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Sinister Street, Vol. 2
Sinister Street, Vol. 2

Chapter XXVI

Chapter 26 of Sinister Street, Vol. 2 is here in full — 1171 sentences across 235 reading sections, with audio for every sentence and word.

Cover illustration for Sinister Street, Vol. 2
Context Illustration Reading 1/234 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.
He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.
So Guy agreed to spend the night in London, and they dined with Mrs. Fane.
Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.
The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Sinister Street, Vol. 2

Chapter XXVI

Chapter 26 of Sinister Street, Vol. 2 is here in full — 1171 sentences across 235 reading sections, with audio for every sentence and word.

Reading 1/234 · 5 reading units · Lines 1–5

Line 1
THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.
Line 2
He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.
Line 3
So Guy agreed to spend the night in London, and they dined with Mrs. Fane.
Line 4
Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.
Line 5
The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

boredom noun US /ˈbɔːrdəm/

the feeling of being bored by something tedious

From this reading “The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.”

fabric noun US /ˈfæbrɪk/

artifact made by weaving or felting or knitting or crocheting natural or synthetic fibers

From this reading “Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.”

futility noun US /fjuːˈtɪləti/

uselessness as a consequence of having no practical result

From this reading “The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.”

Mead noun US /miːd/

United States anthropologist noted for her claims about adolescence and sexual behavior in Polynesian cultures (1901-1978)

From this reading “THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.”

restriction noun US /riˈstrɪkʃən/

a principle that limits the extent of something

From this reading “He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.”

smothered adjective US /ˈsmʌðərd/

held in check with difficulty

From this reading “Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.”

studio noun US /ˈstuːdioʊ/

workplace for the teaching or practice of an art

From this reading “The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.”

swiftness noun US /ˈswɪftnəs/

a rate (usually rapid) at which something happens

From this reading “Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

sudden impulse adjective + noun

In this reading “The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.”

next day adjective + noun

In this reading “THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.”

spend the night verb + article + noun counted as “spend … night”

In this reading “So Guy agreed to spend the night in London, and they dined with Mrs. Fane.”

tumbled down verb + adjective counted as “tumble down”

In this reading “Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.”

went straight verb + adjective counted as “go straight”

In this reading “THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.”

dined with verb + particle counted as “dine with”

In this reading “So Guy agreed to spend the night in London, and they dined with Mrs. Fane.”

stay until verb + particle

In this reading “THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.”

All words in this reading · 100

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

agreedadjectiveUS /əˈɡriːd/

united by being of the same opinion

From this reading So Guy agreed to spend the night in London, and they dined with Mrs. Fane.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

askedverbUS /æskt/

past form of “ask” — make a request or demand for something to somebody

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

atprepositionUS /æt/

in or near a particular place or position

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

backadverbUS /bæk/

in or to or toward a former location

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

bearverbUS /ber/

have

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

becameverbUS /bɪˈkeɪm/

inflected form of “become” — enter or assume a certain state or condition

From this reading The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

boredomnounUS /ˈbɔːrdəm/

the feeling of being bored by something tedious

From this reading The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

Cheyne

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.

completeverbUS /kəmˈpliːt/

come or bring to a finish or an end

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

consciousnessnounUS /ˈkɑːnʃəsnəs/

an alert cognitive state in which you are aware of yourself and your situation

From this reading The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

dinedverbUS /daɪnd/

past form of “dine” — have supper; eat dinner

From this reading So Guy agreed to spend the night in London, and they dined with Mrs. Fane.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

else's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

eveningnounUS /ˈiːvnɪŋ/

the latter part of the day (the period of decreasing daylight from late afternoon until nightfall)

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

fabricnounUS /ˈfæbrɪk/

artifact made by weaving or felting or knitting or crocheting natural or synthetic fibers

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

Fane

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading So Guy agreed to spend the night in London, and they dined with Mrs. Fane.

feltverbUS /felt/

mat together and make felt-like

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

friendsnounUS /frendz/

plural of “friend” — a person you know well and regard with affection and trust

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

futilitynounUS /fjuːˈtɪləti/

uselessness as a consequence of having no practical result

From this reading The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.

GATEnounUS /ɡeɪt/

a movable barrier in a fence or wall

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

goverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.

GuynounUS /ɡaɪ/

an informal term for a youth or man

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

HORNnounUS /hɔːrn/

a noisemaker (as at parties or games) that makes a loud noise when you blow through it

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

impulsenounUS /ˈɪmpəls/

an instinctive motive

From this reading The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

listlessnessnoun

a feeling of lack of interest or energy

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

LondonnounUS /ˈlʌndən/

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading So Guy agreed to spend the night in London, and they dined with Mrs. Fane.

Maurice

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.

MeadnounUS /miːd/

United States anthropologist noted for her claims about adolescence and sexual behavior in Polynesian cultures (1901-1978)

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

MichaelnounUS /ˈmaɪkəl/

(Old Testament) the guardian archangel of the Jews

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

moodnounUS /muːd/

a characteristic (habitual or relatively temporary) state of feeling

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

mothernounUS /ˈmʌðər/

a woman who has given birth to a child (also used as a term of address to your mother)

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading So Guy agreed to spend the night in London, and they dined with Mrs. Fane.

nextadjectiveUS /nekst/

immediately following in time or order

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading So Guy agreed to spend the night in London, and they dined with Mrs. Fane.

nodeterminerUS /noʊ/

not any; not one

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

notionnounUS /ˈnoʊʃən/

a vague idea in which some confidence is placed

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

Plashers

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

presencenounUS /ˈprezəns/

the state of being present; current existence

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

produceverbUS /prəˈduːs/

bring forth or yield

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

quietadjectiveUS /ˈkwaɪət/

characterized by an absence or near absence of agitation or activity

From this reading The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.

restrictionnounUS /riˈstrɪkʃən/

a principle that limits the extent of something

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

satnounUS /sæt/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.

smotheredadjectiveUS /ˈsmʌðərd/

held in check with difficulty

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading So Guy agreed to spend the night in London, and they dined with Mrs. Fane.

solitaryadjectiveUS /ˈsɑːləteri/

characterized by or preferring solitude

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

somebodypronounUS /ˈsʌmbɑːdi/

a person, without saying who

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

spendverbUS /spend/

use up a period of time in a specific way

From this reading So Guy agreed to spend the night in London, and they dined with Mrs. Fane.

stayverbUS /steɪ/

stay the same; remain in a certain state

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

straightadjectiveUS /streɪt/

successive (without a break)

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

strongadjectiveUS /strɔːŋ/

having strength or power greater than average or expected

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

studionounUS /ˈstuːdioʊ/

workplace for the teaching or practice of an art

From this reading The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.

suddenadjectiveUS /ˈsʌdən/

happening without warning or in a short space of time

From this reading The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.

suggestedverbUS /səˈdʒestɪd/

past form of “suggest” — make a proposal, declare a plan for something

From this reading The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.

SummernounUS /ˈsʌmər/

the warmest season of the year; in the northern hemisphere it extends from the summer solstice to the autumnal equinox

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

sun-colored

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

swiftnessnounUS /ˈswɪftnəs/

a rate (usually rapid) at which something happens

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

talkingnounUS /ˈtɔːkɪŋ/

an exchange of ideas via conversation

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading So Guy agreed to spend the night in London, and they dined with Mrs. Fane.

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

tumbledverbUS /ˈtʌmbəld/

past form of “tumble” — fall down, as if collapsing

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

untilprepositionUS /ənˈtɪl/

up to a particular time

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

visitverbUS /ˈvɪzɪt/

go to see a place, as for entertainment

From this reading The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.

visitingnounUS /ˈvɪzɪtɪŋ/

the activity of making visits

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

WalknounUS /wɔːk/

the act of traveling by foot

From this reading The quiet of Cheyne Walk became a consciousness of boredom and futility, and he suggested on a sudden impulse that he and Guy should go and visit Maurice in the studio.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

withprepositionUS /wɪð/

in the company of; together with

From this reading So Guy agreed to spend the night in London, and they dined with Mrs. Fane.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading He was in no mood, he said, for a solitary evening, and he could not bear the notion of visiting friends, or of talking to his mother without the restriction that somebody else’s presence would produce.

wonderingadjectiveUS /ˈwʌndərɪŋ/

showing curiosity

From this reading Michael in the sun-colored Summer room felt smothered by a complete listlessness; and talking very little, he sat wondering at the swiftness with which a strong fabric of the imagination had tumbled down.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading THE GATE OF HORN Guy thought it would be better if he went straight back to Plashers Mead; but Michael asked him to stay until the next day.

Chapter 26 of Sinister Street, Vol. 2 by Compton MacKenzie holds 1171 sentences, grouped into 235 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 26 of Sinister Street, Vol. 2 contain?

Chapter 26 holds 1171 sentences of Sinister Street, Vol. 2, unabridged, divided into 235 reading sections.

This page carries chapter 26 of Sinister Street, Vol. 2 by Compton MacKenzie exactly as it stands in the source edition, without abridgement. It runs to 1171 sentences, grouped into 235 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 26 of Sinister Street, Vol. 2?

Work through the 235 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 235 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 26 be read aloud to me?

Yes — every sentence and every individual word in chapter 26 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Sinister Street, Vol. 2

Common questions about reading Sinister Street, Vol. 2 by Compton MacKenzie on this page, its source edition and its audio.

Is this the complete text of Sinister Street, Vol. 2?

Yes. All 12354 sentences of Project Gutenberg eBook #33798 are kept, with a record of which sentences cover which part.

Which edition of Sinister Street, Vol. 2 is used?

Project Gutenberg eBook #33798, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Sinister Street, Vol. 2 take to read?

About 600 minutes of reading across 2471 sections of 5 sentences each, at an unhurried pace.

How to read Sinister Street, Vol. 2 section by section

How to work through Sinister Street, Vol. 2 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 27 chapters of Sinister Street, Vol. 2 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Sinister Street, Vol. 2

Words and structures a reader meets early in Sinister Street, Vol. 2, each tappable for pronunciation and meaning.

Michael
A word that appears in the opening chapter of Sinister Street, Vol. 2; the reader can tap it to hear it and see its dictionary entry.
Think
A word that appears in the opening chapter of Sinister Street, Vol. 2; the reader can tap it to hear it and see its dictionary entry.
Start
A word that appears in the opening chapter of Sinister Street, Vol. 2; the reader can tap it to hear it and see its dictionary entry.
Adventure
A word that appears in the opening chapter of Sinister Street, Vol. 2; the reader can tap it to hear it and see its dictionary entry.