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Sir Gawain and the Green Knight
Sir Gawain and the Green Knight

Chapter I

Chapter 1 of Sir Gawain and the Green Knight is here in full — 762 sentences across 153 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/152 · 5 lines
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ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.
The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.
There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.
Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.
The dialect in which it is written has been decided to be West Midland, probably Lancashire, and is by no means easy to understand.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Sir Gawain and the Green Knight

Chapter I

Chapter 1 of Sir Gawain and the Green Knight is here in full — 762 sentences across 153 reading sections, with audio for every sentence and word.

Reading 1/152 · 5 reading units · Lines 1–5

Line 1
ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.
Line 2
The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.
/ðə mɪz ɪz ʌv ðə end ʌv ðə ˈfɔːrˈtiːnθ ˈsentʃəri bʌt ɪt ɪz ˈpɑːsəbəl ðæt ðə ˌkɑːmpəˈzɪʃən ʌv ðə ˈpoʊəm ɪz ˈsʌmˈwʌt ˈɜːrliər ðə səbˈdʒekt ˈmætər ɪz ˈsɜːrtənli ʌv ˈveri oʊld deɪt/
Line 3
There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.
/ðer hæz bɪn ə kənˈsɪdərəbəl daɪˈvɜːrdʒəns ʌv əˈpɪnjən əˈmʌŋ ˈskɑːlərz ɑːn ðə ˈkwestʃən ʌv ˈɔːθərʃɪp bʌt ðə vjuː naʊ ˈdʒenərəli ækˈseptɪd ɪz ðæt ɪt ɪz ðə wɜːrk ʌv ðə seɪm hænd æz pɜːrl əˈnʌðər ˈpoʊəm ʌv kənˈsɪdərəbəl ˈmerət kənˈteɪnd ɪn ðə seɪm mɪz/
Line 4
Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.
Line 5
The dialect in which it is written has been decided to be West Midland, probably Lancashire, and is by no means easy to understand.
/ðə ˈdaɪəlekt ɪn wɪtʃ ɪt ɪz ˈrɪtən hæz bɪn ˌdɪˈsaɪdɪd tuː biː west ˈmɪdlænd ˈprɑːbəbliː ˈlæŋkəʃaɪr ənd ɪz baɪ noʊ miːnz ˈiːzi tuː ˌʌndərˈstænd/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

alliterative adjective US /əˈlɪtərətɪv/

having the same consonant at the beginning of each stressed syllable

From this reading “Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.”

arthurian adjective US /ɑːrˈθʊriən/

of or relating to King Arthur and the Knights of the Round Table

From this reading “ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.”

divergence noun US /daɪˈvɜːrdʒəns/

the act of moving away in different direction from a common point

From this reading “There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.”

Midland noun US /ˈmɪdlænd/

a town in west central Texas

From this reading “The dialect in which it is written has been decided to be West Midland, probably Lancashire, and is by no means easy to understand.”

rhyming adjective US /ˈraɪmɪŋ/

having corresponding sounds especially terminal sounds

From this reading “Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.”

stave noun US /steɪv/

(music) the system of five horizontal lines on which the musical notes are written

From this reading “Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.”

technically adverb US /ˈteknɪkəli/

with regard to technique

From this reading “Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.”

Wolfram noun US /ˈwʊlfræm/

a heavy grey-white metallic element; the pure form is used mainly in electrical applications; it is found in several ores including wolframite and scheelite

From this reading “ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

fourteenth century adjective + noun

In this reading “The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.”

generally accepted adverb + adjective

In this reading “There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.”

following pages adjective + noun counted as “following page”

In this reading “ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.”

All words in this reading · 138

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

2500

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

acceptedadjectiveUS /ækˈseptɪd/

generally approved or compelling recognition

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

alliterativeadjectiveUS /əˈlɪtərətɪv/

having the same consonant at the beginning of each stressed syllable

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

amongprepositionUS /əˈmʌŋ/

surrounded by; in the middle of a group

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

ARTHURIANadjectiveUS /ɑːrˈθʊriən/

of or relating to King Arthur and the Knights of the Round Table

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

authorshipnounUS /ˈɔːθərʃɪp/

the act of creating written works

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

believedverbUS /bɪˈliːvd/

past form of “believe” — accept as true; take to be true

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

bobverbUS /bɑːb/

move up and down repeatedly

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

bodynounUS /ˈbɑːdi/

the entire physical structure of an organism (an animal, plant, or human being)

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

BritishnounUS /ˈbrɪtɪʃ/

the people of Great Britain

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.

byprepositionUS /baɪ/

showing who or what does the action

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

centurynounUS /ˈsentʃəri/

a period of 100 years

From this reading The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.

certainlyadverbUS /ˈsɜːrtənli/

definitely or positively (“sure” is sometimes used informally for “surely”)

From this reading The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.

CollectionnounUS /kəˈlekʃən/

several things grouped together or considered as a whole

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

composedadjectiveUS /kəmˈpoʊzd/

serenely self-possessed and free from agitation especially in times of stress

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

compositionnounUS /ˌkɑːmpəˈzɪʃən/

the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.

considerableadjectiveUS /kənˈsɪdərəbəl/

large or relatively large in number or amount or extent or degree

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

containedadjectiveUS /kənˈteɪnd/

gotten under control

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

containsverbUS /kənˈteɪnz/

third-person singular of “contain” — include or contain; have as a component

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

correctlyadverbUS /kərˈektli/

in an accurate manner

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

Cottonian

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

CrawfordnounUS /ˈkrɔːfərd/

United States neoclassical sculptor (1814-1857)

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

d'Arthur

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

datenounUS /deɪt/

the specified day of the month

From this reading The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.

DavidnounUS /ˈdeɪvɪd/

patron saint of Wales (circa 520-600)

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

decidedadjectiveUS /ˌdɪˈsaɪdɪd/

recognizable; marked

From this reading The dialect in which it is written has been decided to be West Midland, probably Lancashire, and is by no means easy to understand.

DesignsnounUS /dɪˈzaɪnz/

plural of “design” — the act of working out the form of something (as by making a sketch or outline or plan)

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

dialectnounUS /ˈdaɪəlekt/

the usage or vocabulary that is characteristic of a specific group of people

From this reading The dialect in which it is written has been decided to be West Midland, probably Lancashire, and is by no means easy to understand.

divergencenounUS /daɪˈvɜːrdʒəns/

the act of moving away in different direction from a common point

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

earlieradverbUS /ˈɜːrliər/

earlier in time; previously

From this reading The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.

easyadjectiveUS /ˈiːzi/

posing no difficulty; requiring little effort

From this reading The dialect in which it is written has been decided to be West Midland, probably Lancashire, and is by no means easy to understand.

endnounUS /end/

either extremity of something that has length

From this reading The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.

endingnounUS /ˈendɪŋ/

the end of a word (a suffix or inflectional ending or final morpheme)

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

Eschenbach's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

fivenounUS /faɪv/

the cardinal number that is the sum of four and one

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

formingverbUS /ˈfɔːrmɪŋ/

-ing form of “form” — create (as an entity)

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

fourteenthadjectiveUS /ˈfɔːrˈtiːnθ/

coming next after the thirteenth in position

From this reading The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.

GawainnounUS /ˈɡɑːwən/

(Arthurian legend) a nephew of Arthur and one of the knights of the Round Table

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

generallyadverbUS /ˈdʒenərəli/

usually; as a rule

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

GreennounUS /ɡriːn/

green color or pigment; resembling the color of growing grass

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

IntroductionnounUS /ˌɪntrəˈdʌkʃən/

the act of beginning something new

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.

Jessie

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

KnightnounUS /naɪt/

originally a person of noble birth trained to arms and chivalry; today in Great Britain a person honored by the sovereign for personal merit

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

knownadjectiveUS /noʊn/

apprehended with certainty

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

LnounUS /el/

a metric unit of capacity, formerly defined as the volume of one kilogram of pure water under standard conditions; now equal to 1,000 cubic centimeters (or approximately 1.75 pints)

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

LancashirenounUS /ˈlæŋkəʃaɪr/

a historical area of northwestern England on the Irish Sea; noted for textiles

From this reading The dialect in which it is written has been decided to be West Midland, probably Lancashire, and is by no means easy to understand.

lengthnounUS /leŋkθ/

the linear extent in space from one end to the other; the longest dimension of something that is fixed in place

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

linesnounUS /laɪnz/

plural of “line” — a formation of people or things one beside another

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

LondonnounUS /ˈlʌndən/

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

MnounUS /em/

the basic unit of length adopted under the Systeme International d'Unites (approximately 1.094 yards)

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

Malory's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

matternounUS /ˈmætər/

a vaguely specified concern

From this reading The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.

mdcccxcviii

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

meansnounUS /miːnz/

thing or person that acts to produce a particular effect or achieve an end

From this reading The dialect in which it is written has been decided to be West Midland, probably Lancashire, and is by no means easy to understand.

meritnounUS /ˈmerət/

any admirable quality or attribute

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

metricaladjectiveUS /ˈmetrɪkəl/

based on the meter as a standard of measurement

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

Middle-English

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

MidlandnounUS /ˈmɪdlænd/

a town in west central Texas

From this reading The dialect in which it is written has been decided to be West Midland, probably Lancashire, and is by no means easy to understand.

ModernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

Morte

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

MSnounUS /mɪz/

a chronic progressive nervous disorder involving loss of myelin sheath around certain nerve fibers

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

MuseumnounUS /mjuːˈziːəm/

a depository for collecting and displaying objects having scientific or historical or artistic value

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

NeronounUS /ˈnɪroʊ/

Roman Emperor notorious for his monstrous vice and fantastic luxury (was said to have started a fire that destroyed much of Rome in 64) but the Roman Empire remained prosperous during his rule (37-68)

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

NodeterminerUS /noʊ/

not any; not one

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

NotesnounUS /noʊts/

plural of “note” — a brief written record

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

Nutt

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

offerverbUS /ˈɔːfər/

make available or accessible, provide or furnish

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

opinionnounUS /əˈpɪnjən/

a personal belief or judgment that is not founded on proof or certainty

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

OurdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

pagesnounUS /ˈpeɪdʒəz/

plural of “page” — one side of one leaf (of a book or magazine or newspaper or letter etc.) or the written or pictorial matter it contains

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

Parzival

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

PearlnounUS /pɜːrl/

a smooth lustrous round structure inside the shell of a clam or oyster; much valued as a jewel

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

poemnounUS /ˈpoʊəm/

a composition written in metrical feet forming rhythmical lines

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

possibleadjectiveUS /ˈpɑːsəbəl/

capable of happening or existing

From this reading The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.

preservedadjectiveUS /prəˈzɜːrvd/

prevented from decaying or spoiling and prepared for future use

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

probablyadverbUS /ˈprɑːbəbliː/

with considerable certainty; without much doubt

From this reading The dialect in which it is written has been decided to be West Midland, probably Lancashire, and is by no means easy to understand.

ProsenounUS /proʊz/

ordinary writing as distinguished from verse

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

questionverbUS /ˈkwestʃən/

challenge the accuracy, probity, or propriety of

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

renderingnounUS /ˈrendərɪŋ/

a performance of a musical composition or a dramatic role etc.

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

Retold

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

rhymingadjectiveUS /ˈraɪmɪŋ/

having corresponding sounds especially terminal sounds

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

RomancenounUS /roʊˈmæns/

a relationship between two lovers

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

ROMANCESnounUS /roʊˈmænsɪz/

plural of “romance” — a relationship between two lovers

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

scholarsnounUS /ˈskɑːlərz/

plural of “scholar” — a learned person (especially in the humanities); someone who by long study has gained mastery in one or more disciplines

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

shortadjectiveUS /ʃɔːrt/

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

SirnounUS /sɜːr/

term of address for a man

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

somewhatadverbUS /ˈsʌmˈwʌt/

to a small degree or extent

From this reading The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.

speakverbUS /spiːk/

express in speech

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

stavenounUS /steɪv/

(music) the system of five horizontal lines on which the musical notes are written

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

stavesnounUS /steɪvz/

plural of “stave” — (music) the system of five horizontal lines on which the musical notes are written

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

StrandnounUS /strænd/

a pattern forming a unity within a larger structural whole

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.

technicallyadverbUS /ˈteknɪkəli/

with regard to technique

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

ThereadverbUS /ðer/

in or at that place or location

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

TranslatornounUS /trænˈsleɪtər/

a person who translates written messages from one language to another

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

understandverbUS /ˌʌndərˈstænd/

know and comprehend the nature or meaning of

From this reading The dialect in which it is written has been decided to be West Midland, probably Lancashire, and is by no means easy to understand.

uniqueadjectiveUS /juːˈniːk/

radically distinctive and without equal

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

Unrepresented

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

varyingadjectiveUS /ˈveriɪŋ/

marked by diversity or difference

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading The MS. is of the end of the fourteenth century, but it is possible that the composition of the poem is somewhat earlier; the subject matter is certainly of very old date.

viewnounUS /vjuː/

a way of regarding situations or topics etc.

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

von

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

WestnounUS /west/

the countries of (originally) Europe and (now including) North America and South America

From this reading The dialect in which it is written has been decided to be West Midland, probably Lancashire, and is by no means easy to understand.

WestonnounUS /ˈwestən/

United States photographer(1886-1958)

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

wheelverbUS /wiːl/

change directions as if revolving on a pivot

From this reading Our poem, or, to speak more correctly, metrical romance, contains over 2500 lines, and is composed in staves of varying length, ending in five short rhyming lines, technically known as a bob and a wheel,—the lines forming the body of the stave being not rhyming, but alliterative.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

withprepositionUS /wɪð/

in the company of; together with

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

WolframnounUS /ˈwʊlfræm/

a heavy grey-white metallic element; the pure form is used mainly in electrical applications; it is found in several ores including wolframite and scheelite

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading There has been a considerable divergence of opinion among scholars on the question of authorship, but the view now generally accepted is that it is the work of the same hand as _Pearl_, another poem of considerable merit contained in the same MS.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading The dialect in which it is written has been decided to be West Midland, probably Lancashire, and is by no means easy to understand.

XnounUS /eks/

the cardinal number that is the sum of nine and one; the base of the decimal system

From this reading ARTHURIAN ROMANCES Unrepresented in Malory’s “Morte d’Arthur” _No. I_ Sir Gawain and the Green Knight A Middle-English Arthurian Romance _Retold in Modern Prose, with Introduction & Notes_, by Jessie L. Weston, _Translator_ of Wolfram von Eschenbach’s “Parzival” • _With Designs by_ M. M. Crawford London: David Nutt in the Strand mdcccxcviii The poem of which the following pages offer a prose rendering is contained in a MS., believed to be unique, of the Cottonian Collection, Nero A. X., preserved in the British Museum.

Chapter 1 of Sir Gawain and the Green Knight by Jessie L. (Jessie Laidlay) Weston holds 762 sentences, grouped into 153 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Sir Gawain and the Green Knight contain?

Chapter 1 holds 762 sentences of Sir Gawain and the Green Knight, unabridged, divided into 153 reading sections.

This page carries chapter 1 of Sir Gawain and the Green Knight by Jessie L. (Jessie Laidlay) Weston exactly as it stands in the source edition, without abridgement. It runs to 762 sentences, grouped into 153 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Sir Gawain and the Green Knight?

Work through the 153 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 153 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Sir Gawain and the Green Knight

Common questions about reading Sir Gawain and the Green Knight by Jessie L. (Jessie Laidlay) Weston on this page, its source edition and its audio.

Is this the complete text of Sir Gawain and the Green Knight?

Yes. All 762 sentences of Project Gutenberg eBook #66084 are kept, with a record of which sentences cover which part.

Which edition of Sir Gawain and the Green Knight is used?

Project Gutenberg eBook #66084, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Sir Gawain and the Green Knight take to read?

About 63 minutes of reading across 153 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in Sir Gawain and the Green Knight

Words and structures a reader meets early in Sir Gawain and the Green Knight, each tappable for pronunciation and meaning.

Arthurian
A word that appears in the opening chapter of Sir Gawain and the Green Knight; the reader can tap it to hear it and see its dictionary entry.
Romances
A word that appears in the opening chapter of Sir Gawain and the Green Knight; the reader can tap it to hear it and see its dictionary entry.
Unrepresented
A word that appears in the opening chapter of Sir Gawain and the Green Knight; the reader can tap it to hear it and see its dictionary entry.
Malory
A word that appears in the opening chapter of Sir Gawain and the Green Knight; the reader can tap it to hear it and see its dictionary entry.