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The Atlantic Book of Modern Plays
The Atlantic Book of Modern Plays

Chapter I · Chapter 1

Chapter 1 of The Atlantic Book of Modern Plays is here in full — 426 sentences across 86 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/85 · 5 lines
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Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.
No play can be given publicly without an individual arrangement.
The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922
_Printed in the United States of America_ We are at present in the midst of a bewildering quantity of play-publication and production.
The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Atlantic Book of Modern Plays

Chapter I · Chapter 1

Chapter 1 of The Atlantic Book of Modern Plays is here in full — 426 sentences across 86 reading sections, with audio for every sentence and word.

Reading 1/85 · 5 reading units · Lines 1–5

Line 1
Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.
/ˈedətəd wɪð ˌɪntrəˈdʌkʃən ˈkɑːment ənd ˌænəˈteɪtɪd ˌbɪbliˈɑːɡrəfi dɪˈpɑːrtmənt ʌv ˈɪŋɡlɪʃ ðə ˌjuːnəˈvɜːrsəti ʌv wɪˈskɑːnsən ənd ðə wɪˈskɑːnsən haɪ skuːl ðə raɪts ʌv prəˈdʌkʃən ʌv ðiːz pleɪz ɑːr ɪn ˈevəri keɪs rɪˈzɜːrvd baɪ ðə ˈɔːθərz ɔːr ðer ˌreprəˈzentətɪvz/
Line 2
No play can be given publicly without an individual arrangement.
/noʊ pleɪ kæn biː ˈɡɪvən ˈpʌblɪkli wɪˈθaʊt æn ˌɪndəˈvɪdʒəwəl ərˈeɪndʒmənt/
Line 3
The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922
Line 4
_Printed in the United States of America_ We are at present in the midst of a bewildering quantity of play-publication and production.
Line 5
The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Annotated verb US /ˌænəˈteɪtɪd/

past form of “annotate” — add explanatory notes to or supply with critical comments

From this reading “Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.”

bewildering verb US /bɪˈwɪldərɪŋ/

-ing form of “bewilder” — be a mystery or bewildering to

From this reading “_Printed in the United States of America_ We are at present in the midst of a bewildering quantity of play-publication and production.”

Bibliography noun US /ˌbɪbliˈɑːɡrəfi/

a list of writings with time and place of publication (such as the writings of a single author or the works referred to in preparing a document etc.)

From this reading “Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.”

classrooms noun US /ˈklæsruːmz/

plural of “classroom” — a room in a school where lessons take place

From this reading “The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922”

Edited adjective US /ˈedətəd/

improved or corrected by critical editing

From this reading “Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.”

representatives noun US /ˌreprəˈzentətɪvz/

plural of “representative” — a person who represents others

From this reading “Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.”

sponge verb US /spʌndʒ/

wipe with a sponge, so as to clean or moisten

From this reading “The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.”

Wisconsin noun US /wɪˈskɑːnsən/

a tributary of the Mississippi River in Wisconsin

From this reading “Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.”

All words in this reading · 100

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1921

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

1922

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

AmericanounUS /əˈmerəkə/

North American republic containing 50 states - 48 conterminous states in North America plus Alaska in northwest North America and the Hawaiian Islands in the Pacific Ocean; achieved independence in 1776

From this reading _Printed in the United States of America_ We are at present in the midst of a bewildering quantity of play-publication and production.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading No play can be given publicly without an individual arrangement.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

AnnotatedverbUS /ˌænəˈteɪtɪd/

past form of “annotate” — add explanatory notes to or supply with critical comments

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

appearsverbUS /əˈpɪrz/

third-person singular of “appear” — give a certain impression or have a certain outward aspect

From this reading The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

AprilnounUS /ˈeɪprəl/

the month following March and preceding May

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

arrangementnounUS /ərˈeɪndʒmənt/

the thing arranged or agreed to

From this reading No play can be given publicly without an individual arrangement.

askverbUS /æsk/

make a request or demand for something to somebody

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

atprepositionUS /æt/

in or near a particular place or position

From this reading _Printed in the United States of America_ We are at present in the midst of a bewildering quantity of play-publication and production.

audiencenounUS /ˈɑːdiəns/

a gathering of spectators or listeners at a (usually public) performance

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

authorsnounUS /ˈɔːθərz/

plural of “author” — writes (books or stories or articles or the like) professionally (for pay)

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading No play can be given publicly without an individual arrangement.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

bewilderingverbUS /bɪˈwɪldərɪŋ/

-ing form of “bewilder” — be a mystery or bewildering to

From this reading _Printed in the United States of America_ We are at present in the midst of a bewildering quantity of play-publication and production.

BibliographynounUS /ˌbɪbliˈɑːɡrəfi/

a list of writings with time and place of publication (such as the writings of a single author or the works referred to in preparing a document etc.)

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

byprepositionUS /baɪ/

showing who or what does the action

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading No play can be given publicly without an individual arrangement.

casenounUS /keɪs/

an occurrence of something

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

chargedadjectiveUS /tʃɑːrdʒd/

of a particle or body or system; having a net amount of positive or negative electric charge

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

chieflyadverbUS /ˈtʃiːfli/

for the most part

From this reading The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

classroomsnounUS /ˈklæsruːmz/

plural of “classroom” — a room in a school where lessons take place

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

CommentnounUS /ˈkɑːment/

a statement that expresses a personal opinion or belief or adds information

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

courteousadjectiveUS /ˈkɜːrtiəs/

exhibiting courtesy and politeness

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

DecembernounUS /dɪˈsembər/

the last (12th) month of the year

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

DepartmentnounUS /dɪˈpɑːrtmənt/

a specialized division of a large organization

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

doesauxiliary verbUS /dʌz/

the form of “do” used with he, she, it, or a singular noun

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

EditedadjectiveUS /ˈedətəd/

improved or corrected by critical editing

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

favorverbUS /ˈfeɪvər/

promote over another

From this reading The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

feenounUS /fiː/

a fixed charge for a privilege or for professional services

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

FirstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

givenadjectiveUS /ˈɡɪvən/

acknowledged as a supposition

From this reading No play can be given publicly without an individual arrangement.

guestsnounUS /ɡests/

plural of “guest” — a visitor to whom hospitality is extended

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

HighadjectiveUS /haɪ/

greater than normal in degree or intensity or amount

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

impressionnounUS /ˌɪmˈpreʃən/

a vague idea in which some confidence is placed

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

individualadjectiveUS /ˌɪndəˈvɪdʒəwəl/

being or characteristic of a single thing or person

From this reading No play can be given publicly without an individual arrangement.

IntroductionnounUS /ˌɪntrəˈdʌkʃən/

the act of beginning something new

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

invitedverbUS /ˌɪnˈvaɪtəd/

past form of “invite” — increase the likelihood of

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

lawnounUS /lɔː/

the collection of rules imposed by authority

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

midstnounUS /mɪdst/

the location of something surrounded by other things

From this reading _Printed in the United States of America_ We are at present in the midst of a bewildering quantity of play-publication and production.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

naturallyadverbUS /ˈnætʃərəli/

as might be expected

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

NodeterminerUS /noʊ/

not any; not one

From this reading No play can be given publicly without an individual arrangement.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

OctobernounUS /ɑːkˈtoʊbər/

the month following September and preceding November

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

one-act

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

particularadjectiveUS /pərˈtɪkjələr/

unique or specific to a person or thing or category

From this reading The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

permissionnounUS /pərˈmɪʃən/

approval to do something

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

playverbUS /pleɪ/

participate in games or sport

From this reading No play can be given publicly without an individual arrangement.

play-publication

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Printed in the United States of America_ We are at present in the midst of a bewildering quantity of play-publication and production.

playsnounUS /pleɪz/

plural of “play” — a dramatic work intended for performance by actors on a stage

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

presentverbUS /ˈprezənt/

give an exhibition of to an interested audience

From this reading _Printed in the United States of America_ We are at present in the midst of a bewildering quantity of play-publication and production.

preventverbUS /prɪˈvent/

keep from happening or arising; make impossible

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

PrintedverbUS /ˈprɪntɪd/

past form of “print” — put into print

From this reading _Printed in the United States of America_ We are at present in the midst of a bewildering quantity of play-publication and production.

productionnounUS /prəˈdʌkʃən/

the act or process of producing something

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

publiclyadverbUS /ˈpʌblɪkli/

in a manner accessible to or observable by the public; openly

From this reading No play can be given publicly without an individual arrangement.

quantitynounUS /ˈkwɑːntəti/

how much there is or how many there are of something that you can quantify

From this reading _Printed in the United States of America_ We are at present in the midst of a bewildering quantity of play-publication and production.

ratheradverbUS /ˈræðər/

on the contrary

From this reading The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

readingnounUS /ˈriːdɪŋ/

the cognitive process of understanding a written linguistic message

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

representativesnounUS /ˌreprəˈzentətɪvz/

plural of “representative” — a person who represents others

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

representedadjectiveUS /ˌreprɪˈzentɪd/

represented accurately or precisely

From this reading The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

reservedadjectiveUS /rɪˈzɜːrvd/

set aside for the use of a particular person or party

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

rightsnounUS /raɪts/

plural of “right” — an abstract idea of that which is due to a person or governmental body by law or tradition or nature

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

SchoolnounUS /skuːl/

an educational institution

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

SecondnounUS /ˈsekənd/

1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

shortadjectiveUS /ʃɔːrt/

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

spongeverbUS /spʌndʒ/

wipe with a sponge, so as to clean or moisten

From this reading The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

squeezedverbUS /skwiːzd/

past form of “squeeze” — to compress with violence, out of natural shape or condition

From this reading The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

StatesnounUS /steɪts/

plural of “state” — the territory occupied by one of the constituent administrative districts of a nation

From this reading _Printed in the United States of America_ We are at present in the midst of a bewildering quantity of play-publication and production.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

takingnounUS /ˈteɪkɪŋ/

the act of someone who picks up or takes something

From this reading The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

ThirdnounUS /θɜːrd/

one of three equal parts of a divisible whole

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

UnitedadjectiveUS /juːˈnaɪtɪd/

characterized by unity; being or joined into a single entity

From this reading _Printed in the United States of America_ We are at present in the midst of a bewildering quantity of play-publication and production.

UniversitynounUS /ˌjuːnəˈvɜːrsəti/

the body of faculty and students at a university

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

volumenounUS /ˈvɑːljuːm/

the amount of 3-dimensional space occupied by an object

From this reading The one-act play in particular, chiefly represented in this volume, appears to be taking the place of that rather squeezed sponge, the short story, in the favor of the reading public.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading _Printed in the United States of America_ We are at present in the midst of a bewildering quantity of play-publication and production.

whereconjunctionUS /wer/

in or at the place that

From this reading The law does not, of course, prevent their reading in classrooms or their production before an audience of a school or invited guests where no fee is charged; but it is, naturally, more courteous to ask permission._ First impression, December, 1921 Second impression, April, 1922 Third impression, October, 1922

WisconsinnounUS /wɪˈskɑːnsən/

a tributary of the Mississippi River in Wisconsin

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

withprepositionUS /wɪð/

in the company of; together with

From this reading Edited with Introduction, Comment and Annotated Bibliography _Department of English The University of Wisconsin and The Wisconsin High School_ _The rights of production of these plays are in every case reserved by the authors or their representatives.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading No play can be given publicly without an individual arrangement.

Chapter 1 of The Atlantic Book of Modern Plays by Sterling Andrus [Editor] Leonard holds 426 sentences, grouped into 86 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Atlantic Book of Modern Plays contain?

Chapter 1 holds 426 sentences of The Atlantic Book of Modern Plays, unabridged, divided into 86 reading sections.

This page carries chapter 1 of The Atlantic Book of Modern Plays by Sterling Andrus [Editor] Leonard exactly as it stands in the source edition, without abridgement. It runs to 426 sentences, grouped into 86 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Atlantic Book of Modern Plays?

Work through the 86 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 86 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

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Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Common questions about reading The Atlantic Book of Modern Plays by Sterling Andrus [Editor] Leonard on this page, its source edition and its audio.

Is this the complete text of The Atlantic Book of Modern Plays?

Yes. All 8563 sentences of Project Gutenberg eBook #16435 are kept, with a record of which sentences cover which part.

Which edition of The Atlantic Book of Modern Plays is used?

Project Gutenberg eBook #16435, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Atlantic Book of Modern Plays take to read?

About 600 minutes of reading across 1713 sections of 5 sentences each, at an unhurried pace.

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Vocabulary met early in The Atlantic Book of Modern Plays

Words and structures a reader meets early in The Atlantic Book of Modern Plays, each tappable for pronunciation and meaning.

Edited
A word that appears in the opening chapter of The Atlantic Book of Modern Plays; the reader can tap it to hear it and see its dictionary entry.
Introduction
A word that appears in the opening chapter of The Atlantic Book of Modern Plays; the reader can tap it to hear it and see its dictionary entry.
Comment
A word that appears in the opening chapter of The Atlantic Book of Modern Plays; the reader can tap it to hear it and see its dictionary entry.
Annotated
A word that appears in the opening chapter of The Atlantic Book of Modern Plays; the reader can tap it to hear it and see its dictionary entry.