Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Stories and Story-telling
Stories and Story-telling

Chapter II

Chapter 2 of Stories and Story-telling is here in full — 439 sentences across 88 reading sections, with audio for every sentence and word.

Cover illustration for Stories and Story-telling
Context Illustration Reading 1/87 · 5 lines
English subtitles · tap any word to listen 1 / 5
Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.
Some stories should be wrapped about with the charm of impalpability; the mystery of them is the secret of their appeal.
This is the atmosphere for the romantic fairy tale, like “The Sleeping Beauty,” and for many of the legends and romances.
We are now ready to sum up the canon of graphicness.
We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Stories and Story-telling

Chapter II

Chapter 2 of Stories and Story-telling is here in full — 439 sentences across 88 reading sections, with audio for every sentence and word.

Reading 1/87 · 5 reading units · Lines 1–5

Line 1
Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.
Line 2
Some stories should be wrapped about with the charm of impalpability; the mystery of them is the secret of their appeal.
Line 3
This is the atmosphere for the romantic fairy tale, like “The Sleeping Beauty,” and for many of the legends and romances.
/ðɪs ɪz ðə ˈætməsfɪr fɔːr ðə roʊˈmæntɪk ˈferi teɪl laɪk ðə ˈsliːpɪŋ ˈbjuːti ənd fɔːr ˈmeni ʌv ðə ˈledʒəndz ənd roʊˈmænsɪz/
Line 4
We are now ready to sum up the canon of graphicness.
Line 5
We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.
/wiː hæv dɪˈfaɪnd ɪt æz ðə daɪˈnæmɪk ˈprɪnsəpəl ʌv ˈvɪvədnəs baɪ ˈvɝː.tʃuː ʌv wɪtʃ ðə ˈstɔːri ɪz meɪd pleɪn tuː ðə ˌɪmædʒəˈneɪʃən/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

canon noun US /ˈkænən/

a rule or especially body of rules or principles generally established as valid and fundamental in a field of art or philosophy

From this reading “Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.”

defined adjective US /dɪˈfaɪnd/

clearly characterized or delimited

From this reading “We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.”

dynamic adjective US /daɪˈnæmɪk/

characterized by action or forcefulness or force of personality

From this reading “We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.”

elusiveness noun US /ɪˈluːsɪvnəs/

the quality of being difficult to grasp or pin down

From this reading “Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.”

legends noun US /ˈledʒəndz/

plural of “legend” — a story about mythical or supernatural beings or events

From this reading “This is the atmosphere for the romantic fairy tale, like “The Sleeping Beauty,” and for many of the legends and romances.”

pervading verb US /pərˈveɪdɪŋ/

-ing form of “pervade” — spread or diffuse through

From this reading “Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.”

romances noun US /roʊˈmænsɪz/

plural of “romance” — a relationship between two lovers

From this reading “This is the atmosphere for the romantic fairy tale, like “The Sleeping Beauty,” and for many of the legends and romances.”

vividness noun US /ˈvɪvədnəs/

interest and variety and intensity

From this reading “We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

fairy tale noun + noun

a story about fairies; told to amuse children

In this reading “This is the atmosphere for the romantic fairy tale, like “The Sleeping Beauty,” and for many of the legends and romances.”

Before leaving preposition + noun

In this reading “Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.”

by virtue preposition + noun

In this reading “We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.”

All words in this reading · 64

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading Some stories should be wrapped about with the charm of impalpability; the mystery of them is the secret of their appeal.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading This is the atmosphere for the romantic fairy tale, like “The Sleeping Beauty,” and for many of the legends and romances.

appealverbUS /əˈpiːl/

take a court case to a higher court for review

From this reading Some stories should be wrapped about with the charm of impalpability; the mystery of them is the secret of their appeal.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading We are now ready to sum up the canon of graphicness.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.

atmospherenounUS /ˈætməsfɪr/

a particular environment or surrounding influence

From this reading This is the atmosphere for the romantic fairy tale, like “The Sleeping Beauty,” and for many of the legends and romances.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.

BeautynounUS /ˈbjuːti/

the qualities that give pleasure to the senses

From this reading This is the atmosphere for the romantic fairy tale, like “The Sleeping Beauty,” and for many of the legends and romances.

BeforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.

byprepositionUS /baɪ/

showing who or what does the action

From this reading We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.

canonnounUS /ˈkænən/

a rule or especially body of rules or principles generally established as valid and fundamental in a field of art or philosophy

From this reading Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.

charmnounUS /tʃɑːrm/

attractiveness that interests or pleases or stimulates

From this reading Some stories should be wrapped about with the charm of impalpability; the mystery of them is the secret of their appeal.

definedadjectiveUS /dɪˈfaɪnd/

clearly characterized or delimited

From this reading We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.

dynamicadjectiveUS /daɪˈnæmɪk/

characterized by action or forcefulness or force of personality

From this reading We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.

elusivenessnounUS /ɪˈluːsɪvnəs/

the quality of being difficult to grasp or pin down

From this reading Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.

fairynounUS /ˈferi/

a small being, human in form, playful and having magical powers

From this reading This is the atmosphere for the romantic fairy tale, like “The Sleeping Beauty,” and for many of the legends and romances.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading This is the atmosphere for the romantic fairy tale, like “The Sleeping Beauty,” and for many of the legends and romances.

graphicness

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.

impalpabilitynoun

the quality of being intangible and not perceptible by touch

From this reading Some stories should be wrapped about with the charm of impalpability; the mystery of them is the secret of their appeal.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Some stories should be wrapped about with the charm of impalpability; the mystery of them is the secret of their appeal.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.

leavingnounUS /ˈliːvɪŋ/

the act of departing

From this reading Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.

legendsnounUS /ˈledʒəndz/

plural of “legend” — a story about mythical or supernatural beings or events

From this reading This is the atmosphere for the romantic fairy tale, like “The Sleeping Beauty,” and for many of the legends and romances.

likeverbUS /laɪk/

prefer or wish to do something

From this reading This is the atmosphere for the romantic fairy tale, like “The Sleeping Beauty,” and for many of the legends and romances.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading This is the atmosphere for the romantic fairy tale, like “The Sleeping Beauty,” and for many of the legends and romances.

mysterynounUS /ˈmɪstəri/

something that baffles understanding and cannot be explained

From this reading Some stories should be wrapped about with the charm of impalpability; the mystery of them is the secret of their appeal.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading We are now ready to sum up the canon of graphicness.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Some stories should be wrapped about with the charm of impalpability; the mystery of them is the secret of their appeal.

pervadingverbUS /pərˈveɪdɪŋ/

-ing form of “pervade” — spread or diffuse through

From this reading Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.

plainadjectiveUS /pleɪn/

clearly revealed to the mind or the senses or judgment

From this reading We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.

principlenounUS /ˈprɪnsəpəl/

a basic generalization that is accepted as true and that can be used as a basis for reasoning or conduct

From this reading We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.

readyadjectiveUS /ˈredi/

completely prepared or in condition for immediate action or use or progress

From this reading We are now ready to sum up the canon of graphicness.

romancesnounUS /roʊˈmænsɪz/

plural of “romance” — a relationship between two lovers

From this reading This is the atmosphere for the romantic fairy tale, like “The Sleeping Beauty,” and for many of the legends and romances.

romanticadjectiveUS /roʊˈmæntɪk/

belonging to or characteristic of Romanticism or the Romantic Movement in the arts

From this reading This is the atmosphere for the romantic fairy tale, like “The Sleeping Beauty,” and for many of the legends and romances.

secretnounUS /ˈsiː.krət/

Something that is kept or meant to be kept unknown or unseen by others.

From this reading Some stories should be wrapped about with the charm of impalpability; the mystery of them is the secret of their appeal.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.

SleepingnounUS /ˈsliːpɪŋ/

the state of being asleep

From this reading This is the atmosphere for the romantic fairy tale, like “The Sleeping Beauty,” and for many of the legends and romances.

SomeadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Some stories should be wrapped about with the charm of impalpability; the mystery of them is the secret of their appeal.

sometimesadverbUS /səmˈtaɪmz/

on certain occasions or in certain cases but not always

From this reading Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.

storiesnounUS /ˈstɔːriz/

plural of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Some stories should be wrapped about with the charm of impalpability; the mystery of them is the secret of their appeal.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.

story-teller

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.

sumnounUS /sʌm/

a quantity of money

From this reading We are now ready to sum up the canon of graphicness.

talenounUS /teɪl/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading This is the atmosphere for the romantic fairy tale, like “The Sleeping Beauty,” and for many of the legends and romances.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Some stories should be wrapped about with the charm of impalpability; the mystery of them is the secret of their appeal.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading Some stories should be wrapped about with the charm of impalpability; the mystery of them is the secret of their appeal.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading We are now ready to sum up the canon of graphicness.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.

understandverbUS /ˌʌndərˈstænd/

know and comprehend the nature or meaning of

From this reading Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading We are now ready to sum up the canon of graphicness.

veiledadjectiveUS /veɪld/

having or as if having a veil or concealing cover

From this reading Before leaving this canon, the story-teller should understand that graphicness should sometimes be veiled under a pervading elusiveness.

virtuenounUS /ˈvɝː.tʃuː/

Moral excellence and goodness of character; the highest human attainment in Stoic philosophy.

From this reading We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.

vividnessnounUS /ˈvɪvədnəs/

interest and variety and intensity

From this reading We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading We are now ready to sum up the canon of graphicness.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading We have defined it as the dynamic principle of vividness by virtue of which the story is made plain to the imagination.

withprepositionUS /wɪð/

in the company of; together with

From this reading Some stories should be wrapped about with the charm of impalpability; the mystery of them is the secret of their appeal.

wrappedadjectiveUS /ræpt/

covered with or as if with clothes or a wrap or cloak

From this reading Some stories should be wrapped about with the charm of impalpability; the mystery of them is the secret of their appeal.

Chapter 2 of Stories and Story-telling by Angela M. (Angela Mary) Keyes holds 439 sentences, grouped into 88 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 2 of Stories and Story-telling contain?

Chapter 2 holds 439 sentences of Stories and Story-telling, unabridged, divided into 88 reading sections.

This page carries chapter 2 of Stories and Story-telling by Angela M. (Angela Mary) Keyes exactly as it stands in the source edition, without abridgement. It runs to 439 sentences, grouped into 88 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 2 of Stories and Story-telling?

Work through the 88 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 88 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 2 be read aloud to me?

Yes — every sentence and every individual word in chapter 2 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Stories and Story-telling

Common questions about reading Stories and Story-telling by Angela M. (Angela Mary) Keyes on this page, its source edition and its audio.

Is this the complete text of Stories and Story-telling?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of Stories and Story-telling is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Stories and Story-telling take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read Stories and Story-telling section by section

How to work through Stories and Story-telling section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of Stories and Story-telling to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Stories and Story-telling

Words and structures a reader meets early in Stories and Story-telling, each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of Stories and Story-telling, divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of Stories and Story-telling, divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of Stories and Story-telling, divided into 5-sentence reading sections.