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Tales of the Wilderness
Tales of the Wilderness

Chapter I · Chapter 1

Chapter 1 of Tales of the Wilderness is here in full — 413 sentences across 83 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/82 · 5 lines
English subtitles · tap any word to listen 1 / 5
BORIS ANDREYEVICH VOGAU (Boris Pilniak, pseud.)
The English reading public knows next to nothing of contemporary Russian Literature.
In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.
But what came after the death of Chekhov is still unknown or, what is worse, misrepresented.
Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Tales of the Wilderness

Chapter I · Chapter 1

Chapter 1 of Tales of the Wilderness is here in full — 413 sentences across 83 reading sections, with audio for every sentence and word.

Reading 1/82 · 5 reading units · Lines 1–5

Line 1
BORIS ANDREYEVICH VOGAU (Boris Pilniak, pseud.)
Line 2
The English reading public knows next to nothing of contemporary Russian Literature.
/ðə ˈɪŋɡlɪʃ ˈriːdɪŋ ˈpʌblɪk noʊz nekst tuː ˈnʌθɪŋ ʌv kənˈtempəreri ˈrʌʃən ˈlɪtərətʃər/
Line 3
In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.
Line 4
But what came after the death of Chekhov is still unknown or, what is worse, misrepresented.
/bʌt wʌt keɪm ˈæftər ðə deθ ʌv ˈtʃekɑːv ɪz stɪl ənˈnoʊn ɔːr wʌt ɪz wɜːrs ˌmɪsreprɪˈzentɪd/
Line 5
Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Chekhov noun US /ˈtʃekɑːv/

Russian dramatist whose plays are concerned with the difficulty of communication between people (1860-1904)

From this reading “In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.”

contemporary adjective US /kənˈtempəreri/

characteristic of the present

From this reading “The English reading public knows next to nothing of contemporary Russian Literature.”

fiction noun US /ˈfɪkʃən/

a literary work based on the imagination and not necessarily on fact

From this reading “Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.”

finishes noun US /ˈfɪnɪʃɪz/

plural of “finish” — a decorative texture or appearance of a surface (or the substance that gives it that appearance)

From this reading “In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.”

misrepresented adjective US /ˌmɪsreprɪˈzentɪd/

having an intended meaning altered or misrepresented

From this reading “But what came after the death of Chekhov is still unknown or, what is worse, misrepresented.”

Realistic adjective US /ˌriːəˈlɪstɪk/

aware or expressing awareness of things as they really are

From this reading “In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.”

twentieth noun US /ˈtwentiəθ/

position 20 in a countable series of things

From this reading “Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.”

writers noun US /ˈraɪtərz/

plural of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading “Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.”

All words in this reading · 67

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

afterprepositionUS /ˈæftər/

later than; following

From this reading But what came after the death of Chekhov is still unknown or, what is worse, misrepresented.

agenounUS /eɪdʒ/

how long something has existed

From this reading In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.

Andreyev

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

ANDREYEVICH

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BORIS ANDREYEVICH VOGAU (Boris Pilniak, pseud.)

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

Artsybashev

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

atprepositionUS /æt/

in or near a particular place or position

From this reading In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

beginsnounUS /bɪˈɡɪnz/

plural of “begin” — Israeli statesman (born in Russia) who (as prime minister of Israel) negotiated a peace treaty with Anwar Sadat (then the president of Egypt) (1913-1992)

From this reading In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.

bestnounUS /best/

the supreme effort one can make

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

BORIS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BORIS ANDREYEVICH VOGAU (Boris Pilniak, pseud.)

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading But what came after the death of Chekhov is still unknown or, what is worse, misrepresented.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading But what came after the death of Chekhov is still unknown or, what is worse, misrepresented.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

centurynounUS /ˈsentʃəri/

a period of 100 years

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

ChekhovnounUS /ˈtʃekɑːv/

Russian dramatist whose plays are concerned with the difficulty of communication between people (1860-1904)

From this reading In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.

contemporaryadjectiveUS /kənˈtempəreri/

characteristic of the present

From this reading The English reading public knows next to nothing of contemporary Russian Literature.

deathnounUS /deθ/

the event of dying or departure from life

From this reading But what came after the death of Chekhov is still unknown or, what is worse, misrepresented.

EnglandnounUS /ˈɪŋɡlənd/

a division of the United Kingdom

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading The English reading public knows next to nothing of contemporary Russian Literature.

fictionnounUS /ˈfɪkʃən/

a literary work based on the imagination and not necessarily on fact

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

finishesnounUS /ˈfɪnɪʃɪz/

plural of “finish” — a decorative texture or appearance of a surface (or the substance that gives it that appearance)

From this reading In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.

foundverbUS /faʊnd/

set up or found

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

homenounUS /hoʊm/

where you live at a particular time

From this reading In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.

InprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.

knowsnounUS /noʊz/

plural of “know” — the fact of being aware of information that is known to few people

From this reading The English reading public knows next to nothing of contemporary Russian Literature.

likeverbUS /laɪk/

prefer or wish to do something

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

LiteraturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading The English reading public knows next to nothing of contemporary Russian Literature.

Merezhkovsky

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

misrepresentedadjectiveUS /ˌmɪsreprɪˈzentɪd/

having an intended meaning altered or misrepresented

From this reading But what came after the death of Chekhov is still unknown or, what is worse, misrepresented.

nextadjectiveUS /nekst/

immediately following in time or order

From this reading The English reading public knows next to nothing of contemporary Russian Literature.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading The English reading public knows next to nothing of contemporary Russian Literature.

NovelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The English reading public knows next to nothing of contemporary Russian Literature.

offerverbUS /ˈɔːfər/

make available or accessible, provide or furnish

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading But what came after the death of Chekhov is still unknown or, what is worse, misrepresented.

Pilniak

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BORIS ANDREYEVICH VOGAU (Boris Pilniak, pseud.)

pseudnoun

a person who makes deceitful pretenses

From this reading BORIS ANDREYEVICH VOGAU (Boris Pilniak, pseud.)

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading The English reading public knows next to nothing of contemporary Russian Literature.

ratenounUS /reɪt/

a magnitude or frequency relative to a time unit

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

readernounUS /ˈriːdər/

a person who enjoys reading

From this reading In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.

readingnounUS /ˈriːdɪŋ/

the cognitive process of understanding a written linguistic message

From this reading The English reading public knows next to nothing of contemporary Russian Literature.

RealisticadjectiveUS /ˌriːəˈlɪstɪk/

aware or expressing awareness of things as they really are

From this reading In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.

RussiannounUS /ˈrʌʃən/

a native or inhabitant of Russia

From this reading The English reading public knows next to nothing of contemporary Russian Literature.

SecondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

stilladjectiveUS /stɪl/

not in physical motion

From this reading But what came after the death of Chekhov is still unknown or, what is worse, misrepresented.

supposedadjectiveUS /səˈpoʊzd/

required or under orders

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The English reading public knows next to nothing of contemporary Russian Literature.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

thirdnounUS /θɜːrd/

one of three equal parts of a divisible whole

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The English reading public knows next to nothing of contemporary Russian Literature.

tolerablyadverb

in an acceptable (but not outstanding) manner

From this reading In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.

Turgeniev

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.

twentiethnounUS /ˈtwentiəθ/

position 20 in a countable series of things

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

unknownadjectiveUS /ənˈnoʊn/

not known

From this reading But what came after the death of Chekhov is still unknown or, what is worse, misrepresented.

VOGAU

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading BORIS ANDREYEVICH VOGAU (Boris Pilniak, pseud.)

waynounUS /weɪ/

how something is done or how it happens

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

whatpronounUS /wʌt/

used to ask for information about something

From this reading But what came after the death of Chekhov is still unknown or, what is worse, misrepresented.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.

withprepositionUS /wɪð/

in the company of; together with

From this reading In the great age of the Russian Realistic Novel, which begins with Turgeniev and finishes with Chekhov, the English reader is tolerably at home.

worseadjectiveUS /wɜːrs/

(comparative of “bad”) inferior to another in quality or condition or desirability

From this reading But what came after the death of Chekhov is still unknown or, what is worse, misrepresented.

writersnounUS /ˈraɪtərz/

plural of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading Second and third- rate writers, like Merezhkovsky, Andreyev, and Artsybashev, have found their way into England and are still supposed to be the best Russian twentieth century fiction can offer.

Chapter 1 of Tales of the Wilderness by Boris Pilniak holds 413 sentences, grouped into 83 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of Tales of the Wilderness contain?

Chapter 1 holds 413 sentences of Tales of the Wilderness, unabridged, divided into 83 reading sections.

This page carries chapter 1 of Tales of the Wilderness by Boris Pilniak exactly as it stands in the source edition, without abridgement. It runs to 413 sentences, grouped into 83 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of Tales of the Wilderness?

Work through the 83 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 83 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Tales of the Wilderness

Common questions about reading Tales of the Wilderness by Boris Pilniak on this page, its source edition and its audio.

Is this the complete text of Tales of the Wilderness?

Yes. All 3270 sentences of Project Gutenberg eBook #7501 are kept, with a record of which sentences cover which part.

Which edition of Tales of the Wilderness is used?

Project Gutenberg eBook #7501, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Tales of the Wilderness take to read?

About 272 minutes of reading across 654 sections of 5 sentences each, at an unhurried pace.

How to read Tales of the Wilderness section by section

How to work through Tales of the Wilderness section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 8 chapters of Tales of the Wilderness to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Tales of the Wilderness

Words and structures a reader meets early in Tales of the Wilderness, each tappable for pronunciation and meaning.

Boris
A word that appears in the opening chapter of Tales of the Wilderness; the reader can tap it to hear it and see its dictionary entry.
Andreyevich
A word that appears in the opening chapter of Tales of the Wilderness; the reader can tap it to hear it and see its dictionary entry.
Vogau
A word that appears in the opening chapter of Tales of the Wilderness; the reader can tap it to hear it and see its dictionary entry.
Pilniak
A word that appears in the opening chapter of Tales of the Wilderness; the reader can tap it to hear it and see its dictionary entry.