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Sylvia & Michael
Sylvia & Michael

Chapter IV

Chapter 4 of Sylvia & Michael is here in full — 1236 sentences across 248 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/247 · 5 lines
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Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.
She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.
There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.
All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.
When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Sylvia & Michael

Chapter IV

Chapter 4 of Sylvia & Michael is here in full — 1236 sentences across 248 reading sections, with audio for every sentence and word.

Reading 1/247 · 5 reading units · Lines 1–5

Line 1
Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.
Line 2
She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.
Line 3
There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.
Line 4
All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.
Line 5
When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

disjointed adjective US /dɪsˈdʒɔɪntɪd/

lacking orderly continuity

From this reading “She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.”

Galatea noun US /ˌɡæləˈtiːə/

(Greek mythology) a maiden who was first a sculpture created by Pygmalion and was brought to life by Aphrodite in answer to Pygmalion's prayers

From this reading “There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.”

Granada noun US /ɡrəˈnɑːdə/

a city in southeastern Spain that was the capital of the Moorish kingdom until it was captured by Ferdinand and Isabella in 1492

From this reading “Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.”

hypnotic adjective US /hɪpˈnɑːtɪk/

of or relating to hypnosis

From this reading “When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.”

juggler noun US /ˈdʒʌɡələr/

a performer who juggles objects and performs tricks of manual dexterity

From this reading “When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.”

poignantly adverb US /ˈpɔɪnjəntli/

in a poignant or touching manner

From this reading “She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.”

snores noun US /snɔːrz/

plural of “snore” — the rattling noise produced when snoring

From this reading “She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.”

unexplained adjective US /ˌʌnɪkˈspleɪnd/

not explained

From this reading “All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

railway station noun + noun

terminal where trains load or unload passengers or goods

In this reading “When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.”

six years noun + noun

In this reading “Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.”

first time adjective + noun

In this reading “Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.”

carried away verb + particle counted as “carry away”

remove from a certain place, environment, or mental or emotional state; transport into a new location or state

In this reading “When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.”

own creation verb + noun

In this reading “There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.”

above the noise preposition + article + noun counted as “above … noise”

In this reading “She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.”

gave the impression verb + article + noun counted as “give … impression”

In this reading “When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.”

some accident adjective + noun

In this reading “All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.”

All words in this reading · 149

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

aboveprepositionUS /əˈbʌv/

higher than, or over, something

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

accidentnounUS /ˈæksədənt/

an unfortunate mishap; especially one causing damage or injury

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

AlladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

atprepositionUS /æt/

in or near a particular place or position

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

beggedverbUS /beɡd/

inflected form of “beg” — call upon in supplication; entreat

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

brainnounUS /breɪn/

that part of the central nervous system that includes all the higher nervous centers; enclosed within the skull; continuous with the spinal cord

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

breathlessadjectiveUS /ˈbreθləs/

not breathing or able to breathe except with difficulty

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

brokenadjectiveUS /ˈbroʊkən/

physically and forcibly separated into pieces or cracked or split

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

byprepositionUS /baɪ/

showing who or what does the action

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

callverbUS /kɔːl/

assign a specified (usually proper) proper name to

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

carriedverbUS /ˈkærid/

inflected form of “carry” — move while supporting, either in a vehicle or in one's hands or on one's body

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

cloudedadjectiveUS /ˈklaʊdɪd/

made troubled or apprehensive or distressed in appearance

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

coldadjectiveUS /koʊld/

having a low or inadequate temperature or feeling a sensation of coldness or having been made cold by e.g. ice or refrigeration

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

colorlessadjectiveUS /ˈkʌlərləs/

lacking in variety and interest

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

compartmentnounUS /kəmˈpɑːrtmənt/

a space into which an area is subdivided

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

Concetta's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

cornernounUS /ˈkɔːrnər/

a place off to the side of an area

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

countrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

creationnounUS /kriˈeɪʃən/

the human act of creating

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

creepingnounUS /ˈkriːpɪŋ/

a slow mode of locomotion on hands and knees or dragging the body

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

dawnnounUS /dɔːn/

the first light of day

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

destinynounUS /ˈdestəni/

an event (or a course of events) that will inevitably happen in the future

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

disjointedadjectiveUS /dɪsˈdʒɔɪntɪd/

lacking orderly continuity

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

doubleganger

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

dreamnounUS /driːm/

A series of thoughts, images, or emotions during sleep.

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

elapsedadjectiveUS /ɪˈlæpst/

(of time) having passed or slipped by

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

eventsnounUS /ɪˈvents/

plural of “event” — something that happens at a given place and time

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

evidentadjectiveUS /ˈevədənt/

clearly revealed to the mind or the senses or judgment

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

experienceverbUS /ɪkˈspɪriəns/

undergo or live through a difficult experience

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

familiaradjectiveUS /fəˈmɪljər/

well known or easily recognized

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

fillverbUS /fɪl/

make full, also in a metaphorical sense

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

flatadjectiveUS /flæt/

having a surface without slope, tilt in which no part is higher or lower than another

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

foundverbUS /faʊnd/

set up or found

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

Gainsboroughnoun

English portrait and landscape painter (1727-1788)

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

GalateanounUS /ˌɡæləˈtiːə/

(Greek mythology) a maiden who was first a sculpture created by Pygmalion and was brought to life by Aphrodite in answer to Pygmalion's prayers

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

gapsnounUS /ɡæps/

plural of “gap” — a conspicuous disparity or difference as between two figures

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

gaveverbUS /ɡeɪv/

inflected form of “give” — cause to have, in the abstract sense or physical sense

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

ghostlyadjectiveUS /ˈɡoʊstli/

resembling or characteristic of a phantom

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

GranadanounUS /ɡrəˈnɑːdə/

a city in southeastern Spain that was the capital of the Moorish kingdom until it was captured by Ferdinand and Isabella in 1492

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

havingauxiliary verbUS /ˈhævɪŋ/

the -ing form of “have”

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

hypnoticadjectiveUS /hɪpˈnɑːtɪk/

of or relating to hypnosis

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

impressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

influencenounUS /ˈɪnfluːəns/

a power to affect persons or events especially power based on prestige etc

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

irresistibleadjectiveUS /ˌɪrɪˈzɪstəbəl/

impossible to resist; overpowering

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

jugglernounUS /ˈdʒʌɡələr/

a performer who juggles objects and performs tricks of manual dexterity

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

lightadjectiveUS /laɪt/

of comparatively little physical weight or density

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

listenedverbUS /ˈlɪsənd/

past form of “listen” — hear with intention

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

listeningnounUS /ˈlɪsənɪŋ/

the act of hearing attentively

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

livedverbUS /lɪvd/

past form of “live” — be an inhabitant of or reside in

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

Lottie's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

magicaladjectiveUS /ˈmædʒɪkəl/

possessing or using or characteristic of or appropriate to supernatural powers

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

metverbUS /met/

inflected form of “meet” — come together

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

miserynounUS /ˈmɪzəri/

a state of ill-being due to affliction or misfortune

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

mixturenounUS /ˈmɪkstʃər/

(chemistry) a substance consisting of two or more substances mixed together (not in fixed proportions and not with chemical bonding)

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

nameverbUS /neɪm/

assign a specified (usually proper) proper name to

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

narrativenounUS /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

noisenounUS /nɔɪz/

sound of any kind (especially unintelligible or dissonant sound)

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

oppositeadjectiveUS /ˈɑːpəzət/

being directly across from each other; facing

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

oughtmodal verbUS /ɔːt/

used with “to” to say what is right or advisable

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

ownverbUS /oʊn/

have ownership or possession of

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

passingnounUS /ˈpæsɪŋ/

(American football) a play that involves one player throwing the ball to a teammate

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

personalitynounUS /ˌpɜːrsəˈnælɪti/

the complex of all the attributes--behavioral, temperamental, emotional and mental--that characterize a unique individual

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

pistol-shot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

poignantlyadverbUS /ˈpɔɪnjəntli/

in a poignant or touching manner

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

powernounUS /ˈpaʊər/

possession of controlling influence

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

prolongedadjectiveUS /prəˈlɔːŋd/

relatively long in duration; tediously protracted

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

puzzlingadjectiveUS /ˈpʌzəlɪŋ/

not clear to the understanding

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

Queenie

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

Queenie's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

railwaynounUS /ˈreɪlweɪ/

line that is the commercial organization responsible for operating a system of transportation for trains that pull passengers or freight

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

ratheradverbUS /ˈræðər/

on the contrary

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

realitynounUS /ˌriːˈælətiː/

all of your experiences that determine how things appear to you

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

recollectionnounUS /ˌrekəˈlekʃən/

the ability to recall past occurrences

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

rosenounUS /roʊz/

any of many shrubs of the genus Rosa that bear roses

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

satnounUS /sæt/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

sensationnounUS /senˈseɪʃən/

an unelaborated elementary awareness of stimulation

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

sixnounUS /sɪks/

the cardinal number that is the sum of five and one

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

snoresnounUS /snɔːrz/

plural of “snore” — the rattling noise produced when snoring

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

somethingpronounUS /ˈsʌmθɪŋ/

a thing, without saying which

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

splendornounUS /ˈsplen.dər/

Magnificent and splendid appearance; grandeur and brilliance.

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

stationnounUS /ˈsteɪʃən/

a facility equipped with special equipment and personnel for a particular purpose

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

stylenounUS /staɪl/

how something is done or how it happens

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

swayedverbUS /sweɪd/

past form of “sway” — move back and forth or sideways

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

Sylvia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

ThereadverbUS /ðer/

in or at that place or location

From this reading There was something ghostly for Sylvia in this experience; it was as if she sat opposite a Galatea of her own creation, a doubleganger from her own brain, a dream prolonged into the cold reality of the morning.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

toldverbUS /toʊld/

inflected form of “tell” — express in words

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

trainverbUS /treɪn/

create by training and teaching

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

trancenounUS /træns/

a psychological state induced by (or as if induced by) a magical incantation

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

unexplainedadjectiveUS /ˌʌnɪkˈspleɪnd/

not explained

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

violencenounUS /ˈvaɪələns/

an act of aggression (as one against a person who resists)

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

vividadjectiveUS /ˈvɪvəd/

evoking lifelike images within the mind

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

wetadjectiveUS /wet/

covered or soaked with a liquid such as water

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

whenconjunctionUS /wen/

at the time that

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading All the time that she was listening she had a sensation of being told about events that she ought to know already, as if in a trance she herself had lived this history through before; and so vivid was the sensation that when there were unexplained gaps in Queenie's narrative she found herself puzzling her own brain to fill them in from experience of her own, the recollection of which had been clouded by some accident.

whileconjunctionUS /waɪl/

during the time that

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

whopronounUS /huː/

which person or people

From this reading She told it in the creeping light of a wet dawn while the train was passing through a flat, colorless country, and while in a corner of the compartment Lottie's snores rose above the noise, told it in the breathless, disjointed style that was so poignantly familiar to the one who listened.

withprepositionUS /wɪð/

in the company of; together with

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

woundednounUS /ˈwuːndɪd/

people who are wounded

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

yearsnounUS /jɪrz/

a late time of life

From this reading Concetta's history--or rather Queenie's, for it was by this name that she begged Sylvia to call her now--had been a mixture of splendor, misery, and violence during the six years that, almost to a day, had elapsed since they met for the first time at Granada.

yieldedverbUS /ˈjiːldɪd/

past form of “yield” — be the cause or source of

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

Zozo

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When Queenie told how she was carried away by Zozo from Mrs. Gainsborough at the railway station of Granada, she gave the impression of having yielded to a magical and irresistible influence, and it was evident that for a long while the personality of the juggler had swayed her destiny by a hypnotic power that was only broken when he wounded her with the pistol-shot.

Chapter 4 of Sylvia & Michael by Compton MacKenzie holds 1236 sentences, grouped into 248 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of Sylvia & Michael contain?

Chapter 4 holds 1236 sentences of Sylvia & Michael, unabridged, divided into 248 reading sections.

This page carries chapter 4 of Sylvia & Michael by Compton MacKenzie exactly as it stands in the source edition, without abridgement. It runs to 1236 sentences, grouped into 248 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of Sylvia & Michael?

Work through the 248 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 248 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Sylvia & Michael

Common questions about reading Sylvia & Michael by Compton MacKenzie on this page, its source edition and its audio.

Is this the complete text of Sylvia & Michael?

Yes. All 5731 sentences of Project Gutenberg eBook #39660 are kept, with a record of which sentences cover which part.

Which edition of Sylvia & Michael is used?

Project Gutenberg eBook #39660, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Sylvia & Michael take to read?

About 477 minutes of reading across 1147 sections of 5 sentences each, at an unhurried pace.

How to read Sylvia & Michael section by section

How to work through Sylvia & Michael section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 7 chapters of Sylvia & Michael to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Sylvia & Michael

Words and structures a reader meets early in Sylvia & Michael, each tappable for pronunciation and meaning.

Sylvia
A word that appears in the opening chapter of Sylvia & Michael; the reader can tap it to hear it and see its dictionary entry.
Reached
A word that appears in the opening chapter of Sylvia & Michael; the reader can tap it to hear it and see its dictionary entry.
Paris
A word that appears in the opening chapter of Sylvia & Michael; the reader can tap it to hear it and see its dictionary entry.
Longer
A word that appears in the opening chapter of Sylvia & Michael; the reader can tap it to hear it and see its dictionary entry.