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Sundown Slim
Sundown Slim

Chapter XX · Chapter 20

Chapter 20 of Sundown Slim is here in full — 233 sentences across 47 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/46 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.
He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.
Moreover, the pinto, like dynamite, "went off" at the most unexpected intervals, as did many of his riders.
Sundown, bidding farewell to his host, mounted and swung out of the yard at a lope.
The pinto had ideas of his own.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Sundown Slim

Chapter XX · Chapter 20

Chapter 20 of Sundown Slim is here in full — 233 sentences across 47 reading sections, with audio for every sentence and word.

Reading 1/46 · 5 reading units · Lines 1–5

Line 1
THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.
Line 2
He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.
Line 3
Moreover, the pinto, like dynamite, "went off" at the most unexpected intervals, as did many of his riders.
/mɔːˈroʊvər ðə ˈpɪntoʊ laɪk ˈdaɪnəmaɪt went ɔːf æt ðə moʊst ˌʌnɪkˈspektɪd ˈɪntərvəlz æz dɪd ˈmeni ʌv hɪz ˈraɪdərz/
Line 4
Sundown, bidding farewell to his host, mounted and swung out of the yard at a lope.
/ˈsʌndaʊn ˈbɪdɪŋ ˌferˈwel tuː hɪz hoʊst ˈmaʊntəd ənd swʌŋ aʊt ʌv ðə jɑːrd æt ə loʊp/
Line 5
The pinto had ideas of his own.
/ðə ˈpɪntoʊ hæd aɪˈdiːəz ʌv hɪz oʊn/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

bestrode verb US /bɪˈstroʊd/

inflected form of “bestride” — get up on the back of

From this reading “He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.”

bronc noun US /brɑːŋk/

an unbroken or imperfectly broken mustang

From this reading “THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.”

guest's noun US /ɡests/

possessive form of “guest” — a visitor to whom hospitality is extended

From this reading “THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.”

linguistic adjective US /lɪŋˈɡwɪstɪk/

consisting of or related to language

From this reading “THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.”

lope verb US /loʊp/

run easily

From this reading “Sundown, bidding farewell to his host, mounted and swung out of the yard at a lope.”

Murphy's noun US /ˈmɜːrfiz/

possessive form of “murphy” — an edible tuber native to South America; a staple food of Ireland

From this reading “He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.”

switching noun US /ˈswɪtʃɪŋ/

the act of changing one thing or position for another

From this reading “THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.”

temperamental adjective US /ˌtemprəˈmentəl/

relating to or caused by temperament

From this reading “THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.”

All words in this reading · 97

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

abilitynounUS /əˈbɪlətiː/

the quality of being able to perform; a quality that permits or facilitates achievement or accomplishment

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

adoptverbUS /əˈdɑːpt/

choose and follow; as of theories, ideas, policies, strategies or plans

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

allowverbUS /əˈlaʊ/

make it possible through a specific action or lack of action for something to happen

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

althoughconjunctionUS /ˌɔːlˈðoʊ/

in spite of the fact that

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

arrivalnounUS /ərˈaɪvəl/

accomplishment of an objective

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Moreover, the pinto, like dynamite, "went off" at the most unexpected intervals, as did many of his riders.

atprepositionUS /æt/

in or near a particular place or position

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

becomeverbUS /bɪˈkʌm/

enter or assume a certain state or condition

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

bestrodeverbUS /bɪˈstroʊd/

inflected form of “bestride” — get up on the back of

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

biddingnounUS /ˈbɪdɪŋ/

an authoritative direction or instruction to do something

From this reading Sundown, bidding farewell to his host, mounted and swung out of the yard at a lope.

bridledverbUS /ˈbraɪdəld/

past form of “bridle” — anger or take offense

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

broncnounUS /brɑːŋk/

an unbroken or imperfectly broken mustang

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

broncs

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

competitionnounUS /ˌkɑːmpəˈtɪʃən/

a business relation in which two parties compete to gain customers

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

contendverbUS /kənˈtend/

maintain or assert

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

Corliss's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

corralverbUS /kərˈæl/

enclose in a corral

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

disregardedadjectiveUS /ˌdɪsrɪˈɡɑːrdɪd/

not noticed inadvertently

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

dynamitenounUS /ˈdaɪnəmaɪt/

an explosive containing nitrate sensitized with nitroglycerin absorbed on wood pulp

From this reading Moreover, the pinto, like dynamite, "went off" at the most unexpected intervals, as did many of his riders.

endnounUS /end/

either extremity of something that has length

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

farewellnounUS /ˌferˈwel/

an acknowledgment or expression of goodwill at parting

From this reading Sundown, bidding farewell to his host, mounted and swung out of the yard at a lope.

followingadjectiveUS /ˈfɑːloʊɪŋ/

about to be mentioned or specified

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

friendnounUS /frend/

a person you know well and regard with affection and trust

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

glass-eyed

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

guest'snounUS /ɡests/

possessive form of “guest” — a visitor to whom hospitality is extended

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

horsenounUS /hɔːrs/

solid-hoofed herbivorous quadruped domesticated since prehistoric times

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

hostnounUS /hoʊst/

a person who invites guests to a social event (such as a party in his or her own home) and who is responsible for them while they are there

From this reading Sundown, bidding farewell to his host, mounted and swung out of the yard at a lope.

ideasnounUS /aɪˈdiːəz/

plural of “idea” — the content of cognition; the main thing you are thinking about

From this reading The pinto had ideas of his own.

impressedadjectiveUS /ˌɪmˈprest/

deeply or markedly affected or influenced

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

intervalsnounUS /ˈɪntərvəlz/

plural of “interval” — a definite length of time marked off by two instants

From this reading Moreover, the pinto, like dynamite, "went off" at the most unexpected intervals, as did many of his riders.

IrishmannounUS /ˈaɪrɪʃmən/

a man who is a native or inhabitant of Ireland

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

jovialadjectiveUS /ˈdʒoʊviəl/

full of or showing high-spirited merriment

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

leanverbUS /liːn/

to incline or bend from a vertical position

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

likeverbUS /laɪk/

prefer or wish to do something

From this reading Moreover, the pinto, like dynamite, "went off" at the most unexpected intervals, as did many of his riders.

linguisticadjectiveUS /lɪŋˈɡwɪstɪk/

consisting of or related to language

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

lopeverbUS /loʊp/

run easily

From this reading Sundown, bidding farewell to his host, mounted and swung out of the yard at a lope.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

MANnounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

manyadjectiveUS /ˈmeni/

a quantifier that can be used with count nouns and is often preceded by “as” or “too” or “so” or “that”; amounting to a large but indefinite number

From this reading Moreover, the pinto, like dynamite, "went off" at the most unexpected intervals, as did many of his riders.

momentnounUS /ˈmoʊmənt/

a particular point in time

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

MoreoveradverbUS /mɔːˈroʊvər/

in addition to what has just been said

From this reading Moreover, the pinto, like dynamite, "went off" at the most unexpected intervals, as did many of his riders.

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

mostadverbUS /moʊst/

used to form the superlative

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

mountedadjectiveUS /ˈmaʊntəd/

assembled for use; especially by being attached to a support

From this reading Sundown, bidding farewell to his host, mounted and swung out of the yard at a lope.

MurphynounUS /ˈmɜːrfi/

an edible tuber native to South America; a staple food of Ireland

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

Murphy'snounUS /ˈmɜːrfiz/

possessive form of “murphy” — an edible tuber native to South America; a staple food of Ireland

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

muzzlenounUS /ˈmʌzəl/

the open circular discharging end of a gun

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

notenounUS /noʊt/

a brief written record

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

obsoleteadjectiveUS /ˈɑːbsəliːt/

no longer in use

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

offadverbUS /ɔːf/

from a particular thing or place or position (“forth” is obsolete)

From this reading Moreover, the pinto, like dynamite, "went off" at the most unexpected intervals, as did many of his riders.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Sundown, bidding farewell to his host, mounted and swung out of the yard at a lope.

ownverbUS /oʊn/

have ownership or possession of

From this reading The pinto had ideas of his own.

pink-mottled

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

pintonounUS /ˈpɪntoʊ/

a spotted or calico horse or pony

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

plentynounUS /ˈplenti/

a full supply

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

portionnounUS /ˈpɔːrʃən/

something determined in relation to something that includes it

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

posingnounUS /ˈpoʊzɪŋ/

(photography) the act of assuming a certain position (as for a photograph or portrait)

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

ranchnounUS /ræntʃ/

farm consisting of a large tract of land along with facilities needed to raise livestock (especially cattle)

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

recordnounUS /rəˈkɔːrd/

anything (such as a document or a phonograph record or a photograph) providing permanent evidence of or information about past events

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

ridersnounUS /ˈraɪdərz/

plural of “rider” — a traveler who actively rides an animal (as a horse or camel)

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

saddledadjectiveUS /ˈsædəld/

having a saddle on or being mounted on a saddled animal

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

sensenounUS /sens/

a general conscious awareness

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

stringnounUS /strɪŋ/

a lightweight cord

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

SundownnounUS /ˈsʌndaʊn/

the time in the evening at which the sun begins to fall below the horizon

From this reading Sundown, bidding farewell to his host, mounted and swung out of the yard at a lope.

Sundown's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

swiftestadjectiveUS /ˈswɪftəst/

superlative of “swift” — moving very fast

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

switchingnounUS /ˈswɪtʃɪŋ/

the act of changing one thing or position for another

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

swungverbUS /swʌŋ/

inflected form of “swing” — move in a curve or arc, usually with the intent of hitting

From this reading Sundown, bidding farewell to his host, mounted and swung out of the yard at a lope.

tailnounUS /teɪl/

the posterior part of the body of a vertebrate especially when elongated and extending beyond the trunk or main part of the body

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

temperamentaladjectiveUS /ˌtemprəˈmentəl/

relating to or caused by temperament

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

unexpectedadjectiveUS /ˌʌnɪkˈspektɪd/

not expected or anticipated

From this reading Moreover, the pinto, like dynamite, "went off" at the most unexpected intervals, as did many of his riders.

variouslyadverbUS /ˈveriəsli/

in diverse ways

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

vernacularnounUS /vərˈnækjələr/

a characteristic language of a particular group (as among thieves)

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

viciousadjectiveUS /ˈvɪʃəs/

(of persons or their actions) able or disposed to inflict pain or suffering

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

WALKINGadjectiveUS /ˈwɔːkɪŋ/

close enough to be walked to

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading Moreover, the pinto, like dynamite, "went off" at the most unexpected intervals, as did many of his riders.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading He was a horse with a record which he did not allow to become obsolete, although he had plenty of competition to contend with in the string of broncs that Murphy's riders variously bestrode.

withprepositionUS /wɪð/

in the company of; together with

From this reading THE WALKING MAN Sundown's sense of the dramatic, his love for posing, with his linguistic ability to adopt the vernacular of the moment so impressed the temperamental Murphy that he disregarded a portion of his friend Corliss's note, and the morning following his lean guest's arrival at the ranch the jovial Irishman himself saddled and bridled the swiftest and most vicious horse in the corral; a glass-eyed pinto, bronc from the end of his switching tail to his pink-mottled muzzle.

yardnounUS /jɑːrd/

a unit of length equal to 3 feet; defined as 91.44 centimeters; originally taken to be the average length of a stride

From this reading Sundown, bidding farewell to his host, mounted and swung out of the yard at a lope.

Chapter 20 of Sundown Slim by Henry Herbert Knibbs holds 233 sentences, grouped into 47 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 20 of Sundown Slim contain?

Chapter 20 holds 233 sentences of Sundown Slim, unabridged, divided into 47 reading sections.

This page carries chapter 20 of Sundown Slim by Henry Herbert Knibbs exactly as it stands in the source edition, without abridgement. It runs to 233 sentences, grouped into 47 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 20 of Sundown Slim?

Work through the 47 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 47 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 20 be read aloud to me?

Yes — every sentence and every individual word in chapter 20 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Sundown Slim

Common questions about reading Sundown Slim by Henry Herbert Knibbs on this page, its source edition and its audio.

Is this the complete text of Sundown Slim?

Yes. All 6853 sentences of Project Gutenberg eBook #16334 are kept, with a record of which sentences cover which part.

Which edition of Sundown Slim is used?

Project Gutenberg eBook #16334, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Sundown Slim take to read?

About 571 minutes of reading across 1371 sections of 5 sentences each, at an unhurried pace.

How to read Sundown Slim section by section

How to work through Sundown Slim section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 29 chapters of Sundown Slim to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Sundown Slim

Words and structures a reader meets early in Sundown Slim, each tappable for pronunciation and meaning.

Sundown
A word that appears in the opening chapter of Sundown Slim; the reader can tap it to hear it and see its dictionary entry.
Enjoyed
A word that appears in the opening chapter of Sundown Slim; the reader can tap it to hear it and see its dictionary entry.
Un-upholstered
A word that appears in the opening chapter of Sundown Slim; the reader can tap it to hear it and see its dictionary entry.
Privacy
A word that appears in the opening chapter of Sundown Slim; the reader can tap it to hear it and see its dictionary entry.