Chapter XXIII · Chapter 23

used before a singular noun to mean one of a group, when it is not a particular one

From this reading ARCHITECTURE-IN-MOTION This chapter is a superstructure upon the foundations of chapters five, six, and seven.

plural of “actor” — a theatrical performer

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

(of actions or states) slightly short of or not quite accomplished; all but

From this reading By an extension of this principle, non-human tones, textures, lines, and spaces take on a vitality almost like that of flesh and blood.

the form of “a” used before a word that begins with a vowel sound

From this reading By an extension of this principle, non-human tones, textures, lines, and spaces take on a vitality almost like that of flesh and blood.

used to join words or parts of a sentence that go together

From this reading ARCHITECTURE-IN-MOTION This chapter is a superstructure upon the foundations of chapters five, six, and seven.

plural of “architect” — someone who creates plans to be used in making something (such as buildings)

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading ARCHITECTURE-IN-MOTION This chapter is a superstructure upon the foundations of chapters five, six, and seven.

the form of “be” used with you, we, they, or a plural noun

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

at the same time that; because; in the way that

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

enter or assume a certain state or condition

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

The red fluid that circulates in the heart and blood vessels.

From this reading By an extension of this principle, non-human tones, textures, lines, and spaces take on a vitality almost like that of flesh and blood.

used to introduce something that contrasts with what came before

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

showing who or what does the action

From this reading By an extension of this principle, non-human tones, textures, lines, and spaces take on a vitality almost like that of flesh and blood.

the particular occupation for which you are trained

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

plural of “centre” — a low-lying region in central France

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

a subdivision of a written work; usually numbered and titled

From this reading ARCHITECTURE-IN-MOTION This chapter is a superstructure upon the foundations of chapters five, six, and seven.

plural of “chapter” — a subdivision of a written work; usually numbered and titled

From this reading ARCHITECTURE-IN-MOTION This chapter is a superstructure upon the foundations of chapters five, six, and seven.

plural of “circuit” — an electrical device that provides a path for electrical current to flow

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

plural of “competition” — a business relation in which two parties compete to gain customers

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

plural of “craft” — the skilled practice of a practical occupation

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

an imperfection in a bodily system

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

plural of “doll” — a small replica of a person; used as a toy

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

a dramatic work intended for performance by actors on a stage

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

(physics) a thermodynamic quantity equivalent to the capacity of a physical system to do work; the units of energy are joules or ergs

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

plural of “enterprise” — a purposeful or industrious undertaking (especially one that requires effort or boldness)

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

relating to or based on experiment

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

a mutually agreed delay in the date set for the completion of a job or payment of a debt

From this reading By an extension of this principle, non-human tones, textures, lines, and spaces take on a vitality almost like that of flesh and blood.

preceding all others in time or space or degree

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

the cardinal number that is the sum of four and one

From this reading ARCHITECTURE-IN-MOTION This chapter is a superstructure upon the foundations of chapters five, six, and seven.

the soft tissue of the body of a vertebrate: mainly muscle tissue and fat

From this reading By an extension of this principle, non-human tones, textures, lines, and spaces take on a vitality almost like that of flesh and blood.

the period of greatest prosperity or productivity

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

intended to be given to, or used by, somebody

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

plural of “foundation” — the basis on which something is grounded

From this reading ARCHITECTURE-IN-MOTION This chapter is a superstructure upon the foundations of chapters five, six, and seven.

acknowledged as a supposition

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

the (prehensile) extremity of the superior limb

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

used with a past participle to form the perfect tenses

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

(formal) by means of this

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

plural of “hieroglyphic” — writing that resembles hieroglyphics (usually by being illegible)

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

advanced in complexity or elaboration

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

characteristic of humanity

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

the person speaking or writing, as the subject of the verb

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

the content of cognition; the main thing you are thinking about

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

form a mental image of something that is not present or that is not the case

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

inside something, or within a place, period, or state

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

the form of “be” used with he, she, it, or a singular noun

From this reading ARCHITECTURE-IN-MOTION This chapter is a superstructure upon the foundations of chapters five, six, and seven.

a thing, animal, or idea already mentioned

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

an association of sports teams that organizes matches for its members

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

used to make a suggestion or a command including the speaker

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

prefer or wish to do something

From this reading By an extension of this principle, non-human tones, textures, lines, and spaces take on a vitality almost like that of flesh and blood.

plural of “line” — a formation of people or things one beside another

From this reading By an extension of this principle, non-human tones, textures, lines, and spaces take on a vitality almost like that of flesh and blood.

plural of “manager” — someone who controls resources and expenditures

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

a vaguely specified concern

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

plural of “mechanism” — the atomic process that occurs during a chemical reaction

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading By an extension of this principle, non-human tones, textures, lines, and spaces take on a vitality almost like that of flesh and blood.

used to make a word, phrase, or sentence negative

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

belonging to, or connected with, somebody or something

From this reading ARCHITECTURE-IN-MOTION This chapter is a superstructure upon the foundations of chapters five, six, and seven.

touching and supported by a surface

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

not the same one or ones already mentioned or implied

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

plural of “painter” — an artist who paints

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

to some extent; in some degree; not wholly

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

(plural) any group of human beings (men or women or children) collectively

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

more readily or willingly

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

a basic generalization that is accepted as true and that can be used as a basis for reasoning or conduct

From this reading By an extension of this principle, non-human tones, textures, lines, and spaces take on a vitality almost like that of flesh and blood.

plural of “profession” — the body of people in a learned occupation

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

marked by suitability or rightness or appropriateness

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

an essential and distinguishing attribute of something or someone

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

on the contrary

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

a rational motive for a belief or action

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

the state of being held in high esteem and honor

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

being the one previously mentioned or spoken of

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

plural of “sculptor” — an artist who creates sculptures

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

the cardinal number that is the sum of six and one

From this reading ARCHITECTURE-IN-MOTION This chapter is a superstructure upon the foundations of chapters five, six, and seven.

the cardinal number that is the sum of five and one

From this reading ARCHITECTURE-IN-MOTION This chapter is a superstructure upon the foundations of chapters five, six, and seven.

plural of “society” — an extended social group having a distinctive cultural and economic organization

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

plural of “space” — the unlimited expanse in which everything is located

From this reading By an extension of this principle, non-human tones, textures, lines, and spaces take on a vitality almost like that of flesh and blood.

any distinct time period in a sequence of events

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

(especially of eyes) bulging or protruding as with fear

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

of the kind already mentioned

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

structure consisting of the part of a ship above the main deck

From this reading ARCHITECTURE-IN-MOTION This chapter is a superstructure upon the foundations of chapters five, six, and seven.

carry out

From this reading By an extension of this principle, non-human tones, textures, lines, and spaces take on a vitality almost like that of flesh and blood.

have a tendency or disposition to do or be something; be inclined

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

plural of “texture” — the feel of a surface or a fabric

From this reading By an extension of this principle, non-human tones, textures, lines, and spaces take on a vitality almost like that of flesh and blood.

used to introduce what somebody said, thought, or felt

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading ARCHITECTURE-IN-MOTION This chapter is a superstructure upon the foundations of chapters five, six, and seven.

belonging to the people or things already mentioned

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

the plural of “this”: the people or things near, or just mentioned

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

used for a person or thing that is near, or that has just been mentioned

From this reading ARCHITECTURE-IN-MOTION This chapter is a superstructure upon the foundations of chapters five, six, and seven.

the plural of “that”: the people or things further away, or already known

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

used before the base form of a verb to make the infinitive

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

plural of “tone” — the quality of a person's voice

From this reading By an extension of this principle, non-human tones, textures, lines, and spaces take on a vitality almost like that of flesh and blood.

activity leading to skilled behavior

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

plural of “type” — a subdivision of a particular kind of thing

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

plural of “university” — the body of faculty and students at a university

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

a formal word for “on”

From this reading ARCHITECTURE-IN-MOTION This chapter is a superstructure upon the foundations of chapters five, six, and seven.

the speaker and others, as the object of a verb or preposition

From this reading Let us imagine the centres of the experimental drama, such as the Drama League, the Universities, and the stage societies, calling in people of these professions and starting photoplay competitions and enterprises.

a variety show with songs and comic acts etc.

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

a serviceman who has seen considerable active service

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

an energetic style

From this reading By an extension of this principle, non-human tones, textures, lines, and spaces take on a vitality almost like that of flesh and blood.

during the time that

From this reading I have said that it is a quality, not a defect, of the photoplays that while the actors tend to become types and hieroglyphics and dolls, on the other hand, dolls and hieroglyphics and mechanisms tend to become human.

which person or people

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.

in the company of; together with

From this reading It is partly for this reason that some energy is hereby given to the matter of reënforcing the idea that the people with the proper training to take the higher photoplays in hand are not veteran managers of vaudeville circuits, but rather painters, sculptors, and architects, preferably those who are in the flush of their first reputation in these crafts.