Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
Tent Life with English Gipsies in Norway
Tent Life with English Gipsies in Norway

Chapter XXI

Chapter 21 of Tent Life with English Gipsies in Norway is here in full — 1032 sentences across 207 reading sections, with audio for every sentence and word.

Cover illustration for Tent Life with English Gipsies in Norway
Context Illustration Reading 1/206 · 5 lines
English subtitles · tap any word to listen 1 / 5
“The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.
Captain Antonio’s company is not to be had for the asking....
It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”
MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.
Very lightly shall we touch upon the remaining portion of our journey.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

Tent Life with English Gipsies in Norway

Chapter XXI

Chapter 21 of Tent Life with English Gipsies in Norway is here in full — 1032 sentences across 207 reading sections, with audio for every sentence and word.

Reading 1/206 · 5 reading units · Lines 1–5

Line 1
“The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.
Line 2
Captain Antonio’s company is not to be had for the asking....
Line 3
It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”
Line 4
MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.
Line 5
Very lightly shall we touch upon the remaining portion of our journey.
/ˈveri ˈlaɪtli ʃæl wiː tʌtʃ əˈpɑːn ðə rɪˈmeɪnɪŋ ˈpɔːrʃən ʌv ˈaʊər ˈdʒɜːrni/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

courier noun US /ˈkɜːriər/

a person who carries a message

From this reading “MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.”

donkeys noun US /ˈdɑːŋkiz/

plural of “donkey” — the symbol of the Democratic Party; introduced in cartoons by Thomas Nast in 1874

From this reading “MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.”

edwards noun US /ˈedwərdz/

American theologian whose sermons and writings stimulated a period of renewed interest in religion in America (1703-1758)

From this reading “MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.”

england's noun US /ˈɪŋɡləndz/

possessive form of “england” — a division of the United Kingdom

norway noun US /ˈnɔːrweɪ/

a constitutional monarchy in northern Europe on the western side of the Scandinavian Peninsula; achieved independence from Sweden in 1905

From this reading “MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.”

torments noun US /ˈtɔːrments/

plural of “torment” — unbearable physical pain

From this reading “It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.””

tuning noun US /ˈtuːnɪŋ/

(music) calibrating something (an instrument or electronic circuit) to a standard frequency

From this reading “It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.””

wretchedly adverb US /ˈretʃɪdli/

in a wretched manner

From this reading “It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.””

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

never dreamed adverb + adjective

In this reading “It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.””

remaining portion adjective + noun

In this reading “Very lightly shall we touch upon the remaining portion of our journey.”

inflicted upon verb + particle counted as “inflict upon”

In this reading “It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.””

come up verb + adjective

bring forth, usually something desirable

In this reading ““The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.”

hold of verb + particle

In this reading “It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.””

All words in this reading · 109

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

133

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

ACCOMMODATIONnounUS /əˌkɑːməˈdeɪʃən/

making or becoming suitable; adjusting to circumstances

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

ADVICEnounUS /ædˈvaɪs/

a proposal for an appropriate course of action

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

AMERICANnounUS /əˈmerəkən/

a native or inhabitant of the United States

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

Antonio's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Captain Antonio’s company is not to be had for the asking....

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

askingnounUS /ˈæskɪŋ/

the verbal act of requesting

From this reading Captain Antonio’s company is not to be had for the asking....

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Captain Antonio’s company is not to be had for the asking....

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

beganverbUS /bɪˈɡæn/

inflected form of “begin” — take the first step or steps in carrying out an action

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

BETHAM

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

calledverbUS /kɔːld/

past form of “call” — assign a specified (usually proper) proper name to

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

Capitan

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

CaptainnounUS /ˈkæptən/

an officer holding a rank below a major but above a lieutenant

From this reading Captain Antonio’s company is not to be had for the asking....

ceasedverbUS /siːst/

past form of “cease” — put an end to a state or an activity

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

CHRISTIANIAnoun

the capital and largest city of Norway; the country's main port; located at the head of a fjord on Norway's southern coast

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

CHRISTOPHERSON'S

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

companynounUS /ˈkʌmpəniː/

an institution created to conduct business

From this reading Captain Antonio’s company is not to be had for the asking....

COURIERnounUS /ˈkɜːriər/

a person who carries a message

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

DEnounUS /diː/

a Mid-Atlantic state; one of the original 13 colonies

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

DOauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

DONKEYSnounUS /ˈdɑːŋkiz/

plural of “donkey” — the symbol of the Democratic Party; introduced in cartoons by Thomas Nast in 1874

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

dreamedadjectiveUS /driːmd/

conceived of or imagined or hoped for

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

EDWARDSnounUS /ˈedwərdz/

American theologian whose sermons and writings stimulated a period of renewed interest in religion in America (1703-1758)

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

ElnounUS /el/

angular distance above the horizon (especially of a celestial object)

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

ENGLAND'SnounUS /ˈɪŋɡləndz/

possessive form of “england” — a division of the United Kingdom

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

eveningnounUS /ˈiːvnɪŋ/

the latter part of the day (the period of decreasing daylight from late afternoon until nightfall)

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

FAREWELLnounUS /ˌferˈwel/

an acknowledgment or expression of goodwill at parting

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

FEELINGnounUS /ˈfiːlɪŋ/

the experiencing of affective and emotional states

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

fineadjectiveUS /faɪn/

being satisfactory or in satisfactory condition

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

FISHERMENnounUS /ˈfɪʃərmɪn/

plural of “fisherman” — someone whose occupation is catching fish

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Captain Antonio’s company is not to be had for the asking....

FRIENDSnounUS /frendz/

plural of “friend” — a person you know well and regard with affection and trust

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

galvanismnoun

electricity produced by chemical action

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

GENEROUSadjectiveUS /ˈdʒenərəs/

willing to give and share unstintingly

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

Gipsies

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Captain Antonio’s company is not to be had for the asking....

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

holdverbUS /hoʊld/

cause to continue in a certain state, position, or activity; e.g., “keep clean”

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

hotelnounUS /hoʊˈtel/

a building where travelers can pay for lodging and meals and other services

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

inflictedverbUS /ˌɪnˈflɪktɪd/

past form of “inflict” — impose something unpleasant

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

instrumentnounUS /ˈɪnstrəmənt/

a device that requires skill for proper use

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

invitedverbUS /ˌɪnˈvaɪtəd/

past form of “invite” — increase the likelihood of

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

journeyverbUS /ˈdʒɜːrni/

undertake a journey or trip

From this reading Very lightly shall we touch upon the remaining portion of our journey.

KingnounUS /kɪŋ/

a male sovereign; ruler of a kingdom

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

lightlyadverbUS /ˈlaɪtli/

without good reason

From this reading Very lightly shall we touch upon the remaining portion of our journey.

likeverbUS /laɪk/

prefer or wish to do something

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

LITERARYadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

LOSTadjectiveUS /lɔːst/

no longer in your possession or control; unable to be found or recovered

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

MAL

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

MATILDA

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

MER

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

musiciannounUS /mjuːˈzɪʃən/

someone who plays a musical instrument (as a profession)

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

NECKLACEnounUS /ˈnekləs/

jewelry consisting of a cord or chain (often bearing gems) worn about the neck as an ornament (especially by women)

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

NORWAYnounUS /ˈnɔːrweɪ/

a constitutional monarchy in northern Europe on the western side of the Scandinavian Peninsula; achieved independence from Sweden in 1905

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Captain Antonio’s company is not to be had for the asking....

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

OFFERverbUS /ˈɔːfər/

make available or accessible, provide or furnish

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

OURdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

PAPERnounUS /ˈpeɪpər/

a material made of cellulose pulp derived mainly from wood or rags or certain grasses

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

playverbUS /pleɪ/

participate in games or sport

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

pooradjectiveUS /puːr/

deserving or inciting pity

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

portionnounUS /ˈpɔːrʃən/

something determined in relation to something that includes it

From this reading Very lightly shall we touch upon the remaining portion of our journey.

READERSnounUS /ˈriːdərz/

plural of “reader” — a person who enjoys reading

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

remainingadjectiveUS /rɪˈmeɪnɪŋ/

not used up

From this reading Very lightly shall we touch upon the remaining portion of our journey.

ROOMnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

seizedverbUS /siːzd/

past form of “seize” — take hold of; grab

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading Very lightly shall we touch upon the remaining portion of our journey.

SHOREnounUS /ʃɔːr/

the land along the edge of a body of water

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

SMOKEnounUS /smoʊk/

a cloud of fine particles suspended in a gas

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

sortnounUS /sɔːrt/

a category of things distinguished by some common characteristic or quality

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

SpainnounUS /speɪn/

a parliamentary monarchy in southwestern Europe on the Iberian Peninsula; a former colonial power

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

SPANISHnounUS /ˈspænɪʃ/

the Romance language spoken in most of Spain and the countries colonized by Spain

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

STEWARDnounUS /ˈstuːərd/

someone who manages property or other affairs for someone else

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

suchdeterminerUS /sʌtʃ/

of the kind already mentioned

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

suddenadjectiveUS /ˈsʌdən/

happening without warning or in a short space of time

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

TAKEverbUS /teɪk/

carry out

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

ThroughprepositionUS /θruː/

from one end or side of something to the other

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

tormentsnounUS /ˈtɔːrments/

plural of “torment” — unbearable physical pain

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

touchverbUS /tʌtʃ/

make physical contact with, come in contact with

From this reading Very lightly shall we touch upon the remaining portion of our journey.

tuningnounUS /ˈtuːnɪŋ/

(music) calibrating something (an instrument or electronic circuit) to a standard frequency

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

VeryadjectiveUS /ˈveri/

precisely as stated

From this reading Very lightly shall we touch upon the remaining portion of our journey.

VIKEN

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

WANTverbUS /wɑːnt/

feel or have a desire for; want strongly

From this reading MATILDA BETHAM EDWARDS’ _Through Spain_.[133] CHRISTIANIA--GENEROUS OFFER--ADVICE WE DO NOT TAKE--THE PAPER--VIKEN FISHERMEN--CHRISTOPHERSON’S--NORWAY FAREWELL--DONKEYS’ ACCOMMODATION--WANT OF FEELING--OUR STEWARD--THE GIPSIES’ FRIENDS--THE SPANISH COURIER--THE LITERARY AMERICAN--THE GIPSIES’ MAL DE MER--THE DONKEYS IN A SMOKE ROOM--THE LOST NECKLACE--ENGLAND’S SHORE--TO OUR READERS.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

wepronounUS /wiː/

the speaker together with one or more other people

From this reading “The King of the Gipsies, or El Capitan as he is called, is a fine musician, and we invited him to come up to the hotel one evening to play to us.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

whatpronounUS /wʌt/

used to ask for information about something

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

whenconjunctionUS /wen/

at the time that

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

wondernounUS /ˈwʌndər/

the feeling aroused by something strange and surprising

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

wretchedlyadverbUS /ˈretʃɪdli/

in a wretched manner

From this reading It was a wretchedly poor instrument, and we began to wonder what sort of torments were about to be inflicted upon us, when on a sudden the tuning ceased, and the music seized hold of us like galvanism; for it was such music as one had never dreamed of before.”

Chapter 21 of Tent Life with English Gipsies in Norway by Hubert (Solicitor) Smith holds 1032 sentences, grouped into 207 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 21 of Tent Life with English Gipsies in Norway contain?

Chapter 21 holds 1032 sentences of Tent Life with English Gipsies in Norway, unabridged, divided into 207 reading sections.

This page carries chapter 21 of Tent Life with English Gipsies in Norway by Hubert (Solicitor) Smith exactly as it stands in the source edition, without abridgement. It runs to 1032 sentences, grouped into 207 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 21 of Tent Life with English Gipsies in Norway?

Work through the 207 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 207 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 21 be read aloud to me?

Yes — every sentence and every individual word in chapter 21 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading Tent Life with English Gipsies in Norway

Common questions about reading Tent Life with English Gipsies in Norway by Hubert (Solicitor) Smith on this page, its source edition and its audio.

Is this the complete text of Tent Life with English Gipsies in Norway?

Yes. All 8344 sentences of Project Gutenberg eBook #57942 are kept, with a record of which sentences cover which part.

Which edition of Tent Life with English Gipsies in Norway is used?

Project Gutenberg eBook #57942, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does Tent Life with English Gipsies in Norway take to read?

About 600 minutes of reading across 1669 sections of 5 sentences each, at an unhurried pace.

How to read Tent Life with English Gipsies in Norway section by section

How to work through Tent Life with English Gipsies in Norway section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 21 chapters of Tent Life with English Gipsies in Norway to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in Tent Life with English Gipsies in Norway

Words and structures a reader meets early in Tent Life with English Gipsies in Norway, each tappable for pronunciation and meaning.

Christiania--generous
A word that appears in the opening chapter of Tent Life with English Gipsies in Norway; the reader can tap it to hear it and see its dictionary entry.
Offer--advice
A word that appears in the opening chapter of Tent Life with English Gipsies in Norway; the reader can tap it to hear it and see its dictionary entry.
Take--the
A word that appears in the opening chapter of Tent Life with English Gipsies in Norway; the reader can tap it to hear it and see its dictionary entry.
Paper-viken
A word that appears in the opening chapter of Tent Life with English Gipsies in Norway; the reader can tap it to hear it and see its dictionary entry.