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Academy of Archival Languages & Memory Studies
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Sister Teresa
Sister Teresa

Chapter I · Chapter 1

Chapter 1 of Sister Teresa is here in full — 423 sentences across 85 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/84 · 5 lines
English subtitles · tap any word to listen 1 / 5
A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.
But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.
So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.
"Five hundred pages at least," I said, "and only half of my story finished....
This is a matter, on which I need the publisher's opinion."
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Sister Teresa

Chapter I · Chapter 1

Chapter 1 of Sister Teresa is here in full — 423 sentences across 85 reading sections, with audio for every sentence and word.

Reading 1/84 · 5 reading units · Lines 1–5

Line 1
A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.
Line 2
But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.
Line 3
So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.
Line 4
"Five hundred pages at least," I said, "and only half of my story finished....
/faɪv ˈhʌndrəd ˈpeɪdʒəz æt liːst aɪ sed ənd ˈoʊnli hæf ʌv maɪ ˈstɔːri ˈfɪnɪʃt/
Line 5
This is a matter, on which I need the publisher's opinion."
/ðɪs ɪz ə ˈmætər ɑːn wɪtʃ aɪ niːd ðə ˈpʌblɪʃərz əˈpɪnjən/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

allegories noun US /ˈæləɡɔːriz/

plural of “allegory” — a short moral story (often with animal characters)

From this reading “But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.”

allegory noun US /ˈæləɡɔːri/

a short moral story (often with animal characters)

From this reading “So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.”

editions noun US /ɪˈdɪʃənz/

plural of “edition” — the form in which a text (especially a printed book) is published

From this reading “But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.”

margins noun US /ˈmɑːrdʒənz/

plural of “margin” — the boundary line or the area immediately inside the boundary

From this reading “But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.”

mart noun US /mɑːrt/

an area in a town where a public mercantile establishment is set up

From this reading “A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.”

publisher's noun US /ˈpʌblɪʃərz/

possessive form of “publisher” — a firm in the publishing business

From this reading “This is a matter, on which I need the publisher's opinion."”

uncut adjective US /ˌʌnˈkʌt/

not trimmed

From this reading “But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.”

weaver noun US /ˈwiːvər/

a craftsman who weaves cloth

From this reading “A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.”

All words in this reading · 112

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

abandonverbUS /əˈbændən/

forsake, leave behind

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

afterprepositionUS /ˈæftər/

later than; following

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

allegoriesnounUS /ˈæləɡɔːriz/

plural of “allegory” — a short moral story (often with animal characters)

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

allegorynounUS /ˈæləɡɔːri/

a short moral story (often with animal characters)

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

atprepositionUS /æt/

in or near a particular place or position

From this reading "Five hundred pages at least," I said, "and only half of my story finished....

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

dividedadjectiveUS /dɪˈvaɪdɪd/

separated into parts or pieces

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

drawernounUS /drɔːr/

a boxlike container in a piece of furniture; made so as to slide in and out

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

edgesnounUS /ˈedʒəz/

plural of “edge” — the boundary of a surface

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

editionsnounUS /ɪˈdɪʃənz/

plural of “edition” — the form in which a text (especially a printed book) is published

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

eitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

Evelyn

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

evenadjectiveUS /ˈiːvɪn/

divisible by two

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

feetnounUS /fiːt/

plural of “foot” — the part of the leg of a human being below the ankle joint

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

finishedadjectiveUS /ˈfɪnɪʃt/

(of materials or goods) brought to the desired final state

From this reading "Five hundred pages at least," I said, "and only half of my story finished....

FivenounUS /faɪv/

the cardinal number that is the sum of four and one

From this reading "Five hundred pages at least," I said, "and only half of my story finished....

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

foundverbUS /faʊnd/

set up or found

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

goesnounUS /ɡoʊz/

plural of “go” — a time period for working (after which you will be relieved by someone else)

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

halfadjectiveUS /hæf/

consisting of one of two equivalent parts in value or quantity

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

happenedverbUS /ˈhæpənd/

past form of “happen” — come to pass

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

highadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

hundrednounUS /ˈhʌndrəd/

ten 10s

From this reading "Five hundred pages at least," I said, "and only half of my story finished....

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

illuminatedadjectiveUS /ˌɪˈluːməneɪtəd/

provided with artificial light

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

Innes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

insufficientadjectiveUS /ˌɪnsəˈfɪʃənt/

of a quantity not able to fulfill a need or requirement

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

justifyverbUS /ˈdʒʌstəfaɪ/

show to be right by providing justification or proof

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

largeadjectiveUS /lɑːrdʒ/

above average in size or number or quantity or magnitude or extent

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

leastadjectiveUS /liːst/

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading "Five hundred pages at least," I said, "and only half of my story finished....

linennounUS /ˈlɪnən/

a fabric woven with fibers from the flax plant

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

manuscriptnounUS /ˈmæn.jə.skrɪpt/

A book, document, or piece of music written by hand rather than typed or printed.

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

marginsnounUS /ˈmɑːrdʒənz/

plural of “margin” — the boundary line or the area immediately inside the boundary

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

martnounUS /mɑːrt/

an area in a town where a public mercantile establishment is set up

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

matternounUS /ˈmætər/

a vaguely specified concern

From this reading This is a matter, on which I need the publisher's opinion."

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading "Five hundred pages at least," I said, "and only half of my story finished....

myselfpronounUS /ˌmaɪˈself/

used when the speaker is also the object of the action

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

nearlyadverbUS /ˈnɪrli/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

neednounUS /niːd/

a condition requiring relief

From this reading This is a matter, on which I need the publisher's opinion."

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading This is a matter, on which I need the publisher's opinion."

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

opinionnounUS /əˈpɪnjən/

a personal belief or judgment that is not founded on proof or certainty

From this reading This is a matter, on which I need the publisher's opinion."

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

pagesnounUS /ˈpeɪdʒəz/

plural of “page” — one side of one leaf (of a book or magazine or newspaper or letter etc.) or the written or pictorial matter it contains

From this reading "Five hundred pages at least," I said, "and only half of my story finished....

papernounUS /ˈpeɪpər/

a material made of cellulose pulp derived mainly from wood or rags or certain grasses

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

perforceadverbUS /pərˈfɔːrs/

by necessity; by force of circumstance

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

perhapsadverbUS /pərˈhæps/

by chance

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

popularadjectiveUS /ˈpɑːpjələr/

regarded with great favor, approval, or affection especially by the general public

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

possessverbUS /pəˈzes/

have as an attribute, knowledge, or skill

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

possessesverbUS /pəˈzesəz/

third-person singular of “possess” — have as an attribute, knowledge, or skill

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

publisher'snounUS /ˈpʌblɪʃərz/

possessive form of “publisher” — a firm in the publishing business

From this reading This is a matter, on which I need the publisher's opinion."

readverbUS /red/

interpret something that is written or printed

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

requireverbUS /ˌriːˈkwaɪər/

require as useful, just, or proper

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading "Five hundred pages at least," I said, "and only half of my story finished....

sakenounUS /seɪk/

a reason for wanting something done

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

sheetnounUS /ʃiːt/

any broad thin expanse or surface

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

shortadjectiveUS /ʃɔːrt/

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

soughtadjectiveUS /sɔːt/

that is looked for

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

tapestrynounUS /ˈtæpəstri/

something that resembles a tapestry in its intricacy

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

tellverbUS /tel/

express in words

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

tellingadjectiveUS /ˈtelɪŋ/

disclosing unintentionally something concealed

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This is a matter, on which I need the publisher's opinion."

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

turnedadjectiveUS /tɜːrnd/

moved around an axis or center

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

uncutadjectiveUS /ˌʌnˈkʌt/

not trimmed

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

vainlyadverbUS /ˈveɪnli/

to no avail

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

vellumnoun

a heavy creamy-colored paper resembling parchment

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

walksnounUS /wɔːks/

plural of “walk” — the act of traveling by foot

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

weavernounUS /ˈwiːvər/

a craftsman who weaves cloth

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

whatpronounUS /wʌt/

used to ask for information about something

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

whoever

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

withprepositionUS /wɪð/

in the company of; together with

From this reading A weaver goes to the mart with a divided tapestry, and with half in either hand he walks about telling that whoever possesses one must, perforce, possess the other for the sake of the story.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading But allegories are out of place in popular editions; they require linen paper, large margins, uncut edges; even these would be insufficient; only illuminated vellum can justify that which is never read.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

writing-table

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

yearsnounUS /jɪrz/

a late time of life

From this reading So perhaps it will be better if I abandon the allegory and tell what happened: how one day after writing the history of "Evelyn Innes" for two years I found myself short of paper, and sought vainly for a sheet in every drawer of the writing-table; every one had been turned into manuscript, and "Evelyn Innes" stood nearly two feet high.

Chapter 1 of Sister Teresa by George Moore holds 423 sentences, grouped into 85 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Sister Teresa contain?

Chapter 1 holds 423 sentences of Sister Teresa, unabridged, divided into 85 reading sections.

This page carries chapter 1 of Sister Teresa by George Moore exactly as it stands in the source edition, without abridgement. It runs to 423 sentences, grouped into 85 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Sister Teresa?

Work through the 85 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 85 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Sister Teresa

Common questions about reading Sister Teresa by George Moore on this page, its source edition and its audio.

Is this the complete text of Sister Teresa?

Yes. All 5889 sentences of Project Gutenberg eBook #14614 are kept, with a record of which sentences cover which part.

Which edition of Sister Teresa is used?

Project Gutenberg eBook #14614, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Sister Teresa take to read?

About 490 minutes of reading across 1178 sections of 5 sentences each, at an unhurried pace.

How to read Sister Teresa section by section

How to work through Sister Teresa section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 14 chapters of Sister Teresa to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Sister Teresa

Words and structures a reader meets early in Sister Teresa, each tappable for pronunciation and meaning.

Weaver
A word that appears in the opening chapter of Sister Teresa; the reader can tap it to hear it and see its dictionary entry.
Divided
A word that appears in the opening chapter of Sister Teresa; the reader can tap it to hear it and see its dictionary entry.
Tapestry
A word that appears in the opening chapter of Sister Teresa; the reader can tap it to hear it and see its dictionary entry.
Either
A word that appears in the opening chapter of Sister Teresa; the reader can tap it to hear it and see its dictionary entry.