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The Best of the World's Classics, Restricted — Vol. IV
The Best of the World's Classics, Restricted — Vol. IV

Chapter IV · Chapter 4

Chapter 4 of The Best of the World's Classics, Restricted — Vol. IV is here in full — 455 sentences across 91 reading sections, with audio for every sentence and word.

Cover illustration for The Best of the World's Classics, Restricted — Vol. IV
Context Illustration Reading 1/91 · 5 lines
English subtitles · tap any word to listen 1 / 5
His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.
The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.
The familiarity of the subject and the propriety of the execution made it tasted by all ranks of people.
Every engraver set himself to copy it, and thousands of imitations were dispersed all over the kingdom.
It was made into a pantomime, and performed on the stage.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Best of the World's Classics, Restricted — Vol. IV

Chapter IV · Chapter 4

Chapter 4 of The Best of the World's Classics, Restricted — Vol. IV is here in full — 455 sentences across 91 reading sections, with audio for every sentence and word.

Reading 1/91 · 5 reading units · Lines 1–5

Line 1
His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.
Line 2
The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.
/ðə ˈpɪktʃərz wɜːr skers ˈfɪnɪʃt ənd noʊ ˈsuːnər ɪɡˈzɪbətəd tuː ðə ˈpʌblɪk ənd ðə səbˈskrɪpʃən ˈoʊpənd ðæn əˈbʌv twelv ˈhʌndrəd neɪmz wɜːr ˈentərd ɑːn hɪz bʊk/
Line 3
The familiarity of the subject and the propriety of the execution made it tasted by all ranks of people.
/ðə fəˌmɪˈljerəti ʌv ðə səbˈdʒekt ənd ðə prəˈpraɪəti ʌv ðə ˌeksəˈkjuːʃən meɪd ɪt ˈteɪstɪd baɪ ɔːl ræŋks ʌv ˈpiːpəl/
Line 4
Every engraver set himself to copy it, and thousands of imitations were dispersed all over the kingdom.
/ˈevəri ɪnˈɡreɪvər set hɪmˈself tuː ˈkɑːpi ɪt ənd ˈθaʊzəndz ʌv ˌɪmɪˈteɪʃənz wɜːr dɪˈspɜːrst ɔːl ˈoʊvər ðə ˈkɪŋdəm/
Line 5
It was made into a pantomime, and performed on the stage.
/ɪt wɑːz meɪd ˈɪntuː ə ˈpæntəmaɪm ənd pərˈfɔːrmd ɑːn ðə steɪdʒ/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

dispersed adjective US /dɪˈspɜːrst/

distributed or spread over a considerable extent

From this reading “Every engraver set himself to copy it, and thousands of imitations were dispersed all over the kingdom.”

engraver noun US /ɪnˈɡreɪvər/

a skilled worker who can inscribe designs or writing onto a surface by carving or etching

From this reading “Every engraver set himself to copy it, and thousands of imitations were dispersed all over the kingdom.”

familiarity noun US /fəˌmɪˈljerəti/

personal knowledge or information about someone or something

From this reading “The familiarity of the subject and the propriety of the execution made it tasted by all ranks of people.”

imitations noun US /ˌɪmɪˈteɪʃənz/

plural of “imitation” — the doctrine that representations of nature or human behavior should be accurate imitations

From this reading “Every engraver set himself to copy it, and thousands of imitations were dispersed all over the kingdom.”

pantomime noun US /ˈpæntəmaɪm/

a performance using gestures and body movements without words

From this reading “It was made into a pantomime, and performed on the stage.”

propriety noun US /prəˈpraɪəti/

correct or appropriate behavior

From this reading “The familiarity of the subject and the propriety of the execution made it tasted by all ranks of people.”

subscription noun US /səbˈskrɪpʃən/

a payment for consecutive issues of a newspaper or magazine for a given period of time

From this reading “The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.”

tasted verb US /ˈteɪstɪd/

past form of “taste” — have flavor; taste of something

From this reading “The familiarity of the subject and the propriety of the execution made it tasted by all ranks of people.”

All words in this reading · 69

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

1729

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

1730

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading It was made into a pantomime, and performed on the stage.

aboveprepositionUS /əˈbʌv/

higher than, or over, something

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading The familiarity of the subject and the propriety of the execution made it tasted by all ranks of people.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

booknounUS /bʊk/

a written work or composition that has been published (printed on pages bound together)

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The familiarity of the subject and the propriety of the execution made it tasted by all ranks of people.

characternounUS /ˈkerɪktər/

an imaginary person represented in a work of fiction (play or film or story)

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

commandnounUS /kəˈmænd/

an authoritative direction or instruction to do something

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

ConversationnounUS /ˌkɑːnvərˈseɪʃən/

the use of speech for informal exchange of views or ideas or information etc.

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

copynounUS /ˈkɑːpi/

a reproduction of a written record (e.g. of a legal or school record)

From this reading Every engraver set himself to copy it, and thousands of imitations were dispersed all over the kingdom.

dispersedadjectiveUS /dɪˈspɜːrst/

distributed or spread over a considerable extent

From this reading Every engraver set himself to copy it, and thousands of imitations were dispersed all over the kingdom.

engravernounUS /ɪnˈɡreɪvər/

a skilled worker who can inscribe designs or writing onto a surface by carving or etching

From this reading Every engraver set himself to copy it, and thousands of imitations were dispersed all over the kingdom.

enteredverbUS /ˈentərd/

past form of “enter” — to come or go into

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

establishedadjectiveUS /ɪˈstæblɪʃt/

brought about or set up or accepted; especially long established

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

EverydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading Every engraver set himself to copy it, and thousands of imitations were dispersed all over the kingdom.

executionnounUS /ˌeksəˈkjuːʃən/

putting a condemned person to death

From this reading The familiarity of the subject and the propriety of the execution made it tasted by all ranks of people.

exhibitedverbUS /ɪɡˈzɪbətəd/

past form of “exhibit” — show an attribute, property, knowledge, or skill

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

famenounUS /feɪm/

the state or quality of being widely honored and acclaimed

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

familiaritynounUS /fəˌmɪˈljerəti/

personal knowledge or information about someone or something

From this reading The familiarity of the subject and the propriety of the execution made it tasted by all ranks of people.

finishedadjectiveUS /ˈfɪnɪʃt/

(of materials or goods) brought to the desired final state

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

Harlot's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

himselfpronounUS /hɪmˈself/

used when the man or boy doing the action is also its object

From this reading Every engraver set himself to copy it, and thousands of imitations were dispersed all over the kingdom.

HisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

hundrednounUS /ˈhʌndrəd/

ten 10s

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

imitationsnounUS /ˌɪmɪˈteɪʃənz/

plural of “imitation” — the doctrine that representations of nature or human behavior should be accurate imitations

From this reading Every engraver set himself to copy it, and thousands of imitations were dispersed all over the kingdom.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading It was made into a pantomime, and performed on the stage.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

kingdomnounUS /ˈkɪŋdəm/

a domain in which something is dominant

From this reading Every engraver set himself to copy it, and thousands of imitations were dispersed all over the kingdom.

madeadjectiveUS /meɪd/

produced by a manufacturing process

From this reading The familiarity of the subject and the propriety of the execution made it tasted by all ranks of people.

MidnightnounUS /ˈmɪdnaɪt/

12 o'clock at night; the middle of the night

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

ModernadjectiveUS /ˈmɑːdərn/

belonging to the modern era; since the Middle Ages

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

namesnounUS /neɪmz/

verbal abuse; a crude substitute for argument

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

nodeterminerUS /noʊ/

not any; not one

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

openedadjectiveUS /ˈoʊpənd/

used of mouth or eyes

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading Every engraver set himself to copy it, and thousands of imitations were dispersed all over the kingdom.

pantomimenounUS /ˈpæntəmaɪm/

a performance using gestures and body movements without words

From this reading It was made into a pantomime, and performed on the stage.

peoplenounUS /ˈpiːpəl/

(plural) any group of human beings (men or women or children) collectively

From this reading The familiarity of the subject and the propriety of the execution made it tasted by all ranks of people.

performedverbUS /pərˈfɔːrmd/

past form of “perform” — carry out or perform an action

From this reading It was made into a pantomime, and performed on the stage.

picturesnounUS /ˈpɪktʃərz/

plural of “picture” — a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

ProgressnounUS /ˈprɑːɡres/

gradual improvement or growth or development

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

proprietynounUS /prəˈpraɪəti/

correct or appropriate behavior

From this reading The familiarity of the subject and the propriety of the execution made it tasted by all ranks of people.

publicnounUS /ˈpʌblɪk/

people in general considered as a whole

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

publishedadjectiveUS /ˈpʌblɪʃt/

prepared and printed for distribution and sale

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

ranksnounUS /ræŋks/

plural of “rank” — a row or line of people (especially soldiers or police) standing abreast of one another

From this reading The familiarity of the subject and the propriety of the execution made it tasted by all ranks of people.

scarceadverbUS /skers/

only a very short time before

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

setverbUS /set/

put into a certain place or abstract location

From this reading Every engraver set himself to copy it, and thousands of imitations were dispersed all over the kingdom.

showedverbUS /ʃoʊd/

past form of “show” — give an exhibition of to an interested audience

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

sooneradverbUS /ˈsuːnər/

comparatives of “soon” or “early”

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading It was made into a pantomime, and performed on the stage.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading The familiarity of the subject and the propriety of the execution made it tasted by all ranks of people.

subscriptionnounUS /səbˈskrɪpʃən/

a payment for consecutive issues of a newspaper or magazine for a given period of time

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

tastedverbUS /ˈteɪstɪd/

past form of “taste” — have flavor; taste of something

From this reading The familiarity of the subject and the propriety of the execution made it tasted by all ranks of people.

thanconjunctionUS /ðæn/

used to introduce the second part of a comparison

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

thousandsnounUS /ˈθaʊzəndz/

plural of “thousand” — the cardinal number that is the product of 10 and 100

From this reading Every engraver set himself to copy it, and thousands of imitations were dispersed all over the kingdom.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

twelvenounUS /twelv/

the cardinal number that is the sum of eleven and one

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading The pictures were scarce finished, and no sooner exhibited to the public, and the subscription opened, than above twelve hundred names were entered on his book.

workverbUS /wɜːrk/

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading His "Midnight Modern Conversation" was the first work that showed his command of character; but it was "The Harlot's Progress," published in 1729 or 1730, that established his fame.

Chapter 4 of The Best of the World's Classics, Restricted — Vol. IV by Henry Cabot [Editor] Lodge holds 455 sentences, grouped into 91 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of The Best of the World's Classics, Restricted — Vol. IV contain?

Chapter 4 holds 455 sentences of The Best of the World's Classics, Restricted — Vol. IV, unabridged, divided into 91 reading sections.

This page carries chapter 4 of The Best of the World's Classics, Restricted — Vol. IV by Henry Cabot [Editor] Lodge exactly as it stands in the source edition, without abridgement. It runs to 455 sentences, grouped into 91 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of The Best of the World's Classics, Restricted — Vol. IV?

Work through the 91 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 91 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

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Common questions about reading The Best of the World's Classics, Restricted — Vol. IV by Henry Cabot [Editor] Lodge on this page, its source edition and its audio.

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Yes. All 2221 sentences of Project Gutenberg eBook #21775 are kept, with a record of which sentences cover which part.

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Project Gutenberg eBook #21775, unabridged. The Project Gutenberg header, footer and licence are removed.

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About 185 minutes of reading across 445 sections of 5 sentences each, at an unhurried pace.

How to read The Best of the World's Classics, Restricted — Vol. IV section by section

How to work through The Best of the World's Classics, Restricted — Vol. IV section by section, using the audio and the tap-to-define vocabulary.

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Vocabulary met early in The Best of the World's Classics, Restricted — Vol. IV

Words and structures a reader meets early in The Best of the World's Classics, Restricted — Vol. IV, each tappable for pronunciation and meaning.

Introduction
A word that appears in the opening chapter of The Best of the World's Classics, Restricted — Vol. IV; the reader can tap it to hear it and see its dictionary entry.
Biographical
A word that appears in the opening chapter of The Best of the World's Classics, Restricted — Vol. IV; the reader can tap it to hear it and see its dictionary entry.
Explanatory
A word that appears in the opening chapter of The Best of the World's Classics, Restricted — Vol. IV; the reader can tap it to hear it and see its dictionary entry.
Notes
A word that appears in the opening chapter of The Best of the World's Classics, Restricted — Vol. IV; the reader can tap it to hear it and see its dictionary entry.