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Specimens of the Table Talk of Samuel Taylor
Specimens of the Table Talk of Samuel Taylor

Chapter IX · Chapter 9

Chapter 9 of Specimens of the Table Talk of Samuel Taylor is here in full — 414 sentences across 83 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/82 · 5 lines
English subtitles · tap any word to listen 1 / 5
* * * * * In Ben Jonson you have an intense and burning art.
Some of his plots, that of the Alchemist, for example, are perfect.
Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.
The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.
Shakspeare in his great plays is the midpoint.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
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A keeper or guardian of historical records and memories.

Specimens of the Table Talk of Samuel Taylor

Chapter IX · Chapter 9

Chapter 9 of Specimens of the Table Talk of Samuel Taylor is here in full — 414 sentences across 83 reading sections, with audio for every sentence and word.

Reading 1/82 · 5 reading units · Lines 1–5

Line 1
* * * * * In Ben Jonson you have an intense and burning art.
/ɪn ben ˈdʒɑːnsən juː hæv æn ˌɪnˈtens ənd ˈbɜːrnɪŋ ɑːrt/
Line 2
Some of his plots, that of the Alchemist, for example, are perfect.
/sʌm ʌv hɪz plɑːts ðæt ʌv ðə ˈæltʃəmɪst fɔːr ɪɡˈzæmpəl ɑːr pərˈfekt/
Line 3
Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.
Line 4
The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.
Line 5
Shakspeare in his great plays is the midpoint.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Alchemist noun US /ˈæltʃəmɪst/

one who was versed in the practice of alchemy and who sought an elixir of life and a panacea and an alkahest and the philosopher's stone

From this reading “Some of his plots, that of the Alchemist, for example, are perfect.”

Beaumont noun US /ˈboʊmɔːnt/

United States surgeon remembered for his studies of digestion (1785-1853)

From this reading “Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.”

diction noun US /ˈdɪkʃən/

the articulation of speech regarded from the point of view of its intelligibility to the audience

From this reading “The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.”

dramatist noun US /ˈdrɑːmətɪst/

someone who writes plays

From this reading “Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.”

extremes noun US /ekˈstriːmz/

plural of “extreme” — the furthest or highest degree of something

From this reading “The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.”

midpoint noun US /ˈmɪdpɔɪnt/

a point equidistant from the ends of a line or the extremities of a figure

From this reading “Shakspeare in his great plays is the midpoint.”

oscillate verb US /ˈɑːsəleɪt/

be undecided about something; waver between conflicting positions or courses of action

From this reading “The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.”

styles noun US /staɪlz/

plural of “style” — how something is done or how it happens

From this reading “The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.”

All words in this reading · 62

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

afterprepositionUS /ˈæftər/

later than; following

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

agenounUS /eɪdʒ/

how long something has existed

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

Agonistes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.

AlchemistnounUS /ˈæltʃəmɪst/

one who was versed in the practice of alchemy and who sought an elixir of life and a panacea and an alkahest and the philosopher's stone

From this reading Some of his plots, that of the Alchemist, for example, are perfect.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading * * * * * In Ben Jonson you have an intense and burning art.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading * * * * * In Ben Jonson you have an intense and burning art.

arcnounUS /ɑːrk/

electrical conduction through a gas in an applied electric field

From this reading The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Some of his plots, that of the Alchemist, for example, are perfect.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading * * * * * In Ben Jonson you have an intense and burning art.

BeaumontnounUS /ˈboʊmɔːnt/

United States surgeon remembered for his studies of digestion (1785-1853)

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

BennounUS /ben/

a mountain or tall hill

From this reading * * * * * In Ben Jonson you have an intense and burning art.

burningnounUS /ˈbɜːrnɪŋ/

the act of burning something

From this reading * * * * * In Ben Jonson you have an intense and burning art.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

dictionnounUS /ˈdɪkʃən/

the articulation of speech regarded from the point of view of its intelligibility to the audience

From this reading The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.

doubtnounUS /daʊt/

the state of being unsure of something

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

dramatistnounUS /ˈdrɑːmətɪst/

someone who writes plays

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

examplenounUS /ɪɡˈzæmpəl/

an item of information that is typical of a class or group

From this reading Some of his plots, that of the Alchemist, for example, are perfect.

extremesnounUS /ekˈstriːmz/

plural of “extreme” — the furthest or highest degree of something

From this reading The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.

FletchernounUS /ˈfletʃər/

prolific English dramatist who collaborated with Francis Beaumont and many other dramatists (1579-1625)

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Some of his plots, that of the Alchemist, for example, are perfect.

geniusnounUS /ˈdʒiːnjəs/

someone who has exceptional intellectual ability and originality

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

greatestadjectiveUS /ˈɡreɪtəst/

highest in quality

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading * * * * * In Ben Jonson you have an intense and burning art.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Some of his plots, that of the Alchemist, for example, are perfect.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading * * * * * In Ben Jonson you have an intense and burning art.

indeedadverbUS /ˌɪnˈdiːd/

in truth (often tends to intensify)

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

intenseadjectiveUS /ˌɪnˈtens/

possessing or displaying a distinctive feature to a heightened degree

From this reading * * * * * In Ben Jonson you have an intense and burning art.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Shakspeare in his great plays is the midpoint.

JonsonnounUS /ˈdʒɑːnsən/

English dramatist and poet who was the first real poet laureate of England (1572-1637)

From this reading * * * * * In Ben Jonson you have an intense and burning art.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

Massinger's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.

midpointnounUS /ˈmɪdpɔɪnt/

a point equidistant from the ends of a line or the extremities of a figure

From this reading Shakspeare in his great plays is the midpoint.

nearadverbUS /nɪr/

near in time or place or relationship

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

nodeterminerUS /noʊ/

not any; not one

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Some of his plots, that of the Alchemist, for example, are perfect.

oscillateverbUS /ˈɑːsəleɪt/

be undecided about something; waver between conflicting positions or courses of action

From this reading The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.

perfectadjectiveUS /pərˈfekt/

being complete of its kind and without defect or blemish

From this reading Some of his plots, that of the Alchemist, for example, are perfect.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.

plotsnounUS /plɑːts/

plural of “plot” — a secret scheme to do something (especially something underhand or illegal)

From this reading Some of his plots, that of the Alchemist, for example, are perfect.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.

Sampson

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.

Shakspeare

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

SomeadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Some of his plots, that of the Alchemist, for example, are perfect.

stylesnounUS /staɪlz/

plural of “style” — how something is done or how it happens

From this reading The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Some of his plots, that of the Alchemist, for example, are perfect.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Some of his plots, that of the Alchemist, for example, are perfect.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.

unitedadjectiveUS /juːˈnaɪtɪd/

characterized by unity; being or joined into a single entity

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.

withinprepositionUS /wɪˈðɪn/

inside; before a period of time has passed

From this reading The styles of Massinger's plays and the Sampson Agonistes are the two extremes of the arc within which the diction of dramatic poetry may oscillate.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

yetconjunctionUS /jet/

but in spite of that

From this reading Ben Jonson and Beaumont and Fletcher would, if united, have made a great dramatist indeed, and yet not have come near Shakspeare; but no doubt Ben Jonson was the greatest man after Shakspeare in that age of dramatic genius.

youpronounUS /juː/

the person or people being spoken to

From this reading * * * * * In Ben Jonson you have an intense and burning art.

Chapter 9 of Specimens of the Table Talk of Samuel Taylor by Samuel Taylor Coleridge holds 414 sentences, grouped into 83 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 9 of Specimens of the Table Talk of Samuel Taylor contain?

Chapter 9 holds 414 sentences of Specimens of the Table Talk of Samuel Taylor, unabridged, divided into 83 reading sections.

This page carries chapter 9 of Specimens of the Table Talk of Samuel Taylor by Samuel Taylor Coleridge exactly as it stands in the source edition, without abridgement. It runs to 414 sentences, grouped into 83 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 9 of Specimens of the Table Talk of Samuel Taylor?

Work through the 83 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 83 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 9 be read aloud to me?

Yes — every sentence and every individual word in chapter 9 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Project Gutenberg eBook #8489, unabridged. The Project Gutenberg header, footer and licence are removed.

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About 403 minutes of reading across 969 sections of 5 sentences each, at an unhurried pace.

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Transliterations
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Throughout
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Either
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