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Tales and Novels of J. de La Fontaine — Volume 11
Tales and Novels of J. de La Fontaine — Volume 11

Chapter I · Chapter 1

Chapter 1 of Tales and Novels of J. de La Fontaine — Volume 11 is here in full — 140 sentences across 28 reading sections, with audio for every sentence and word.

Cover illustration for Tales and Novels of J. de La Fontaine — Volume 11
Context Illustration Reading 1/28 · 5 lines
English subtitles · tap any word to listen 1 / 5
[NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
D.W.]
Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Tales and Novels of J. de La Fontaine — Volume 11

Chapter I · Chapter 1

Chapter 1 of Tales and Novels of J. de La Fontaine — Volume 11 is here in full — 140 sentences across 28 reading sections, with audio for every sentence and word.

Reading 1/28 · 5 reading units · Lines 1–5

Line 1
[NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.
/noʊt ðer ɪz ə ʃɔːrt lɪst ʌv ˈbʊkmɑːrks ɔːr ˈpɔɪntərz æt ðə end ʌv ðə faɪl fɔːr ðoʊz huː meɪ wɪʃ tuː ˈsæmpəl ðə ˈɔːθərz aɪˈdiːəz bɪˈfɔːr ˈmeɪkɪŋ æn ɪnˈtaɪər miːl ʌv ðem/
Line 2
D.W.]
Line 3
Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.
Line 4
We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.
Line 5
Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

author's noun US /ˈɔːθərz/

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading “[NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.”

bookmarks noun US /ˈbʊkmɑːrks/

plural of “bookmark” — a marker (a piece of paper or ribbon) placed between the pages of a book to mark the reader's place

From this reading “[NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.”

narratives noun US /ˈnærətɪvz/

plural of “narrative” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading “Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.”

Philips noun US /ˈfɪləps/

plural of “philip” — Englishman and husband of Elizabeth II (born 1921)

From this reading “Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.”

pointers noun US /ˈpɔɪntərz/

plural of “pointer” — a mark to indicate a direction or relation

From this reading “[NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.”

shifts noun US /ʃɪfts/

plural of “shift” — an event in which something is displaced without rotation

From this reading “Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.”

villainous adjective US /ˈvɪlənəs/

extremely wicked

From this reading “We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.”

vowels noun US /ˈvaʊəlz/

plural of “vowel” — a speech sound made with the vocal tract open

From this reading “We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.”

All words in this reading · 117

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

allowverbUS /əˈlaʊ/

make it possible through a specific action or lack of action for something to happen

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

anxiousadjectiveUS /ˈæŋkʃəs/

eagerly desirous

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

assumedadjectiveUS /əˈsuːmd/

adopted in order to deceive

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

atprepositionUS /æt/

in or near a particular place or position

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

AuthornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

author'snounUS /ˈɔːθərz/

possessive form of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

avoidingverbUS /əˈvɔɪdɪŋ/

-ing form of “avoid” — stay clear from; keep away from; keep out of the way of someone or something

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

boldnessnounUS /ˈboʊldnəs/

the trait of being willing to undertake things that involve risk or danger

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

BooknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

bookmarksnounUS /ˈbʊkmɑːrks/

plural of “bookmark” — a marker (a piece of paper or ribbon) placed between the pages of a book to mark the reader's place

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

carenounUS /ker/

the work of providing treatment for or attending to someone or something

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

carelessnessnounUS /ˈkerləsnəs/

the quality of not being careful or taking pains

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

consequentlyadverbUS /ˈkɑːnsəkwəntli/

(sentence connectors) because of the reason given

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

ContainsverbUS /kənˈteɪnz/

third-person singular of “contain” — include or contain; have as a component

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

DnounUS /diː/

a fat-soluble vitamin that prevents rickets

From this reading D.W.]

disregardverbUS /ˌdɪsrɪˈɡɑːrd/

refuse to acknowledge

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

dulladjectiveUS /dʌl/

lacking in liveliness or animation

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

earnounUS /iːr/

the sense organ for hearing and equilibrium

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

elisionnoun

omission of a sound between two words (usually a vowel and the end of one word or the beginning of the next)

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

endnounUS /end/

either extremity of something that has length

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

entireadjectiveUS /ɪnˈtaɪər/

constituting the full quantity or extent; complete

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

fileverbUS /faɪl/

record in a public office or in a court of law

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

forcenounUS /fɔːrs/

a powerful effect or influence

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

FriarnounUS /ˈfraɪər/

a male member of a religious order that originally relied solely on alms

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

GeesenounUS /ɡiːs/

plural of “goose” — web-footed long-necked typically gregarious migratory aquatic birds usually larger and less aquatic than ducks

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

generaladjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

grandadjectiveUS /ɡrænd/

of behavior that is impressive and ambitious in scale or scope

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

gratificationnounUS /ˌɡrætəfəˈkeɪʃən/

state of being gratified or satisfied

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

ideasnounUS /aɪˈdiːəz/

plural of “idea” — the content of cognition; the main thing you are thinking about

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

kindsnounUS /kaɪndz/

plural of “kind” — a category of things distinguished by some common characteristic or quality

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

labournounUS /ˈleɪbər/

a social class comprising those who do manual labor or work for wages

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

labyrinthnounUS /ˈlæbərɪnθ/

complex system of paths or tunnels in which it is easy to get lost

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

lastadjectiveUS /læst/

immediately past

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

linesnounUS /laɪnz/

plural of “line” — a formation of people or things one beside another

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

listverbUS /lɪst/

give or make a list of; name individually; give the names of

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

makeverbUS /meɪk/

engage in

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

makingnounUS /ˈmeɪkɪŋ/

the act that results in something coming to be

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

mealnounUS /miːl/

the food served and eaten at one time

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

mentionverbUS /ˈmenʃən/

make reference to

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

Minutolo

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

narrativesnounUS /ˈnærətɪvz/

plural of “narrative” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

nextadjectiveUS /nekst/

immediately following in time or order

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

nodeterminerUS /noʊ/

not any; not one

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

NOTEnounUS /noʊt/

a brief written record

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

opportunitynounUS /ˌɑːpərˈtuːnəti/

a possibility due to a favorable combination of circumstances

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

parcelnounUS /ˈpɑːrsəl/

a wrapped container

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

pennounUS /pen/

a writing implement with a point from which ink flows

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

PhilipsnounUS /ˈfɪləps/

plural of “philip” — Englishman and husband of Elizabeth II (born 1921)

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

pleasurenounUS /ˈpleʒər/

a fundamental feeling that is hard to define but that people desire to experience

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

poetrynounUS /ˈpoʊətri/

literature in metrical form

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

pointersnounUS /ˈpɔɪntərz/

plural of “pointer” — a mark to indicate a direction or relation

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

PrefacenounUS /ˈprefəs/

a short introductory essay preceding the text of a book

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

privilegenounUS /ˈprɪvlədʒ/

a special advantage or immunity or benefit not enjoyed by all

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

rhymesnounUS /raɪmz/

plural of “rhyme” — correspondence in the sounds of two or more lines (especially final sounds)

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

Richard

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

runverbUS /rʌn/

move fast by using one's feet, with one foot off the ground at any given time

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

samplenounUS /ˈsæmpəl/

a small part of something intended as representative of the whole

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

sayverbUS /seɪ/

express in words

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

SecondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

shiftsnounUS /ʃɪfts/

plural of “shift” — an event in which something is displaced without rotation

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

shortadjectiveUS /ʃɔːrt/

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

straitsnounUS /streɪts/

a bad or difficult situation or state of affairs

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

stylenounUS /staɪl/

how something is done or how it happens

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

tale-writer

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

thempronounUS /ðem/

the people or things already mentioned, as the object

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

ThereadverbUS /ðer/

in or at that place or location

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

ThesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

TooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

uselessadjectiveUS /ˈjuːsləs/

having no beneficial use or incapable of functioning usefully

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

utterlyadverbUS /ˈʌtərli/

completely and without qualification; used informally as intensifiers

From this reading Too anxious a care in avoiding such would force a tale-writer into a labyrinth of shifts, into narratives as dull as they are grand, into straits that are utterly useless, and would make him disregard the pleasure of the heart in order to labour for the gratification of the ear.

villainousadjectiveUS /ˈvɪlənəs/

extremely wicked

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

vindicating

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

vowelsnounUS /ˈvaʊəlz/

plural of “vowel” — a speech sound made with the vocal tract open

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

WnounUS /ˈdʌbəljuː/

a heavy grey-white metallic element; the pure form is used mainly in electrical applications; it is found in several ores including wolframite and scheelite

From this reading D.W.]

WepronounUS /wiː/

the speaker together with one or more other people

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

whopronounUS /huː/

which person or people

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

wishverbUS /wɪʃ/

hope for; have a wish

From this reading [NOTE: There is a short list of bookmarks, or pointers, at the end of the file for those who may wish to sample the author's ideas before making an entire meal of them.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

worksnounUS /wɜːrks/

buildings for carrying on industrial labor

From this reading Contains: Preface to The Second Book Friar Philips Geese Richard Minutolo These are the last works of this style that will come from the pen of the Author, and consequently this is the last opportunity he has of vindicating the boldness and privilege which he has assumed.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading We make no mention of villainous rhymes, of lines that run into the next, of two vowels without elision, nor, in general, of such kinds of carelessness as he would not allow himself in another style of poetry, but which are part and parcel, so to say, of this style.

Chapter 1 of Tales and Novels of J. de La Fontaine — Volume 11 by Jean de La Fontaine holds 140 sentences, grouped into 28 reading sections of at most 5 sentences. The text is the public-domain source, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Tales and Novels of J. de La Fontaine — Volume 11 contain?

Chapter 1 holds 140 sentences of Tales and Novels of J. de La Fontaine — Volume 11, unabridged, divided into 28 reading sections.

This page carries chapter 1 of Tales and Novels of J. de La Fontaine — Volume 11 by Jean de La Fontaine exactly as it stands in the public-domain source edition, without abridgement. It runs to 140 sentences, grouped into 28 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Tales and Novels of J. de La Fontaine — Volume 11?

Work through the 28 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 28 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Tales and Novels of J. de La Fontaine — Volume 11

Common questions about reading Tales and Novels of J. de La Fontaine — Volume 11 by Jean de La Fontaine on this page, its source edition and its audio.

Is this the complete text of Tales and Novels of J. de La Fontaine — Volume 11?

Yes. All 140 sentences of Project Gutenberg eBook #5285 are kept, with a record of which sentences cover which part.

Which edition of Tales and Novels of J. de La Fontaine — Volume 11 is used?

Project Gutenberg eBook #5285, a public-domain edition. The Project Gutenberg header, footer and licence are removed.

How long does Tales and Novels of J. de La Fontaine — Volume 11 take to read?

About 11 minutes of reading across 28 sections of 5 sentences each, at an unhurried pace.

How to read Tales and Novels of J. de La Fontaine — Volume 11 section by section

How to work through Tales and Novels of J. de La Fontaine — Volume 11 section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Tales and Novels of J. de La Fontaine — Volume 11

Words and structures a reader meets early in Tales and Novels of J. de La Fontaine — Volume 11, each tappable for pronunciation and meaning.

Short
A word that appears in the opening chapter of Tales and Novels of J. de La Fontaine — Volume 11; the reader can tap it to hear it and see its dictionary entry.
Bookmarks
A word that appears in the opening chapter of Tales and Novels of J. de La Fontaine — Volume 11; the reader can tap it to hear it and see its dictionary entry.
Pointers
A word that appears in the opening chapter of Tales and Novels of J. de La Fontaine — Volume 11; the reader can tap it to hear it and see its dictionary entry.
Those
A word that appears in the opening chapter of Tales and Novels of J. de La Fontaine — Volume 11; the reader can tap it to hear it and see its dictionary entry.