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St. Ronan's Well
St. Ronan's Well

Chapter XVIII · Chapter 18

Chapter 18 of St. Ronan's Well is here in full — 181 sentences across 37 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/36 · 5 lines
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FORTUNE'S FROLICS.
_Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.
_The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.
Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.
The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

St. Ronan's Well

Chapter XVIII · Chapter 18

Chapter 18 of St. Ronan's Well is here in full — 181 sentences across 37 reading sections, with audio for every sentence and word.

Reading 1/36 · 5 reading units · Lines 1–5

Line 1
FORTUNE'S FROLICS.
Line 2
_Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.
/kaʊnt ˈbæsɪt wiː ˈdʒentəlmɪn huːz ˈkærɪdʒɪz rʌn ɑːn ðə fɔːr ˈeɪsɪz ɑːr æpt tuː hæv ə wiːl aʊt ʌv ˈɔːrdər/
Line 3
_The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.
/ðə prəˈvoʊkt ˈhʌzbənd ˈaʊər ˈhɪstəri mʌst naʊ lʊk ə ˈlɪtəl ˈbækwərdz ənd ˌɔːlˈðoʊ ɪt ɪz ˈræðər ˈfɔːrən tuː ˈaʊər ˈnætʃərəl staɪl ʌv ˌkɑːmpəˈzɪʃən ɪt mʌst spiːk mɔːr ɪn ˈnærətɪv ənd les ɪn ˈdaɪəlɔːɡ ˈræðər ˈtelɪŋ wʌt ˈhæpənd ðæn ɪts ɪˈfekts əˈpɑːn ðə ˈæktərz/
Line 4
Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.
/ˈaʊər ˈpɜːrpəs ˌhaʊˈevər ɪz ˈoʊnli kənˈdɪʃənəl fɔːr wiː fɔːrˈsiː temˈteɪʃənz wɪtʃ meɪ ˈrendər ɪt ˈdɪfəkəlt fɔːr ʌs ɪɡˈzæktli tuː kiːp ɪt/
Line 5
The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

aces noun US /ˈeɪsɪz/

plural of “ace” — the smallest whole number or a numeral representing this number

From this reading “_Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.”

Basset noun US /ˈbæsɪt/

smooth-haired breed of hound with short legs and long ears

From this reading “_Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.”

conditional adjective US /kənˈdɪʃənəl/

qualified by reservations

From this reading “Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.”

dialogue noun US /ˈdaɪəlɔːɡ/

a conversation between two persons

From this reading “_The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.”

foresee verb US /fɔːrˈsiː/

realize beforehand

From this reading “Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.”

fortune's noun US /ˈfɔːrtʃənz/

possessive form of “fortune” — an unknown and unpredictable phenomenon that causes an event to result one way rather than another

From this reading “FORTUNE'S FROLICS.”

Provoked adjective US /prəˈvoʊkt/

incited, especially deliberately, to anger

From this reading “_The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.”

temptations noun US /temˈteɪʃənz/

plural of “temptation” — something that seduces or has the quality to seduce

From this reading “Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.”

All words in this reading · 103

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

accidentnounUS /ˈæksədənt/

an unfortunate mishap; especially one causing damage or injury

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

acesnounUS /ˈeɪsɪz/

plural of “ace” — the smallest whole number or a numeral representing this number

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

actorsnounUS /ˈæktərz/

plural of “actor” — a theatrical performer

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

althoughconjunctionUS /ˌɔːlˈðoʊ/

in spite of the fact that

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

aptadjectiveUS /æpt/

(usually followed by “to”) naturally disposed toward

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

arrivalnounUS /ərˈaɪvəl/

accomplishment of an objective

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

atprepositionUS /æt/

in or near a particular place or position

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

attemptnounUS /əˈtempt/

earnest and conscientious activity intended to do or accomplish something

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

backwardsadverbUS /ˈbækwərdz/

at or to or toward the back or rear

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

BassetnounUS /ˈbæsɪt/

smooth-haired breed of hound with short legs and long ears

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

carriagesnounUS /ˈkærɪdʒɪz/

plural of “carriage” — a railcar where passengers ride

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

compositionnounUS /ˌkɑːmpəˈzɪʃən/

the spatial property resulting from the arrangement of parts in relation to each other and to the whole

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

conditionaladjectiveUS /kənˈdɪʃənəl/

qualified by reservations

From this reading Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.

CountverbUS /kaʊnt/

determine the number or amount of

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

cutverbUS /kʌt/

separate with or as if with an instrument

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

dialoguenounUS /ˈdaɪəlɔːɡ/

a conversation between two persons

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

difficultadjectiveUS /ˈdɪfəkəlt/

not easy; requiring great physical or mental effort to accomplish or comprehend or endure

From this reading Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.

distancenounUS /ˈdɪstəns/

the property created by the space between two objects or points

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

EarlnounUS /ɜːrl/

a British peer ranking below a marquess and above a viscount

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

effectsnounUS /ɪˈfekts/

property of a personal character that is portable but not used in business

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

equipagenoun

equipment and supplies of a military force

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

especiallyadverbUS /əˈspeʃli/

to a distinctly greater extent or degree than is common

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

Etherington

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

exactlyadverbUS /ɪɡˈzæktli/

indicating exactness or preciseness

From this reading Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.

footnounUS /fʊt/

the part of the leg of a human being below the ankle joint

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.

foreignadjectiveUS /ˈfɔːrən/

of concern to or concerning the affairs of other nations (other than your own)

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

foreseeverbUS /fɔːrˈsiː/

realize beforehand

From this reading Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.

FORTUNE'SnounUS /ˈfɔːrtʃənz/

possessive form of “fortune” — an unknown and unpredictable phenomenon that causes an event to result one way rather than another

From this reading FORTUNE'S FROLICS.

fountainnounUS /ˈfaʊntən/

a structure from which an artificially produced jet of water arises

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

fournounUS /fɔːr/

the cardinal number that is the sum of three and one

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

FROLICS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading FORTUNE'S FROLICS.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

gentlemennounUS /ˈdʒentəlmɪn/

plural of “gentleman” — a man of refinement

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

happenedverbUS /ˈhæpənd/

past form of “happen” — come to pass

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.

HusbandnounUS /ˈhʌzbənd/

a married man; a woman's partner in marriage

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

joinedadjectiveUS /dʒɔɪnd/

of or relating to two people who are married to each other

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

keepverbUS /kiːp/

cause to continue in a certain state, position, or activity; e.g., “keep clean”

From this reading Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

lordship's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

narrativenounUS /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

naturaladjectiveUS /ˈnætʃərəl/

in accordance with nature; relating to or concerning nature

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

OurdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

personnounUS /ˈpɜːrsən/

a human being

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

producedverbUS /prəˈduːst/

past form of “produce” — bring forth or yield

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

ProvokedadjectiveUS /prəˈvoʊkt/

incited, especially deliberately, to anger

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

purposenounUS /ˈpɜːrpəs/

an anticipated outcome that is intended or that guides your planned actions

From this reading Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.

ratheradverbUS /ˈræðər/

on the contrary

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

renderverbUS /ˈrendər/

cause to become

From this reading Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.

Ronan's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

runverbUS /rʌn/

move fast by using one's feet, with one foot off the ground at any given time

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

salutiferous

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

sensationnounUS /senˈseɪʃən/

an unelaborated elementary awareness of stimulation

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

servantsnounUS /ˈsɜːrvənts/

plural of “servant” — a person working in the service of another (especially in the household)

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

shortadjectiveUS /ʃɔːrt/

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

singularadjectiveUS /ˈsɪŋɡjələr/

unusual or striking

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

speakverbUS /spiːk/

express in speech

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

St

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

strongestadjectiveUS /ˈstrɔːŋɡəst/

superlative of “strong” — having strength or power greater than average or expected

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

stylenounUS /staɪl/

how something is done or how it happens

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

tellingadjectiveUS /ˈtelɪŋ/

disclosing unintentionally something concealed

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

temptationsnounUS /temˈteɪʃənz/

plural of “temptation” — something that seduces or has the quality to seduce

From this reading Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

tookverbUS /tʊk/

inflected form of “take” — carry out

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

whatpronounUS /wʌt/

used to ask for information about something

From this reading _The Provoked Husband._ Our history must now look a little backwards; and although it is rather foreign to our natural style of composition, it must speak more in narrative, and less in dialogue, rather telling what happened, than its effects upon the actors.

wheelverbUS /wiːl/

change directions as if revolving on a pivot

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Our purpose, however, is only conditional, for we foresee temptations which may render it difficult for us exactly to keep it.

whosedeterminerUS /huːz/

belonging to which person

From this reading _Count Basset._ We gentlemen, whose carriages run on the four aces, are apt to have a wheel out of order.

withprepositionUS /wɪð/

in the company of; together with

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

woodsnounUS /wʊdz/

the trees and other plants in a large densely wooded area

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading The arrival of the young Earl of Etherington at the salutiferous fountain of St. Ronan's had produced the strongest sensation; especially, as it was joined with the singular accident of the attempt upon his lordship's person, as he took a short cut through the woods on foot, at a distance from his equipage and servants.

Chapter 18 of St. Ronan's Well by Walter Scott holds 181 sentences, grouped into 37 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 18 of St. Ronan's Well contain?

Chapter 18 holds 181 sentences of St. Ronan's Well, unabridged, divided into 37 reading sections.

This page carries chapter 18 of St. Ronan's Well by Walter Scott exactly as it stands in the source edition, without abridgement. It runs to 181 sentences, grouped into 37 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 18 of St. Ronan's Well?

Work through the 37 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 37 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 18 be read aloud to me?

Yes — every sentence and every individual word in chapter 18 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading St. Ronan's Well

Common questions about reading St. Ronan's Well by Walter Scott on this page, its source edition and its audio.

Is this the complete text of St. Ronan's Well?

Yes. All 5368 sentences of Project Gutenberg eBook #20749 are kept, with a record of which sentences cover which part.

Which edition of St. Ronan's Well is used?

Project Gutenberg eBook #20749, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does St. Ronan's Well take to read?

About 447 minutes of reading across 1074 sections of 5 sentences each, at an unhurried pace.

How to read St. Ronan's Well section by section

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Vocabulary met early in St. Ronan's Well

Words and structures a reader meets early in St. Ronan's Well, each tappable for pronunciation and meaning.

Old-world
A word that appears in the opening chapter of St. Ronan's Well; the reader can tap it to hear it and see its dictionary entry.
Landlady
A word that appears in the opening chapter of St. Ronan's Well; the reader can tap it to hear it and see its dictionary entry.
Breweth
A word that appears in the opening chapter of St. Ronan's Well; the reader can tap it to hear it and see its dictionary entry.
Thereof
A word that appears in the opening chapter of St. Ronan's Well; the reader can tap it to hear it and see its dictionary entry.