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St. George and St. Michael, Volume 3
St. George and St. Michael, Volume 3

Chapter XXI · Chapter 21

Chapter 21 of St. George and St. Michael, Volume 3 is here in full — 29 sentences across 6 reading sections, with audio for every sentence and word.

Cover illustration for St. George and St. Michael, Volume 3
Context Illustration Reading 1/5 · 5 lines
English subtitles · tap any word to listen 1 / 5
AVE!
VALE!
SALVE!
And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.
Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

St. George and St. Michael, Volume 3

Chapter XXI · Chapter 21

Chapter 21 of St. George and St. Michael, Volume 3 is here in full — 29 sentences across 6 reading sections, with audio for every sentence and word.

Reading 1/5 · 5 reading units · Lines 1–5

Line 1
AVE!
Line 2
VALE!
/veɪl/
Line 3
SALVE!
/sɑːv/
Line 4
And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.
Line 5
Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

initiating verb US /ˌɪˈnɪʃieɪtɪŋ/

-ing form of “initiate” — bring into being

From this reading “Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!”

irreverence noun US /ˌɪˈrevərəns/

an irreverent mental attitude

From this reading “Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!”

island's noun US /ˈaɪləndz/

possessive form of “island” — a land mass (smaller than a continent) that is surrounded by water

From this reading “And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.”

obliterating verb US /əˈblɪtəreɪtɪŋ/

-ing form of “obliterate” — mark for deletion, rub off, or erase

From this reading “Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!”

resplendent adjective US /riˈsplendənt/

having great beauty and splendor

From this reading “And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.”

salve noun US /sɑːv/

semisolid preparation (usually containing a medicine) applied externally as a remedy or for soothing an irritation

From this reading “SALVE!”

scarred adjective US /skɑːrd/

deeply affected or marked by mental or physical pain or injury

From this reading “And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.”

scarring verb US /ˈskɑːrɪŋ/

inflected form of “scar” — mark with a scar

From this reading “Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!”

All words in this reading · 73

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

agenounUS /eɪdʒ/

how long something has existed

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

alasexclamationUS /əˈlæs/

used to show sadness, pity, or regret

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

AndconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

ashesnounUS /ˈæʃ.ɪz/

The powdery residue left after the burning of a substance.

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

AVE

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading AVE!

beautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

bidverbUS /bɪd/

propose a payment

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

buryverbUS /ˈberi/

cover from sight

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

commonplaceadjectiveUS /ˈkɑːmənpleɪs/

completely ordinary and unremarkable

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

contrastnounUS /ˈkɑːntræst/

the opposition or dissimilarity of things that are compared

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

cradlenounUS /ˈkreɪdəl/

a baby bed with sides and rockers

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

defiantadjectiveUS /dɪˈfaɪənt/

boldly resisting authority or an opposing force

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

defiling

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

destructionnounUS /dɪˈstrʌkʃən/

the termination of something by causing so much damage to it that it cannot be repaired or no longer exists

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

dreamnounUS /driːm/

A series of thoughts, images, or emotions during sleep.

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

eranounUS /ˈerə/

a period marked by distinctive character or reckoned from a fixed point or event

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

farewellnounUS /ˌferˈwel/

an acknowledgment or expression of goodwill at parting

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

followverbUS /ˈfɑːloʊ/

to travel behind, go after, come after

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

footstepsnounUS /ˈfʊtsteps/

plural of “footstep” — the sound of a step of someone walking

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

gravenounUS /ɡreɪv/

death of a person

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

HerbertnounUS /ˈhɜːrbərt/

United States musician and composer and conductor noted for his comic operas (1859-1924)

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

initiatingverbUS /ˌɪˈnɪʃieɪtɪŋ/

-ing form of “initiate” — bring into being

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

irreverencenounUS /ˌɪˈrevərəns/

an irreverent mental attitude

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

island'snounUS /ˈaɪləndz/

possessive form of “island” — a land mass (smaller than a continent) that is surrounded by water

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

itselfpronounUS /ˌɪtˈself/

used when the thing doing the action is also its object

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

LittleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

lordnounUS /lɔːrd/

terms referring to the Judeo-Christian God

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

mechanicaladjectiveUS /məˈkænɪkəl/

using (or as if using) mechanisms or tools or devices

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

merelyadverbUS /ˈmɪrli/

and nothing more

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

newadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

obliteratingverbUS /əˈblɪtəreɪtɪŋ/

-ing form of “obliterate” — mark for deletion, rub off, or erase

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

pridenounUS /praɪd/

a feeling of self-respect and personal worth

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

Raglannoun

a garment (coat or sweater) that has raglan sleeves

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

resplendentadjectiveUS /riˈsplendənt/

having great beauty and splendor

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

SALVEnounUS /sɑːv/

semisolid preparation (usually containing a medicine) applied externally as a remedy or for soothing an irritation

From this reading SALVE!

scarredadjectiveUS /skɑːrd/

deeply affected or marked by mental or physical pain or injury

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

scarringverbUS /ˈskɑːrɪŋ/

inflected form of “scar” — mark with a scar

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

sightnounUS /saɪt/

an instance of visual perception

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

statelyadjectiveUS /ˈsteɪtli/

impressive in appearance

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

turningnounUS /ˈtɜːrnɪŋ/

the act of changing or reversing the direction of the course

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

unpoetic

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

VALEnounUS /veɪl/

a long depression in the surface of the land that usually contains a river

From this reading VALE!

vulgaradjectiveUS /ˈvʌlɡər/

lacking refinement or cultivation or taste

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

wastingnounUS /ˈweɪstɪŋ/

any general reduction in vitality and strength of body and mind resulting from a debilitating chronic disease

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

withprepositionUS /wɪð/

in the company of; together with

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

worseadjectiveUS /wɜːrs/

(comparative of “bad”) inferior to another in quality or condition or desirability

From this reading Little did lord Herbert dream of the age he was initiating--of the irreverence and pride and destruction that were about to follow in his footsteps, wasting, defiling, scarring, obliterating, turning beauty into ashes, and worse!

yesnounUS /jes/

an affirmative

From this reading And now must I bury my dead out of my sight--bid farewell to the old resplendent, stately, scarred, defiant Raglan, itself the grave of many an old story, and the cradle of the new, and alas! in contrast with the old, not merely the mechanical, but the unpoetic and commonplace, yes vulgar era of our island's history.

Chapter 21 of St. George and St. Michael, Volume 3 by George MacDonald holds 29 sentences, grouped into 6 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 21 of St. George and St. Michael, Volume 3 contain?

Chapter 21 holds 29 sentences of St. George and St. Michael, Volume 3, unabridged, divided into 6 reading sections.

This page carries chapter 21 of St. George and St. Michael, Volume 3 by George MacDonald exactly as it stands in the source edition, without abridgement. It runs to 29 sentences, grouped into 6 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 21 of St. George and St. Michael, Volume 3?

Work through the 6 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 6 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 21 be read aloud to me?

Yes — every sentence and every individual word in chapter 21 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading St. George and St. Michael, Volume 3

Common questions about reading St. George and St. Michael, Volume 3 by George MacDonald on this page, its source edition and its audio.

Is this the complete text of St. George and St. Michael, Volume 3?

Yes. All 2673 sentences of Project Gutenberg eBook #5752 are kept, with a record of which sentences cover which part.

Which edition of St. George and St. Michael, Volume 3 is used?

Project Gutenberg eBook #5752, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does St. George and St. Michael, Volume 3 take to read?

About 222 minutes of reading across 535 sections of 5 sentences each, at an unhurried pace.

How to read St. George and St. Michael, Volume 3 section by section

How to work through St. George and St. Michael, Volume 3 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 21 chapters of St. George and St. Michael, Volume 3 to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in St. George and St. Michael, Volume 3

Words and structures a reader meets early in St. George and St. Michael, Volume 3, each tappable for pronunciation and meaning.

Newbury
A word that appears in the opening chapter of St. George and St. Michael, Volume 3; the reader can tap it to hear it and see its dictionary entry.
Early
A word that appears in the opening chapter of St. George and St. Michael, Volume 3; the reader can tap it to hear it and see its dictionary entry.
Morning
A word that appears in the opening chapter of St. George and St. Michael, Volume 3; the reader can tap it to hear it and see its dictionary entry.
Richard
A word that appears in the opening chapter of St. George and St. Michael, Volume 3; the reader can tap it to hear it and see its dictionary entry.