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Short story classics (Foreign), Vol. 1, Russian
Short story classics (Foreign), Vol. 1, Russian

Chapter X

Chapter 10 of Short story classics (Foreign), Vol. 1, Russian is here in full — 412 sentences across 83 reading sections, with audio for every sentence and word.

Cover illustration for Short story classics (Foreign), Vol. 1, Russian
Context Illustration Reading 1/82 · 5 lines
English subtitles · tap any word to listen 1 / 5
“’Tis life alone to be near thee, Thine only, all thine own!”
THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.
He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._
_Unlike some of the other younger Russian writers, Teleshov is wholly sound, sympathetic, and gentle in his writings.
He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Short story classics (Foreign), Vol. 1, Russian

Chapter X

Chapter 10 of Short story classics (Foreign), Vol. 1, Russian is here in full — 412 sentences across 83 reading sections, with audio for every sentence and word.

Reading 1/82 · 5 reading units · Lines 1–5

Line 1
“’Tis life alone to be near thee, Thine only, all thine own!”
/tɪz laɪf əˈloʊn tuː biː nɪr ðiː ðaɪn ˈoʊnli ɔːl ðaɪn oʊn/
Line 2
THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.
Line 3
He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._
Line 4
_Unlike some of the other younger Russian writers, Teleshov is wholly sound, sympathetic, and gentle in his writings.
Line 5
He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

affinity noun US /əˈfɪnəti/

(immunology) the attraction between an antigen and an antibody

From this reading “He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._”

Chekhov noun US /ˈtʃekɑːv/

Russian dramatist whose plays are concerned with the difficulty of communication between people (1860-1904)

From this reading “He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._”

disciple noun US /dɪˈsaɪpəl/

someone who believes and helps to spread the doctrine of another

From this reading “He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._”

Moscow noun US /ˈmɑːskoʊ/

a city of central European Russia; formerly capital of both the Soviet Union and Soviet Russia; since 1991 the capital of the Russian Federation

From this reading “THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.”

objective adjective US /əbˈdʒektɪv/

undistorted by emotion or personal bias; based on observable phenomena

From this reading “He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._”

Sciences noun US /ˈsaɪənsəz/

plural of “science” — a particular branch of scientific knowledge

From this reading “THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.”

treats noun US /triːts/

plural of “treat” — something considered choice to eat

From this reading “He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._”

unrestrained adjective US /ˌʌnriˈstreɪnd/

not subject to restraint

From this reading “He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

literary career adjective + noun

In this reading “He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._”

great artist adjective + noun

In this reading “He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._”

great city adjective + noun

In this reading “He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.”

Translated by verb + particle counted as “translate by”

In this reading “He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.”

met with verb + particle counted as “meet with”

In this reading “He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._”

started on verb + particle counted as “start on”

In this reading “He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._”

All words in this reading · 102

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1867

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

1884

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

AcademynounUS /əˈkæd.ə.mi/

A place of study or training in a special field of knowledge and arts.

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

affinitynounUS /əˈfɪnəti/

(immunology) the attraction between an antigen and an antibody

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading “’Tis life alone to be near thee, Thine only, all thine own!”

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

aloneadjectiveUS /əˈloʊn/

Having no one else present.

From this reading “’Tis life alone to be near thee, Thine only, all thine own!”

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

Anton

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

AppliedadjectiveUS /əˈplaɪd/

concerned with concrete problems or data rather than with fundamental principles

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

artistnounUS /ˈɑːrtəst/

a person whose creative work shows sensitivity and imagination

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

atprepositionUS /æt/

in or near a particular place or position

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

BnounUS /biː/

aerobic rod-shaped spore-producing bacterium; often occurring in chainlike formations; found primarily in soil

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading “’Tis life alone to be near thee, Thine only, all thine own!”

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

bornadjectiveUS /bɔːrn/

brought into existence

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

BYprepositionUS /baɪ/

showing who or what does the action

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

careernounUS /kərˈɪr/

the particular occupation for which you are trained

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

ChekhovnounUS /ˈtʃekɑːv/

Russian dramatist whose plays are concerned with the difficulty of communication between people (1860-1904)

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

choicenounUS /tʃɔɪs/

the person or thing chosen or selected

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

citynounUS /ˈsɪti/

a large and densely populated urban area; may include several independent administrative districts

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

criticsnounUS /ˈkrɪtɪks/

plural of “critic” — a person who is professionally engaged in the analysis and interpretation of works of art

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

disciplenounUS /dɪˈsaɪpəl/

someone who believes and helps to spread the doctrine of another

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

DMITRIEVITCH

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

DUELnounUS /ˈduːəl/

a prearranged fight with deadly weapons by two people (accompanied by seconds) in order to settle a quarrel over a point of honor

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

easilyadverbUS /ˈiːzəli/

with ease (“easy” is sometimes used informally for “easily”)

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

every-day

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

foremostadjectiveUS /ˈfɔːrmoʊst/

ranking above all others

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

foundverbUS /faʊnd/

set up or found

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

gentleadjectiveUS /ˈdʒentəl/

soft and mild; not harsh or stern or severe

From this reading _Unlike some of the other younger Russian writers, Teleshov is wholly sound, sympathetic, and gentle in his writings.

Gorin

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

graynounUS /ɡreɪ/

a neutral achromatic color midway between white and black

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

half-Bohemianism

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

immediateadjectiveUS /ˌɪˈmiːdiːət/

of the present time and place

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

layverbUS /leɪ/

put into a certain place or abstract location

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading “’Tis life alone to be near thee, Thine only, all thine own!”

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

Lizzie

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

looseadjectiveUS /luːs/

not compact or dense in structure or arrangement

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

metverbUS /met/

inflected form of “meet” — come together

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

MoscownounUS /ˈmɑːskoʊ/

a city of central European Russia; formerly capital of both the Soviet Union and Soviet Russia; since 1991 the capital of the Russian Federation

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

mostadverbUS /moʊst/

used to form the superlative

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

nearadverbUS /nɪr/

near in time or place or relationship

From this reading “’Tis life alone to be near thee, Thine only, all thine own!”

NIKOLAI

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

objectiveadjectiveUS /əbˈdʒektɪv/

undistorted by emotion or personal bias; based on observable phenomena

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading “’Tis life alone to be near thee, Thine only, all thine own!”

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading _Unlike some of the other younger Russian writers, Teleshov is wholly sound, sympathetic, and gentle in his writings.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

ownverbUS /oʊn/

have ownership or possession of

From this reading “’Tis life alone to be near thee, Thine only, all thine own!”

pettyadjectiveUS /ˈpetiː/

inferior in rank or status

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

pointedadjectiveUS /ˈpɔɪntɪd/

having a point

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

recognitionnounUS /ˌrekəɡˈnɪʃən/

the state or quality of being recognized or acknowledged

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

RussiannounUS /ˈrʌʃən/

a native or inhabitant of Russia

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

SciencesnounUS /ˈsaɪənsəz/

plural of “science” — a particular branch of scientific knowledge

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading _Unlike some of the other younger Russian writers, Teleshov is wholly sound, sympathetic, and gentle in his writings.

soundnounUS /saʊnd/

the particular auditory effect produced by a given cause

From this reading _Unlike some of the other younger Russian writers, Teleshov is wholly sound, sympathetic, and gentle in his writings.

startedverbUS /ˈstɑːrtɪd/

past form of “start” — take the first step or steps in carrying out an action

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

strongadjectiveUS /strɔːŋ/

having strength or power greater than average or expected

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

studiedadjectiveUS /ˈstʌdid/

produced or marked by conscious design or premeditation

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

subjectsnounUS /ˈsʌbdʒɪkts/

plural of “subject” — the subject matter of a conversation or discussion

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

sympatheticadjectiveUS /ˌsɪmpəˈθetɪk/

of or relating to the sympathetic nervous system

From this reading _Unlike some of the other younger Russian writers, Teleshov is wholly sound, sympathetic, and gentle in his writings.

takesnounUS /teɪks/

plural of “take” — the income or profit arising from such transactions as the sale of land or other property

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

TELESHOV

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

theepronounUS /ðiː/

an old word for “you”, as the object, speaking to one person

From this reading “’Tis life alone to be near thee, Thine only, all thine own!”

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

ThinepronounUS /ðaɪn/

an old word for “yours”

From this reading “’Tis life alone to be near thee, Thine only, all thine own!”

TisnounUS /tɪz/

plural of “ti” — a light strong grey lustrous corrosion-resistant metallic element used in strong lightweight alloys (as for airplane parts); the main sources are rutile and ilmenite

From this reading “’Tis life alone to be near thee, Thine only, all thine own!”

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading “’Tis life alone to be near thee, Thine only, all thine own!”

tradesmannoun

a merchant who owns or manages a shop

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

TranslatedverbUS /trænzˈleɪtɪd/

past form of “translate” — restate (words) from one language into another language

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

treatsnounUS /triːts/

plural of “treat” — something considered choice to eat

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

UnlikeadjectiveUS /ənˈlaɪk/

marked by dissimilarity

From this reading _Unlike some of the other younger Russian writers, Teleshov is wholly sound, sympathetic, and gentle in his writings.

unrestrainedadjectiveUS /ˌʌnriˈstreɪnd/

not subject to restraint

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading THE DUEL BY NIKOLAI DMITRIEVITCH TELESHOV _Teleshov was born in 1867 and studied at the Moscow Academy of Applied Sciences.

waynounUS /weɪ/

how something is done or how it happens

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

whereverconjunctionUS /weˈrevər/

in or to any place at all

From this reading He takes his subjects wherever he can most easily lay his hand upon them--in the petty, gray, every-day life of the tradesman or from among the loose, unrestrained half-Bohemianism which is found in every great city._ THE DUEL BY NIKOLAI TELESHOV Translated by Lizzie B. Gorin.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

whollyadverbUS /ˈhoʊli/

to a complete degree or to the full or entire extent (“whole” is often used informally for “wholly”)

From this reading _Unlike some of the other younger Russian writers, Teleshov is wholly sound, sympathetic, and gentle in his writings.

withprepositionUS /wɪð/

in the company of; together with

From this reading He started on his literary career in 1884 and met with almost immediate recognition._ _In his choice of subjects, as well as in the strong objective way in which he treats them, Teleshov is a disciple of Anton Chekhov, and his affinity with that great artist has been pointed out by the foremost Russian critics._

writersnounUS /ˈraɪtərz/

plural of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading _Unlike some of the other younger Russian writers, Teleshov is wholly sound, sympathetic, and gentle in his writings.

writingsnounUS /ˈraɪtɪŋz/

the third of three divisions of the Hebrew Scriptures

From this reading _Unlike some of the other younger Russian writers, Teleshov is wholly sound, sympathetic, and gentle in his writings.

youngeradjectiveUS /ˈjʌŋɡər/

used of the younger of two persons of the same name especially used to distinguish a son from his father

From this reading _Unlike some of the other younger Russian writers, Teleshov is wholly sound, sympathetic, and gentle in his writings.

Chapter 10 of Short story classics (Foreign), Vol. 1, Russian by William [Editor] Patten holds 412 sentences, grouped into 83 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 10 of Short story classics (Foreign), Vol. 1, Russian contain?

Chapter 10 holds 412 sentences of Short story classics (Foreign), Vol. 1, Russian, unabridged, divided into 83 reading sections.

This page carries chapter 10 of Short story classics (Foreign), Vol. 1, Russian by William [Editor] Patten exactly as it stands in the source edition, without abridgement. It runs to 412 sentences, grouped into 83 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 10 of Short story classics (Foreign), Vol. 1, Russian?

Work through the 83 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 83 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 10 be read aloud to me?

Yes — every sentence and every individual word in chapter 10 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Short story classics (Foreign), Vol. 1, Russian

Common questions about reading Short story classics (Foreign), Vol. 1, Russian by William [Editor] Patten on this page, its source edition and its audio.

Is this the complete text of Short story classics (Foreign), Vol. 1, Russian?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of Short story classics (Foreign), Vol. 1, Russian is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

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About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read Short story classics (Foreign), Vol. 1, Russian section by section

How to work through Short story classics (Foreign), Vol. 1, Russian section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Short story classics (Foreign), Vol. 1, Russian

Words and structures a reader meets early in Short story classics (Foreign), Vol. 1, Russian, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of Short story classics (Foreign), Vol. 1, Russian, divided into 5-sentence reading sections.
Chapter 2
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Chapter 3
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