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The Art of the Moving Picture
The Art of the Moving Picture

Chapter XXI · Chapter 21

Chapter 21 of The Art of the Moving Picture is here in full — 168 sentences across 34 reading sections, with audio for every sentence and word.

Cover illustration for The Art of the Moving Picture
Context Illustration Reading 1/33 · 5 lines
English subtitles · tap any word to listen 1 / 5
PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.
It relates directly to chapter three.
While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.
The situations show to better advantage when they seem to be paintings rather than monumental groups.
Turn to your handful of motion picture magazines and mark the illustrations that look the most like paintings.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Art of the Moving Picture

Chapter XXI · Chapter 21

Chapter 21 of The Art of the Moving Picture is here in full — 168 sentences across 34 reading sections, with audio for every sentence and word.

Reading 1/33 · 5 reading units · Lines 1–5

Line 1
PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.
Line 2
It relates directly to chapter three.
/ɪt rɪˈleɪts dərˈektli tuː ˈtʃæptər θriː/
Line 3
While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.
Line 4
The situations show to better advantage when they seem to be paintings rather than monumental groups.
/ðə ˌsɪtʃuːˈeɪʃənz ʃoʊ tuː ˈbetər ædˈvæntɪdʒ wen ðeɪ siːm tuː biː ˈpeɪntɪŋz ˈræðər ðæn ˌmɑːnjəˈmentəl ɡruːps/
Line 5
Turn to your handful of motion picture magazines and mark the illustrations that look the most like paintings.
/tɜːrn tuː jɔːr ˈhændfʊl ʌv ˈmoʊʃən ˈpɪktʃər ˈmæɡəziːnz ənd mɑːrk ðə ˌɪləˈstreɪʃənz ðæt lʊk ðə moʊst laɪk ˈpeɪntɪŋz/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

camera noun US /ˈkæmərə/

equipment for taking photographs (usually consisting of a lightproof box with a lens at one end and light-sensitive film at the other)

From this reading “PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.”

cosy noun US /ˈkoʊzi/

a padded cloth covering to keep a teapot warm

From this reading “PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.”

illustrations noun US /ˌɪləˈstreɪʃənz/

plural of “illustration” — artwork that helps make something clear or attractive

From this reading “Turn to your handful of motion picture magazines and mark the illustrations that look the most like paintings.”

manifestations noun US /ˌmænəfeˈsteɪʃənz/

plural of “manifestation” — a clear appearance

From this reading “While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.”

monumental adjective US /ˌmɑːnjəˈmentəl/

relating or belonging to or serving as a monument

From this reading “The situations show to better advantage when they seem to be paintings rather than monumental groups.”

paintings noun US /ˈpeɪntɪŋz/

plural of “painting” — graphic art consisting of an artistic composition made by applying paints to a surface

From this reading “The situations show to better advantage when they seem to be paintings rather than monumental groups.”

relates verb US /rɪˈleɪts/

third-person singular of “relate” — make a logical or causal connection

From this reading “It relates directly to chapter three.”

sculptural adjective US /ˈskʌlptʃərəl/

relating to or consisting of sculpture

From this reading “While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.”

All words in this reading · 61

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

advantagenounUS /ædˈvæntɪdʒ/

the quality of having a superior or more favorable position

From this reading The situations show to better advantage when they seem to be paintings rather than monumental groups.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Turn to your handful of motion picture magazines and mark the illustrations that look the most like paintings.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

betteradjectiveUS /ˈbetər/

(comparative of “good”) superior to another (of the same class or set or kind) in excellence or quality or desirability or suitability; more highly skilled than another

From this reading The situations show to better advantage when they seem to be paintings rather than monumental groups.

cameranounUS /ˈkæmərə/

equipment for taking photographs (usually consisting of a lightproof box with a lens at one end and light-sensitive film at the other)

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

chapternounUS /ˈtʃæptər/

a subdivision of a written work; usually numbered and titled

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

characteristicnounUS /ˌkerəktərˈɪstɪk/

a prominent attribute or aspect of something

From this reading While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

cosynounUS /ˈkoʊzi/

a padded cloth covering to keep a teapot warm

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

delicateadjectiveUS /ˈdeləkət/

exquisitely fine and subtle and pleasing; susceptible to injury

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

directlyadverbUS /dərˈektli/

without deviation

From this reading It relates directly to chapter three.

effectsnounUS /ɪˈfekts/

property of a personal character that is portable but not used in business

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

foundedverbUS /ˈfaʊndɪd/

past form of “found” — set up or found

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

groupsnounUS /ɡruːps/

plural of “group” — any number of entities (members) considered as a unit

From this reading The situations show to better advantage when they seem to be paintings rather than monumental groups.

handfulnounUS /ˈhændfʊl/

a small number or amount

From this reading Turn to your handful of motion picture magazines and mark the illustrations that look the most like paintings.

highadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.

illustrationsnounUS /ˌɪləˈstreɪʃənz/

plural of “illustration” — artwork that helps make something clear or attractive

From this reading Turn to your handful of motion picture magazines and mark the illustrations that look the most like paintings.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.

interioradjectiveUS /ˌɪnˈtɪriər/

situated within or suitable for inside a building

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

Intimate-and-friendly

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It relates directly to chapter three.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.

likeverbUS /laɪk/

prefer or wish to do something

From this reading Turn to your handful of motion picture magazines and mark the illustrations that look the most like paintings.

lookverbUS /lʊk/

perceive with attention; direct one's gaze towards

From this reading Turn to your handful of motion picture magazines and mark the illustrations that look the most like paintings.

lowadjectiveUS /loʊ/

less than normal in degree or intensity or amount

From this reading While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.

magazinesnounUS /ˈmæɡəziːnz/

plural of “magazine” — a periodic publication containing pictures and stories and articles of interest to those who purchase it or subscribe to it

From this reading Turn to your handful of motion picture magazines and mark the illustrations that look the most like paintings.

manifestationsnounUS /ˌmænəfeˈsteɪʃənz/

plural of “manifestation” — a clear appearance

From this reading While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.

markverbUS /mɑːrk/

attach a tag or label to

From this reading Turn to your handful of motion picture magazines and mark the illustrations that look the most like paintings.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

monumentaladjectiveUS /ˌmɑːnjəˈmentəl/

relating or belonging to or serving as a monument

From this reading The situations show to better advantage when they seem to be paintings rather than monumental groups.

mostadverbUS /moʊst/

used to form the superlative

From this reading Turn to your handful of motion picture magazines and mark the illustrations that look the most like paintings.

MotionnounUS /ˈmoʊʃən/

the use of movements (especially of the hands) to communicate familiar or prearranged signals

From this reading While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Turn to your handful of motion picture magazines and mark the illustrations that look the most like paintings.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

PAINTING-IN-MOTION

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

paintingsnounUS /ˈpeɪntɪŋz/

plural of “painting” — graphic art consisting of an artistic composition made by applying paints to a surface

From this reading The situations show to better advantage when they seem to be paintings rather than monumental groups.

PicturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.

ratheradverbUS /ˈræðər/

on the contrary

From this reading The situations show to better advantage when they seem to be paintings rather than monumental groups.

relatesverbUS /rɪˈleɪts/

third-person singular of “relate” — make a logical or causal connection

From this reading It relates directly to chapter three.

reliefnounUS /rɪˈliːf/

the feeling that comes when something burdensome is removed or reduced

From this reading While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.

scenesnounUS /siːnz/

plural of “scene” — the place where some action occurs

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

sculpturaladjectiveUS /ˈskʌlptʃərəl/

relating to or consisting of sculpture

From this reading While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.

seemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading The situations show to better advantage when they seem to be paintings rather than monumental groups.

showverbUS /ʃoʊ/

give an exhibition of to an interested audience

From this reading The situations show to better advantage when they seem to be paintings rather than monumental groups.

situationsnounUS /ˌsɪtʃuːˈeɪʃənz/

plural of “situation” — the general state of things; the combination of circumstances at a given time

From this reading The situations show to better advantage when they seem to be paintings rather than monumental groups.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading The situations show to better advantage when they seem to be paintings rather than monumental groups.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading The situations show to better advantage when they seem to be paintings rather than monumental groups.

ThisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading It relates directly to chapter three.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

TurnverbUS /tɜːrn/

change orientation or direction, also in the abstract sense

From this reading Turn to your handful of motion picture magazines and mark the illustrations that look the most like paintings.

whenconjunctionUS /wen/

at the time that

From this reading The situations show to better advantage when they seem to be paintings rather than monumental groups.

WhileconjunctionUS /waɪl/

during the time that

From this reading While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief.

workedverbUS /wɜːrkt/

past form of “work” — exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading PAINTING-IN-MOTION This chapter is founded on the delicate effects that may be worked out from cosy interior scenes, close to the camera.

yourdeterminerUS /jɔːr/

belonging to the person or people being spoken to

From this reading Turn to your handful of motion picture magazines and mark the illustrations that look the most like paintings.

Chapter 21 of The Art of the Moving Picture by Vachel Lindsay holds 168 sentences, grouped into 34 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 21 of The Art of the Moving Picture contain?

Chapter 21 holds 168 sentences of The Art of the Moving Picture, unabridged, divided into 34 reading sections.

This page carries chapter 21 of The Art of the Moving Picture by Vachel Lindsay exactly as it stands in the source edition, without abridgement. It runs to 168 sentences, grouped into 34 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 21 of The Art of the Moving Picture?

Work through the 34 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 34 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 21 be read aloud to me?

Yes — every sentence and every individual word in chapter 21 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Art of the Moving Picture

Common questions about reading The Art of the Moving Picture by Vachel Lindsay on this page, its source edition and its audio.

Is this the complete text of The Art of the Moving Picture?

Yes. All 3241 sentences of Project Gutenberg eBook #13029 are kept, with a record of which sentences cover which part.

Which edition of The Art of the Moving Picture is used?

Project Gutenberg eBook #13029, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Art of the Moving Picture take to read?

About 270 minutes of reading across 649 sections of 5 sentences each, at an unhurried pace.

How to read The Art of the Moving Picture section by section

How to work through The Art of the Moving Picture section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 33 chapters of The Art of the Moving Picture to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Art of the Moving Picture

Words and structures a reader meets early in The Art of the Moving Picture, each tappable for pronunciation and meaning.

Especially
A word that appears in the opening chapter of The Art of the Moving Picture; the reader can tap it to hear it and see its dictionary entry.
Viewed
A word that appears in the opening chapter of The Art of the Moving Picture; the reader can tap it to hear it and see its dictionary entry.
Heights
A word that appears in the opening chapter of The Art of the Moving Picture; the reader can tap it to hear it and see its dictionary entry.
Civic
A word that appears in the opening chapter of The Art of the Moving Picture; the reader can tap it to hear it and see its dictionary entry.