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Tales and Novels — Volume 03 Belinda
Tales and Novels — Volume 03 Belinda

Chapter I · Chapter 1

Chapter 1 of Tales and Novels — Volume 03 Belinda is here in full — 221 sentences across 45 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/44 · 5 lines
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Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”
Whichever suits your ladyship’s taste least.”
Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”
Of that,” said Belinda, with a constrained smile, he gives the most convincing proof, by his admiring your ladyship so much.”
And by his admiring Miss Portman so much more.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Tales and Novels — Volume 03 Belinda

Chapter I · Chapter 1

Chapter 1 of Tales and Novels — Volume 03 Belinda is here in full — 221 sentences across 45 reading sections, with audio for every sentence and word.

Reading 1/44 · 5 reading units · Lines 1–5

Line 1
Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”
Line 2
Whichever suits your ladyship’s taste least.”
Line 3
Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”
Line 4
Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”
Line 5
And by his admiring Miss Portman so much more.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Clarence noun US /ˈklerəns/

a closed carriage with four wheels and seats for four passengers

From this reading ““Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.””

constrained adjective US /kənˈstreɪnd/

lacking spontaneity; not natural

From this reading ““Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.””

convincing adjective US /kənˈvɪnsɪŋ/

causing one to believe the truth of something

From this reading ““Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.””

diametrically adverb US /ˌdaɪəˈmetrɪkəli/

as from opposite ends of a diameter

From this reading ““Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.””

forcing verb US /ˈfɔːrsɪŋ/

-ing form of “force” — to cause to do through pressure or necessity, by physical, moral or intellectual means

From this reading ““Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?””

masquerade verb US /ˌmæskərˈeɪd/

take part in a masquerade

From this reading ““Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?””

resume verb US /rɪˈzuːm/

take up or begin anew

From this reading ““Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?””

Whichever determiner US /wɪˈtʃevər/

any one of a set, it does not matter which

From this reading ““Whichever suits your ladyship’s taste least.””

All words in this reading · 96

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading “Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”

admiringverbUS /ædˈmaɪrɪŋ/

-ing form of “admire” — feel admiration for

From this reading “Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”

airnounUS /er/

a mixture of gases (especially oxygen) required for breathing; the stuff that the wind consists of

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

assureverbUS /əˈʃʊr/

make certain of

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

beganverbUS /bɪˈɡæn/

inflected form of “begin” — take the first step or steps in carrying out an action

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

Belinda

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”

bestnounUS /best/

the supreme effort one can make

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

byprepositionUS /baɪ/

showing who or what does the action

From this reading “Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

ClarencenounUS /ˈklerəns/

a closed carriage with four wheels and seats for four passengers

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

comedynounUS /ˈkɑːmədi/

light and humorous drama with a happy ending

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

constrainedadjectiveUS /kənˈstreɪnd/

lacking spontaneity; not natural

From this reading “Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”

convincingadjectiveUS /kənˈvɪnsɪŋ/

causing one to believe the truth of something

From this reading “Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”

criedverbUS /kraɪd/

inflected form of “cry” — utter a sudden loud cry

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

dearadjectiveUS /dɪr/

dearly loved

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

Delacour

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

diametricallyadverbUS /ˌdaɪəˈmetrɪkəli/

as from opposite ends of a diameter

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

don't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

forcingverbUS /ˈfɔːrsɪŋ/

-ing form of “force” — to cause to do through pressure or necessity, by physical, moral or intellectual means

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

gaietynoun

a gay feeling

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

geniusnounUS /ˈdʒiːnjəs/

someone who has exceptional intellectual ability and originality

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

givesnounUS /ɡɪvz/

plural of “give” — the elasticity of something that can be stretched and returns to its original length

From this reading “Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

herselfpronounUS /hərˈself/

used when the woman or girl doing the action is also its object

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

Hervey's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading “Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

LadynounUS /ˈleɪdi/

a polite name for any woman

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

ladyshipnoun

a title used to address any peeress except a duchess

From this reading “Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”

ladyship's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Whichever suits your ladyship’s taste least.”

leastadjectiveUS /liːst/

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading “Whichever suits your ladyship’s taste least.”

Marriott

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

masqueradeverbUS /ˌmæskərˈeɪd/

take part in a masquerade

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

MissverbUS /mɪs/

fail to perceive or to catch with the senses or the mind

From this reading “And by his admiring Miss Portman so much more.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading “And by his admiring Miss Portman so much more.

mostadverbUS /moʊst/

used to form the superlative

From this reading “Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading “Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

notionnounUS /ˈnoʊʃən/

a vague idea in which some confidence is placed

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

OnounUS /oʊ/

a nonmetallic bivalent element that is normally a colorless odorless tasteless nonflammable diatomic gas; constitutes 21 percent of the atmosphere by volume; the most abundant element in the earth's crust

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

oppositeadjectiveUS /ˈɑːpəzət/

being directly across from each other; facing

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

oughtmodal verbUS /ɔːt/

used with “to” to say what is right or advisable

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

ownverbUS /oʊn/

have ownership or possession of

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

perhapsadverbUS /pərˈhæps/

by chance

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

Portman

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “And by his admiring Miss Portman so much more.

principlenounUS /ˈprɪnsəpəl/

a basic generalization that is accepted as true and that can be used as a basis for reasoning or conduct

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

principlesnounUS /ˈprɪnsəpəlz/

plural of “principle” — a basic generalization that is accepted as true and that can be used as a basis for reasoning or conduct

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

proofnounUS /pruːf/

any factual evidence that helps to establish the truth of something

From this reading “Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”

resumeverbUS /rɪˈzuːm/

take up or begin anew

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading “Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”

saysnounUS /sez/

plural of “say” — the chance to speak

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

smileverbUS /smaɪl/

change one's facial expression by spreading the lips, often to signal pleasure

From this reading “Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading “Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”

soundnounUS /saʊnd/

the particular auditory effect produced by a given cause

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

succeedverbUS /səkˈsiːd/

attain success or reach a desired goal

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

suitsnounUS /suːts/

plural of “suit” — a set of garments (usually including a jacket and trousers or skirt) for outerwear all of the same fabric and color

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

takeverbUS /teɪk/

carry out

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading “Whichever suits your ladyship’s taste least.”

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

thereadverbUS /ðer/

in or at that place or location

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

thinkverbUS /θɪŋk/

judge or regard; look upon; judge

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

tragedynounUS /ˈtrædʒədi/

an event resulting in great loss and misfortune

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

wepronounUS /wiː/

the speaker together with one or more other people

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

whenconjunctionUS /wen/

at the time that

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

WhereconjunctionUS /wer/

in or at the place that

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

WhicheverdeterminerUS /wɪˈtʃevər/

any one of a set, it does not matter which

From this reading “Whichever suits your ladyship’s taste least.”

WhynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

withprepositionUS /wɪð/

in the company of; together with

From this reading “Of that,” said Belinda, with a constrained smile, “he gives the most convincing proof, by his admiring your ladyship so much.”

womannounUS /ˈwʊmən/

an adult female person (as opposed to a man)

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

wrongadjectiveUS /rɔːŋ/

not correct; not in conformity with fact or truth

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

youpronounUS /juː/

the person or people being spoken to

From this reading “Why, my woman, Marriott, says I ought to be tragedy; and, upon the notion that people always succeed best when they take characters diametrically opposite to their own--Clarence Hervey’s principle--perhaps you don’t think that he has any principles; but there you are wrong; I do assure you, he has sound principles--of taste.”

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading “Where were we when all this began?” cried Lady Delacour, forcing herself to resume an air of gaiety--“O, masquerade was the order of the day---tragedy or comedy? which suits your genius best, my dear?”

Chapter 1 of Tales and Novels — Volume 03 Belinda by Maria Edgeworth holds 221 sentences, grouped into 45 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Tales and Novels — Volume 03 Belinda contain?

Chapter 1 holds 221 sentences of Tales and Novels — Volume 03 Belinda, unabridged, divided into 45 reading sections.

This page carries chapter 1 of Tales and Novels — Volume 03 Belinda by Maria Edgeworth exactly as it stands in the source edition, without abridgement. It runs to 221 sentences, grouped into 45 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Tales and Novels — Volume 03 Belinda?

Work through the 45 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 45 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Tales and Novels — Volume 03 Belinda

Common questions about reading Tales and Novels — Volume 03 Belinda by Maria Edgeworth on this page, its source edition and its audio.

Is this the complete text of Tales and Novels — Volume 03 Belinda?

Yes. All 7048 sentences of Project Gutenberg eBook #9455 are kept, with a record of which sentences cover which part.

Which edition of Tales and Novels — Volume 03 Belinda is used?

Project Gutenberg eBook #9455, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Tales and Novels — Volume 03 Belinda take to read?

About 587 minutes of reading across 1410 sections of 5 sentences each, at an unhurried pace.

How to read Tales and Novels — Volume 03 Belinda section by section

How to work through Tales and Novels — Volume 03 Belinda section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 30 chapters of Tales and Novels — Volume 03 Belinda to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Tales and Novels — Volume 03 Belinda

Words and structures a reader meets early in Tales and Novels — Volume 03 Belinda, each tappable for pronunciation and meaning.

Where
A word that appears in the opening chapter of Tales and Novels — Volume 03 Belinda; the reader can tap it to hear it and see its dictionary entry.
Began
A word that appears in the opening chapter of Tales and Novels — Volume 03 Belinda; the reader can tap it to hear it and see its dictionary entry.
Cried
A word that appears in the opening chapter of Tales and Novels — Volume 03 Belinda; the reader can tap it to hear it and see its dictionary entry.
Delacour
A word that appears in the opening chapter of Tales and Novels — Volume 03 Belinda; the reader can tap it to hear it and see its dictionary entry.