Chapter 1 of The Abandoned Room is here in full — 775 sentences across 155 reading sections, with audio for every sentence and word.
A keeper or guardian of historical records and memories.
Chapter I
Chapter 1 of The Abandoned Room is here in full — 775 sentences across 155 reading sections, with audio for every sentence and word.
Pleasure demands it." His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved. It seemed never to call on its obvious powers of expression. Its accent was noticeable only in a pleasant, polished sense. "Hartley," Bobby explained, "is dining with us."
Chapter 1 of The Abandoned Room is here in full — 775 sentences across 155 reading sections, with audio for every sentence and word.
Reading 76/155 · 5 reading units · Lines 376–380
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
distinctive manner of oral expression
From this reading “Its accent was noticeable only in a pleasant, polished sense.”
an informal term for a British policeman
From this reading “His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.”
plural of “demand” — an urgent or peremptory request
From this reading “Pleasure demands it."”
the act of eating dinner
From this reading “"Hartley," Bobby explained, "is dining with us."”
English philosopher who introduced the theory of the association of ideas (1705-1757)
From this reading “"Hartley," Bobby explained, "is dining with us."”
capable or worthy of being noticed
From this reading “Its accent was noticeable only in a pleasant, polished sense.”
perfected or made shiny and smooth
From this reading “Its accent was noticeable only in a pleasant, polished sense.”
set aside for the use of a particular person or party
From this reading “His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
used before a singular noun to mean one of a group, when it is not a particular one
From this reading Its accent was noticeable only in a pleasant, polished sense.
distinctive manner of oral expression
From this reading Its accent was noticeable only in a pleasant, polished sense.
used to join words or parts of a sentence that go together
From this reading His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.
an informal term for a British policeman
From this reading His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.
used to introduce something that contrasts with what came before
From this reading His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.
assign a specified (usually proper) proper name to
From this reading It seemed never to call on its obvious powers of expression.
relatively deep or strong; affecting one deeply
From this reading His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.
plural of “demand” — an urgent or peremptory request
From this reading Pleasure demands it."
the act of eating dinner
From this reading "Hartley," Bobby explained, "is dining with us."
past form of “explain” — make plain and comprehensible
From this reading "Hartley," Bobby explained, "is dining with us."
the feelings expressed on a person's face
From this reading It seemed never to call on its obvious powers of expression.
opinion or judgment
From this reading His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.
the past form of “have”, used to form the past perfect
From this reading His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.
English philosopher who introduced the theory of the association of ideas (1705-1757)
From this reading "Hartley," Bobby explained, "is dining with us."
belonging to a man, boy, or male animal already mentioned
From this reading His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.
inside something, or within a place, period, or state
From this reading Its accent was noticeable only in a pleasant, polished sense.
the form of “be” used with he, she, it, or a singular noun
From this reading "Hartley," Bobby explained, "is dining with us."
a thing, animal, or idea already mentioned
From this reading Pleasure demands it."
belonging to the thing or animal already mentioned
From this reading It seemed never to call on its obvious powers of expression.
prefer or wish to do something
From this reading His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.
not ever; at no time in the past or future
From this reading It seemed never to call on its obvious powers of expression.
capable or worthy of being noticed
From this reading Its accent was noticeable only in a pleasant, polished sense.
easily perceived by the senses or grasped by the mind
From this reading It seemed never to call on its obvious powers of expression.
belonging to, or connected with, somebody or something
From this reading It seemed never to call on its obvious powers of expression.
many times at short intervals
From this reading His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.
touching and supported by a surface
From this reading It seemed never to call on its obvious powers of expression.
and nothing more
From this reading Its accent was noticeable only in a pleasant, polished sense.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.
affording pleasure; being in harmony with your taste or likings
From this reading His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.
a fundamental feeling that is hard to define but that people desire to experience
From this reading Pleasure demands it."
perfected or made shiny and smooth
From this reading Its accent was noticeable only in a pleasant, polished sense.
plural of “power” — possession of controlling influence
From this reading It seemed never to call on its obvious powers of expression.
past form of “remark” — make mention of
From this reading His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.
set aside for the use of a particular person or party
From this reading His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.
past form of “seem” — give a certain impression or have a certain outward aspect
From this reading It seemed never to call on its obvious powers of expression.
a general conscious awareness
From this reading Its accent was noticeable only in a pleasant, polished sense.
used to introduce what somebody said, thought, or felt
From this reading His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.
used before the base form of a verb to make the infinitive
From this reading It seemed never to call on its obvious powers of expression.
to a degree exceeding normal or proper limits
From this reading His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.
the speaker and others, as the object of a verb or preposition
From this reading "Hartley," Bobby explained, "is dining with us."
the distinctive quality or pitch or condition of a person's speech
From this reading His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.
the past form of “be” used with I, he, she, it, or a singular noun
From this reading His voice was deep and pleasant, but Bobby had often remarked that it, like Paredes's eyes, was too reserved.
in the company of; together with
From this reading "Hartley," Bobby explained, "is dining with us."
Chapter 1 of The Abandoned Room by Wadsworth Camp holds 775 sentences, grouped into 155 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 1 holds 775 sentences of The Abandoned Room, unabridged, divided into 155 reading sections.
This page carries chapter 1 of The Abandoned Room by Wadsworth Camp exactly as it stands in the source edition, without abridgement. It runs to 775 sentences, grouped into 155 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 155 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 155 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
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Words and structures a reader meets early in The Abandoned Room, each tappable for pronunciation and meaning.
