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Sir Henry Irving—A Record of Over Twenty Years at the Lyceum
Sir Henry Irving—A Record of Over Twenty Years at the Lyceum

Chapter V

Chapter 5 of Sir Henry Irving—A Record of Over Twenty Years at the Lyceum is here in full — 182 sentences across 37 reading sections, with audio for every sentence and word.

Cover illustration for Sir Henry Irving—A Record of Over Twenty Years at the Lyceum
Context Illustration Reading 1/36 · 5 lines
English subtitles · tap any word to listen 1 / 5
1874.
‘HAMLET’—‘OTHELLO’—‘MACBETH’—DEATH OF ‘THE COLONEL’—‘QUEEN MARY.’
But now was to be made a serious experiment, on which much was to depend.
Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.
Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Sir Henry Irving—A Record of Over Twenty Years at the Lyceum

Chapter V

Chapter 5 of Sir Henry Irving—A Record of Over Twenty Years at the Lyceum is here in full — 182 sentences across 37 reading sections, with audio for every sentence and word.

Reading 1/36 · 5 reading units · Lines 1–5

Line 1
1874.
Line 2
‘HAMLET’—‘OTHELLO’—‘MACBETH’—DEATH OF ‘THE COLONEL’—‘QUEEN MARY.’
Line 3
But now was to be made a serious experiment, on which much was to depend.
/bʌt naʊ wɑːz tuː biː meɪd ə ˈsɪriəs ɪkˈsperəmənt ɑːn wɪtʃ mʌtʃ wɑːz tuː dɪˈpend/
Line 4
Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.
Line 5
Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.
/ˈevəri ˈæktər hæz ə driːm ʌv pərˈfɔːrmɪŋ ðə ˈkerɪktər ənd fɪlz ʌp hɪz dɪsɪnˈɡeɪdʒd ˈmoʊmənts wɪð ˌspekjəˈleɪʃənz æz tuː ðə ˌɪntɜːrprɪˈteɪʃən/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

arduous adjective US /ˈɑːrdʒuːəs/

characterized by effort to the point of exhaustion; especially physical effort

From this reading “Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.”

ark noun US /ɑːrk/

(Judaism) sacred chest where the ancient Hebrews kept the two tablets containing the Ten Commandments

From this reading “Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.”

disengaged verb US /dɪsɪnˈɡeɪdʒd/

past form of “disengage” — release from something that holds fast, connects, or entangles

From this reading “Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.”

Irving noun US /ˈɜːrvɪŋ/

United States writer remembered for his stories (1783-1859)

From this reading “Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.”

macbeth noun US /məkˈbeθ/

king of Scotland (died in 1057)

From this reading “‘HAMLET’—‘OTHELLO’—‘MACBETH’—DEATH OF ‘THE COLONEL’—‘QUEEN MARY.’”

melodrama noun US /ˈmelədrɑːmə/

an extravagant comedy in which action is more salient than characterization

From this reading “Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.”

othello noun US /əˈθeloʊ/

the hero of William Shakespeare's tragedy who would not trust his wife

From this reading “‘HAMLET’—‘OTHELLO’—‘MACBETH’—DEATH OF ‘THE COLONEL’—‘QUEEN MARY.’”

speculations noun US /ˌspekjəˈleɪʃənz/

plural of “speculation” — a message expressing an opinion based on incomplete evidence

From this reading “Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

most difficult adverb + adjective

In this reading “Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.”

fills up verb + adjective counted as “fill up”

make full, also in a metaphorical sense

In this reading “Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.”

lay hands verb + noun

In this reading “Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.”

All words in this reading · 64

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1874

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading 1874.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading But now was to be made a serious experiment, on which much was to depend.

actornounUS /ˈæktər/

a theatrical performer

From this reading Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

arduousadjectiveUS /ˈɑːrdʒuːəs/

characterized by effort to the point of exhaustion; especially physical effort

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

arknounUS /ɑːrk/

(Judaism) sacred chest where the ancient Hebrews kept the two tablets containing the Ten Commandments

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.

attemptnounUS /əˈtempt/

earnest and conscientious activity intended to do or accomplish something

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading But now was to be made a serious experiment, on which much was to depend.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But now was to be made a serious experiment, on which much was to depend.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

COLONELnounUS /ˈkɜːrnəl/

a commissioned military officer in the United States Army or Air Force or Marines who ranks above a lieutenant colonel and below a brigadier general

From this reading ‘HAMLET’—‘OTHELLO’—‘MACBETH’—DEATH OF ‘THE COLONEL’—‘QUEEN MARY.’

conventionaladjectiveUS /kənˈvenʃənəl/

following accepted customs and proprieties

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

DEATHnounUS /deθ/

the event of dying or departure from life

From this reading ‘HAMLET’—‘OTHELLO’—‘MACBETH’—DEATH OF ‘THE COLONEL’—‘QUEEN MARY.’

dependverbUS /dɪˈpend/

be contingent upon (something that is elided)

From this reading But now was to be made a serious experiment, on which much was to depend.

difficultadjectiveUS /ˈdɪfəkəlt/

not easy; requiring great physical or mental effort to accomplish or comprehend or endure

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

disengagedverbUS /dɪsɪnˈɡeɪdʒd/

past form of “disengage” — release from something that holds fast, connects, or entangles

From this reading Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.

dramanounUS /ˈdrɑːmə/

a dramatic work intended for performance by actors on a stage

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

dreamnounUS /driːm/

A series of thoughts, images, or emotions during sleep.

From this reading Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.

EverydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.

experimentnounUS /ɪkˈsperəmənt/

the act of conducting a controlled test or investigation

From this reading But now was to be made a serious experiment, on which much was to depend.

fillsnounUS /fɪlz/

plural of “fill” — a quantity sufficient to satisfy

From this reading Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

HAMLETnounUS /ˈhæmlət/

a community of people smaller than a village

From this reading ‘HAMLET’—‘OTHELLO’—‘MACBETH’—DEATH OF ‘THE COLONEL’—‘QUEEN MARY.’

handsnounUS /hændz/

(with “in”) guardianship over; in divorce cases it is the right to house and care for and discipline a child

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.

HithertoadverbUS /ˈhɪðɜːrˈtuː/

used in negative statement to describe a situation that has existed up to this point or up to the present time

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

interpretationnounUS /ˌɪntɜːrprɪˈteɪʃən/

a mental representation of the meaning or significance of something

From this reading Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.

IrvingnounUS /ˈɜːrvɪŋ/

United States writer remembered for his stories (1783-1859)

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

layverbUS /leɪ/

put into a certain place or abstract location

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

MACBETHnounUS /məkˈbeθ/

king of Scotland (died in 1057)

From this reading ‘HAMLET’—‘OTHELLO’—‘MACBETH’—DEATH OF ‘THE COLONEL’—‘QUEEN MARY.’

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading But now was to be made a serious experiment, on which much was to depend.

MARYnounUS /ˈmeri/

the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading ‘HAMLET’—‘OTHELLO’—‘MACBETH’—DEATH OF ‘THE COLONEL’—‘QUEEN MARY.’

melodramanounUS /ˈmelədrɑːmə/

an extravagant comedy in which action is more salient than characterization

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

momentsnounUS /ˈmoʊmənts/

plural of “moment” — a particular point in time

From this reading Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.

mostadverbUS /moʊst/

used to form the superlative

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading But now was to be made a serious experiment, on which much was to depend.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading But now was to be made a serious experiment, on which much was to depend.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading ‘HAMLET’—‘OTHELLO’—‘MACBETH’—DEATH OF ‘THE COLONEL’—‘QUEEN MARY.’

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading But now was to be made a serious experiment, on which much was to depend.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

OTHELLOnounUS /əˈθeloʊ/

the hero of William Shakespeare's tragedy who would not trust his wife

From this reading ‘HAMLET’—‘OTHELLO’—‘MACBETH’—DEATH OF ‘THE COLONEL’—‘QUEEN MARY.’

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

performingnounUS /pərˈfɔːrmɪŋ/

the performance of a part or role in a drama

From this reading Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.

QUEENnounUS /kwiːn/

the only fertile female in a colony of social insects such as bees and ants and termites; its function is to lay eggs

From this reading ‘HAMLET’—‘OTHELLO’—‘MACBETH’—DEATH OF ‘THE COLONEL’—‘QUEEN MARY.’

regionsnounUS /ˈriːdʒənz/

plural of “region” — the extended spatial location of something

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

romanticadjectiveUS /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

seriousadjectiveUS /ˈsɪriəs/

concerned with work or important matters rather than play or trivialities

From this reading But now was to be made a serious experiment, on which much was to depend.

Shakespeariannoun

a Shakespearean scholar

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

speculationsnounUS /ˌspekjəˈleɪʃənz/

plural of “speculation” — a message expressing an opinion based on incomplete evidence

From this reading Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading ‘HAMLET’—‘OTHELLO’—‘MACBETH’—DEATH OF ‘THE COLONEL’—‘QUEEN MARY.’

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading But now was to be made a serious experiment, on which much was to depend.

travelledadjectiveUS /ˈtrævəld/

familiar with many parts of the world

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading But now was to be made a serious experiment, on which much was to depend.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Hitherto Irving had not travelled out of the regions of conventional drama, or of what might be called romantic melodrama; but he was now to lay hands on the ark, and attempt the most difficult and arduous of Shakespearian characters, Hamlet.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading But now was to be made a serious experiment, on which much was to depend.

withprepositionUS /wɪð/

in the company of; together with

From this reading Every actor has a dream of performing the character, and fills up his disengaged moments with speculations as to the interpretation.

Chapter 5 of Sir Henry Irving—A Record of Over Twenty Years at the Lyceum by Percy Fitzgerald holds 182 sentences, grouped into 37 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of Sir Henry Irving—A Record of Over Twenty Years at the Lyceum contain?

Chapter 5 holds 182 sentences of Sir Henry Irving—A Record of Over Twenty Years at the Lyceum, unabridged, divided into 37 reading sections.

This page carries chapter 5 of Sir Henry Irving—A Record of Over Twenty Years at the Lyceum by Percy Fitzgerald exactly as it stands in the source edition, without abridgement. It runs to 182 sentences, grouped into 37 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of Sir Henry Irving—A Record of Over Twenty Years at the Lyceum?

Work through the 37 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 37 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Vocabulary met early in Sir Henry Irving—A Record of Over Twenty Years at the Lyceum

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