Chapter III · Chapter 3

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

touching and pressing; in opposition to

From this reading The youthful poet is in full revolt against the law which forbade his elders to mention objects by their plain names.

in the middle of; surrounded by

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

the form of “a” used before a word that begins with a vowel sound

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

Belonging to the very distant past and no longer in existence or deeply revered.

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

used to join words or parts of a sentence that go together

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

move towards

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

at the same time that; because; in the way that

From this reading Here we notice at once, as we do in similar early effusions of both the Wartons, the direct influence of Milton's lyrics.

in or near a particular place or position

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

for a short time

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

informal or slang terms for mentally irregular

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

tough protective covering of the woody stems and roots of trees and other woody plants

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

cleanse the entire body

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

for the reason that

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

a hollow device made of metal that makes a ringing sound when struck

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

Directly under; in or to a lower position than.

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

sprinkled over

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

the organic process of bearing flowers

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

plural of “blow” — a powerful stroke with the fist or a weapon

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

inflected form of “bear” — have

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

the two together, not just one

From this reading Here we notice at once, as we do in similar early effusions of both the Wartons, the direct influence of Milton's lyrics.

plural of “bough” — any of the larger branches of a tree

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

draw air into, and expel out of, the lungs

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

plural of “breeze” — a slight wind (usually refreshing)

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

plural of “brother” — a male with the same parents as someone else

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

plural of “build” — constitution of the human body

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

used to introduce something that contrasts with what came before

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

showing who or what does the action

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

A small stone room in a prison where an inmate is locked behind iron bars.

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

a period of 100 years

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

plural of “chat” — an informal conversation

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

a creation of the highest excellence

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

come together as in a cluster or flock

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

examine and note the similarities or differences of

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

carry on a conversation

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

tall annual cereal grass bearing kernels on large ears: widely cultivated in America in many varieties; the principal cereal in Mexico and Central and South America since pre-Columbian times

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

a sheath worn to protect a finger

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

plural of “cote” — a small shelter for domestic animals (as sheep or pigeons)

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

relatively deep or strong; affecting one deeply

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

serving to describe or inform or characterized by description

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

water that has condensed on a cool surface overnight from water vapor in the air

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

command with authority

From this reading Here we notice at once, as we do in similar early effusions of both the Wartons, the direct influence of Milton's lyrics.

administer or bestow, as in small portions

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

used to form questions and negatives, and to give emphasis

From this reading Here we notice at once, as we do in similar early effusions of both the Wartons, the direct influence of Milton's lyrics.

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

A series of thoughts, images, or emotions during sleep.

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

every one of two or more people or things, taken separately

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

earlier in time; previously

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

at or near the beginning of a period of time or course of events or before the usual or expected time

From this reading Here we notice at once, as we do in similar early effusions of both the Wartons, the direct influence of Milton's lyrics.

plural of “ear” — the sense organ for hearing and equilibrium

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

a phenomenon that follows and is caused by some previous phenomenon

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Here we notice at once, as we do in similar early effusions of both the Wartons, the direct influence of Milton's lyrics.

coming next after the seventeenth in position

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

plural of “elder” — a person who is older than you are

From this reading The youthful poet is in full revolt against the law which forbade his elders to mention objects by their plain names.

any of various trees of the genus Ulmus: important timber or shade trees

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

plural of “elm” — any of various trees of the genus Ulmus: important timber or shade trees

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

(of a person) beset by difficulties or conflict

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

the latter part of the day (the period of decreasing daylight from late afternoon until nightfall)

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

consider in detail and subject to an analysis in order to discover essential features or meaning

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

the quality of excelling; possessing good qualities in high degree

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

deficient in magnitude; barely perceptible; lacking clarity or brightness or loudness etc

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

a small being, human in form, playful and having magical powers

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

to a considerable degree; very much

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

plural of “foot” — the part of the leg of a human being below the ankle joint

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

the inside lower horizontal surface (as of a room, hallway, tent, or other structure)

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

about to be mentioned or specified

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

intended to be given to, or used by, somebody

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

inflected form of “forbid” — command against

From this reading The youthful poet is in full revolt against the law which forbade his elders to mention objects by their plain names.

especially of writing or speech; going before

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

a distinctive odor that is pleasant

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

showing where something starts, or who sent it

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

containing as much or as many as is possible or normal

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

acknowledged as a supposition

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

shoot down, of birds

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

relatively large in size or number or extent; larger than others of its kind

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

a small growth of trees without underbrush

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

having or showing excessive or compulsive concern with something

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

a spring-flowering shrub or small tree of the genus Crataegus

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

a man, boy, or male animal already mentioned, as the subject

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

belonging to a woman, girl, or female animal already mentioned

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

plural of “herd” — a group of cattle or sheep or other domestic mammals all of the same kind that are herded by humans

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

in or at this place; where the speaker or writer is

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

the male already mentioned, as the object of a verb or preposition

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

belonging to a man, boy, or male animal already mentioned

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

where you live at a particular time

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

a humming noise

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

the person speaking or writing, as the subject of the verb

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

exactly alike; incapable of being perceived as different

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

inside something, or within a place, period, or state

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

a power to affect persons or events especially power based on prestige etc

From this reading Here we notice at once, as we do in similar early effusions of both the Wartons, the direct influence of Milton's lyrics.

existing as an essential constituent or characteristic

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

a search for knowledge

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

the form of “be” used with he, she, it, or a singular noun

From this reading The youthful poet is in full revolt against the law which forbade his elders to mention objects by their plain names.

a thing, animal, or idea already mentioned

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

belonging to the thing or animal already mentioned

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

leader of the Nez Perce in their retreat from United States troops (1840-1904)

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

the collection of rules imposed by authority

From this reading The youthful poet is in full revolt against the law which forbade his elders to mention objects by their plain names.

put into a certain place or abstract location

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

take somebody somewhere

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

without good reason

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

plural of “line” — a formation of people or things one beside another

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

characterized by or producing sound of great volume or intensity

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

-ing form of “lurk” — lie in wait, lie in ambush, behave in a sneaky and secretive manner

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

plural of “lyric” — the text of a popular song or musical-comedy number

From this reading Here we notice at once, as we do in similar early effusions of both the Wartons, the direct influence of Milton's lyrics.

a behavioral attribute that is distinctive and peculiar to an individual

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

used to say something is possible, or to give permission

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

the person speaking, as the object of a verb or preposition

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

make reference to

From this reading The youthful poet is in full revolt against the law which forbade his elders to mention objects by their plain names.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

plural of “method” — a way of doing something, especially a systematic way; implies an orderly logical arrangement (usually in steps)

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

an area that is approximately central within some larger region

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

a woman who works in a dairy

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

English poet; remembered primarily as the author of an epic poem describing humanity's fall from grace (1608-1674)

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Here we notice at once, as we do in similar early effusions of both the Wartons, the direct influence of Milton's lyrics.

tiny leafy-stemmed flowerless plants

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

to a great degree or extent

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

belonging to the person speaking

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

verbal abuse; a crude substitute for argument

From this reading The youthful poet is in full revolt against the law which forbade his elders to mention objects by their plain names.

a structure in which animals lay eggs or give birth to their young

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

European songbird noted for its melodious nocturnal song

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

sound of any kind (especially unintelligible or dissonant sound)

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

and not; used after a negative to add a second negative

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

used to make a word, phrase, or sentence negative

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

a brief written record

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

an announcement containing information about an event

From this reading Here we notice at once, as we do in similar early effusions of both the Wartons, the direct influence of Milton's lyrics.

throughout a period of time

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

plural of “object” — a tangible and visible entity; an entity that can cast a shadow

From this reading The youthful poet is in full revolt against the law which forbade his elders to mention objects by their plain names.

tenaciously unwilling or marked by tenacious unwillingness to yield

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

a lyric poem with complex stanza forms

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

belonging to, or connected with, somebody or something

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

touching and supported by a surface

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

on one occasion

From this reading Here we notice at once, as we do in similar early effusions of both the Wartons, the direct influence of Milton's lyrics.

belonging to the speaker and others

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

a course of conduct

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

a distinctive odor that is pleasant

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

clearly revealed to the mind or the senses or judgment

From this reading The youthful poet is in full revolt against the law which forbade his elders to mention objects by their plain names.

plural of “plait” — a hairdo formed by braiding or twisting the hair

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

a writer of poems (the term is usually reserved for writers of good poetry)

From this reading The youthful poet is in full revolt against the law which forbade his elders to mention objects by their plain names.

of or relating to poetry

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

literature in metrical form

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

plural of “poet” — a writer of poems (the term is usually reserved for writers of good poetry)

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

by chance

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

prepared and printed for distribution and sale

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

feeling great rapture or delight

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

the act of discovering again

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

snacks and drinks served as a light meal

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

feel happiness or joy

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

located far away spatially

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

the action of opposing something that you disapprove or disagree with

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

not move; be in a resting position

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

plural of “rest” — something left after other parts have been taken away

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

organized opposition to authority; a conflict in which one faction tries to wrest control from another

From this reading The youthful poet is in full revolt against the law which forbade his elders to mention objects by their plain names.

a charge of ammunition for a single shot

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

move about aimlessly or without any destination, often in search of food or employment

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

travelling about without any clear destination

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

make a dry crackling sound

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

a general conscious awareness

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

providing privacy or seclusion

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

quiet, dark, or concealed

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

plural of “shell” — ammunition consisting of a cylindrical metal casing containing an explosive charge and a projectile; fired from a large gun

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

a clergyman who watches over a group of people

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

give an exhibition of to an interested audience

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

plural of “show” — the act of publicly exhibiting or entertaining

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

marked by correspondence or resemblance

From this reading Here we notice at once, as we do in similar early effusions of both the Wartons, the direct influence of Milton's lyrics.

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

the particular auditory effect produced by a given cause

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

unique or specific to a person or thing or category

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

an example regarded as typical of its class

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

changing location rapidly

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

English poet who wrote an allegorical romance celebrating Elizabeth I in the Spenserian stanza (1552-1599)

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

producing a burning sensation on the taste nerves

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

an upright that is a member in a door or window frame

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

not in physical motion

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

a natural body of running water flowing on or under the earth

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

the subject matter of a conversation or discussion

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

the warmest season of the year; in the northern hemisphere it extends from the summer solstice to the autumnal equinox

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

having or denoting the characteristic taste of sugar

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

in a confused mass

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

express in words

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

an old word for “you”, as the object, speaking to one person

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

belonging to the people or things already mentioned

From this reading The youthful poet is in full revolt against the law which forbade his elders to mention objects by their plain names.

subsequently or soon afterward (often used as sentence connectors)

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

in or at that place or location

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

United States clockmaker who introduced mass production (1785-1859)

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

from one end or side of something to the other

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

an old word for “your”, speaking to one person

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

used before the base form of a verb to make the infinitive

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

to a degree exceeding normal or proper limits

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

the upper part of anything

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

being five more than twenty

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

not known

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

a formal word for “on”

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

the speaker and others, as the object of a verb or preposition

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

someone who leads a wandering unsettled life

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

plural of “want” — a state of extreme poverty

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

-ing form of “warble” — sing or play with trills, alternating with the half note above or below

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Here we notice at once, as we do in similar early effusions of both the Wartons, the direct influence of Milton's lyrics.

the past form of “be” used with I, he, she, it, or a singular noun

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

past form of “wattle” — build of or with wattle

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

the speaker together with one or more other people

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

the past form of “be” used with you, we, they, or a plural noun

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

at the time that

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

in or at the place that

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

used to introduce a clause giving more about a thing just mentioned

From this reading The youthful poet is in full revolt against the law which forbade his elders to mention objects by their plain names.

during the time that

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

belonging to which person

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

marked by extreme lack of restraint or control

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

in the company of; together with

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A specimen of Joseph Warton's descriptive poetry may here be given, not for its great inherent excellence, but because it shows his resistance to the obstinate classic mannerism:-- "Tell me the path, sweet wanderer, tell, To thy unknown sequestered cell, Where woodbines cluster round the door, Where shells and moss o'erlay the floor, And on whose top an hawthorn blows, Amid whose thickly-woven boughs Some nightingale still builds her nest, Each evening warbling thee to rest; Then lay me by the haunted stream, Rapt in some wild poetic dream, In converse while methinks I rove With Spenser through a fairy grove."

someone who lives in the woods

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

used for something imagined, polite, or habitual in the past

From this reading To examine the effect of the rediscovery of Milton upon the poets of the middle of the eighteenth century would lead us too far from the special subject of our inquiry to-day.

set down in writing in any of various ways

From this reading To show how identical were the methods of the two brothers we may compare the foregoing lines with the following from Thomas Warton's "Ode on the Approach of Summer" (published when he was twenty-five, and possibly written much earlier):-- "His wattled cotes the shepherd plaits; Beneath her elm the milkmaid chats; The woodman, speeding home, awhile Rests him at a shady stile; Nor wants there fragrance to dispense Refreshment o'er my soothèd sense; Nor tangled woodbine's balmy bloom, Nor grass besprent to breathe perfume, Nor lurking wild-thyme's spicy sweet To bathe in dew my roving feet; Nor wants there note of Philomel, Nor sound of distant-tinkling bell, Nor lowings faint of herds remote, Nor mastiff's bark from bosom'd cot; Rustle the breezes lightly borne O'er deep embattled ears of corn; Round ancient elms, with humming noise, Full loud the chafer-swarms rejoice."

suggestive of youth; vigorous and fresh

From this reading The youthful poet is in full revolt against the law which forbade his elders to mention objects by their plain names.