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The Best Psychic Stories
The Best Psychic Stories

Chapter I

Chapter 1 of The Best Psychic Stories is here in full — 426 sentences across 86 reading sections, with audio for every sentence and word.

Cover illustration for The Best Psychic Stories
Context Illustration Reading 1/85 · 5 lines
English subtitles · tap any word to listen 1 / 5
_Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.
_Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.
Remorse will ever seem commonplace alongside the furies.
Ever and always the shadow of the supernatural invites, pursues us.
As the art of literature has progressed it has grown along with it.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Best Psychic Stories

Chapter I

Chapter 1 of The Best Psychic Stories is here in full — 426 sentences across 86 reading sections, with audio for every sentence and word.

Reading 1/85 · 5 reading units · Lines 1–5

Line 1
_Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.
Line 2
_Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.
Line 3
Remorse will ever seem commonplace alongside the furies.
Line 4
Ever and always the shadow of the supernatural invites, pursues us.
/ˈevər ənd ˈɔːlweɪz ðə ˈʃæd.oʊ ʌv ðə ˌsuːpərˈnætʃərəl ˌɪnˈvaɪts pərˈsuːz ʌs/
Line 5
As the art of literature has progressed it has grown along with it.
/æz ðə ɑːrt ʌv ˈlɪtərətʃər hæz prəˈɡrest ɪt hæz ɡroʊn əˈlɔːŋ wɪð ɪt/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

Columbia noun US /kəˈlʌmbiə/

a North American river; rises in southwestern Canada and flows southward across Washington to form the border between Washington and Oregon before emptying into the Pacific; known for its salmon runs in the spring

From this reading “_Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.”

invites noun US /ˌɪnˈvaɪts/

plural of “invite” — a colloquial expression for invitation

From this reading “Ever and always the shadow of the supernatural invites, pursues us.”

Lecturer noun US /ˈlektʃərər/

a public lecturer at certain universities

Masterpieces noun US /ˈmæstərpiːsəz/

plural of “masterpiece” — the most outstanding work of a creative artist or craftsman

From this reading “_Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.”

progressed verb US /prəˈɡrest/

past form of “progress” — develop in a positive way

From this reading “As the art of literature has progressed it has grown along with it.”

psychic adjective US /ˈsaɪkɪk/

affecting or influenced by the human mind

From this reading “_Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.”

pursues verb US /pərˈsuːz/

third-person singular of “pursue” — carry out or participate in an activity; be involved in

From this reading “Ever and always the shadow of the supernatural invites, pursues us.”

tragedies noun US /ˈtrædʒədiz/

plural of “tragedy” — an event resulting in great loss and misfortune

From this reading “_Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

Ghost Stories noun + noun counted as “ghost story”

In this reading “_Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.”

rests on verb + particle counted as “rest on”

rest on for support

In this reading “_Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.”

in literature preposition + noun

In this reading “_Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.”

All words in this reading · 67

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

alongprepositionUS /əˈlɔːŋ/

following the length of something from one end toward the other

From this reading As the art of literature has progressed it has grown along with it.

alongsideadverbUS /əˈlɔːŋˈsaɪd/

side by side

From this reading Remorse will ever seem commonplace alongside the furies.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading Ever and always the shadow of the supernatural invites, pursues us.

ancientadjectiveUS /ˈeɪn.ʃənt/

Belonging to the very distant past and no longer in existence or deeply revered.

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Ever and always the shadow of the supernatural invites, pursues us.

artauxiliary verbUS /ɑːrt/

an old form of “are”, used with “thou”

From this reading As the art of literature has progressed it has grown along with it.

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading As the art of literature has progressed it has grown along with it.

AuthornounUS /ˈɔːθər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

backadverbUS /bæk/

in or to or toward a former location

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

byprepositionUS /baɪ/

showing who or what does the action

From this reading _Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.

casenounUS /keɪs/

an occurrence of something

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

ColumbianounUS /kəˈlʌmbiə/

a North American river; rises in southwestern Canada and flows southward across Washington to form the border between Washington and Oregon before emptying into the Pacific; known for its salmon runs in the spring

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

commonplaceadjectiveUS /ˈkɑːmənpleɪs/

completely ordinary and unremarkable

From this reading Remorse will ever seem commonplace alongside the furies.

DnounUS /diː/

a fat-soluble vitamin that prevents rickets

From this reading _Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.

Dorothy

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.

EditornounUS /ˈedətər/

a person responsible for the editorial aspects of publication; the person who determines the final content of a text (especially of a newspaper or magazine)

From this reading _Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.

elementnounUS /ˈeləmənt/

an abstract part of something

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

EnglishnounUS /ˈɪŋɡlɪʃ/

an Indo-European language belonging to the West Germanic branch; the official language of Britain and the United States and most of the commonwealth countries

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

etc

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.

everadverbUS /ˈevər/

at any time

From this reading Remorse will ever seem commonplace alongside the furies.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

foundationnounUS /faʊnˈdeɪʃən/

the basis on which something is grounded

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

FromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

furies

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Remorse will ever seem commonplace alongside the furies.

GhostnounUS /ɡoʊst/

a mental representation of some haunting experience

From this reading _Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.

GreatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading _Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.

GreeknounUS /ɡriːk/

the Hellenic branch of the Indo-European family of languages

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

grownadjectiveUS /ɡroʊn/

(of animals) fully developed

From this reading As the art of literature has progressed it has grown along with it.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading As the art of literature has progressed it has grown along with it.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

IntroductionnounUS /ˌɪntrəˈdʌkʃən/

the act of beginning something new

From this reading _Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.

invitesnounUS /ˌɪnˈvaɪts/

plural of “invite” — a colloquial expression for invitation

From this reading Ever and always the shadow of the supernatural invites, pursues us.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

LecturernounUS /ˈlektʃərər/

a public lecturer at certain universities

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

LiteraturenounUS /ˈlɪtərətʃər/

creative writing of recognized artistic value

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

MasterpiecesnounUS /ˈmæstərpiːsəz/

plural of “masterpiece” — the most outstanding work of a creative artist or craftsman

From this reading _Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.

mastersnounUS /ˈmæstərz/

United States poet (1869-1950)

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

mennounUS /men/

the force of workers available

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

MysterynounUS /ˈmɪstəri/

something that baffles understanding and cannot be explained

From this reading _Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading _Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

PhnounUS /ˈpiːˈeɪtʃ/

(from potential of Hydrogen) the logarithm of the reciprocal of hydrogen-ion concentration in gram atoms per liter

From this reading _Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.

PorchnounUS /pɔːrtʃ/

a structure attached to the exterior of a building often forming a covered entrance

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

progressedverbUS /prəˈɡrest/

past form of “progress” — develop in a positive way

From this reading As the art of literature has progressed it has grown along with it.

psychicadjectiveUS /ˈsaɪkɪk/

affecting or influenced by the human mind

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

pursuesverbUS /pərˈsuːz/

third-person singular of “pursue” — carry out or participate in an activity; be involved in

From this reading Ever and always the shadow of the supernatural invites, pursues us.

reachesnounUS /ˈriːtʃəz/

plural of “reach” — the limits within which something can be effective

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

RemorsenounUS /rɪˈmɔːrs/

a feeling of deep regret (usually for some misdeed)

From this reading Remorse will ever seem commonplace alongside the furies.

restsnounUS /rests/

plural of “rest” — something left after other parts have been taken away

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

Scarborough

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading _Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.

seemverbUS /siːm/

give a certain impression or have a certain outward aspect

From this reading Remorse will ever seem commonplace alongside the furies.

shadownounUS /ˈʃæd.oʊ/

A dark area or shape produced by a body coming between rays of light and a surface.

From this reading Ever and always the shadow of the supernatural invites, pursues us.

SouthernadjectiveUS /ˈsʌðərn/

in or characteristic of a region of the United States south of (approximately) the Mason-Dixon line

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

StoriesnounUS /ˈstɔːriz/

plural of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading _Editor "Great Ghost Stories," "Masterpieces of Mystery," etc._ _Introduction by_ Dorothy Scarborough, Ph.D.

SupernaturalnounUS /ˌsuːpərˈnætʃərəl/

supernatural forces and events and beings collectively

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

tragediesnounUS /ˈtrædʒədiz/

plural of “tragedy” — an event resulting in great loss and misfortune

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

UniversitynounUS /ˌjuːnəˈvɜːrsəti/

the body of faculty and students at a university

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading Ever and always the shadow of the supernatural invites, pursues us.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

whopronounUS /huː/

which person or people

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

willmodal verbUS /wɪl/

used to talk about the future, or about willingness

From this reading Remorse will ever seem commonplace alongside the furies.

withprepositionUS /wɪð/

in the company of; together with

From this reading As the art of literature has progressed it has grown along with it.

wroteverbUS /roʊt/

inflected form of “write” — produce a literary work

From this reading _Lecturer in English, Columbia University Author of "The Supernatural in English Literature," "From a Southern Porch," etc._ The case for the "psychic" element in literature rests on a very old foundation; it reaches back to the ancient masters,--the men who wrote the Greek tragedies.

Chapter 1 of The Best Psychic Stories by Joseph Lewis [Editor] French holds 426 sentences, grouped into 86 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Best Psychic Stories contain?

Chapter 1 holds 426 sentences of The Best Psychic Stories, unabridged, divided into 86 reading sections.

This page carries chapter 1 of The Best Psychic Stories by Joseph Lewis [Editor] French exactly as it stands in the source edition, without abridgement. It runs to 426 sentences, grouped into 86 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Best Psychic Stories?

Work through the 86 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 86 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Best Psychic Stories

Common questions about reading The Best Psychic Stories by Joseph Lewis [Editor] French on this page, its source edition and its audio.

Is this the complete text of The Best Psychic Stories?

Yes. All 3880 sentences of Project Gutenberg eBook #36712 are kept, with a record of which sentences cover which part.

Which edition of The Best Psychic Stories is used?

Project Gutenberg eBook #36712, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Best Psychic Stories take to read?

About 323 minutes of reading across 776 sections of 5 sentences each, at an unhurried pace.

How to read The Best Psychic Stories section by section

How to work through The Best Psychic Stories section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 9 chapters of The Best Psychic Stories to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Best Psychic Stories

Words and structures a reader meets early in The Best Psychic Stories, each tappable for pronunciation and meaning.

Editor
A word that appears in the opening chapter of The Best Psychic Stories; the reader can tap it to hear it and see its dictionary entry.
Great
A word that appears in the opening chapter of The Best Psychic Stories; the reader can tap it to hear it and see its dictionary entry.
Ghost
A word that appears in the opening chapter of The Best Psychic Stories; the reader can tap it to hear it and see its dictionary entry.
Stories
A word that appears in the opening chapter of The Best Psychic Stories; the reader can tap it to hear it and see its dictionary entry.