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Star of Mercia
Star of Mercia

Chapter I

Chapter 1 of Star of Mercia is here in full — 416 sentences across 84 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/83 · 5 lines
English subtitles · tap any word to listen 1 / 5
Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.
One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.
The second is the quasi-Celtic public, which may or may not know the _Mabinogion_ or Borrow's _Wild Wales_, and is glad of anything that gets the romance atmosphere.
The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.
It is from the second and third of these audiences that Miss Devereux can look to gain her "creel-full of listeners," as the story of _The Yellow Hag_ has it.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Star of Mercia

Chapter I

Chapter 1 of Star of Mercia is here in full — 416 sentences across 84 reading sections, with audio for every sentence and word.

Reading 1/83 · 5 reading units · Lines 1–5

Line 1
Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.
Line 2
One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.
Line 3
The second is the quasi-Celtic public, which may or may not know the _Mabinogion_ or Borrow's _Wild Wales_, and is glad of anything that gets the romance atmosphere.
Line 4
The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.
Line 5
It is from the second and third of these audiences that Miss Devereux can look to gain her "creel-full of listeners," as the story of _The Yellow Hag_ has it.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

audiences noun US /ˈɑːdiənsəz/

plural of “audience” — a gathering of spectators or listeners at a (usually public) performance

From this reading “It is from the second and third of these audiences that Miss Devereux can look to gain her "creel-full of listeners," as the story of _The Yellow Hag_ has it.”

fidelity noun US /fəˈdeləti/

accuracy with which an electronic system reproduces the sound or image of its input signal

From this reading “The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.”

Hag noun US /hæɡ/

an ugly evil-looking old woman

Jonathan noun US /ˈdʒɑːnəθən/

red late-ripening apple; primarily eaten raw

From this reading “Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.”

listeners noun US /ˈlɪsənərz/

plural of “listener” — someone who listens attentively

From this reading “It is from the second and third of these audiences that Miss Devereux can look to gain her "creel-full of listeners," as the story of _The Yellow Hag_ has it.”

Marches noun US /ˈmɑːrtʃɪz/

a region in central Italy

From this reading “Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.”

Tanner noun US /ˈtænər/

a small coin of the United Kingdom worth six pennies; not minted since 1970

From this reading “Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.”

Welsh noun US /weltʃ/

a native or resident of Wales

From this reading “One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

quite satisfied adverb + adjective

In this reading “One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.”

short story adjective + noun

a prose narrative shorter than a novel

In this reading “One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.”

much better adverb + adjective

In this reading “The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.”

asks for verb + particle counted as “ask for”

increase the likelihood of

In this reading “One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.”

good story adjective + noun

an account of an amusing incident (usually with a punch line)

In this reading “The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.”

All words in this reading · 128

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

anythingpronounUS /ˈeniθɪŋ/

any thing at all

From this reading The second is the quasi-Celtic public, which may or may not know the _Mabinogion_ or Borrow's _Wild Wales_, and is glad of anything that gets the romance atmosphere.

appealverbUS /əˈpiːl/

take a court case to a higher court for review

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

asksverbUS /æsks/

third-person singular of “ask” — make a request or demand for something to somebody

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

atmospherenounUS /ˈætməsfɪr/

a particular environment or surrounding influence

From this reading The second is the quasi-Celtic public, which may or may not know the _Mabinogion_ or Borrow's _Wild Wales_, and is glad of anything that gets the romance atmosphere.

attemptsnounUS /əˈtempts/

plural of “attempt” — earnest and conscientious activity intended to do or accomplish something

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

audiencesnounUS /ˈɑːdiənsəz/

plural of “audience” — a gathering of spectators or listeners at a (usually public) performance

From this reading It is from the second and third of these audiences that Miss Devereux can look to gain her "creel-full of listeners," as the story of _The Yellow Hag_ has it.

backgroundnounUS /ˈbækɡraʊnd/

a person's social heritage: previous experience or training

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

believeverbUS /bɪˈliːv/

accept as true; take to be true

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

Blackmore's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

Blanche

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

Borrow's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The second is the quasi-Celtic public, which may or may not know the _Mabinogion_ or Borrow's _Wild Wales_, and is glad of anything that gets the romance atmosphere.

BritainnounUS /ˈbrɪtən/

a monarchy in northwestern Europe occupying most of the British Isles; divided into England and Scotland and Wales and Northern Ireland; “Great Britain” is often used loosely to refer to the United Kingdom

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

businessnounUS /ˈbɪznəs/

a commercial or industrial enterprise and the people who constitute it

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

ButlernounUS /ˈbʌtlər/

a manservant (usually the head servant of a household) who has charge of wines and the table

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading It is from the second and third of these audiences that Miss Devereux can look to gain her "creel-full of listeners," as the story of _The Yellow Hag_ has it.

CapenounUS /keɪp/

a strip of land projecting into a body of water

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

colouradjectiveUS /ˈkʌlər/

having or capable of producing colors

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

concernsnounUS /kənˈsɜːrnz/

plural of “concern” — something that interests you because it is important or affects you

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

creel-full

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is from the second and third of these audiences that Miss Devereux can look to gain her "creel-full of listeners," as the story of _The Yellow Hag_ has it.

Devereux

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

Doone

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

ElevenadjectiveUS /ɪˈlevən/

being one more than ten

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

Ernest

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

fiction-loving

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

fidelitynounUS /fəˈdeləti/

accuracy with which an electronic system reproduces the sound or image of its input signal

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading It is from the second and third of these audiences that Miss Devereux can look to gain her "creel-full of listeners," as the story of _The Yellow Hag_ has it.

Frome

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

gainverbUS /ɡeɪn/

obtain

From this reading It is from the second and third of these audiences that Miss Devereux can look to gain her "creel-full of listeners," as the story of _The Yellow Hag_ has it.

getsnounUS /ɡets/

plural of “get” — a return on a shot that seemed impossible to reach and would normally have resulted in a point for the opponent

From this reading The second is the quasi-Celtic public, which may or may not know the _Mabinogion_ or Borrow's _Wild Wales_, and is glad of anything that gets the romance atmosphere.

gladadjectiveUS /ɡlæd/

showing or causing joy and pleasure; especially made happy

From this reading The second is the quasi-Celtic public, which may or may not know the _Mabinogion_ or Borrow's _Wild Wales_, and is glad of anything that gets the romance atmosphere.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

Gower

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

GreatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

HagnounUS /hæɡ/

an ugly evil-looking old woman

From this reading It is from the second and third of these audiences that Miss Devereux can look to gain her "creel-full of listeners," as the story of _The Yellow Hag_ has it.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

hennounUS /hen/

adult female chicken

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading It is from the second and third of these audiences that Miss Devereux can look to gain her "creel-full of listeners," as the story of _The Yellow Hag_ has it.

HistoricaladjectiveUS /hɪˈstɔːrɪkəl/

of or relating to the study of history

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

homebred

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

iaith

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

IntroductionnounUS /ˌɪntrəˈdʌkʃən/

the act of beginning something new

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is from the second and third of these audiences that Miss Devereux can look to gain her "creel-full of listeners," as the story of _The Yellow Hag_ has it.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

JonathannounUS /ˈdʒɑːnəθən/

red late-ripening apple; primarily eaten raw

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading The second is the quasi-Celtic public, which may or may not know the _Mabinogion_ or Borrow's _Wild Wales_, and is glad of anything that gets the romance atmosphere.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

likesnounUS /laɪks/

plural of “like” — a similar kind

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

listenersnounUS /ˈlɪsənərz/

plural of “listener” — someone who listens attentively

From this reading It is from the second and third of these audiences that Miss Devereux can look to gain her "creel-full of listeners," as the story of _The Yellow Hag_ has it.

localadjectiveUS /ˈloʊkəl/

relating to or applicable to or concerned with the administration of a city or town or district rather than a larger area

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

LondonnounUS /ˈlʌndən/

the capital and largest city of England; located on the Thames in southeastern England; financial and industrial and cultural center

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading It is from the second and third of these audiences that Miss Devereux can look to gain her "creel-full of listeners," as the story of _The Yellow Hag_ has it.

Lorna

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

Mabinogion

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The second is the quasi-Celtic public, which may or may not know the _Mabinogion_ or Borrow's _Wild Wales_, and is glad of anything that gets the romance atmosphere.

MaidnounUS /meɪd/

a female domestic

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

MarchesnounUS /ˈmɑːrtʃɪz/

a region in central Italy

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

MissverbUS /mɪs/

fail to perceive or to catch with the senses or the mind

From this reading It is from the second and third of these audiences that Miss Devereux can look to gain her "creel-full of listeners," as the story of _The Yellow Hag_ has it.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The second is the quasi-Celtic public, which may or may not know the _Mabinogion_ or Borrow's _Wild Wales_, and is glad of anything that gets the romance atmosphere.

novelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

OnepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

ordinarynounUS /ˈɔːrdəneri/

a judge of a probate court

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

PrintedverbUS /ˈprɪntɪd/

past form of “print” — put into print

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

quasi-Celtic

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The second is the quasi-Celtic public, which may or may not know the _Mabinogion_ or Borrow's _Wild Wales_, and is glad of anything that gets the romance atmosphere.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

ratheradverbUS /ˈræðər/

on the contrary

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

reading-publics

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

realitynounUS /ˌriːˈælətiː/

all of your experiences that determine how things appear to you

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

Rhys

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

romancenounUS /roʊˈmæns/

a relationship between two lovers

From this reading The second is the quasi-Celtic public, which may or may not know the _Mabinogion_ or Borrow's _Wild Wales_, and is glad of anything that gets the romance atmosphere.

romanticadjectiveUS /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

satisfiedadjectiveUS /ˈsætəsfaɪd/

filled with satisfaction

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

secondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading The second is the quasi-Celtic public, which may or may not know the _Mabinogion_ or Borrow's _Wild Wales_, and is glad of anything that gets the romance atmosphere.

settingnounUS /ˈsetɪŋ/

the context and environment in which something is set

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

shortadjectiveUS /ʃɔːrt/

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

Sker

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

StreetnounUS /striːt/

a thoroughfare (usually including sidewalks) that is lined with buildings

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

talenounUS /teɪl/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

tale-writer

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

TalesnounUS /teɪlz/

plural of “tale” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

TannernounUS /ˈtænər/

a small coin of the United Kingdom worth six pennies; not minted since 1970

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

ThereadverbUS /ðer/

in or at that place or location

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading It is from the second and third of these audiences that Miss Devereux can look to gain her "creel-full of listeners," as the story of _The Yellow Hag_ has it.

thirdnounUS /θɜːrd/

one of three equal parts of a divisible whole

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

tonguenounUS /tʌŋ/

a mobile mass of muscular tissue covered with mucous membrane and located in the oral cavity

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

troublenounUS /ˈtrʌbəl/

a source of difficulty

From this reading The third is the ordinary fiction-loving English public, which asks for a good story, rather likes a Welsh background as in Blackmore's _Maid of Sker_ (a much better book than _Lorna Doone_ to my mind), and does not trouble about the fidelity of the local colour in the reality of the setting.

uncertainadjectiveUS /ənˈsɜːrtən/

lacking or indicating lack of confidence or assurance

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

WalesnounUS /weɪlz/

one of the four countries that make up the United Kingdom of Great Britain and Northern Ireland; during Roman times the region was known as Cambria

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

WelshnounUS /weltʃ/

a native or resident of Wales

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

whopronounUS /huː/

which person or people

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

WildadjectiveUS /waɪld/

marked by extreme lack of restraint or control

From this reading The second is the quasi-Celtic public, which may or may not know the _Mabinogion_ or Borrow's _Wild Wales_, and is glad of anything that gets the romance atmosphere.

WithprepositionUS /wɪð/

in the company of; together with

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading Historical Tales of Wales and the Marches _by_ Blanche Devereux _With an Introduction by_ Ernest Rhys Jonathan Cape Eleven Gower Street, London _Printed in Great Britain by_ Butler & Tanner, _Frome and London_ There are three reading-publics to which a tale-writer who attempts the uncertain business of writing about Wales may appeal.

writtenadjectiveUS /ˈrɪtən/

set down in writing in any of various ways

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

YellowadjectiveUS /ˈjeloʊ/

of the color intermediate between green and orange in the color spectrum; of something resembling the color of an egg yolk

From this reading It is from the second and third of these audiences that Miss Devereux can look to gain her "creel-full of listeners," as the story of _The Yellow Hag_ has it.

yrnoun

a period of time containing 365 (or 366) days

From this reading One is the homebred Welsh public that asks for a tale in the old tongue, _yr hen iaith_, and has never been quite satisfied, I believe, by any novel or short story about its life, or its real or romantic concerns, written in English.

Chapter 1 of Star of Mercia by Blanche Devereux holds 416 sentences, grouped into 84 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Star of Mercia contain?

Chapter 1 holds 416 sentences of Star of Mercia, unabridged, divided into 84 reading sections.

This page carries chapter 1 of Star of Mercia by Blanche Devereux exactly as it stands in the source edition, without abridgement. It runs to 416 sentences, grouped into 84 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Star of Mercia?

Work through the 84 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 84 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Star of Mercia

Common questions about reading Star of Mercia by Blanche Devereux on this page, its source edition and its audio.

Is this the complete text of Star of Mercia?

Yes. All 2450 sentences of Project Gutenberg eBook #39903 are kept, with a record of which sentences cover which part.

Which edition of Star of Mercia is used?

Project Gutenberg eBook #39903, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Star of Mercia take to read?

About 204 minutes of reading across 490 sections of 5 sentences each, at an unhurried pace.

How to read Star of Mercia section by section

How to work through Star of Mercia section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 6 chapters of Star of Mercia to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Star of Mercia

Words and structures a reader meets early in Star of Mercia, each tappable for pronunciation and meaning.

Historical
A word that appears in the opening chapter of Star of Mercia; the reader can tap it to hear it and see its dictionary entry.
Tales
A word that appears in the opening chapter of Star of Mercia; the reader can tap it to hear it and see its dictionary entry.
Wales
A word that appears in the opening chapter of Star of Mercia; the reader can tap it to hear it and see its dictionary entry.
Marches
A word that appears in the opening chapter of Star of Mercia; the reader can tap it to hear it and see its dictionary entry.