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Taking the Bastile
Taking the Bastile

Chapter XXI

Chapter 21 of Taking the Bastile is here in full — 149 sentences across 30 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/29 · 5 lines
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THE QUEEN AND HER MASTER.
Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.
She went away with weeping eyes but the Queen's were scorching, as she paced her room.
She gave order that she was to be disturbed on no account unless for news from Paris.
At the supposition that Charny had at last perceived that his wife was still young and fair, the Queen found that misfortune is nothing to a heart-chagrin.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Taking the Bastile

Chapter XXI

Chapter 21 of Taking the Bastile is here in full — 149 sentences across 30 reading sections, with audio for every sentence and word.

Reading 1/29 · 5 reading units · Lines 1–5

Line 1
THE QUEEN AND HER MASTER.
/ðə kwiːn ənd hɜːr ˈmæstər/
Line 2
Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.
Line 3
She went away with weeping eyes but the Queen's were scorching, as she paced her room.
/ʃiː went əˈweɪ wɪð ˈwiːpɪŋ aɪz bʌt ðə kwiːnz wɜːr ˈskɔːrtʃɪŋ æz ʃiː peɪst hɜːr ruːm/
Line 4
She gave order that she was to be disturbed on no account unless for news from Paris.
/ʃiː ɡeɪv ˈɔːrdər ðæt ʃiː wɑːz tuː biː dɪˈstɜːrbd ɑːn noʊ əˈkaʊnt ənˈles fɔːr nuːz frʌm ˈperɪs/
Line 5
At the supposition that Charny had at last perceived that his wife was still young and fair, the Queen found that misfortune is nothing to a heart-chagrin.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

boudoir noun US /ˈbuːdɔɪr/

a lady's bedroom or private sitting room

From this reading “Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.”

confession noun US /kənˈfeʃən/

an admission of misdeeds or faults

From this reading “Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.”

kissing noun US /ˈkɪsɪŋ/

affectionate play (or foreplay without contact with the genital organs)

From this reading “Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.”

paced verb US /peɪst/

past form of “pace” — walk with slow or fast paces

From this reading “She went away with weeping eyes but the Queen's were scorching, as she paced her room.”

Queen's noun US /kwiːnz/

possessive form of “queen” — the only fertile female in a colony of social insects such as bees and ants and termites; its function is to lay eggs

From this reading “She went away with weeping eyes but the Queen's were scorching, as she paced her room.”

scorching adjective US /ˈskɔːrtʃɪŋ/

hot and dry enough to burn or parch a surface

From this reading “She went away with weeping eyes but the Queen's were scorching, as she paced her room.”

sill noun US /sɪl/

structural member consisting of a continuous horizontal timber forming the lowest member of a framework or supporting structure

From this reading “Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.”

supposition noun US /ˌsʌpəˈzɪʃən/

a message expressing an opinion based on incomplete evidence

From this reading “At the supposition that Charny had at last perceived that his wife was still young and fair, the Queen found that misfortune is nothing to a heart-chagrin.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

on the sill preposition + article + noun counted as “on … sill”

In this reading “Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.”

went away verb + particle counted as “go away”

move away from a place into another direction

In this reading “She went away with weeping eyes but the Queen's were scorching, as she paced her room.”

gave order verb + noun counted as “give order”

In this reading “She gave order that she was to be disturbed on no account unless for news from Paris.”

at night preposition + noun

In this reading “Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.”

All words in this reading · 70

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

accountnounUS /əˈkaʊnt/

a record or narrative description of past events

From this reading She gave order that she was to be disturbed on no account unless for news from Paris.

ANDconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE QUEEN AND HER MASTER.

Andrea's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading She went away with weeping eyes but the Queen's were scorching, as she paced her room.

atprepositionUS /æt/

in or near a particular place or position

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading She went away with weeping eyes but the Queen's were scorching, as she paced her room.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading She gave order that she was to be disturbed on no account unless for news from Paris.

boudoirnounUS /ˈbuːdɔɪr/

a lady's bedroom or private sitting room

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading She went away with weeping eyes but the Queen's were scorching, as she paced her room.

Charny

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

confessionnounUS /kənˈfeʃən/

an admission of misdeeds or faults

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

CountessnounUS /ˈkaʊntəs/

female equivalent of a count or earl

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

disturbedadjectiveUS /dɪˈstɜːrbd/

having the place or position changed

From this reading She gave order that she was to be disturbed on no account unless for news from Paris.

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

elevenadjectiveUS /ɪˈlevən/

being one more than ten

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

eyesnounUS /aɪz/

opinion or judgment

From this reading She went away with weeping eyes but the Queen's were scorching, as she paced her room.

fairadjectiveUS /fer/

free from favoritism or self-interest or bias or deception; conforming with established standards or rules

From this reading At the supposition that Charny had at last perceived that his wife was still young and fair, the Queen found that misfortune is nothing to a heart-chagrin.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

foundverbUS /faʊnd/

set up or found

From this reading At the supposition that Charny had at last perceived that his wife was still young and fair, the Queen found that misfortune is nothing to a heart-chagrin.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading She gave order that she was to be disturbed on no account unless for news from Paris.

gaveverbUS /ɡeɪv/

inflected form of “give” — cause to have, in the abstract sense or physical sense

From this reading She gave order that she was to be disturbed on no account unless for news from Paris.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading At the supposition that Charny had at last perceived that his wife was still young and fair, the Queen found that misfortune is nothing to a heart-chagrin.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

heart-chagrin

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading At the supposition that Charny had at last perceived that his wife was still young and fair, the Queen found that misfortune is nothing to a heart-chagrin.

HERdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading THE QUEEN AND HER MASTER.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading At the supposition that Charny had at last perceived that his wife was still young and fair, the Queen found that misfortune is nothing to a heart-chagrin.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading At the supposition that Charny had at last perceived that his wife was still young and fair, the Queen found that misfortune is nothing to a heart-chagrin.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

kissingnounUS /ˈkɪsɪŋ/

affectionate play (or foreplay without contact with the genital organs)

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

lastadjectiveUS /læst/

immediately past

From this reading At the supposition that Charny had at last perceived that his wife was still young and fair, the Queen found that misfortune is nothing to a heart-chagrin.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

MASTERnounUS /ˈmæstər/

an artist of consummate skill

From this reading THE QUEEN AND HER MASTER.

misfortunenounUS /mɪˈsfɔːrtʃən/

unnecessary and unforeseen trouble resulting from an unfortunate event

From this reading At the supposition that Charny had at last perceived that his wife was still young and fair, the Queen found that misfortune is nothing to a heart-chagrin.

mistress's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

newsnounUS /nuːz/

information about recent and important events

From this reading She gave order that she was to be disturbed on no account unless for news from Paris.

nightnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

nodeterminerUS /noʊ/

not any; not one

From this reading She gave order that she was to be disturbed on no account unless for news from Paris.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading At the supposition that Charny had at last perceived that his wife was still young and fair, the Queen found that misfortune is nothing to a heart-chagrin.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

openedadjectiveUS /ˈoʊpənd/

used of mouth or eyes

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading She gave order that she was to be disturbed on no account unless for news from Paris.

pacedverbUS /peɪst/

past form of “pace” — walk with slow or fast paces

From this reading She went away with weeping eyes but the Queen's were scorching, as she paced her room.

ParisnounUS /ˈperɪs/

the capital and largest city of France; and international center of culture and commerce

From this reading She gave order that she was to be disturbed on no account unless for news from Paris.

perceivedadjectiveUS /pərˈsiːvd/

detected by instinct or inference rather than by recognized perceptual cues

From this reading At the supposition that Charny had at last perceived that his wife was still young and fair, the Queen found that misfortune is nothing to a heart-chagrin.

QUEENnounUS /kwiːn/

the only fertile female in a colony of social insects such as bees and ants and termites; its function is to lay eggs

From this reading THE QUEEN AND HER MASTER.

Queen'snounUS /kwiːnz/

possessive form of “queen” — the only fertile female in a colony of social insects such as bees and ants and termites; its function is to lay eggs

From this reading She went away with weeping eyes but the Queen's were scorching, as she paced her room.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading She went away with weeping eyes but the Queen's were scorching, as she paced her room.

royaladjectiveUS /ˈrɔɪəl/

of or relating to or indicative of or issued or performed by a king or queen or other monarch

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

scorchingadjectiveUS /ˈskɔːrtʃɪŋ/

hot and dry enough to burn or parch a surface

From this reading She went away with weeping eyes but the Queen's were scorching, as she paced her room.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading She went away with weeping eyes but the Queen's were scorching, as she paced her room.

sillnounUS /sɪl/

structural member consisting of a continuous horizontal timber forming the lowest member of a framework or supporting structure

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

stilladjectiveUS /stɪl/

not in physical motion

From this reading At the supposition that Charny had at last perceived that his wife was still young and fair, the Queen found that misfortune is nothing to a heart-chagrin.

suppositionnounUS /ˌsʌpəˈzɪʃən/

a message expressing an opinion based on incomplete evidence

From this reading At the supposition that Charny had at last perceived that his wife was still young and fair, the Queen found that misfortune is nothing to a heart-chagrin.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE QUEEN AND HER MASTER.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading She gave order that she was to be disturbed on no account unless for news from Paris.

unlessconjunctionUS /ənˈles/

except if; if not

From this reading She gave order that she was to be disturbed on no account unless for news from Paris.

untilprepositionUS /ənˈtɪl/

up to a particular time

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Andrea's confession was a long one for it was not until eleven at night that the royal boudoir door opened, and on the sill was seen the Countess of Charny, kissing her mistress's hand.

weepingadjectiveUS /ˈwiːpɪŋ/

showing sorrow

From this reading She went away with weeping eyes but the Queen's were scorching, as she paced her room.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading She went away with weeping eyes but the Queen's were scorching, as she paced her room.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading She went away with weeping eyes but the Queen's were scorching, as she paced her room.

wifenounUS /waɪf/

a married woman; a man's partner in marriage

From this reading At the supposition that Charny had at last perceived that his wife was still young and fair, the Queen found that misfortune is nothing to a heart-chagrin.

withprepositionUS /wɪð/

in the company of; together with

From this reading She went away with weeping eyes but the Queen's were scorching, as she paced her room.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading At the supposition that Charny had at last perceived that his wife was still young and fair, the Queen found that misfortune is nothing to a heart-chagrin.

Chapter 21 of Taking the Bastile by Alexandre Dumas holds 149 sentences, grouped into 30 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 21 of Taking the Bastile contain?

Chapter 21 holds 149 sentences of Taking the Bastile, unabridged, divided into 30 reading sections.

This page carries chapter 21 of Taking the Bastile by Alexandre Dumas exactly as it stands in the source edition, without abridgement. It runs to 149 sentences, grouped into 30 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 21 of Taking the Bastile?

Work through the 30 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 30 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 21 be read aloud to me?

Yes — every sentence and every individual word in chapter 21 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Taking the Bastile

Common questions about reading Taking the Bastile by Alexandre Dumas on this page, its source edition and its audio.

Is this the complete text of Taking the Bastile?

Yes. All 4063 sentences of Project Gutenberg eBook #45424 are kept, with a record of which sentences cover which part.

Which edition of Taking the Bastile is used?

Project Gutenberg eBook #45424, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Taking the Bastile take to read?

About 338 minutes of reading across 813 sections of 5 sentences each, at an unhurried pace.

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  1. Open a chapter

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Taking the Bastile

Words and structures a reader meets early in Taking the Bastile, each tappable for pronunciation and meaning.

Enclosed
A word that appears in the opening chapter of Taking the Bastile; the reader can tap it to hear it and see its dictionary entry.
Equal
A word that appears in the opening chapter of Taking the Bastile; the reader can tap it to hear it and see its dictionary entry.
Signs
A word that appears in the opening chapter of Taking the Bastile; the reader can tap it to hear it and see its dictionary entry.
Symbol-pointing
A word that appears in the opening chapter of Taking the Bastile; the reader can tap it to hear it and see its dictionary entry.