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The £1,000,000 Bank-Note, and Other New
The £1,000,000 Bank-Note, and Other New

Chapter III

Chapter 3 of The £1,000,000 Bank-Note, and Other New is here in full — 439 sentences across 88 reading sections, with audio for every sentence and word.

Cover illustration for The £1,000,000 Bank-Note, and Other New
Context Illustration Reading 1/87 · 5 lines
English subtitles · tap any word to listen 1 / 5
Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.
When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.
There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.
The novel now arrives at the point where the Major goes home to see his father.
When McClintock wrote this interview, he probably believed it was pathetic.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The £1,000,000 Bank-Note, and Other New

Chapter III

Chapter 3 of The £1,000,000 Bank-Note, and Other New is here in full — 439 sentences across 88 reading sections, with audio for every sentence and word.

Reading 1/87 · 5 reading units · Lines 1–5

Line 1
Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.
Line 2
When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.
/wen ə bɔɪ ˈnaɪnˈtiːn jɪrz oʊld huː hæd dʒʌst bɪn ədˈmɪtɪd tuː ðə bɑːr sez aɪ trʌst sɜːr laɪk ðə ˈiːɡəl aɪ ʃæl lʊk daʊn frʌm ˈlɔːfti rɑːks əˈpɑːn ðə ˈdwelɪŋz ʌv mæn wiː noʊ huː ɪz ˈspiːkɪŋ θruː ðæt bɔɪ wiː ʃʊd ˈrekəɡnaɪz ðæt noʊt ˈeniwer/
Line 3
There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.
Line 4
The novel now arrives at the point where the Major goes home to see his father.
/ðə ˈnɑːvəl naʊ ərˈaɪvz æt ðə pɔɪnt wer ðə ˈmeɪdʒər ɡoʊz hoʊm tuː siː hɪz ˈfɑːðər/
Line 5
When McClintock wrote this interview, he probably believed it was pathetic.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

authorship noun US /ˈɔːθərʃɪp/

the act of creating written works

From this reading “Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.”

blur verb US /blɜːr/

become glassy; lose clear vision

From this reading “There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.”

brazen adjective US /ˈbreɪzən/

unrestrained by convention or propriety

From this reading “There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.”

fiddles noun US /ˈfɪdəlz/

plural of “fiddle” — bowed stringed instrument that is the highest member of the violin family; this instrument has four strings and a hollow body and an unfretted fingerboard and is played with a bow

From this reading “There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.”

guitars noun US /ɡɪˈtɑːrz/

plural of “guitar” — a stringed instrument usually having six strings; played by strumming or plucking

From this reading “There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.”

quotation noun US /kwoʊˈteɪʃən/

a short note recognizing a source of information or of a quoted passage

From this reading “Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.”

quotations noun US /kwoʊˈteɪʃənz/

plural of “quotation” — a short note recognizing a source of information or of a quoted passage

From this reading “Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.”

trombone noun US /trɑːmˈboʊn/

a brass instrument consisting of a long tube whose length can be varied by a U-shaped slide

From this reading “There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

nineteen years noun + noun

In this reading “When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.”

arrives at verb + particle counted as “arrive at”

reach a destination, either real or abstract

In this reading “The novel now arrives at the point where the Major goes home to see his father.”

goes home verb + noun counted as “go home”

return home

In this reading “The novel now arrives at the point where the Major goes home to see his father.”

breaks through verb + particle counted as “break through”

pass through (a barrier)

In this reading “There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.”

other writers adjective + noun counted as “other writer”

In this reading “Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.”

look down verb + adjective

In this reading “When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.”

All words in this reading · 119

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

accidentnounUS /ˈæksədənt/

an unfortunate mishap; especially one causing damage or injury

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

admittedverbUS /ədˈmɪtɪd/

inflected form of “admit” — declare to be true or admit the existence or reality or truth of

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

anotherdeterminerUS /əˈnʌðər/

one more of the same kind, or a different one

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

anywhereadverbUS /ˈeniwer/

at or in or to any place

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

arrivesverbUS /ərˈaɪvz/

third-person singular of “arrive” — reach a destination; arrive by movement or progress

From this reading The novel now arrives at the point where the Major goes home to see his father.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

atprepositionUS /æt/

in or near a particular place or position

From this reading The novel now arrives at the point where the Major goes home to see his father.

authorshipnounUS /ˈɔːθərʃɪp/

the act of creating written works

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

barnounUS /bɑːr/

a room or establishment where alcoholic drinks are served over a counter

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

believedverbUS /bɪˈliːvd/

past form of “believe” — accept as true; take to be true

From this reading When McClintock wrote this interview, he probably believed it was pathetic.

blurverbUS /blɜːr/

become glassy; lose clear vision

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

boynounUS /bɔɪ/

a youthful male person

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

brazenadjectiveUS /ˈbreɪzən/

unrestrained by convention or propriety

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

breaksnounUS /breɪks/

plural of “break” — some abrupt occurrence that interrupts an ongoing activity

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

confusionnounUS /kənˈfjuːʒən/

disorder resulting from a failure to behave predictably

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

doubtnounUS /daʊt/

the state of being unsure of something

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

drownedverbUS /draʊnd/

past form of “drown” — cover completely or make imperceptible

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

drumnounUS /drʌm/

a musical percussion instrument; usually consists of a hollow cylinder with a membrane stretched across each end

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

dwellingsnounUS /ˈdwelɪŋz/

plural of “dwelling” — housing that someone is living in

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

EaglenounUS /ˈiːɡəl/

any of various large keen-sighted diurnal birds of prey noted for their broad wings and strong soaring flight

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

fathernounUS /ˈfɑːðər/

a male parent (also used as a term of address to your father)

From this reading The novel now arrives at the point where the Major goes home to see his father.

fiddlesnounUS /ˈfɪdəlz/

plural of “fiddle” — bowed stringed instrument that is the highest member of the violin family; this instrument has four strings and a hollow body and an unfretted fingerboard and is played with a bow

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

fognounUS /fɑːɡ/

droplets of water vapor suspended in the air near the ground

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

goesnounUS /ɡoʊz/

plural of “go” — a time period for working (after which you will be relieved by someone else)

From this reading The novel now arrives at the point where the Major goes home to see his father.

guitarsnounUS /ɡɪˈtɑːrz/

plural of “guitar” — a stringed instrument usually having six strings; played by strumming or plucking

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading When McClintock wrote this interview, he probably believed it was pathetic.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The novel now arrives at the point where the Major goes home to see his father.

homenounUS /hoʊm/

where you live at a particular time

From this reading The novel now arrives at the point where the Major goes home to see his father.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

instrumentsnounUS /ˈɪnstrəmənts/

plural of “instrument” — a device that requires skill for proper use

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

interviewverbUS /ˈɪntərvjuː/

conduct an interview in television, newspaper, and radio reporting

From this reading When McClintock wrote this interview, he probably believed it was pathetic.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

justadverbUS /dʒʌst/

and nothing more

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

knowverbUS /noʊ/

be cognizant or aware of a fact or a specific piece of information; possess knowledge or information about

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

leaveverbUS /liːv/

go away from a place

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

likeverbUS /laɪk/

prefer or wish to do something

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

loftyadjectiveUS /ˈlɔːfti/

of high moral or intellectual value; elevated in nature or style

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

MajoradjectiveUS /ˈmeɪdʒər/

of greater importance or stature or rank

From this reading The novel now arrives at the point where the Major goes home to see his father.

makeverbUS /meɪk/

engage in

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

McClintock

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

McClintockian

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

mistakenadjectiveUS /mɪˈsteɪkən/

wrong in e.g. opinion or judgment

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

multitudinousadjective

too numerous to be counted

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

musicnounUS /ˈmjuːzɪk/

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

myriads

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

nineteennounUS /ˈnaɪnˈtiːn/

the cardinal number that is the sum of eighteen and one

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

nodeterminerUS /noʊ/

not any; not one

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

notenounUS /noʊt/

a brief written record

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

novelnounUS /ˈnɑːvəl/

an extended fictional work in prose; usually in the form of a story

From this reading The novel now arrives at the point where the Major goes home to see his father.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading The novel now arrives at the point where the Major goes home to see his father.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

orchestranounUS /ˈɔːrkəstrə/

a musical organization consisting of a group of instrumentalists including string players

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

patheticadjectiveUS /pəˈθetɪk/

deserving or inciting pity

From this reading When McClintock wrote this interview, he probably believed it was pathetic.

pointnounUS /pɔɪnt/

a geometric element that has position but no extension

From this reading The novel now arrives at the point where the Major goes home to see his father.

probablyadverbUS /ˈprɑːbəbliː/

with considerable certainty; without much doubt

From this reading When McClintock wrote this interview, he probably believed it was pathetic.

quotationnounUS /kwoʊˈteɪʃən/

a short note recognizing a source of information or of a quoted passage

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

quotationsnounUS /kwoʊˈteɪʃənz/

plural of “quotation” — a short note recognizing a source of information or of a quoted passage

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

readernounUS /ˈriːdər/

a person who enjoys reading

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

recognisableadjective

capable of being recognized

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

recogniseverbUS /ˈrekəɡnaɪz/

show approval or appreciation of

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

rocksnounUS /rɑːks/

plural of “rock” — a lump or mass of hard consolidated mineral matter

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

safeadjectiveUS /seɪf/

free from danger or the risk of harm

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

saysnounUS /sez/

plural of “say” — the chance to speak

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading The novel now arrives at the point where the Major goes home to see his father.

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

sirnounUS /sɜːr/

term of address for a man

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

smotheredadjectiveUS /ˈsmʌðərd/

held in check with difficulty

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

sortnounUS /sɔːrt/

a category of things distinguished by some common characteristic or quality

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

soundsnounUS /saʊndz/

plural of “sound” — the particular auditory effect produced by a given cause

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

speakingnounUS /ˈspiːkɪŋ/

the utterance of intelligible speech

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

ThereadverbUS /ðer/

in or at that place or location

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

trombonenounUS /trɑːmˈboʊn/

a brass instrument consisting of a long tube whose length can be varied by a U-shaped slide

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

trustnounUS /trʌst/

something (as property) held by one party (the trustee) for the benefit of another (the beneficiary)

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

Uncredited

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading When McClintock wrote this interview, he probably believed it was pathetic.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

WhenconjunctionUS /wen/

at the time that

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

whensoever

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

whereconjunctionUS /wer/

in or at the place that

From this reading The novel now arrives at the point where the Major goes home to see his father.

wherein

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

whopronounUS /huː/

which person or people

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

world'snounUS /wɜːrldz/

possessive form of “world” — everything that exists anywhere

From this reading There be myriads of instruments in this world’s literary orchestra, and a multitudinous confusion of sounds that they make, wherein fiddles are drowned, and guitars smothered, and one sort of drum mistaken for another sort; but whensoever the brazen note of the McClintockian trombone breaks through that fog of music, that note is recognisable, and about it there can be no blur of doubt.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

writersnounUS /ˈraɪtərz/

plural of “writer” — writes (books or stories or articles or the like) professionally (for pay)

From this reading Uncredited quotations from other writers often leave a reader in doubt as to their authorship, but McClintock is safe from that accident; an uncredited quotation from him would always be recognisable.

wroteverbUS /roʊt/

inflected form of “write” — produce a literary work

From this reading When McClintock wrote this interview, he probably believed it was pathetic.

yearsnounUS /jɪrz/

a late time of life

From this reading When a boy nineteen years old, who had just been admitted to the bar, says, ‘I trust, sir, like the Eagle, I shall look down from lofty rocks upon the dwellings of man,’ we know who is speaking through that boy; we should recognise that note anywhere.

Chapter 3 of The £1,000,000 Bank-Note, and Other New by Mark Twain holds 439 sentences, grouped into 88 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 3 of The £1,000,000 Bank-Note, and Other New contain?

Chapter 3 holds 439 sentences of The £1,000,000 Bank-Note, and Other New, unabridged, divided into 88 reading sections.

This page carries chapter 3 of The £1,000,000 Bank-Note, and Other New by Mark Twain exactly as it stands in the source edition, without abridgement. It runs to 439 sentences, grouped into 88 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 3 of The £1,000,000 Bank-Note, and Other New?

Work through the 88 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 88 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 3 be read aloud to me?

Yes — every sentence and every individual word in chapter 3 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The £1,000,000 Bank-Note, and Other New

Common questions about reading The £1,000,000 Bank-Note, and Other New by Mark Twain on this page, its source edition and its audio.

Is this the complete text of The £1,000,000 Bank-Note, and Other New?

Yes. All 3026 sentences of Project Gutenberg eBook #61522 are kept, with a record of which sentences cover which part.

Which edition of The £1,000,000 Bank-Note, and Other New is used?

Project Gutenberg eBook #61522, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The £1,000,000 Bank-Note, and Other New take to read?

About 252 minutes of reading across 606 sections of 5 sentences each, at an unhurried pace.

How to read The £1,000,000 Bank-Note, and Other New section by section

How to work through The £1,000,000 Bank-Note, and Other New section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

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  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The £1,000,000 Bank-Note, and Other New

Words and structures a reader meets early in The £1,000,000 Bank-Note, and Other New, each tappable for pronunciation and meaning.

Twenty-seven
A word that appears in the opening chapter of The £1,000,000 Bank-Note, and Other New; the reader can tap it to hear it and see its dictionary entry.
Years
A word that appears in the opening chapter of The £1,000,000 Bank-Note, and Other New; the reader can tap it to hear it and see its dictionary entry.
Mining-broker
A word that appears in the opening chapter of The £1,000,000 Bank-Note, and Other New; the reader can tap it to hear it and see its dictionary entry.
Clerk
A word that appears in the opening chapter of The £1,000,000 Bank-Note, and Other New; the reader can tap it to hear it and see its dictionary entry.