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The Best Short Stories of 1915, and the Yearbook of the American Short
The Best Short Stories of 1915, and the Yearbook of the American Short

Chapter I

Chapter 1 of The Best Short Stories of 1915, and the Yearbook of the American Short is here in full — 396 sentences across 80 reading sections, with audio for every sentence and word.

Cover illustration for The Best Short Stories of 1915, and the Yearbook of the American Short
Context Illustration Reading 15/79 · 5 lines
English subtitles · tap any word to listen 1 / 5
The commercialized short story writer has less enthusiasm in writing for editors nowadays.
The "movies" have captured him.
Why write stories when scenarios are not only much less exhausting, but actually more remunerative?
The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.
As Mr. Colcord points out, we have come at last to the parting of the ways.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Best Short Stories of 1915, and the Yearbook of the American Short

Chapter I

Chapter 1 of The Best Short Stories of 1915, and the Yearbook of the American Short is here in full — 396 sentences across 80 reading sections, with audio for every sentence and word.

Reading 15/79 · 5 reading units · Lines 71–75

Line 1
The commercialized short story writer has less enthusiasm in writing for editors nowadays.
/ðə kəˈmɜːrʃəlaɪzd ʃɔːrt ˈstɔːri ˈraɪtər hæz les ɪnˈθuːziæzəm ɪn ˈraɪtɪŋ fɔːr ˈedɪtərz ˈnaʊədeɪz/
Line 2
The "movies" have captured him.
/ðə ˈmuːviz hæv ˈkæptʃərd hɪm/
Line 3
Why write stories when scenarios are not only much less exhausting, but actually more remunerative?
/waɪ raɪt ˈstɔːriz wen sɪˈnerioʊz ɑːr nɑːt ˈoʊnli mʌtʃ les ɪɡˈzɔːstɪŋ bʌt ˈæktʃuːəli mɔːr riˈmjuːnərətɪv/
Line 4
The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.
Line 5
As Mr. Colcord points out, we have come at last to the parting of the ways.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

commercialized adjective US /kəˈmɜːrʃəlaɪzd/

organized principally for financial gain

From this reading “The commercialized short story writer has less enthusiasm in writing for editors nowadays.”

craftsman noun US /ˈkræftsmən/

a professional whose work is consistently of high quality

From this reading “The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.”

exhausting adjective US /ɪɡˈzɔːstɪŋ/

having a debilitating effect

From this reading “Why write stories when scenarios are not only much less exhausting, but actually more remunerative?”

markets noun US /ˈmɑːrkəts/

plural of “market” — the world of commercial activity where goods and services are bought and sold

From this reading “The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.”

movies noun US /ˈmuːviz/

plural of “movie” — a form of entertainment that enacts a story by sound and a sequence of images giving the illusion of continuous movement

From this reading “The "movies" have captured him.”

peddling noun US /ˈpedəlɪŋ/

the act of selling goods for a living

From this reading “The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.”

remunerative adjective US /riˈmjuːnərətɪv/

for which money is paid

From this reading “Why write stories when scenarios are not only much less exhausting, but actually more remunerative?”

scenarios noun US /sɪˈnerioʊz/

plural of “scenario” — an outline or synopsis of a play (or, by extension, of a literary work)

From this reading “Why write stories when scenarios are not only much less exhausting, but actually more remunerative?”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

short story adjective + noun

a prose narrative shorter than a novel

In this reading “The commercialized short story writer has less enthusiasm in writing for editors nowadays.”

in writing preposition + noun

written or drawn or engraved

In this reading “The commercialized short story writer has less enthusiasm in writing for editors nowadays.”

All words in this reading · 60

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

actuallyadverbUS /ˈæktʃuːəli/

in actual fact

From this reading Why write stories when scenarios are not only much less exhausting, but actually more remunerative?

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading Why write stories when scenarios are not only much less exhausting, but actually more remunerative?

artisticadjectiveUS /ɑːrˈtɪstɪk/

relating to or characteristic of art or artists

From this reading The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading As Mr. Colcord points out, we have come at last to the parting of the ways.

atprepositionUS /æt/

in or near a particular place or position

From this reading As Mr. Colcord points out, we have come at last to the parting of the ways.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Why write stories when scenarios are not only much less exhausting, but actually more remunerative?

byprepositionUS /baɪ/

showing who or what does the action

From this reading The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.

capturedverbUS /ˈkæptʃərd/

past form of “capture” — succeed in representing or expressing something intangible

From this reading The "movies" have captured him.

Colcord

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As Mr. Colcord points out, we have come at last to the parting of the ways.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading As Mr. Colcord points out, we have come at last to the parting of the ways.

commercializedadjectiveUS /kəˈmɜːrʃəlaɪzd/

organized principally for financial gain

From this reading The commercialized short story writer has less enthusiasm in writing for editors nowadays.

craftsmannounUS /ˈkræftsmən/

a professional whose work is consistently of high quality

From this reading The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.

editorsnounUS /ˈedɪtərz/

plural of “editor” — a person responsible for the editorial aspects of publication; the person who determines the final content of a text (especially of a newspaper or magazine)

From this reading The commercialized short story writer has less enthusiasm in writing for editors nowadays.

enthusiasmnounUS /ɪnˈθuːziæzəm/

a feeling of excitement

From this reading The commercialized short story writer has less enthusiasm in writing for editors nowadays.

exhaustingadjectiveUS /ɪɡˈzɔːstɪŋ/

having a debilitating effect

From this reading Why write stories when scenarios are not only much less exhausting, but actually more remunerative?

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The commercialized short story writer has less enthusiasm in writing for editors nowadays.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading The commercialized short story writer has less enthusiasm in writing for editors nowadays.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading The "movies" have captured him.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading The "movies" have captured him.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The commercialized short story writer has less enthusiasm in writing for editors nowadays.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.

lastadjectiveUS /læst/

immediately past

From this reading As Mr. Colcord points out, we have come at last to the parting of the ways.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading The commercialized short story writer has less enthusiasm in writing for editors nowadays.

literaryadjectiveUS /ˈlɪtəreri/

of or relating to or characteristic of literature

From this reading The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.

magazinesnounUS /ˈmæɡəziːnz/

plural of “magazine” — a periodic publication containing pictures and stories and articles of interest to those who purchase it or subscribe to it

From this reading The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.

marketsnounUS /ˈmɑːrkəts/

plural of “market” — the world of commercial activity where goods and services are bought and sold

From this reading The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Why write stories when scenarios are not only much less exhausting, but actually more remunerative?

moviesnounUS /ˈmuːviz/

plural of “movie” — a form of entertainment that enacts a story by sound and a sequence of images giving the illusion of continuous movement

From this reading The "movies" have captured him.

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading As Mr. Colcord points out, we have come at last to the parting of the ways.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading Why write stories when scenarios are not only much less exhausting, but actually more remunerative?

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Why write stories when scenarios are not only much less exhausting, but actually more remunerative?

nowadaysnounUS /ˈnaʊədeɪz/

the period of time that is happening now; any continuous stretch of time including the moment of speech

From this reading The commercialized short story writer has less enthusiasm in writing for editors nowadays.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading As Mr. Colcord points out, we have come at last to the parting of the ways.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading Why write stories when scenarios are not only much less exhausting, but actually more remunerative?

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading As Mr. Colcord points out, we have come at last to the parting of the ways.

partingnounUS /ˈpɑːrtɪŋ/

the act of departing politely

From this reading As Mr. Colcord points out, we have come at last to the parting of the ways.

peddlingnounUS /ˈpedəlɪŋ/

the act of selling goods for a living

From this reading The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.

placenounUS /pleɪs/

a point located with respect to surface features of some region

From this reading The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.

pointsnounUS /pɔɪnts/

plural of “point” — a geometric element that has position but no extension

From this reading As Mr. Colcord points out, we have come at last to the parting of the ways.

remunerativeadjectiveUS /riˈmjuːnərətɪv/

for which money is paid

From this reading Why write stories when scenarios are not only much less exhausting, but actually more remunerative?

scenariosnounUS /sɪˈnerioʊz/

plural of “scenario” — an outline or synopsis of a play (or, by extension, of a literary work)

From this reading Why write stories when scenarios are not only much less exhausting, but actually more remunerative?

shortadjectiveUS /ʃɔːrt/

primarily temporal sense; indicating or being or seeming to be limited in duration

From this reading The commercialized short story writer has less enthusiasm in writing for editors nowadays.

storiesnounUS /ˈstɔːriz/

plural of “story” — a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading Why write stories when scenarios are not only much less exhausting, but actually more remunerative?

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading The commercialized short story writer has less enthusiasm in writing for editors nowadays.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The commercialized short story writer has less enthusiasm in writing for editors nowadays.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading As Mr. Colcord points out, we have come at last to the parting of the ways.

tradesmannoun

a merchant who owns or manages a shop

From this reading The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.

waresnounUS /werz/

plural of “ware” — articles of the same kind or material; usually used in combination: “silverware”, “software”

From this reading The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.

waysnounUS /weɪz/

structure consisting of a sloping way down to the water from the place where ships are built or repaired

From this reading As Mr. Colcord points out, we have come at last to the parting of the ways.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading As Mr. Colcord points out, we have come at last to the parting of the ways.

welcomedverbUS /ˈwelkəmd/

past form of “welcome” — accept gladly

From this reading The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.

whenconjunctionUS /wen/

at the time that

From this reading Why write stories when scenarios are not only much less exhausting, but actually more remunerative?

WhynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading Why write stories when scenarios are not only much less exhausting, but actually more remunerative?

wideradjectiveUS /ˈwaɪdər/

comparative of “wide” — having great (or a certain) extent from one side to the other

From this reading The literary tradesman is peddling his wares in other and wider markets, and the artistic craftsman is welcomed by the magazines more and more in his place.

writeverbUS /raɪt/

produce a literary work

From this reading Why write stories when scenarios are not only much less exhausting, but actually more remunerative?

writernounUS /ˈraɪtər/

writes (books or stories or articles or the like) professionally (for pay)

From this reading The commercialized short story writer has less enthusiasm in writing for editors nowadays.

writingnounUS /ˈraɪtɪŋ/

the act of creating written works

From this reading The commercialized short story writer has less enthusiasm in writing for editors nowadays.

Chapter 1 of The Best Short Stories of 1915, and the Yearbook of the American Short by Edward J. (Edward Joseph) [Editor] O'Brien holds 396 sentences, grouped into 80 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 1 of The Best Short Stories of 1915, and the Yearbook of the American contain?

Chapter 1 holds 396 sentences of The Best Short Stories of 1915, and the Yearbook of the American Short, unabridged, divided into 80 reading sections.

This page carries chapter 1 of The Best Short Stories of 1915, and the Yearbook of the American Short by Edward J. (Edward Joseph) [Editor] O'Brien exactly as it stands in the source edition, without abridgement. It runs to 396 sentences, grouped into 80 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 1 of The Best Short Stories of 1915, and the Yearbook of the American Short?

Work through the 80 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 80 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 1 be read aloud to me?

Yes — every sentence and every individual word in chapter 1 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Best Short Stories of 1915, and the Yearbook of the American Short

Common questions about reading The Best Short Stories of 1915, and the Yearbook of the American Short by Edward J. (Edward Joseph) [Editor] O'Brien on this page, its source edition and its audio.

Is this the complete text of The Best Short Stories of 1915, and the Yearbook of the American Short?

Yes. All 12288 sentences of Project Gutenberg eBook #20303 are kept, with a record of which sentences cover which part.

Which edition of The Best Short Stories of 1915, and the Yearbook of the American Short is used?

Project Gutenberg eBook #20303, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Best Short Stories of 1915, and the Yearbook of the American Short take to read?

About 600 minutes of reading across 2458 sections of 5 sentences each, at an unhurried pace.

How to read The Best Short Stories of 1915, and the Yearbook of the American Short section by sectio

How to work through The Best Short Stories of 1915, and the Yearbook of the American Short section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 31 chapters of The Best Short Stories of 1915, and the Yearbook of the American Short to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Best Short Stories of 1915, and the Yearbook of the American Short

Words and structures a reader meets early in The Best Short Stories of 1915, and the Yearbook of the American Short, each tappable for pronunciation and meaning.

Second
A word that appears in the opening chapter of The Best Short Stories of 1915, and the Yearbook of the American Short; the reader can tap it to hear it and see its dictionary entry.
Printing
A word that appears in the opening chapter of The Best Short Stories of 1915, and the Yearbook of the American Short; the reader can tap it to hear it and see its dictionary entry.
Third
A word that appears in the opening chapter of The Best Short Stories of 1915, and the Yearbook of the American Short; the reader can tap it to hear it and see its dictionary entry.
October
A word that appears in the opening chapter of The Best Short Stories of 1915, and the Yearbook of the American Short; the reader can tap it to hear it and see its dictionary entry.