adeterminerUS /ə/
used before a singular noun to mean one of a group, when it is not a particular one
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
allowverbUS /əˈlaʊ/
make it possible through a specific action or lack of action for something to happen
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
andeterminerUS /æn/
the form of “a” used before a word that begins with a vowel sound
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
andconjunctionUS /ənd/
used to join words or parts of a sentence that go together
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
anotherdeterminerUS /əˈnʌðər/
one more of the same kind, or a different one
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
anxiousadjectiveUS /ˈæŋkʃəs/
eagerly desirous
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
areauxiliary verbUS /ɑːr/
the form of “be” used with you, we, they, or a plural noun
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
asconjunctionUS /æz/
at the same time that; because; in the way that
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
assumedadjectiveUS /əˈsuːmd/
adopted in order to deceive
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
atprepositionUS /æt/
in or near a particular place or position
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
AuthornounUS /ˈɔːθər/
writes (books or stories or articles or the like) professionally (for pay)
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
author'snounUS /ˈɔːθərz/
possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
avoidingverbUS /əˈvɔɪdɪŋ/
-ing form of “avoid” — stay clear from; keep away from; keep out of the way of someone or something
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
beforeprepositionUS /bɪˈfɔːr/
earlier than; in front of
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
boldnessnounUS /ˈboʊldnəs/
the trait of being willing to undertake things that involve risk or danger
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
BooknounUS /bʊk/
a written work or composition that has been published (printed on pages bound together)
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
bookmarksnounUS /ˈbʊkmɑːrks/
plural of “bookmark” — a marker (a piece of paper or ribbon) placed between the pages of a book to mark the reader's place
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
butconjunctionUS /bʌt/
used to introduce something that contrasts with what came before
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
carenounUS /ker/
the work of providing treatment for or attending to someone or something
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
carelessnessnounUS /ˈkerləsnəs/
the quality of not being careful or taking pains
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
comeverbUS /kʌm/
move toward, travel toward something or somebody or approach something or somebody
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
consequentlyadverbUS /ˈkɑːnsəkwəntli/
(sentence connectors) because of the reason given
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
ContainsverbUS /kənˈteɪnz/
third-person singular of “contain” — include or contain; have as a component
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
DnounUS /diː/
a fat-soluble vitamin that prevents rickets
From this reading D.W.]
disregardverbUS /ˌdɪsrɪˈɡɑːrd/
refuse to acknowledge
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
dulladjectiveUS /dʌl/
lacking in liveliness or animation
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
earnounUS /iːr/
the sense organ for hearing and equilibrium
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
elisionnoun
omission of a sound between two words (usually a vowel and the end of one word or the beginning of the next)
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
endnounUS /end/
either extremity of something that has length
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
entireadjectiveUS /ɪnˈtaɪər/
constituting the full quantity or extent; complete
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
fileverbUS /faɪl/
record in a public office or in a court of law
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
forprepositionUS /fɔːr/
intended to be given to, or used by, somebody
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
forcenounUS /fɔːrs/
a powerful effect or influence
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
FriarnounUS /ˈfraɪər/
a male member of a religious order that originally relied solely on alms
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
fromprepositionUS /frʌm/
showing where something starts, or who sent it
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
GeesenounUS /ɡiːs/
plural of “goose” — web-footed long-necked typically gregarious migratory aquatic birds usually larger and less aquatic than ducks
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
generaladjectiveUS /ˈdʒenərəl/
applying to all or most members of a category or group
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
grandadjectiveUS /ɡrænd/
of behavior that is impressive and ambitious in scale or scope
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
gratificationnounUS /ˌɡrætəfəˈkeɪʃən/
state of being gratified or satisfied
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
hasauxiliary verbUS /hæz/
the form of “have” used with he, she, it, or a singular noun
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
hepronounUS /hiː/
a man, boy, or male animal already mentioned, as the subject
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
heartnounUS /hɑːrt/
the locus of feelings and intuitions
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
himpronounUS /hɪm/
the male already mentioned, as the object of a verb or preposition
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
himselfpronounUS /hɪmˈself/
used when the man or boy doing the action is also its object
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
ideasnounUS /aɪˈdiːəz/
plural of “idea” — the content of cognition; the main thing you are thinking about
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
inprepositionUS /ɪn/
inside something, or within a place, period, or state
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
intoprepositionUS /ˈɪntuː/
moving to the inside of something
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
isauxiliary verbUS /ɪz/
the form of “be” used with he, she, it, or a singular noun
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
kindsnounUS /kaɪndz/
plural of “kind” — a category of things distinguished by some common characteristic or quality
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
labournounUS /ˈleɪbər/
a social class comprising those who do manual labor or work for wages
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
labyrinthnounUS /ˈlæbərɪnθ/
complex system of paths or tunnels in which it is easy to get lost
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
lastadjectiveUS /læst/
immediately past
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
linesnounUS /laɪnz/
plural of “line” — a formation of people or things one beside another
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
listverbUS /lɪst/
give or make a list of; name individually; give the names of
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
makeverbUS /meɪk/
engage in
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
makingnounUS /ˈmeɪkɪŋ/
the act that results in something coming to be
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
maymodal verbUS /meɪ/
used to say something is possible, or to give permission
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
mealnounUS /miːl/
the food served and eaten at one time
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
mentionverbUS /ˈmenʃən/
make reference to
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
Minutolo
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
narrativesnounUS /ˈnærətɪvz/
plural of “narrative” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
nextadjectiveUS /nekst/
immediately following in time or order
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
nodeterminerUS /noʊ/
not any; not one
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
norconjunctionUS /nɔːr/
and not; used after a negative to add a second negative
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
notadverbUS /nɑːt/
used to make a word, phrase, or sentence negative
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
NOTEnounUS /noʊt/
a brief written record
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
ofprepositionUS /ʌv/
belonging to, or connected with, somebody or something
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
opportunitynounUS /ˌɑːpərˈtuːnəti/
a possibility due to a favorable combination of circumstances
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
orconjunctionUS /ɔːr/
used to join alternatives or possibilities
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
ordernounUS /ˈɔːrdər/
(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
parcelnounUS /ˈpɑːrsəl/
a wrapped container
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
partnounUS /pɑːrt/
something determined in relation to something that includes it
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
pennounUS /pen/
a writing implement with a point from which ink flows
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
PhilipsnounUS /ˈfɪləps/
plural of “philip” — Englishman and husband of Elizabeth II (born 1921)
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
pleasurenounUS /ˈpleʒər/
a fundamental feeling that is hard to define but that people desire to experience
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
poetrynounUS /ˈpoʊətri/
literature in metrical form
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
pointersnounUS /ˈpɔɪntərz/
plural of “pointer” — a mark to indicate a direction or relation
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
PrefacenounUS /ˈprefəs/
a short introductory essay preceding the text of a book
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
privilegenounUS /ˈprɪvlədʒ/
a special advantage or immunity or benefit not enjoyed by all
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
rhymesnounUS /raɪmz/
plural of “rhyme” — correspondence in the sounds of two or more lines (especially final sounds)
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
Richard
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
runverbUS /rʌn/
move fast by using one's feet, with one foot off the ground at any given time
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
samplenounUS /ˈsæmpəl/
a small part of something intended as representative of the whole
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
sayverbUS /seɪ/
express in words
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
SecondnounUS /ˈsekənd/
1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
shiftsnounUS /ʃɪfts/
plural of “shift” — an event in which something is displaced without rotation
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
shortadjectiveUS /ʃɔːrt/
primarily temporal sense; indicating or being or seeming to be limited in duration
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
soconjunctionUS /soʊ/
for that reason; with the result that
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
straitsnounUS /streɪts/
a bad or difficult situation or state of affairs
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
stylenounUS /staɪl/
how something is done or how it happens
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
suchdeterminerUS /sʌtʃ/
of the kind already mentioned
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
tale-writer
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
thatconjunctionUS /ðæt/
used to introduce what somebody said, thought, or felt
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
thedeterminerUS /ðə/
used before a noun that is already known, already mentioned, or the only one of its kind
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
thempronounUS /ðem/
the people or things already mentioned, as the object
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
ThereadverbUS /ðer/
in or at that place or location
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
ThesedeterminerUS /ðiːz/
the plural of “this”: the people or things near, or just mentioned
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
theypronounUS /ðeɪ/
the people, animals, or things already mentioned, as the subject
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
thisdeterminerUS /ðɪs/
used for a person or thing that is near, or that has just been mentioned
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
thosedeterminerUS /ðoʊz/
the plural of “that”: the people or things further away, or already known
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
toparticleUS /tuː/
used before the base form of a verb to make the infinitive
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
TooadverbUS /tuː/
to a degree exceeding normal or proper limits
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
twonounUS /tuː/
the cardinal number that is the sum of one and one or a numeral representing this number
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
uselessadjectiveUS /ˈjuːsləs/
having no beneficial use or incapable of functioning usefully
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
utterlyadverbUS /ˈʌtərli/
completely and without qualification; used informally as intensifiers
From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
villainousadjectiveUS /ˈvɪlənəs/
extremely wicked
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
vindicating
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
vowelsnounUS /ˈvaʊəlz/
plural of “vowel” — a speech sound made with the vocal tract open
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
WnounUS /ˈdʌbəljuː/
a heavy grey-white metallic element; the pure form is used mainly in electrical applications; it is found in several ores including wolframite and scheelite
From this reading D.W.]
WepronounUS /wiː/
the speaker together with one or more other people
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
whichpronounUS /wɪtʃ/
used to introduce a clause giving more about a thing just mentioned
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
whopronounUS /huː/
which person or people
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
willmodal verbUS /wɪl/
used to talk about the future, or about willingness
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
wishverbUS /wɪʃ/
hope for; have a wish
From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
withoutprepositionUS /wɪˈθaʊt/
not having, not using, or not accompanied by
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
worksnounUS /wɜːrks/
buildings for carrying on industrial labor
From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
wouldmodal verbUS /wʊd/
used for something imagined, polite, or habitual in the past
From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.