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Sons and Lovers
Sons and Lovers

Chapter V · Chapter 5

Chapter 5 of Sons and Lovers is here in full — 999 sentences across 200 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/199 · 5 lines
English subtitles · tap any word to listen 1 / 5
PAUL LAUNCHES INTO LIFE Morel was rather a heedless man, careless of danger.
So he had endless accidents.
Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.
If it were he, she would run out to help.
About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchenhe was very clever with his brushwhen there came a knock at the door.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Sons and Lovers

Chapter V · Chapter 5

Chapter 5 of Sons and Lovers is here in full — 999 sentences across 200 reading sections, with audio for every sentence and word.

Reading 1/199 · 5 reading units · Lines 1–5

Line 1
PAUL LAUNCHES INTO LIFE Morel was rather a heedless man, careless of danger.
Line 2
So he had endless accidents.
/soʊ hiː hæd ˈendləs ˈæksədənts/
Line 3
Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.
Line 4
If it were he, she would run out to help.
/ɪf ɪt wɜːr hiː ʃiː wʊd rʌn aʊt tuː help/
Line 5
About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchenhe was very clever with his brushwhen there came a knock at the door.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

accidents noun US /ˈæksədənts/

plural of “accident” — an unfortunate mishap; especially one causing damage or injury

From this reading “So he had endless accidents.”

dirt noun US /dɜːrt/

the part of the earth's surface consisting of humus and disintegrated rock

From this reading “Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.”

launches noun US /ˈlɔːntʃəz/

plural of “launch” — a motorboat with an open deck or a half deck

From this reading “PAUL LAUNCHES INTO LIFE Morel was rather a heedless man, careless of danger.”

limp verb US /lɪmp/

walk impeded by some physical limitation or injury

From this reading “Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.”

Morel noun US /mərˈel/

any of various edible mushrooms of the genus Morchella having a brownish spongelike cap

From this reading “PAUL LAUNCHES INTO LIFE Morel was rather a heedless man, careless of danger.”

painting noun US /ˈpeɪntɪŋ/

graphic art consisting of an artistic composition made by applying paints to a surface

From this reading “About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.”

parlour noun US /ˈpɑːrlər/

reception room in an inn or club where visitors can be received

From this reading “Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.”

rattle verb US /ˈrætəl/

make short successive sounds

From this reading “Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.”

All words in this reading · 87

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading PAUL LAUNCHES INTO LIFE Morel was rather a heedless man, careless of danger.

AboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

accidentsnounUS /ˈæksədənts/

plural of “accident” — an unfortunate mishap; especially one causing damage or injury

From this reading So he had endless accidents.

afterprepositionUS /ˈæftər/

later than; following

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

atprepositionUS /æt/

in or near a particular place or position

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

bodynounUS /ˈbɑːdi/

the entire physical structure of an organism (an animal, plant, or human being)

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

brushverbUS /brʌʃ/

rub with a brush, or as if with a brush

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

carelessadjectiveUS /ˈkerləs/

marked by lack of attention or consideration or forethought or thoroughness; not careful

From this reading PAUL LAUNCHES INTO LIFE Morel was rather a heedless man, careless of danger.

ceaseverbUS /siːs/

put an end to a state or an activity

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

cleveradjectiveUS /ˈklevər/

showing self-interest and shrewdness in dealing with others

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

coal-cart

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

dangernounUS /ˈdeɪndʒər/

the condition of being susceptible to harm or injury

From this reading PAUL LAUNCHES INTO LIFE Morel was rather a heedless man, careless of danger.

dirtnounUS /dɜːrt/

the part of the earth's surface consisting of humus and disintegrated rock

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

emptyverbUS /ˈempti/

make void or empty of contents

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

endlessadjectiveUS /ˈendləs/

tiresomely long; seemingly without end

From this reading So he had endless accidents.

entry-end

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

expectingverbUS /ɪkˈspektɪŋ/

-ing form of “expect” — regard something as probable or likely

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

gotverbUS /ɡɑːt/

inflected form of “get” — come into the possession of something concrete or abstract

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

greyadjectiveUS /ɡreɪ/

of an achromatic color of any lightness intermediate between the extremes of white and black

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading So he had endless accidents.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading So he had endless accidents.

heardadjectiveUS /hɜːrd/

detected or perceived by the sense of hearing

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

heedlessadjective

marked by or paying little heed or attention

From this reading PAUL LAUNCHES INTO LIFE Morel was rather a heedless man, careless of danger.

helpverbUS /help/

give help or assistance; be of service

From this reading If it were he, she would run out to help.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

hurtverbUS /hɜːrt/

be the source of pain

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

husbandnounUS /ˈhʌzbənd/

a married man; a woman's partner in marriage

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If it were he, she would run out to help.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

INTOprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading PAUL LAUNCHES INTO LIFE Morel was rather a heedless man, careless of danger.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading If it were he, she would run out to help.

justadverbUS /dʒʌst/

and nothing more

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

kitchennounUS /ˈkɪtʃən/

a room equipped for preparing meals

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

knockverbUS /nɑːk/

deliver a sharp blow or push

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

LAUNCHESnounUS /ˈlɔːntʃəz/

plural of “launch” — a motorboat with an open deck or a half deck

From this reading PAUL LAUNCHES INTO LIFE Morel was rather a heedless man, careless of danger.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

LIFEnounUS /laɪf/

a characteristic state or mode of living

From this reading PAUL LAUNCHES INTO LIFE Morel was rather a heedless man, careless of danger.

limpverbUS /lɪmp/

walk impeded by some physical limitation or injury

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

LondonnounUS /ˈlʌndən/

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading PAUL LAUNCHES INTO LIFE Morel was rather a heedless man, careless of danger.

MorelnounUS /mərˈel/

any of various edible mushrooms of the genus Morchella having a brownish spongelike cap

From this reading PAUL LAUNCHES INTO LIFE Morel was rather a heedless man, careless of danger.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

NowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading PAUL LAUNCHES INTO LIFE Morel was rather a heedless man, careless of danger.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading If it were he, she would run out to help.

paintingnounUS /ˈpeɪntɪŋ/

graphic art consisting of an artistic composition made by applying paints to a surface

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

parlournounUS /ˈpɑːrlər/

reception room in an inn or club where visitors can be received

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

PAULnounUS /pɔːl/

United States feminist (1885-1977)

From this reading PAUL LAUNCHES INTO LIFE Morel was rather a heedless man, careless of danger.

ranverbUS /ræn/

inflected form of “run” — move fast by using one's feet, with one foot off the ground at any given time

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

ratheradverbUS /ˈræðər/

on the contrary

From this reading PAUL LAUNCHES INTO LIFE Morel was rather a heedless man, careless of danger.

rattleverbUS /ˈrætəl/

make short successive sounds

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

runverbUS /rʌn/

move fast by using one's feet, with one foot off the ground at any given time

From this reading If it were he, she would run out to help.

schoolnounUS /skuːl/

an educational institution

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

seatedadjectiveUS /ˈsiːtɪd/

(of persons) having the torso erect and legs bent with the body supported on the buttocks

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

sickadjectiveUS /sɪk/

affected by an impairment of normal physical or mental function

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

SoconjunctionUS /soʊ/

for that reason; with the result that

From this reading So he had endless accidents.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

sonnounUS /sʌn/

a male human offspring

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

thereadverbUS /ðer/

in or at that place or location

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

upstairsadverbUS /əpˈsterz/

on a floor above

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

waggonnoun

any of various kinds of wheeled vehicles drawn by an animal or a tractor

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading PAUL LAUNCHES INTO LIFE Morel was rather a heedless man, careless of danger.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading If it were he, she would run out to help.

whenconjunctionUS /wen/

at the time that

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

William

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

withprepositionUS /wɪð/

in the company of; together with

From this reading Now, when Mrs. Morel heard the rattle of an empty coal-cart cease at her entry-end, she ran into the parlour to look, expecting almost to see her husband seated in the waggon, his face grey under his dirt, his body limp and sick with some hurt or other.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading If it were he, she would run out to help.

yearnounUS /jɪr/

a period of time containing 365 (or 366) days

From this reading About a year after William went to London, and just after Paul had left school, before he got work, Mrs. Morel was upstairs and her son was painting in the kitchen—he was very clever with his brush—when there came a knock at the door.

Chapter 5 of Sons and Lovers by D. H. (David Herbert) Lawrence holds 999 sentences, grouped into 200 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of Sons and Lovers contain?

Chapter 5 holds 999 sentences of Sons and Lovers, unabridged, divided into 200 reading sections.

This page carries chapter 5 of Sons and Lovers by D. H. (David Herbert) Lawrence exactly as it stands in the public-domain source edition, without abridgement. It runs to 999 sentences, grouped into 200 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of Sons and Lovers?

Work through the 200 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 200 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Sons and Lovers

Common questions about reading Sons and Lovers by D. H. (David Herbert) Lawrence on this page, its source edition and its audio.

Is this the complete text of Sons and Lovers?

Yes. All 13900 sentences of Project Gutenberg eBook #217 are kept, with a record of which sentences cover which part.

Which edition of Sons and Lovers is used?

Project Gutenberg eBook #217, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Sons and Lovers take to read?

About 600 minutes of reading across 2780 sections of 5 sentences each, at an unhurried pace.

How to read Sons and Lovers section by section

How to work through Sons and Lovers section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 14 chapters of Sons and Lovers to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Sons and Lovers

Words and structures a reader meets early in Sons and Lovers, each tappable for pronunciation and meaning.

Bottoms
A word that appears in the opening chapter of Sons and Lovers; the reader can tap it to hear it and see its dictionary entry.
Succeeded
A word that appears in the opening chapter of Sons and Lovers; the reader can tap it to hear it and see its dictionary entry.
Block
A word that appears in the opening chapter of Sons and Lovers; the reader can tap it to hear it and see its dictionary entry.
Thatched
A word that appears in the opening chapter of Sons and Lovers; the reader can tap it to hear it and see its dictionary entry.