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The Aftermath
The Aftermath

Chapter V

Chapter 5 of The Aftermath is here in full — 403 sentences across 81 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/80 · 5 lines
English subtitles · tap any word to listen 1 / 5
Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.
Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.
Thus you shall have Othello--the Moor they call him--betrayed and raging, full of an African Anger.
What does he say of it?
Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Aftermath

Chapter V

Chapter 5 of The Aftermath is here in full — 403 sentences across 81 reading sections, with audio for every sentence and word.

Reading 1/80 · 5 reading units · Lines 1–5

Line 1
Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.
Line 2
Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.
Line 3
Thus you shall have Othello--the Moor they call him--betrayed and raging, full of an African Anger.
Line 4
What does he say of it?
/wʌt dʌz hiː seɪ ʌv ɪt/
Line 5
Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

cameos noun US /ˈkæmioʊz/

plural of “cameo” — engraving or carving in low relief on a stone (as in a brooch or ring)

From this reading “Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!”

Cite verb US /saɪt/

make reference to

From this reading “Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.”

diction noun US /ˈdɪkʃən/

the articulation of speech regarded from the point of view of its intelligibility to the audience

From this reading “Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.”

Elizabethan noun US /ˌelɪzəˈbiːθən/

a person who lived during the reign of Elizabeth I

From this reading “Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.”

hair's noun US /herz/

possessive form of “hair” — a covering for the body (or parts of it) consisting of a dense growth of threadlike structures (as on the human head); helps to prevent heat loss

mickle noun US /ˈmɪkəl/

(often followed by “of”) a large number or amount or extent

From this reading “Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.”

Othello noun US /əˈθeloʊ/

the hero of William Shakespeare's tragedy who would not trust his wife

From this reading “Thus you shall have Othello--the Moor they call him--betrayed and raging, full of an African Anger.”

quoting verb US /ˈkwoʊtɪŋ/

-ing form of “quote” — repeat a passage from

From this reading “Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

slip into verb + particle

In this reading “Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!”

cut out verb + adjective

delete or remove

In this reading “Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!”

frame of verb + particle

In this reading “Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.”

All words in this reading · 72

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

AfricanadjectiveUS /ˈæfrəkən/

of or relating to the nations of Africa or their peoples

From this reading Thus you shall have Othello--the Moor they call him--betrayed and raging, full of an African Anger.

AlsoadverbUS /ˈɔːlsoʊ/

in addition

From this reading Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.

AngernounUS /ˈæŋɡər/

a strong emotion; a feeling that is oriented toward some real or supposed grievance

From this reading Thus you shall have Othello--the Moor they call him--betrayed and raging, full of an African Anger.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

betrayedverbUS /bɪˈtreɪd/

past form of “betray” — reveal unintentionally

From this reading Thus you shall have Othello--the Moor they call him--betrayed and raging, full of an African Anger.

breadthnounUS /bredθ/

the capacity to understand a broad range of topics

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

callverbUS /kɔːl/

assign a specified (usually proper) proper name to

From this reading Thus you shall have Othello--the Moor they call him--betrayed and raging, full of an African Anger.

cameosnounUS /ˈkæmioʊz/

plural of “cameo” — engraving or carving in low relief on a stone (as in a brooch or ring)

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

chooseverbUS /tʃuːz/

pick out, select, or choose from a number of alternatives

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

CiteverbUS /saɪt/

make reference to

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

cutverbUS /kʌt/

separate with or as if with an instrument

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

dictionnounUS /ˈdɪkʃən/

the articulation of speech regarded from the point of view of its intelligibility to the audience

From this reading Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading What does he say of it?

ElizabethannounUS /ˌelɪzəˈbiːθən/

a person who lived during the reign of Elizabeth I

From this reading Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.

ensample

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

finelyadverbUS /ˈfaɪnli/

in tiny pieces

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.

frameverbUS /freɪm/

enclose in or as if in a frame

From this reading Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading Thus you shall have Othello--the Moor they call him--betrayed and raging, full of an African Anger.

giantnounUS /ˈdʒaɪənt/

any creature of exceptional size

From this reading Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.

hair'snounUS /herz/

possessive form of “hair” — a covering for the body (or parts of it) consisting of a dense growth of threadlike structures (as on the human head); helps to prevent heat loss

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

hardlyadverbUS /ˈhɑːrdli/

only a very short time before

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading Thus you shall have Othello--the Moor they call him--betrayed and raging, full of an African Anger.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading What does he say of it?

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.

HumverbUS /hʌm/

sing with closed lips

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

justadverbUS /dʒʌst/

and nothing more

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

limbsnounUS /lɪmz/

plural of “limb” — one of the jointed appendages of an animal used for locomotion or grasping: arm; leg; wing; flipper

From this reading Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.

merelyadverbUS /ˈmɪrli/

and nothing more

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

micklenounUS /ˈmɪkəl/

(often followed by “of”) a large number or amount or extent

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

MoorverbUS /mʊr/

secure in or as if in a berth or dock

From this reading Thus you shall have Othello--the Moor they call him--betrayed and raging, full of an African Anger.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

nayexclamationUS /neɪ/

an old word for “no”

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

needsadverbUS /niːdz/

in such a manner as could not be otherwise

From this reading Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.

Oth

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

OthellonounUS /əˈθeloʊ/

the hero of William Shakespeare's tragedy who would not trust his wife

From this reading Thus you shall have Othello--the Moor they call him--betrayed and raging, full of an African Anger.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

Poesynoun

literature in metrical form

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

ProsenounUS /proʊz/

ordinary writing as distinguished from verse

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

quotingverbUS /ˈkwoʊtɪŋ/

-ing form of “quote” — repeat a passage from

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

ragingadjectiveUS /ˈreɪdʒɪŋ/

characterized by violent and forceful activity or movement; very intense

From this reading Thus you shall have Othello--the Moor they call him--betrayed and raging, full of an African Anger.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.

sayverbUS /seɪ/

express in words

From this reading What does he say of it?

shallmodal verbUS /ʃæl/

used with I and we for the future, or to offer and suggest

From this reading Thus you shall have Othello--the Moor they call him--betrayed and raging, full of an African Anger.

shortlyadverbUS /ˈʃɔːrtli/

for a short time

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

slipverbUS /slɪp/

move stealthily

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

thews

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Thus you shall have Othello--the Moor they call him--betrayed and raging, full of an African Anger.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

thoughtnounUS /θɔːt/

the content of cognition; the main thing you are thinking about

From this reading Also the great Elizabethan needs room for his giant limbs, for his frame of thought and his thews of diction.

ThusadverbUS /ðʌs/

(used to introduce a logical conclusion) from that fact or reason or as a result

From this reading Thus you shall have Othello--the Moor they call him--betrayed and raging, full of an African Anger.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

WhatpronounUS /wʌt/

used to ask for information about something

From this reading What does he say of it?

WhynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading Why very much; but if you are of those that cut out their cameos too finely; you slip into quoting this merely:-- _Oth._ Hum!

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading Cite him just too shortly, choose but a hair’s breadth too mickle an ensample of his work, and it is hardly Poesy, nay, hardly Prose.

youpronounUS /juː/

the person or people being spoken to

From this reading Thus you shall have Othello--the Moor they call him--betrayed and raging, full of an African Anger.

Chapter 5 of The Aftermath by Hilaire Belloc holds 403 sentences, grouped into 81 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 5 of The Aftermath contain?

Chapter 5 holds 403 sentences of The Aftermath, unabridged, divided into 81 reading sections.

This page carries chapter 5 of The Aftermath by Hilaire Belloc exactly as it stands in the source edition, without abridgement. It runs to 403 sentences, grouped into 81 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 5 of The Aftermath?

Work through the 81 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 81 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 5 be read aloud to me?

Yes — every sentence and every individual word in chapter 5 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Vocabulary met early in The Aftermath

Words and structures a reader meets early in The Aftermath, each tappable for pronunciation and meaning.

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