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The Art of the Moving Picture
The Art of the Moving Picture

Chapter IV · Chapter 4

Chapter 4 of The Art of the Moving Picture is here in full — 8 sentences across 2 reading sections, with audio for every sentence and word.

Cover illustration for The Art of the Moving Picture
Context Illustration Reading 1/1 · 8 lines
English subtitles · tap any word to listen 1 / 8
about the Splendor Pictures, in chapters five, six, and seven.
This is an element constantly re-illustrated in a magnificent but fragmentary way by the News Films.
Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.
So likewise, and in kind, any picture of a tossing ship.
The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.
But Griffith is the only person so far who has known how to put a fighting soul into a moving tower.
The only real war that has occurred in the films with the world's greatest war going on outside was Griffith's War Against Babylon.
The rest was news.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Art of the Moving Picture

Chapter IV · Chapter 4

Chapter 4 of The Art of the Moving Picture is here in full — 8 sentences across 2 reading sections, with audio for every sentence and word.

Reading 1/1 · 8 reading units · Lines 1–8

Line 1
about the Splendor Pictures, in chapters five, six, and seven.
/əˈbaʊt ðə ˈsplen.dər ˈpɪktʃərz ɪn ˈtʃæptərz faɪv sɪks ənd ˈsevən/
Line 2
This is an element constantly re-illustrated in a magnificent but fragmentary way by the News Films.
Line 3
Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.
/ˈeni ˈpɪktʃər ʌv ə ˈsiːɡʌl ˈflaɪɪŋ soʊ kloʊs tuː ðə ˈkæmərə ðæt ɪt bɪˈkʌmz æz lɑːrdʒ æz ə ˈflaɪɪŋ məˈʃiːn ɔːr ˈeni ˈflaɪɪŋ məˈʃiːn meɪd baɪ mæn ənd ˈfoʊtəɡræft ɪn ˈepɪk flaɪt ˈkæptʃərz ðə aɪ bɪˈkɔːz ɪt ɪz ˈɑːrkətektʃər ənd ɪn ˈmoʊʃən ˈmoʊʃən wɪtʃ ɪz ðə mɪˈstɪriəs fɔːrθ dɪˈmenʃən ʌv ɪts ɡreɪs ənd ˈɡlɔːri/
Line 4
So likewise, and in kind, any picture of a tossing ship.
/soʊ ˈlaɪkwaɪz ənd ɪn kaɪnd ˈeni ˈpɪktʃər ʌv ə ˈtɔːsɪŋ ʃɪp/
Line 5
The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.
Line 6
But Griffith is the only person so far who has known how to put a fighting soul into a moving tower.
Line 7
The only real war that has occurred in the films with the world's greatest war going on outside was Griffith's War Against Babylon.
/ðə ˈoʊnli riːl wɔːr ðæt hæz əˈkɜːrd ɪn ðə fɪlmz wɪð ðə wɜːrldz ˈɡreɪtəst wɔːr ˈɡoʊɪŋ ɑːn ˈaʊtˈsaɪd wɑːz ˈɡrɪfɪθs wɔːr əˈɡenst ˈbæbəlɑːn/
Line 8
The rest was news.
/ðə rest wɑːz nuːz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

captures noun US /ˈkæptʃərz/

plural of “capture” — the act of forcibly dispossessing an owner of property

From this reading “Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.”

dimension noun US /dɪˈmenʃən/

the magnitude of something in a particular direction (especially length or width or height)

From this reading “Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.”

films noun US /fɪlmz/

plural of “film” — a form of entertainment that enacts a story by sound and a sequence of images giving the illusion of continuous movement

From this reading “This is an element constantly re-illustrated in a magnificent but fragmentary way by the News Films.”

Griffith noun US /ˈɡrɪfəθ/

United States film maker who was the first to use flashbacks and fade-outs (1875-1948)

From this reading “The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.”

Griffith's noun US /ˈɡrɪfɪθs/

possessive form of “griffith” — United States film maker who was the first to use flashbacks and fade-outs (1875-1948)

From this reading “The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.”

Intolerance noun US /ˌɪnˈtɑːlərəns/

impatience with annoyances

From this reading “The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.”

photographed verb US /ˈfoʊtəɡræft/

past form of “photograph” — record on photographic film

From this reading “Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.”

seagull noun US /ˈsiːɡʌl/

mostly white aquatic bird having long pointed wings and short legs

From this reading “Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.”

All words in this reading · 99

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading This is an element constantly re-illustrated in a magnificent but fragmentary way by the News Films.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading about the Splendor Pictures, in chapters five, six, and seven.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading This is an element constantly re-illustrated in a magnificent but fragmentary way by the News Films.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading about the Splendor Pictures, in chapters five, six, and seven.

AnyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

architecturenounUS /ˈɑːrkətektʃər/

an architectural product or work

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

architecture-in-motion

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

BabylonnounUS /ˈbæbəlɑːn/

the chief city of ancient Mesopotamia and capital of the ancient kingdom of Babylonia

From this reading The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.

becauseconjunctionUS /bɪˈkɔːz/

for the reason that

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

becomesverbUS /bɪˈkʌmz/

third-person singular of “become” — enter or assume a certain state or condition

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading This is an element constantly re-illustrated in a magnificent but fragmentary way by the News Films.

byprepositionUS /baɪ/

showing who or what does the action

From this reading This is an element constantly re-illustrated in a magnificent but fragmentary way by the News Films.

cameranounUS /ˈkæmərə/

equipment for taking photographs (usually consisting of a lightproof box with a lens at one end and light-sensitive film at the other)

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

capturesnounUS /ˈkæptʃərz/

plural of “capture” — the act of forcibly dispossessing an owner of property

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

chaptersnounUS /ˈtʃæptərz/

plural of “chapter” — a subdivision of a written work; usually numbered and titled

From this reading about the Splendor Pictures, in chapters five, six, and seven.

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

commercialadjectiveUS /kəˈmɜːrʃəl/

connected with or engaged in or sponsored by or used in commerce or commercial enterprises

From this reading The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.

constantlyadverbUS /ˈkɑːnstəntli/

without variation or change, in every case

From this reading This is an element constantly re-illustrated in a magnificent but fragmentary way by the News Films.

dimensionnounUS /dɪˈmenʃən/

the magnitude of something in a particular direction (especially length or width or height)

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

elementnounUS /ˈeləmənt/

an abstract part of something

From this reading This is an element constantly re-illustrated in a magnificent but fragmentary way by the News Films.

epicadjectiveUS /ˈepɪk/

very imposing or impressive; surpassing the ordinary (especially in size or scale)

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

examplenounUS /ɪɡˈzæmpəl/

an item of information that is typical of a class or group

From this reading The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.

eyenounUS /aɪ/

the organ of sight

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

faradverbUS /fɑːr/

to a considerable degree; very much

From this reading But Griffith is the only person so far who has known how to put a fighting soul into a moving tower.

fightingnounUS /ˈfaɪtɪŋ/

the act of fighting; any contest or struggle

From this reading But Griffith is the only person so far who has known how to put a fighting soul into a moving tower.

FilmsnounUS /fɪlmz/

plural of “film” — a form of entertainment that enacts a story by sound and a sequence of images giving the illusion of continuous movement

From this reading This is an element constantly re-illustrated in a magnificent but fragmentary way by the News Films.

fivenounUS /faɪv/

the cardinal number that is the sum of four and one

From this reading about the Splendor Pictures, in chapters five, six, and seven.

flightnounUS /flaɪt/

a formation of aircraft in flight

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

flyingadjectiveUS /ˈflaɪɪŋ/

moving swiftly

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

fourthnounUS /fɔːrθ/

following the third position; number four in a countable series

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

fragmentaryadjectiveUS /ˈfræɡmənteri/

consisting of small disconnected parts

From this reading This is an element constantly re-illustrated in a magnificent but fragmentary way by the News Films.

glorynounUS /ˈɡlɔːri/

a state of high honor

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

goingnounUS /ˈɡoʊɪŋ/

the act of departing

From this reading The only real war that has occurred in the films with the world's greatest war going on outside was Griffith's War Against Babylon.

gracenounUS /ɡreɪs/

(Christian theology) a state of sanctification by God; the state of one who is under such divine influence

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

greatestadjectiveUS /ˈɡreɪtəst/

highest in quality

From this reading The only real war that has occurred in the films with the world's greatest war going on outside was Griffith's War Against Babylon.

GriffithnounUS /ˈɡrɪfəθ/

United States film maker who was the first to use flashbacks and fade-outs (1875-1948)

From this reading But Griffith is the only person so far who has known how to put a fighting soul into a moving tower.

Griffith'snounUS /ˈɡrɪfɪθs/

possessive form of “griffith” — United States film maker who was the first to use flashbacks and fade-outs (1875-1948)

From this reading The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading But Griffith is the only person so far who has known how to put a fighting soul into a moving tower.

historynounUS /ˈhɪstəri/

the aggregate of past events

From this reading The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading But Griffith is the only person so far who has known how to put a fighting soul into a moving tower.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading about the Splendor Pictures, in chapters five, six, and seven.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading But Griffith is the only person so far who has known how to put a fighting soul into a moving tower.

IntolerancenounUS /ˌɪnˈtɑːlərəns/

impatience with annoyances

From this reading The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading This is an element constantly re-illustrated in a magnificent but fragmentary way by the News Films.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading So likewise, and in kind, any picture of a tossing ship.

knownadjectiveUS /noʊn/

apprehended with certainty

From this reading But Griffith is the only person so far who has known how to put a fighting soul into a moving tower.

largeadjectiveUS /lɑːrdʒ/

above average in size or number or quantity or magnitude or extent

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

likewiseadverbUS /ˈlaɪkwaɪz/

in like or similar manner

From this reading So likewise, and in kind, any picture of a tossing ship.

machinenounUS /məˈʃiːn/

any mechanical or electrical device that transmits or modifies energy to perform or assist in the performance of human tasks

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

magnificentadjectiveUS /mæɡˈnɪfəsənt/

characterized by grandeur

From this reading This is an element constantly re-illustrated in a magnificent but fragmentary way by the News Films.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

marchverbUS /mɑːrtʃ/

march in a procession

From this reading The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.

mostadverbUS /moʊst/

used to form the superlative

From this reading The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.

motionnounUS /ˈmoʊʃən/

the use of movements (especially of the hands) to communicate familiar or prearranged signals

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

movingadjectiveUS /ˈmuːvɪŋ/

in motion

From this reading The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.

mysteriousadjectiveUS /mɪˈstɪriəs/

of an obscure nature

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

NewsnounUS /nuːz/

information about recent and important events

From this reading This is an element constantly re-illustrated in a magnificent but fragmentary way by the News Films.

occurredverbUS /əˈkɜːrd/

inflected form of “occur” — come to pass

From this reading The only real war that has occurred in the films with the world's greatest war going on outside was Griffith's War Against Babylon.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The only real war that has occurred in the films with the world's greatest war going on outside was Griffith's War Against Babylon.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading But Griffith is the only person so far who has known how to put a fighting soul into a moving tower.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

outsideadjectiveUS /ˈaʊtˈsaɪd/

relating to or being on or near the outer side or limit

From this reading The only real war that has occurred in the films with the world's greatest war going on outside was Griffith's War Against Babylon.

personnounUS /ˈpɜːrsən/

a human being

From this reading But Griffith is the only person so far who has known how to put a fighting soul into a moving tower.

photographedverbUS /ˈfoʊtəɡræft/

past form of “photograph” — record on photographic film

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

PicturesnounUS /ˈpɪktʃərz/

plural of “picture” — a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading about the Splendor Pictures, in chapters five, six, and seven.

putverbUS /pʊt/

put into a certain place or abstract location

From this reading But Griffith is the only person so far who has known how to put a fighting soul into a moving tower.

re-illustrated

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading This is an element constantly re-illustrated in a magnificent but fragmentary way by the News Films.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading The only real war that has occurred in the films with the world's greatest war going on outside was Griffith's War Against Babylon.

restverbUS /rest/

not move; be in a resting position

From this reading The rest was news.

seagullnounUS /ˈsiːɡʌl/

mostly white aquatic bird having long pointed wings and short legs

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

sevennounUS /ˈsevən/

the cardinal number that is the sum of six and one

From this reading about the Splendor Pictures, in chapters five, six, and seven.

shipverbUS /ʃɪp/

transport commercially

From this reading So likewise, and in kind, any picture of a tossing ship.

sixnounUS /sɪks/

the cardinal number that is the sum of five and one

From this reading about the Splendor Pictures, in chapters five, six, and seven.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

soulnounUS /soʊl/

the immaterial part of a person; the actuating cause of an individual life

From this reading But Griffith is the only person so far who has known how to put a fighting soul into a moving tower.

SplendornounUS /ˈsplen.dər/

Magnificent and splendid appearance; grandeur and brilliance.

From this reading about the Splendor Pictures, in chapters five, six, and seven.

superbadjectiveUS /sʊˈpɜːrb/

of surpassing excellence

From this reading The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading about the Splendor Pictures, in chapters five, six, and seven.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading This is an element constantly re-illustrated in a magnificent but fragmentary way by the News Films.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

tossingverbUS /ˈtɔːsɪŋ/

-ing form of “toss” — throw or toss with a light motion

From this reading So likewise, and in kind, any picture of a tossing ship.

towernounUS /ˈtaʊər/

a structure taller than its diameter; can stand alone or be attached to a larger building

From this reading But Griffith is the only person so far who has known how to put a fighting soul into a moving tower.

wallsnounUS /wɔːlz/

plural of “wall” — an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.

warnounUS /wɔːr/

the waging of armed conflict against an enemy

From this reading The only real war that has occurred in the films with the world's greatest war going on outside was Griffith's War Against Babylon.

war-towers

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The most superb example of architecture-in-motion in the commercial history of the films is the march of the moving war-towers against the walls of Babylon in Griffith's Intolerance.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The only real war that has occurred in the films with the world's greatest war going on outside was Griffith's War Against Babylon.

waynounUS /weɪ/

how something is done or how it happens

From this reading This is an element constantly re-illustrated in a magnificent but fragmentary way by the News Films.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading Any picture of a seagull flying so close to the camera that it becomes as large as a flying machine, or any flying machine made by man and photographed in epic flight captures the eye because it is architecture and in motion, motion which is the mysterious fourth dimension of its grace and glory.

whopronounUS /huː/

which person or people

From this reading But Griffith is the only person so far who has known how to put a fighting soul into a moving tower.

withprepositionUS /wɪð/

in the company of; together with

From this reading The only real war that has occurred in the films with the world's greatest war going on outside was Griffith's War Against Babylon.

world'snounUS /wɜːrldz/

possessive form of “world” — everything that exists anywhere

From this reading The only real war that has occurred in the films with the world's greatest war going on outside was Griffith's War Against Babylon.

Chapter 4 of The Art of the Moving Picture by Vachel Lindsay holds 8 sentences, grouped into 2 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of The Art of the Moving Picture contain?

Chapter 4 holds 8 sentences of The Art of the Moving Picture, unabridged, divided into 2 reading sections.

This page carries chapter 4 of The Art of the Moving Picture by Vachel Lindsay exactly as it stands in the source edition, without abridgement. It runs to 8 sentences, grouped into 2 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of The Art of the Moving Picture?

Work through the 2 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 2 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Art of the Moving Picture

Common questions about reading The Art of the Moving Picture by Vachel Lindsay on this page, its source edition and its audio.

Is this the complete text of The Art of the Moving Picture?

Yes. All 3241 sentences of Project Gutenberg eBook #13029 are kept, with a record of which sentences cover which part.

Which edition of The Art of the Moving Picture is used?

Project Gutenberg eBook #13029, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Art of the Moving Picture take to read?

About 270 minutes of reading across 649 sections of 5 sentences each, at an unhurried pace.

How to read The Art of the Moving Picture section by section

How to work through The Art of the Moving Picture section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 33 chapters of The Art of the Moving Picture to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Art of the Moving Picture

Words and structures a reader meets early in The Art of the Moving Picture, each tappable for pronunciation and meaning.

Especially
A word that appears in the opening chapter of The Art of the Moving Picture; the reader can tap it to hear it and see its dictionary entry.
Viewed
A word that appears in the opening chapter of The Art of the Moving Picture; the reader can tap it to hear it and see its dictionary entry.
Heights
A word that appears in the opening chapter of The Art of the Moving Picture; the reader can tap it to hear it and see its dictionary entry.
Civic
A word that appears in the opening chapter of The Art of the Moving Picture; the reader can tap it to hear it and see its dictionary entry.