈkerɪktərz hɑːrt ənd maɪnd ənd ˌɪnˈvaɪts ʌs tuː lʊk wɪˈðɪn/
Line 5
Such a story is called psychological.
/sʌtʃ ə ˈstɔːri ɪz kɔːld ˌsaɪkəˈlɑːdʒɪkəl/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

character's noun US /ˈkerɪktərz/

possessive form of “character” — an imaginary person represented in a work of fiction (play or film or story)

confesses verb US /kənˈfesɪz/

third-person singular of “confess” — confess to a punishable or reprehensible deed, usually under pressure

From this reading “She confesses her crime and explains the reason for it.”

explains verb US /ɪkˈspleɪnz/

third-person singular of “explain” — make plain and comprehensible

From this reading “She confesses her crime and explains the reason for it.”

invites noun US /ˌɪnˈvaɪts/

plural of “invite” — a colloquial expression for invitation

From this reading “So sometimes a story opens the doors of a character’s heart and mind, and invites us to look within.”

orchestra noun US /ˈɔːrkəstrə/

a musical organization consisting of a group of instrumentalists including string players

From this reading “In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.”

psychological adjective US /ˌsaɪkəˈlɑːdʒɪkəl/

mental or emotional as opposed to physical in nature

From this reading “Such a story is called psychological.”

retribution noun US /ˌret.rəˈbjuː.ʃən/

Punishment inflicted on someone as vengeance for a wrong act. (Sự trừng phạt, quả báo thích đáng.)

From this reading “In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.”

tragedies noun US /ˈtrædʒədiz/

plural of “tragedy” — an event resulting in great loss and misfortune

From this reading “In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

opens the doors verb + article + noun counted as “open … door”

In this reading “So sometimes a story opens the doors of a character’s heart and mind, and invites us to look within.”

on the stage preposition + article + noun counted as “on … stage”

In this reading “In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.”

in the background preposition + article + noun counted as “in … background”

In this reading “In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.”

All words in this reading · 58

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading So sometimes a story opens the doors of a character’s heart and mind, and invites us to look within.

actorsnounUS /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

afterprepositionUS /ˈæftər/

later than; following

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

apartadverbUS /əˈpɑːrt/

separated or at a distance in place or position or time

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

backgroundnounUS /ˈbækɡraʊnd/

a person's social heritage: previous experience or training

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

belowprepositionUS /bɪˈloʊ/

at or to a lower level than something

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading Such a story is called psychological.

character'snounUS /ˈkerɪktərz/

possessive form of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading So sometimes a story opens the doors of a character’s heart and mind, and invites us to look within.

chorusnounUS /ˈkɔːrəs/

any utterance produced simultaneously by a group

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

confessesverbUS /kənˈfesɪz/

third-person singular of “confess” — confess to a punishable or reprehensible deed, usually under pressure

From this reading She confesses her crime and explains the reason for it.

crimenounUS /kraɪm/

(criminal law) an act punishable by law; usually considered an evil act

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

criminaladjectiveUS /ˈkrɪmənəl/

bringing or deserving severe rebuke or censure

From this reading There stands the criminal queen.

doorsnounUS /dɔːrz/

plural of “door” — a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

explainsverbUS /ɪkˈspleɪnz/

third-person singular of “explain” — make plain and comprehensible

From this reading She confesses her crime and explains the reason for it.

flyverbUS /flaɪ/

travel through the air; be airborne

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading She confesses her crime and explains the reason for it.

GreeknounUS /ɡriːk/

the Hellenic branch of the Indo-European family of languages

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading So sometimes a story opens the doors of a character’s heart and mind, and invites us to look within.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading She confesses her crime and explains the reason for it.

hintedverbUS /ˈhɪntəd/

past form of “hint” — drop a hint; intimate by a hint

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

invitesnounUS /ˌɪnˈvaɪts/

plural of “invite” — a colloquial expression for invitation

From this reading So sometimes a story opens the doors of a character’s heart and mind, and invites us to look within.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Such a story is called psychological.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading She confesses her crime and explains the reason for it.

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading So sometimes a story opens the doors of a character’s heart and mind, and invites us to look within.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading So sometimes a story opens the doors of a character’s heart and mind, and invites us to look within.

mysteriouslyadverbUS /ˌmɪˈstɪriəsli/

in a cryptic manner

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

opensnounUS /ˈoʊpənz/

plural of “open” — a clear or unobstructed space or expanse of land or water

From this reading So sometimes a story opens the doors of a character’s heart and mind, and invites us to look within.

orchestranounUS /ˈɔːrkəstrə/

a musical organization consisting of a group of instrumentalists including string players

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

palacenounUS /ˈpæləs/

a large and stately mansion

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

partsnounUS /pɑːrts/

the local environment

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

playedadjectiveUS /pleɪd/

(of games) engaged in

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

psychologicaladjectiveUS /ˌsaɪkəˈlɑːdʒɪkəl/

mental or emotional as opposed to physical in nature

From this reading Such a story is called psychological.

queennounUS /kwiːn/

the only fertile female in a colony of social insects such as bees and ants and termites; its function is to lay eggs

From this reading There stands the criminal queen.

reasonnounUS /ˈriːzən/

a rational motive for a belief or action

From this reading She confesses her crime and explains the reason for it.

retributionnounUS /ˌret.rəˈbjuː.ʃən/

Punishment inflicted on someone as vengeance for a wrong act. (Sự trừng phạt, quả báo thích đáng.)

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading She confesses her crime and explains the reason for it.

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading So sometimes a story opens the doors of a character’s heart and mind, and invites us to look within.

sometimesadverbUS /səmˈtaɪmz/

on certain occasions or in certain cases but not always

From this reading So sometimes a story opens the doors of a character’s heart and mind, and invites us to look within.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

standsnounUS /stændz/

plural of “stand” — a support or foundation

From this reading There stands the criminal queen.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading So sometimes a story opens the doors of a character’s heart and mind, and invites us to look within.

SuchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading Such a story is called psychological.

suddenlyadverbUS /ˈsʌdənli/

happening unexpectedly

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

ThereadverbUS /ðer/

in or at that place or location

From this reading There stands the criminal queen.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading So sometimes a story opens the doors of a character’s heart and mind, and invites us to look within.

tragediesnounUS /ˈtrædʒədiz/

plural of “tragedy” — an event resulting in great loss and misfortune

From this reading In one of the old Greek tragedies, after the actors on the stage have played their parts and the chorus in the orchestra below has hinted mysteriously of crime and retribution, the doors of the palace in the background suddenly fly apart.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading So sometimes a story opens the doors of a character’s heart and mind, and invites us to look within.

withinprepositionUS /wɪˈðɪn/

inside; before a period of time has passed

From this reading So sometimes a story opens the doors of a character’s heart and mind, and invites us to look within.

Chapter 17 of Short Stories for High Schools by Rosa Mary Redding[Editor] Mikels holds 394 sentences, grouped into 79 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 17 of Short Stories for High Schools contain?

Chapter 17 holds 394 sentences of Short Stories for High Schools, unabridged, divided into 79 reading sections.

This page carries chapter 17 of Short Stories for High Schools by Rosa Mary Redding[Editor] Mikels exactly as it stands in the source edition, without abridgement. It runs to 394 sentences, grouped into 79 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 17 of Short Stories for High Schools?

Work through the 79 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 79 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 17 be read aloud to me?

Yes — every sentence and every individual word in chapter 17 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Short Stories for High Schools

Common questions about reading Short Stories for High Schools by Rosa Mary Redding[Editor] Mikels on this page, its source edition and its audio.

Is this the complete text of Short Stories for High Schools?

Yes. All 6824 sentences of Project Gutenberg eBook #50543 are kept, with a record of which sentences cover which part.

Which edition of Short Stories for High Schools is used?

Project Gutenberg eBook #50543, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Short Stories for High Schools take to read?

About 568 minutes of reading across 1365 sections of 5 sentences each, at an unhurried pace.

How to read Short Stories for High Schools section by section

How to work through Short Stories for High Schools section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 17 chapters of Short Stories for High Schools to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Short Stories for High Schools

Words and structures a reader meets early in Short Stories for High Schools, each tappable for pronunciation and meaning.

Shortridge
A word that appears in the opening chapter of Short Stories for High Schools; the reader can tap it to hear it and see its dictionary entry.
School
A word that appears in the opening chapter of Short Stories for High Schools; the reader can tap it to hear it and see its dictionary entry.
Indianapolis
A word that appears in the opening chapter of Short Stories for High Schools; the reader can tap it to hear it and see its dictionary entry.
Confine
A word that appears in the opening chapter of Short Stories for High Schools; the reader can tap it to hear it and see its dictionary entry.