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Studying the short-story Sixteen short-story classics with introductions
Studying the short-story Sixteen short-story classics with introductions

Chapter XVII

Chapter 17 of Studying the short-story Sixteen short-story classics with introductions is here in full — 410 sentences across 82 reading sections, with audio for every sentence and word.

Cover illustration for Studying the short-story Sixteen short-story classics with introductions
Context Illustration Reading 1/82 · 5 lines
English subtitles · tap any word to listen 1 / 5
The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.
True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.
In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.
We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.
It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Studying the short-story Sixteen short-story classics with introductions

Chapter XVII

Chapter 17 of Studying the short-story Sixteen short-story classics with introductions is here in full — 410 sentences across 82 reading sections, with audio for every sentence and word.

Reading 1/82 · 5 reading units · Lines 1–5

Line 1
The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.
Line 2
True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.
/truː tuː ðə taɪp ʌv ðə teɪl ɪt dʌz nɑːt diːl wɪð ˈkerɪktər ˈkraɪsəs bʌt ˈmɪrli rɪˈviːlz ˈkerɪktər ɪn ə ˈsɪriz ʌv ˌɪˈluːməneɪtɪŋ diːdz/
Line 3
In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.
Line 4
We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.
Line 5
It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.
/ɪt ɪz laɪk ˈstʌdiɪŋ ə ˈhjuːmən ˈbiːɪŋ waɪl hiː ɪz ˈbiːɪŋ səbˈdʒektɪd tuː ə test ənd əbˈzɜːrvɪŋ ðə dɪˈveləpmənt ʌv hɪz ˈkerɪktər ɔːr ɪts ˈfeɪljər tuː stænd ðə test ɪn ðæt ˈkrɪtɪkəl ˈmoʊmənt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

author's noun US /ˈɔːθərz/

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

crises noun US /ˈkraɪsiz/

plural of “crisis” — an unstable situation of extreme danger or difficulty

From this reading “We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.”

delineating verb US /dɪˈlɪnieɪtɪŋ/

-ing form of “delineate” — show the form or outline of

From this reading “The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.”

illuminating adjective US /ˌɪˈluːməneɪtɪŋ/

tending to increase knowledge or dissipate ignorance

From this reading “True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.”

mechanism noun US /ˈmekənɪzəm/

the atomic process that occurs during a chemical reaction

From this reading “In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.”

outcome noun US /ˈaʊtkʌm/

something that results

From this reading “We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.”

reveals verb US /rɪˈviːlz/

third-person singular of “reveal” — make visible

From this reading “True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.”

stationary adjective US /ˈsteɪʃəneri/

standing still

From this reading “The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

critical moment adjective + noun

In this reading “It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.”

stand the test verb + article + noun counted as “stand … test”

In this reading “It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.”

under stress preposition + noun

In this reading “In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.”

act upon verb + particle

have and exert influence or effect

In this reading “We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.”

deal with verb + particle

In this reading “True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.”

All words in this reading · 106

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

actverbUS /ækt/

perform an action, or work out or perform (an action)

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

allowverbUS /əˈlaʊ/

make it possible through a specific action or lack of action for something to happen

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

alsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

arousement

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

author'snounUS /ˈɔːθərz/

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

chainnounUS /tʃeɪn/

a series of things depending on each other as if linked together

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

complicatedadjectiveUS /ˈkɑːmpləkeɪtəd/

difficult to analyze or understand

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

conclusionnounUS /kənˈkluːʒən/

a position or opinion or judgment reached after consideration

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

crisesnounUS /ˈkraɪsiz/

plural of “crisis” — an unstable situation of extreme danger or difficulty

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

crisisnounUS /ˈkraɪsəs/

an unstable situation of extreme danger or difficulty

From this reading True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.

criticaladjectiveUS /ˈkrɪtɪkəl/

marked by a tendency to find and call attention to errors and flaws

From this reading It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.

dealverbUS /diːl/

act on verbally or in some form of artistic expression

From this reading True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.

deedsnounUS /diːdz/

performance of moral or religious acts

From this reading True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.

delineatingverbUS /dɪˈlɪnieɪtɪŋ/

-ing form of “delineate” — show the form or outline of

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

designedadjectiveUS /dɪˈzaɪnd/

done or made or performed with purpose and intent

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

developmentnounUS /dɪˈveləpmənt/

act of improving by expanding or enlarging or refining

From this reading It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.

dialoguenounUS /ˈdaɪəlɔːɡ/

a conversation between two persons

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

distinctionnounUS /dɪˈstɪŋkʃən/

a discrimination between things as different and distinct on the basis of their characteristics or attributes

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.

eachdeterminerUS /iːtʃ/

every one of two or more people or things, taken separately

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

emotionnounUS /ɪˈmoʊʃən/

any strong feeling

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

emotionaladjectiveUS /ɪˈmoʊʃənəl/

determined or actuated by emotion rather than reason

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

failurenounUS /ˈfeɪljər/

an act that fails

From this reading It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.

finaladjectiveUS /ˈfaɪnəl/

occurring at or forming an end or termination

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.

hereadverbUS /hiːr/

in or at this place; where the speaker or writer is

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

humanadjectiveUS /ˈhjuːmən/

characteristic of humanity

From this reading It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.

illuminatingadjectiveUS /ˌɪˈluːməneɪtɪŋ/

tending to increase knowledge or dissipate ignorance

From this reading True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.

incidentsnounUS /ˈɪnsədənts/

plural of “incident” — a single distinct event

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

insteadadverbUS /ˌɪnˈsted/

in place of, or as an alternative to

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

introductionnounUS /ˌɪntrəˈdʌkʃən/

the act of beginning something new

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.

joynounUS /dʒɔɪ/

the emotion of great happiness

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

learnverbUS /lɜːrn/

gain knowledge or skills

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

likeverbUS /laɪk/

prefer or wish to do something

From this reading It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.

mechanismnounUS /ˈmekənɪzəm/

the atomic process that occurs during a chemical reaction

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

meetverbUS /miːt/

come together

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

merelyadverbUS /ˈmɪrli/

and nothing more

From this reading True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.

methodnounUS /ˈmeθəd/

a way of doing something, especially a systematic way; implies an orderly logical arrangement (usually in steps)

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

moving-picture

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.

observingadjectiveUS /əbˈzɜːrvɪŋ/

quick to notice; showing quick and keen perception

From this reading It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

outcomenounUS /ˈaʊtkʌm/

something that results

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

photographverbUS /ˈfoʊtəɡræf/

record on photographic film

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

plotnounUS /plɑːt/

a secret scheme to do something (especially something underhand or illegal)

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

problemsnounUS /ˈprɑːbləmz/

plural of “problem” — a state of difficulty that needs to be resolved

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

resultsnounUS /rɪˈzʌlts/

plural of “result” — a phenomenon that follows and is caused by some previous phenomenon

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

revealsverbUS /rɪˈviːlz/

third-person singular of “reveal” — make visible

From this reading True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

seeingnounUS /ˈsiːɪŋ/

perception by means of the eyes

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

seriesnounUS /ˈsɪriz/

similar things placed in order or happening one after another

From this reading True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.

short-story

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

showverbUS /ʃoʊ/

give an exhibition of to an interested audience

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

singleadjectiveUS /ˈsɪŋɡəl/

being or characteristic of a single thing or person

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

solveverbUS /sɑːlv/

find the solution to (a problem or question) or understand the meaning of

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

standverbUS /stænd/

be standing; be upright

From this reading It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.

stationaryadjectiveUS /ˈsteɪʃəneri/

standing still

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

stressnounUS /stres/

the relative prominence of a syllable or musical note (especially with regard to stress or pitch)

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

studyingnounUS /ˈstʌdiɪŋ/

reading carefully with intent to remember

From this reading It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.

subjectedverbUS /səbˈdʒektɪd/

past form of “subject” — cause to experience or suffer or make liable or vulnerable to

From this reading It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.

talenounUS /teɪl/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

testnounUS /test/

trying something to find out about it

From this reading It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

thereadverbUS /ðer/

in or at that place or location

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

troublenounUS /ˈtrʌbəl/

a source of difficulty

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

TrueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.

typenounUS /taɪp/

a subdivision of a particular kind of thing

From this reading True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading We learn the characters of the characters--for there is a distinction here--by seeing how they act upon each other, how they solve problems, how they meet the crises of life--what effect trouble or joy has upon them--and the final outcome of it all.

whatpronounUS /wʌt/

used to ask for information about something

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading The tale is also a photograph, but instead of being a single stationary picture, it is a moving-picture, delineating character by a chain of incidents which allow us to see what the characters are by what they do.

whileconjunctionUS /waɪl/

during the time that

From this reading It is like studying a human being while he is being subjected to a test, and observing the development of his character, or its failure to stand the test, in that critical moment.

wholeadjectiveUS /hoʊl/

including all components without exception; being one unit or constituting the full amount or extent or duration; complete

From this reading In the character short-story the author’s method is more complicated, for the whole mechanism of the story--introduction, plot, dialogue, and conclusion--are designed to show us the characters under stress of emotion and the results of that emotional arousement.

withprepositionUS /wɪð/

in the company of; together with

From this reading True to the type of the tale, it does not deal with character crisis, but merely reveals character in a series of illuminating deeds.

Chapter 17 of Studying the short-story Sixteen short-story classics with introductions by J. Berg (Joseph Berg) [Editor] Esenwein holds 410 sentences, grouped into 82 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 17 of Studying the short-story Sixteen short-story classics with contain?

Chapter 17 holds 410 sentences of Studying the short-story Sixteen short-story classics with introductions, unabridged, divided into 82 reading sections.

This page carries chapter 17 of Studying the short-story Sixteen short-story classics with introductions by J. Berg (Joseph Berg) [Editor] Esenwein exactly as it stands in the source edition, without abridgement. It runs to 410 sentences, grouped into 82 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 17 of Studying the short-story Sixteen short-story classics with?

Work through the 82 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 82 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 17 be read aloud to me?

Yes — every sentence and every individual word in chapter 17 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Vocabulary met early in Studying the short-story Sixteen short-story classics with introductions

Words and structures a reader meets early in Studying the short-story Sixteen short-story classics with introductions, each tappable for pronunciation and meaning.

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Chapter 3
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