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The Angel of the Tenement
The Angel of the Tenement

Chapter IX · Chapter 9

Chapter 9 of The Angel of the Tenement is here in full — 76 sentences across 16 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/15 · 5 lines
English subtitles · tap any word to listen 1 / 5
MARY CAREW IS TEMPTED.
When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.
"Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.
"You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.
Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Angel of the Tenement

Chapter IX · Chapter 9

Chapter 9 of The Angel of the Tenement is here in full — 76 sentences across 16 reading sections, with audio for every sentence and word.

Reading 1/15 · 5 reading units · Lines 1–5

Line 1
MARY CAREW IS TEMPTED.
/ˈmeri ˈkæruː ɪz ˈtemptɪd/
Line 2
When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.
Line 3
"Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.
Line 4
"You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.
Line 5
Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.
/ˈtaɪərd koʊld deɪzd wɪð ˈkraɪɪŋ ðə ˈdruːpɪŋ ˈlɪtəl soʊl krept ˈɪntuː ˈmeriz ɑːrmz wɪtʃ kloʊzd ˈhʌŋɡrəli ənd held hɜːr kloʊs æz ðə sɑːbz bɪˈɡæn tuː kʌm əˈɡen/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

carew noun US /ˈkæruː/

Englishman and Cavalier poet whose lyric poetry was favored by Charles I (1595-1639)

From this reading “MARY CAREW IS TEMPTED.”

gradual adjective US /ˈɡrædʒuːəl/

proceeding in small stages

From this reading “When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.”

hungrily adverb US /ˈhʌŋɡrəli/

in the manner of someone who is very hungry

From this reading “Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.”

Mary's noun US /ˈmeriz/

possessive form of “mary” — the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading “Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.”

Norma noun US /ˈnɔːrmə/

a small constellation in the southern hemisphere near Lupus and Ara in the Milky Way

From this reading “When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.”

recital noun US /rəˈsaɪtəl/

the act of giving an account describing incidents or a course of events

From this reading “When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.”

softening noun US /ˈsɔːfənɪŋ/

the process of becoming softer

From this reading “"You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.”

wraps noun US /ræps/

plural of “wrap” — cloak that is folded or wrapped around a person

From this reading “"Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.”

All words in this reading · 115

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

againadverbUS /əˈɡen/

anew

From this reading Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

armsnounUS /ɑːrmz/

weapons considered collectively

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

asideadverbUS /əˈsaɪd/

on or to one side

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

beganverbUS /bɪˈɡæn/

inflected form of “begin” — take the first step or steps in carrying out an action

From this reading Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

CAREWnounUS /ˈkæruː/

Englishman and Cavalier poet whose lyric poetry was favored by Charles I (1595-1639)

From this reading MARY CAREW IS TEMPTED.

changeverbUS /tʃeɪndʒ/

cause to change; make different; cause a transformation

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

childnounUS /tʃaɪld/

a young person of either sex

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

child'snounUS /tʃaɪldz/

possessive form of “child” — a young person of either sex

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.

closedadjectiveUS /kloʊzd/

not open or affording passage or access

From this reading Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.

coldadjectiveUS /koʊld/

having a low or inadequate temperature or feeling a sensation of coldness or having been made cold by e.g. ice or refrigeration

From this reading Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.

creptverbUS /krept/

inflected form of “creep” — move slowly; in the case of people or animals with the body near the ground

From this reading Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.

criedverbUS /kraɪd/

inflected form of “cry” — utter a sudden loud cry

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

cryingadjectiveUS /ˈkraɪɪŋ/

demanding attention

From this reading Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.

dazedadjectiveUS /deɪzd/

in a state of mental numbness especially as resulting from shock

From this reading Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.

desertedadjectiveUS /dɪˈzɜːrtɪd/

forsaken by owner or inhabitants

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

Don't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

droopingadjectiveUS /ˈdruːpɪŋ/

weak from exhaustion

From this reading Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.

else

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

finishedadjectiveUS /ˈfɪnɪʃt/

(of materials or goods) brought to the desired final state

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

goingnounUS /ˈɡoʊɪŋ/

the act of departing

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

gradualadjectiveUS /ˈɡrædʒuːəl/

proceeding in small stages

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

haven't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

heldadjectiveUS /held/

occupied or in the control of; often used in combination

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

homenounUS /hoʊm/

where you live at a particular time

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

hungrilyadverbUS /ˈhʌŋɡrəli/

in the manner of someone who is very hungry

From this reading Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

I've

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

intentnounUS /ˌɪnˈtent/

an anticipated outcome that is intended or that guides your planned actions

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.

ISauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading MARY CAREW IS TEMPTED.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

it's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.

lookedverbUS /lʊkt/

past form of “look” — perceive with attention; direct one's gaze towards

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

lostadjectiveUS /lɔːst/

no longer in your possession or control; unable to be found or recovered

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

mannernounUS /ˈmænər/

how something is done or how it happens

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

MARYnounUS /ˈmeri/

the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading MARY CAREW IS TEMPTED.

Mary'snounUS /ˈmeriz/

possessive form of “mary” — the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.

nearadverbUS /nɪr/

near in time or place or relationship

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

NormanounUS /ˈnɔːrmə/

a small constellation in the southern hemisphere near Lupus and Ara in the Milky Way

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

Norma's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

nothingpronounUS /ˈnʌθɪŋ/

not one thing; not anything

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

noticenounUS /ˈnoʊtəs/

an announcement containing information about an event

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

other's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

possibilitiesnounUS /ˌpɑːsəˈbɪlətiz/

plural of “possibility” — a future prospect or potential

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

pushedverbUS /pʊʃt/

past form of “push” — move with force

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

reachingnounUS /ˈriːtʃɪŋ/

the act of physically reaching or thrusting out

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

recitalnounUS /rəˈsaɪtəl/

the act of giving an account describing incidents or a course of events

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

remindedverbUS /riˈmaɪndɪd/

past form of “remind” — put in the mind of someone

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

removingverbUS /riˈmuːvɪŋ/

-ing form of “remove” — remove something concrete, as by lifting, pushing, or taking off, or remove something abstract

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

repliedverbUS /rɪˈplaɪd/

inflected form of “reply” — react verbally

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

setverbUS /set/

put into a certain place or abstract location

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

sobsnounUS /sɑːbz/

plural of “sob” — a dyspneic condition

From this reading Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.

softeningnounUS /ˈsɔːfənɪŋ/

the process of becoming softer

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

soulnounUS /soʊl/

the immaterial part of a person; the actuating cause of an individual life

From this reading Tired, cold, dazed with crying, the drooping little soul crept into Mary's arms, which closed hungrily and held her close as the sobs began to come again.

spokenounUS /spoʊk/

support consisting of a radial member of a wheel joining the hub to the rim

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

startledadjectiveUS /ˈstɑːrtəld/

excited by sudden surprise or alarm and making a quick involuntary movement

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

suppernounUS /ˈsʌpər/

a light evening meal; served in early evening if dinner is at midday or served late in the evening at bedtime

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

takeverbUS /teɪk/

carry out

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

tellverbUS /tel/

express in words

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

tellingadjectiveUS /ˈtelɪŋ/

disclosing unintentionally something concealed

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

TEMPTEDverbUS /ˈtemptɪd/

past form of “tempt” — dispose or incline or entice to

From this reading MARY CAREW IS TEMPTED.

tendernessnounUS /ˈtendərnəs/

a tendency to express warm and affectionate feeling

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

thereadverbUS /ðer/

in or at that place or location

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

tiredadjectiveUS /ˈtaɪərd/

depleted of strength or energy

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

truthnounUS /truːθ/

a fact that has been verified

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

warnedverbUS /wɔːrnd/

past form of “warn” — notify of danger, potential harm, or risk

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

wasn't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

WhenconjunctionUS /wen/

at the time that

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

whitenounUS /waɪt/

a Caucasian

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

whopronounUS /huː/

which person or people

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

withprepositionUS /wɪð/

in the company of; together with

From this reading When Norma, on reaching home with the tired child, finished her story, which, truth to tell, lost nothing of its dramatic possibilities in her telling, Mary Carew looked up with her face so set and white that Norma, who had been too intent in her recital to notice the gradual change in the other's manner, was startled.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

worldnounUS /wɜːrld/

everything that exists anywhere

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

wrapsnounUS /ræps/

plural of “wrap” — cloak that is folded or wrapped around a person

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

youpronounUS /juː/

the person or people being spoken to

From this reading "Don't take on so, Mary," she cried, removing the child's wraps as she spoke, "I've always warned you she wasn't any deserted child, haven't I?" but there was a real tenderness in Norma's voice as she reminded the other of it.

You'd

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading "You'd better get your supper," Mary replied, "it's near time for you to be going," and she pushed her work aside and held out her arms for the child, her face softening as it did for nothing else in the world.

Chapter 9 of The Angel of the Tenement by George Madden Martin holds 76 sentences, grouped into 16 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 9 of The Angel of the Tenement contain?

Chapter 9 holds 76 sentences of The Angel of the Tenement, unabridged, divided into 16 reading sections.

This page carries chapter 9 of The Angel of the Tenement by George Madden Martin exactly as it stands in the source edition, without abridgement. It runs to 76 sentences, grouped into 16 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 9 of The Angel of the Tenement?

Work through the 16 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 16 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 9 be read aloud to me?

Yes — every sentence and every individual word in chapter 9 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Angel of the Tenement

Common questions about reading The Angel of the Tenement by George Madden Martin on this page, its source edition and its audio.

Is this the complete text of The Angel of the Tenement?

Yes. All 903 sentences of Project Gutenberg eBook #23517 are kept, with a record of which sentences cover which part.

Which edition of The Angel of the Tenement is used?

Project Gutenberg eBook #23517, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Angel of the Tenement take to read?

About 75 minutes of reading across 181 sections of 5 sentences each, at an unhurried pace.

How to read The Angel of the Tenement section by section

How to work through The Angel of the Tenement section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Angel of the Tenement

Words and structures a reader meets early in The Angel of the Tenement, each tappable for pronunciation and meaning.

Images
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Original
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Pages
A word that appears in the opening chapter of The Angel of the Tenement; the reader can tap it to hear it and see its dictionary entry.
Available
A word that appears in the opening chapter of The Angel of the Tenement; the reader can tap it to hear it and see its dictionary entry.