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Tales of My Native Town
Tales of My Native Town

Chapter I

Chapter 1 of Tales of My Native Town is here in full — 392 sentences across 79 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/78 · 5 lines
English subtitles · tap any word to listen 1 / 5
The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.
It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.
There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.
But men are not so much united by the deeper bonds of a common humanity as they are separated by the superficial aspects and prejudices of society.
The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Tales of My Native Town

Chapter I

Chapter 1 of Tales of My Native Town is here in full — 392 sentences across 79 reading sections, with audio for every sentence and word.

Reading 1/78 · 5 reading units · Lines 1–5

Line 1
The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.
Line 2
It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.
/ɪt ɪz truː ðæt ˌfʌndəˈmentəli ðə ˈmoʊtɪvz ʌv kriˈeɪtɪv ˈraɪtɪŋ æt liːst ɪn ðə ˈwestərn ˈhemɪsfɪr ɑːr ˈpræktɪkli ˈevriwer əˈlaɪk ðeɪ ɑːr wʌt maɪt biː kɔːld ðə ˈpraɪmeri ɪˈmoʊʃənz ˈheɪtrəd ənd ˈenvi lʌv ənd ˈkruːlti lʌst ˈpjʊrəti ənd ˈkɜːrədʒ/
Line 3
There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.
Line 4
But men are not so much united by the deeper bonds of a common humanity as they are separated by the superficial aspects and prejudices of society.
/bʌt men ɑːr nɑːt soʊ mʌtʃ juːˈnaɪtɪd baɪ ðə ˈdiːpər bɑːndz ʌv ə ˈkɑːmən hjuːˈmænɪti æz ðeɪ ɑːr ˈsepəreɪtɪd baɪ ðə ˌsuːpərˈfɪʃəl ˈæspekts ənd ˈpredʒədɪsɪz ʌv səˈsaɪəti/
Line 5
The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Adriatic noun US /ˌeɪdriˈætɪk/

an arm of the Mediterranean between Slovenia and Croatia and Montenegro and Albania on the east and Italy on the west

From this reading “The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.”

creative adjective US /kriˈeɪtɪv/

having the ability or power to create

From this reading “It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.”

Downfall noun US /ˈdaʊnfɔːl/

failure that results in a loss of position or reputation

From this reading “There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.”

fundamentally adverb US /ˌfʌndəˈmentəli/

in essence; at bottom or by one's (or its) very nature

From this reading “It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.”

genesis noun US /ˈdʒenəsəs/

a coming into being

From this reading “There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.”

Hemisphere noun US /ˈhemɪsfɪr/

half of the terrestrial globe

From this reading “It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.”

primary adjective US /ˈpraɪmeri/

of first rank or importance or value; direct and immediate rather than secondary

From this reading “It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.”

realisation noun US /ˈriːləˈzeɪʃən/

a musical composition that has been completed or enriched by someone other than the composer

From this reading “The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

common humanity adjective + noun

In this reading “But men are not so much united by the deeper bonds of a common humanity as they are separated by the superficial aspects and prejudices of society.”

spring from verb + particle

In this reading “The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.”

All words in this reading · 119

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

AdriaticnounUS /ˌeɪdriˈætɪk/

an arm of the Mediterranean between Slovenia and Croatia and Montenegro and Albania on the east and Italy on the west

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

alikeadverbUS /əˈlaɪk/

equally

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

analysisnounUS /əˈnæləsəs/

an investigation of the component parts of a whole and their relations in making up the whole

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

apartadverbUS /əˈpɑːrt/

separated or at a distance in place or position or time

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

aspectsnounUS /ˈæspekts/

plural of “aspect” — a distinct feature or element in a problem

From this reading But men are not so much united by the deeper bonds of a common humanity as they are separated by the superficial aspects and prejudices of society.

atprepositionUS /æt/

in or near a particular place or position

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

attitudenounUS /ˈætətuːd/

a complex mental state involving beliefs and feelings and values and dispositions to act in certain ways

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

beingauxiliary verbUS /ˈbiːɪŋ/

the -ing form of “be”

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

bondsnounUS /bɑːndz/

plural of “bond” — an electrical force linking atoms

From this reading But men are not so much united by the deeper bonds of a common humanity as they are separated by the superficial aspects and prejudices of society.

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

byprepositionUS /baɪ/

showing who or what does the action

From this reading But men are not so much united by the deeper bonds of a common humanity as they are separated by the superficial aspects and prejudices of society.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

Candia

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

civilisationnoun

the social process whereby societies achieve an advanced stage of development and organization

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

commonadjectiveUS /ˈkɑːmən/

belonging to or participated in by a community as a whole; public

From this reading But men are not so much united by the deeper bonds of a common humanity as they are separated by the superficial aspects and prejudices of society.

completeverbUS /kəmˈpliːt/

come or bring to a finish or an end

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

considerableadjectiveUS /kənˈsɪdərəbəl/

large or relatively large in number or amount or extent or degree

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

couragenounUS /ˈkɜːrədʒ/

a quality of spirit that enables you to face danger or pain without showing fear

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

creativeadjectiveUS /kriˈeɪtɪv/

having the ability or power to create

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

crueltynounUS /ˈkruːlti/

a cruel act; a deliberate infliction of pain and suffering

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

D'Annunzio's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

deeperadverbUS /ˈdiːpər/

comparative of “deeply” — to a great depth psychologically or emotionally

From this reading But men are not so much united by the deeper bonds of a common humanity as they are separated by the superficial aspects and prejudices of society.

differentadjectiveUS /ˈdɪfərənt/

unlike in nature or quality or form or degree

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

discloseverbUS /dɪˈskloʊz/

make known to the public information that was previously known only to a few people or that was meant to be kept a secret

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

DownfallnounUS /ˈdaʊnfɔːl/

failure that results in a loss of position or reputation

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

emotionsnounUS /ɪˈmoʊʃənz/

plural of “emotion” — any strong feeling

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

EnglandnounUS /ˈɪŋɡlənd/

a division of the United Kingdom

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

enjoymentnounUS /ˌenˈdʒɔɪmənt/

the pleasure felt when having a good time

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

envynounUS /ˈenvi/

a feeling of grudging admiration and desire to have something that is possessed by another

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

everywhereadverbUS /ˈevriwer/

to or in any or all places

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

fictionnounUS /ˈfɪkʃən/

a literary work based on the imagination and not necessarily on fact

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

fundamentallyadverbUS /ˌfʌndəˈmentəli/

in essence; at bottom or by one's (or its) very nature

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

genesisnounUS /ˈdʒenəsəs/

a coming into being

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

hatrednounUS /ˈheɪtrəd/

the emotion of intense dislike; a feeling of dislike so strong that it demands action

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

heartnounUS /hɑːrt/

the locus of feelings and intuitions

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

HemispherenounUS /ˈhemɪsfɪr/

half of the terrestrial globe

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

humanitynounUS /hjuːˈmænɪti/

the quality of being humane

From this reading But men are not so much united by the deeper bonds of a common humanity as they are separated by the superficial aspects and prejudices of society.

imaginativeadjectiveUS /ˌɪˈmædʒənətɪv/

(used of persons or artifacts) marked by independence and creativity in thought or action

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

leastadjectiveUS /liːst/

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

localadjectiveUS /ˈloʊkəl/

relating to or applicable to or concerned with the administration of a city or town or district rather than a larger area

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

lustnounUS /lʌst/

a strong sexual desire

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

Marblehead

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

MassachusettsnounUS /ˌmæsəˈtʃuːsəts/

a state in New England; one of the original 13 colonies

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

mennounUS /men/

the force of workers available

From this reading But men are not so much united by the deeper bonds of a common humanity as they are separated by the superficial aspects and prejudices of society.

mightmodal verbUS /maɪt/

used to say something is possible but not certain

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

mindnounUS /maɪnd/

The element of a person that enables awareness and thought.

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

motivesnounUS /ˈmoʊtɪvz/

plural of “motive” — the psychological feature that arouses an organism to action toward a desired goal; the reason for the action; that which gives purpose and direction to behavior

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading But men are not so much united by the deeper bonds of a common humanity as they are separated by the superficial aspects and prejudices of society.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

nativeadjectiveUS /ˈneɪtɪv/

characteristic of or existing by virtue of geographic origin

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

necessaryadjectiveUS /ˈnesəseri/

absolutely essential

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

NewadjectiveUS /nuː/

not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading But men are not so much united by the deeper bonds of a common humanity as they are separated by the superficial aspects and prejudices of society.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

others

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

overwhelmingadjectiveUS /ˌoʊvərˈwelmɪŋ/

so strong as to be irresistible

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

ownverbUS /oʊn/

have ownership or possession of

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

Pescara

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

practicallyadverbUS /ˈpræktɪkli/

almost; nearly

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

prejudicesnounUS /ˈpredʒədɪsɪz/

plural of “prejudice” — a partiality that prevents objective consideration of an issue or situation

From this reading But men are not so much united by the deeper bonds of a common humanity as they are separated by the superficial aspects and prejudices of society.

primaryadjectiveUS /ˈpraɪmeri/

of first rank or importance or value; direct and immediate rather than secondary

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

puritynounUS /ˈpjʊrəti/

being undiluted or unmixed with extraneous material

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

readverbUS /red/

interpret something that is written or printed

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

realisationnounUS /ˈriːləˈzeɪʃən/

a musical composition that has been completed or enriched by someone other than the composer

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

remainedverbUS /rɪˈmeɪnd/

past form of “remain” — stay the same; remain in a certain state

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

SeanounUS /siː/

a division of an ocean or a large body of salt water partially enclosed by land

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

separatedadjectiveUS /ˈsepəreɪtɪd/

being or feeling set or kept apart from others

From this reading But men are not so much united by the deeper bonds of a common humanity as they are separated by the superficial aspects and prejudices of society.

shortadjectiveUS /ʃɔːrt/

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

SignornounUS /ˈsiːnjɔːr/

used as an Italian courtesy title; can be prefixed to the name or used separately

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

similaradjectiveUS /ˈsɪmələr/

marked by correspondence or resemblance

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading But men are not so much united by the deeper bonds of a common humanity as they are separated by the superficial aspects and prejudices of society.

societynounUS /səˈsaɪəti/

an extended social group having a distinctive cultural and economic organization

From this reading But men are not so much united by the deeper bonds of a common humanity as they are separated by the superficial aspects and prejudices of society.

springnounUS /sprɪŋ/

the season of growth

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

statenounUS /steɪt/

the territory occupied by one of the constituent administrative districts of a nation

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

StatesnounUS /steɪts/

plural of “state” — the territory occupied by one of the constituent administrative districts of a nation

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

storiesnounUS /ˈstɔːriz/

plural of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

sufficientadjectiveUS /səˈfɪʃənt/

of a quantity that can fulfill a need or requirement but without being abundant

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

superficialadjectiveUS /ˌsuːpərˈfɪʃəl/

concerned with or comprehending only what is apparent or obvious; not deep or penetrating emotionally or intellectually

From this reading But men are not so much united by the deeper bonds of a common humanity as they are separated by the superficial aspects and prejudices of society.

talesnounUS /teɪlz/

plural of “tale” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

ThereadverbUS /ðer/

in or at that place or location

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

togetheradverbUS /təˈɡeðər/

in contact with each other or in proximity

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

townnounUS /taʊn/

an urban area with a fixed boundary that is smaller than a city

From this reading The attitude of mind necessary to a complete enjoyment of the tales in this book must first spring from the realisation that, as stories, they are as different from our own short imaginative fiction as the town of Pescara, on the Adriatic Sea, is different from Marblehead in Massachusetts.

trivialities

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

UnitedadjectiveUS /juːˈnaɪtɪd/

characterized by unity; being or joined into a single entity

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

untranslated

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading The New England town and Pescara, at heart very much the same, are far apart in the overwhelming trivialities of civilisation, and Signor D’Annunzio’s tales, read in a local state of being, might as well have remained untranslated.

WesternadjectiveUS /ˈwestərn/

relating to or characteristic of the western parts of the world or the West as opposed to the eastern or oriental parts

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

whatpronounUS /wʌt/

used to ask for information about something

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

withprepositionUS /wɪð/

in the company of; together with

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading There are others, but these are sufficient: and an analysis of The Downfall of Candia together with any considerable story native to the United States would disclose a similar genesis.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading It is true that fundamentally the motives of creative writing, at least in the Western Hemisphere, are practically everywhere alike; they are what might be called the primary emotions, hatred and envy, love and cruelty, lust, purity and courage.

Chapter 1 of Tales of My Native Town by Gabriele D'Annunzio holds 392 sentences, grouped into 79 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Tales of My Native Town contain?

Chapter 1 holds 392 sentences of Tales of My Native Town, unabridged, divided into 79 reading sections.

This page carries chapter 1 of Tales of My Native Town by Gabriele D'Annunzio exactly as it stands in the source edition, without abridgement. It runs to 392 sentences, grouped into 79 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Tales of My Native Town?

Work through the 79 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 79 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Tales of My Native Town

Common questions about reading Tales of My Native Town by Gabriele D'Annunzio on this page, its source edition and its audio.

Is this the complete text of Tales of My Native Town?

Yes. All 3233 sentences of Project Gutenberg eBook #55742 are kept, with a record of which sentences cover which part.

Which edition of Tales of My Native Town is used?

Project Gutenberg eBook #55742, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Tales of My Native Town take to read?

About 269 minutes of reading across 647 sections of 5 sentences each, at an unhurried pace.

How to read Tales of My Native Town section by section

How to work through Tales of My Native Town section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 8 chapters of Tales of My Native Town to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Tales of My Native Town

Words and structures a reader meets early in Tales of My Native Town, each tappable for pronunciation and meaning.

Attitude
A word that appears in the opening chapter of Tales of My Native Town; the reader can tap it to hear it and see its dictionary entry.
Necessary
A word that appears in the opening chapter of Tales of My Native Town; the reader can tap it to hear it and see its dictionary entry.
Complete
A word that appears in the opening chapter of Tales of My Native Town; the reader can tap it to hear it and see its dictionary entry.
Enjoyment
A word that appears in the opening chapter of Tales of My Native Town; the reader can tap it to hear it and see its dictionary entry.