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Sunlight Patch
Sunlight Patch

Chapter XXXI · Chapter 31

Chapter 31 of Sunlight Patch is here in full — 97 sentences across 20 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/19 · 5 lines
English subtitles · tap any word to listen 1 / 5
OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.
At the far end of this she threw herself straight out upon a sofa, and for more than an hour buried her face in its linen coverlet.
Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.
Something must be done to re-establish Dale's faith in her, or she must forever abandon him to other hands and other influences.
Today--now--she must act.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Sunlight Patch

Chapter XXXI · Chapter 31

Chapter 31 of Sunlight Patch is here in full — 97 sentences across 20 reading sections, with audio for every sentence and word.

Reading 1/19 · 5 reading units · Lines 1–5

Line 1
OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.
Line 2
At the far end of this she threw herself straight out upon a sofa, and for more than an hour buried her face in its linen coverlet.
Line 3
Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.
/hɜːr braʊz wɜːr drɔːn ˈɪntuː ə fraʊn æz ʃiː ˈwɪlfəli ʃʌt aʊt ðə ˈɪmədʒ ʌv brent fɔːr ˈsʌmθɪŋ ˈstɜːrnər mʌst fɜːrst biː feɪst/
Line 4
Something must be done to re-establish Dale's faith in her, or she must forever abandon him to other hands and other influences.
Line 5
Today--now--she must act.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Brent noun US /brent/

small dark geese that breed in the north and migrate southward

From this reading “OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.”

Dale's noun US /deɪlz/

possessive form of “dale” — an open river valley (in a hilly area)

From this reading “Something must be done to re-establish Dale's faith in her, or she must forever abandon him to other hands and other influences.”

mortification noun US /ˈmɔːrtəfkeɪʃən/

strong feelings of embarrassment

From this reading “OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.”

musty adjective US /ˈmʌsti/

covered with or smelling of mold

From this reading “OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.”

racking adjective US /ˈrækɪŋ/

causing great physical or mental suffering

From this reading “OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.”

sterner adjective US /ˈstɜːrnər/

comparative of “stern” — of a stern or strict bearing or demeanor; forbidding in aspect

From this reading “Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.”

thankfulness noun US /ˈθæŋkfəlnes/

warm friendly feelings of gratitude

From this reading “OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.”

wilfully adverb US /ˈwɪlfəli/

in a willful manner

From this reading “Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.”

All words in this reading · 108

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

abandonverbUS /əˈbændən/

forsake, leave behind

From this reading Something must be done to re-establish Dale's faith in her, or she must forever abandon him to other hands and other influences.

actverbUS /ækt/

perform an action, or work out or perform (an action)

From this reading Today--now--she must act.

ah

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.

AtprepositionUS /æt/

in or near a particular place or position

From this reading At the far end of this she threw herself straight out upon a sofa, and for more than an hour buried her face in its linen coverlet.

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

blindlyadverbUS /ˈblaɪndli/

without seeing or looking

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

BrentnounUS /brent/

small dark geese that breed in the north and migrate southward

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

browsnounUS /braʊz/

plural of “brow” — the part of the face above the eyes

From this reading Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.

buriedadjectiveUS /ˈberid/

placed in a grave

From this reading At the far end of this she threw herself straight out upon a sofa, and for more than an hour buried her face in its linen coverlet.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

clawsnounUS /klɔːz/

plural of “claw” — sharp curved horny process on the toe of a bird or some mammals or reptiles

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

closedadjectiveUS /kloʊzd/

not open or affording passage or access

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

contrastnounUS /ˈkɑːntræst/

the opposition or dissimilarity of things that are compared

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

coverletnoun

a decorative bedspread (usually quilted)

From this reading At the far end of this she threw herself straight out upon a sofa, and for more than an hour buried her face in its linen coverlet.

Dale'snounUS /deɪlz/

possessive form of “dale” — an open river valley (in a hilly area)

From this reading Something must be done to re-establish Dale's faith in her, or she must forever abandon him to other hands and other influences.

DAYnounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

doneadjectiveUS /dʌn/

having finished or arrived at completion

From this reading Something must be done to re-establish Dale's faith in her, or she must forever abandon him to other hands and other influences.

drawnadjectiveUS /drɔːn/

showing the wearing effects of overwork or care or suffering

From this reading Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.

DYINGadjectiveUS /ˈdaɪɪŋ/

in or associated with the process of passing from life or ceasing to be

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

endnounUS /end/

either extremity of something that has length

From this reading At the far end of this she threw herself straight out upon a sofa, and for more than an hour buried her face in its linen coverlet.

eyesnounUS /aɪz/

opinion or judgment

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading At the far end of this she threw herself straight out upon a sofa, and for more than an hour buried her face in its linen coverlet.

facedadjectiveUS /feɪst/

having a face or facing especially of a specified kind or number; often used in combination

From this reading Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.

faithnounUS /feɪθ/

a strong belief in a supernatural power or powers that control human destiny

From this reading Something must be done to re-establish Dale's faith in her, or she must forever abandon him to other hands and other influences.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading At the far end of this she threw herself straight out upon a sofa, and for more than an hour buried her face in its linen coverlet.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.

fledverbUS /fled/

inflected form of “flee” — run away quickly

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

foreveradverbUS /fərˈevər/

for a limitless time

From this reading Something must be done to re-establish Dale's faith in her, or she must forever abandon him to other hands and other influences.

frownverbUS /fraʊn/

look angry or sullen, wrinkle one's forehead, as if to signal disapproval

From this reading Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.

GodnounUS /ɡɑːd/

the supernatural being conceived as the perfect and omnipotent and omniscient originator and ruler of the universe; the object of worship in monotheistic religions

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

handsnounUS /hændz/

(with “in”) guardianship over; in divorce cases it is the right to house and care for and discipline a child

From this reading Something must be done to re-establish Dale's faith in her, or she must forever abandon him to other hands and other influences.

happyadjectiveUS /ˈhæpi/

enjoying or showing or marked by joy or pleasure

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Something must be done to re-establish Dale's faith in her, or she must forever abandon him to other hands and other influences.

hournounUS /ˈaʊər/

a period of time equal to 1/24th of a day

From this reading At the far end of this she threw herself straight out upon a sofa, and for more than an hour buried her face in its linen coverlet.

imagenounUS /ˈɪmədʒ/

an iconic mental representation

From this reading Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

influencesnounUS /ˈɪnfluːənsɪz/

plural of “influence” — a power to affect persons or events especially power based on prestige etc

From this reading Something must be done to re-establish Dale's faith in her, or she must forever abandon him to other hands and other influences.

instantnounUS /ˈɪnstənt/

a very short time (as the time it takes the eye to blink or the heart to beat)

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

Jane

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

linennounUS /ˈlɪnən/

a fabric woven with fibers from the flax plant

From this reading At the far end of this she threw herself straight out upon a sofa, and for more than an hour buried her face in its linen coverlet.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

makeverbUS /meɪk/

engage in

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading At the far end of this she threw herself straight out upon a sofa, and for more than an hour buried her face in its linen coverlet.

mortificationnounUS /ˈmɔːrtəfkeɪʃən/

strong feelings of embarrassment

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

mountainnounUS /ˈmaʊntən/

a land mass that projects well above its surroundings; higher than a hill

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.

mustyadjectiveUS /ˈmʌsti/

covered with or smelling of mold

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

naturenounUS /ˈneɪtʃər/

the essential qualities or characteristics by which something is recognized

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Today--now--she must act.

OFprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Something must be done to re-establish Dale's faith in her, or she must forever abandon him to other hands and other influences.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Something must be done to re-establish Dale's faith in her, or she must forever abandon him to other hands and other influences.

OUTadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

prayernounUS /prer/

the act of communicating with a deity (especially as a petition or in adoration or contrition or thanksgiving)

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

promisedverbUS /ˈprɑːməst/

past form of “promise” — make a promise or commitment

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

provedadjectiveUS /pruːvd/

established beyond doubt

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

rackingadjectiveUS /ˈrækɪŋ/

causing great physical or mental suffering

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

re-establish

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Something must be done to re-establish Dale's faith in her, or she must forever abandon him to other hands and other influences.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

sacrificenounUS /ˈsækrəfaɪs/

the act of losing or surrendering something as a penalty for a mistake or fault or failure to perform etc.

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

sensitiveadjectiveUS /ˈsensətɪv/

responsive to physical stimuli

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

sheriffnounUS /ˈʃerəf/

the principal law-enforcement officer in a county

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

shutverbUS /ʃʌt/

move so that an opening or passage is obstructed; make shut

From this reading Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.

silencenounUS /ˈsaɪ.ləns/

Complete absence of sound; a state of quietness and stillness.

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

sofanounUS /ˈsoʊfə/

an upholstered seat for more than one person

From this reading At the far end of this she threw herself straight out upon a sofa, and for more than an hour buried her face in its linen coverlet.

solitudenounUS /ˈsɑːlətuːd/

a state of social isolation

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.

sterneradjectiveUS /ˈstɜːrnər/

comparative of “stern” — of a stern or strict bearing or demeanor; forbidding in aspect

From this reading Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.

straightadjectiveUS /streɪt/

successive (without a break)

From this reading At the far end of this she threw herself straight out upon a sofa, and for more than an hour buried her face in its linen coverlet.

strongadjectiveUS /strɔːŋ/

having strength or power greater than average or expected

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

tearingnounUS /ˈterɪŋ/

shedding tears

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading At the far end of this she threw herself straight out upon a sofa, and for more than an hour buried her face in its linen coverlet.

thankfulnessnounUS /ˈθæŋkfəlnes/

warm friendly feelings of gratitude

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading At the far end of this she threw herself straight out upon a sofa, and for more than an hour buried her face in its linen coverlet.

threwverbUS /θruː/

inflected form of “throw” — propel through the air

From this reading At the far end of this she threw herself straight out upon a sofa, and for more than an hour buried her face in its linen coverlet.

thrustverbUS /θrʌst/

push forcefully

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

TodaynounUS /təˈdeɪ/

the present time or age

From this reading Today--now--she must act.

tortureverbUS /ˈtɔːrtʃər/

torment emotionally or mentally

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

turnedadjectiveUS /tɜːrnd/

moved around an axis or center

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading At the far end of this she threw herself straight out upon a sofa, and for more than an hour buried her face in its linen coverlet.

weakadjectiveUS /wiːk/

wanting in physical strength

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.

whatpronounUS /wʌt/

used to ask for information about something

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

WhenconjunctionUS /wen/

at the time that

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

whosedeterminerUS /huːz/

belonging to which person

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

wilfullyadverbUS /ˈwɪlfəli/

in a willful manner

From this reading Her brows were drawn into a frown as she wilfully shut out the image of Brent, for something sterner must first be faced.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading OUT OF THE DYING DAY When the sheriff turned away, Jane had for an instant closed her eyes in a prayer of happy thankfulness; but then a torture, a tearing and racking mortification because she had proved herself so weak before the mountain man so strong--and in contrast to Brent! (ah, God, what sacrifice would he not make for her!)--thrust its claws into her sensitive nature, and she blindly fled to the long room whose musty silence promised solitude.

Chapter 31 of Sunlight Patch by Credo Fitch Harris holds 97 sentences, grouped into 20 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 31 of Sunlight Patch contain?

Chapter 31 holds 97 sentences of Sunlight Patch, unabridged, divided into 20 reading sections.

This page carries chapter 31 of Sunlight Patch by Credo Fitch Harris exactly as it stands in the source edition, without abridgement. It runs to 97 sentences, grouped into 20 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 31 of Sunlight Patch?

Work through the 20 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 20 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 31 be read aloud to me?

Yes — every sentence and every individual word in chapter 31 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Sunlight Patch

Common questions about reading Sunlight Patch by Credo Fitch Harris on this page, its source edition and its audio.

Is this the complete text of Sunlight Patch?

Yes. All 5955 sentences of Project Gutenberg eBook #28987 are kept, with a record of which sentences cover which part.

Which edition of Sunlight Patch is used?

Project Gutenberg eBook #28987, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Sunlight Patch take to read?

About 496 minutes of reading across 1191 sections of 5 sentences each, at an unhurried pace.

How to read Sunlight Patch section by section

How to work through Sunlight Patch section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 39 chapters of Sunlight Patch to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Sunlight Patch

Words and structures a reader meets early in Sunlight Patch, each tappable for pronunciation and meaning.

Images
A word that appears in the opening chapter of Sunlight Patch; the reader can tap it to hear it and see its dictionary entry.
Original
A word that appears in the opening chapter of Sunlight Patch; the reader can tap it to hear it and see its dictionary entry.
Pages
A word that appears in the opening chapter of Sunlight Patch; the reader can tap it to hear it and see its dictionary entry.
Available
A word that appears in the opening chapter of Sunlight Patch; the reader can tap it to hear it and see its dictionary entry.