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Short story classics (Foreign), Vol. 4, French I
Short story classics (Foreign), Vol. 4, French I

Chapter II

Chapter 2 of Short story classics (Foreign), Vol. 4, French I is here in full — 400 sentences across 80 reading sections, with audio for every sentence and word.

Cover illustration for Short story classics (Foreign), Vol. 4, French I
Context Illustration Reading 1/80 · 5 lines
English subtitles · tap any word to listen 1 / 5
The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.
His hands shook.
Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.
Was Frenhofer sane or mad?
Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Short story classics (Foreign), Vol. 4, French I

Chapter II

Chapter 2 of Short story classics (Foreign), Vol. 4, French I is here in full — 400 sentences across 80 reading sections, with audio for every sentence and word.

Reading 1/80 · 5 reading units · Lines 1–5

Line 1
The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.
/ðə oʊld mæn siːmd tuː hæv ɡroʊn jʌŋ əˈɡen ðer wɑːz laɪt ənd laɪf ɪn hɪz aɪz ənd ə feɪnt flʌʃ ʌv red ɪn hɪz peɪl feɪs/
Line 2
His hands shook.
/hɪz hændz ʃʊk/
Line 3
Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.
Line 4
Was Frenhofer sane or mad?
Line 5
Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

amazed adjective US /əˈmeɪzd/

filled with the emotional impact of overwhelming surprise or shock

From this reading “Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.”

artist's noun US /ˈɑːrtəsts/

possessive form of “artist” — a person whose creative work shows sensitivity and imagination

flush noun US /flʌʃ/

the period of greatest prosperity or productivity

From this reading “The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.”

freak noun US /friːk/

a person or animal that is markedly unusual or deformed

From this reading “Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.”

sane adjective US /seɪn/

mentally healthy; free from mental disorder

From this reading “Was Frenhofer sane or mad?”

travail noun US /trəˈveɪl/

concluding state of pregnancy; from the onset of contractions to the birth of a child

From this reading “Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.”

utterance noun US /ˈʌtərəns/

the use of uttered sounds for auditory communication

From this reading “Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.”

vehemence noun US /ˈviːəməns/

intensity or forcefulness of expression

From this reading “Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

faint flush adjective + noun

In this reading “The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.”

pale face adjective + noun

In this reading “The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.”

old man adjective + noun

a man who is very old

In this reading “The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.”

some freak adjective + noun

In this reading “Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.”

produced by verb + particle counted as “produce by”

In this reading “Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.”

comes over verb + particle counted as “come over”

communicate the intended meaning or impression

In this reading “Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.”

All words in this reading · 73

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

againadverbUS /əˈɡen/

anew

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

amazedadjectiveUS /əˈmeɪzd/

filled with the emotional impact of overwhelming surprise or shock

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

artist'snounUS /ˈɑːrtəsts/

possessive form of “artist” — a person whose creative work shows sensitivity and imagination

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

comesnounUS /kʌmz/

plural of “come” — the thick white fluid containing spermatozoa that is ejaculated by the male genital tract

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

emotionnounUS /ɪˈmoʊʃən/

any strong feeling

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

eyesnounUS /aɪz/

opinion or judgment

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

faintadjectiveUS /feɪnt/

deficient in magnitude; barely perceptible; lacking clarity or brightness or loudness etc

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

fallenadjectiveUS /ˈfɑːlən/

having dropped by the force of gravity

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

fancynounUS /ˈfænsi/

something many people believe that is false

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

flushnounUS /flʌʃ/

the period of greatest prosperity or productivity

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

freaknounUS /friːk/

a person or animal that is markedly unusual or deformed

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

Frenhofer

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Was Frenhofer sane or mad?

Frenhofer's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

grownadjectiveUS /ɡroʊn/

(of animals) fully developed

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

Hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

handsnounUS /hændz/

(with “in”) guardianship over; in divorce cases it is the right to house and care for and discipline a child

From this reading His hands shook.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

ideasnounUS /aɪˈdiːəz/

plural of “idea” — the content of cognition; the main thing you are thinking about

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

knewverbUS /nuː/

inflected form of “know” — be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

lightadjectiveUS /laɪt/

of comparatively little physical weight or density

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

light-headedness

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

madadjectiveUS /mæd/

roused to anger

From this reading Was Frenhofer sane or mad?

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Was Frenhofer sane or mad?

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

paleadjectiveUS /peɪl/

very light colored; highly diluted with white

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

passionateadjectiveUS /ˈpæʃənət/

having or expressing strong emotions

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

Porbus

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

producedverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

profoundadjectiveUS /proʊˈfaʊnd/

showing intellectual penetration or emotional depth

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

rednounUS /red/

red color or pigment; the chromatic color resembling the hue of blood

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

replynounUS /rɪˈplaɪ/

a statement (either spoken or written) that is made to reply to a question or request or criticism or accusation

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

saneadjectiveUS /seɪn/

mentally healthy; free from mental disorder

From this reading Was Frenhofer sane or mad?

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

shooknounUS /ʃʊk/

a disassembled barrel; the parts packed for storage or shipment

From this reading His hands shook.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

strangeadjectiveUS /streɪndʒ/

being definitely out of the ordinary and unexpected; slightly odd or even a bit weird

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

thereadverbUS /ðer/

in or at that place or location

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

travailnounUS /trəˈveɪl/

concluding state of pregnancy; from the onset of contractions to the birth of a child

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

utterancenounUS /ˈʌtərəns/

the use of uttered sounds for auditory communication

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

vehemencenounUS /ˈviːəməns/

intensity or forcefulness of expression

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

victimnounUS /ˈvɪktəm/

an unfortunate person who suffers from some adverse circumstance

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading Porbus was so amazed by the passionate vehemence of Frenhofer’s words that he knew not what to reply to this utterance of an emotion as strange as it was profound.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading Had he fallen a victim to some freak of the artist’s fancy? or were these ideas of his produced by the strange light-headedness which comes over us during the long travail of a work of art.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading The old man seemed to have grown young again; there was light and life in his eyes, and a faint flush of red in his pale face.

Chapter 2 of Short story classics (Foreign), Vol. 4, French I by William [Editor] Patten holds 400 sentences, grouped into 80 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Short story classics (Foreign), Vol. 4, French I contain?

Chapter 2 holds 400 sentences of Short story classics (Foreign), Vol. 4, French I, unabridged, divided into 80 reading sections.

This page carries chapter 2 of Short story classics (Foreign), Vol. 4, French I by William [Editor] Patten exactly as it stands in the source edition, without abridgement. It runs to 400 sentences, grouped into 80 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Short story classics (Foreign), Vol. 4, French I?

Work through the 80 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 80 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Short story classics (Foreign), Vol. 4, French I

Common questions about reading Short story classics (Foreign), Vol. 4, French I by William [Editor] Patten on this page, its source edition and its audio.

Is this the complete text of Short story classics (Foreign), Vol. 4, French I?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of Short story classics (Foreign), Vol. 4, French I is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Short story classics (Foreign), Vol. 4, French I take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read Short story classics (Foreign), Vol. 4, French I section by section

How to work through Short story classics (Foreign), Vol. 4, French I section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of Short story classics (Foreign), Vol. 4, French I to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Short story classics (Foreign), Vol. 4, French I

Words and structures a reader meets early in Short story classics (Foreign), Vol. 4, French I, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of Short story classics (Foreign), Vol. 4, French I, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of Short story classics (Foreign), Vol. 4, French I, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of Short story classics (Foreign), Vol. 4, French I, divided into 5-sentence reading sections.