Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The best short stories of 1917, and
The best short stories of 1917, and

Chapter XX · Chapter 20

Chapter 20 of The best short stories of 1917, and is here in full — 447 sentences across 90 reading sections, with audio for every sentence and word.

Cover illustration for The best short stories of 1917, and
Context Illustration Reading 1/89 · 5 lines
English subtitles · tap any word to listen 1 / 5
Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.
"Mr. Haas my mother--help--my mother!
It's a faint, ain't it?
A faint?"
He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The best short stories of 1917, and

Chapter XX · Chapter 20

Chapter 20 of The best short stories of 1917, and is here in full — 447 sentences across 90 reading sections, with audio for every sentence and word.

Reading 1/89 · 5 reading units · Lines 1–5

Line 1
Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.
Line 2
"Mr. Haas my mother--help--my mother!
Line 3
It's a faint, ain't it?
Line 4
A faint?"
/ə feɪnt/
Line 5
He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

bounds noun US /baʊndz/

the line or plane indicating the limit or extent of something

From this reading “He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.”

breathless adjective US /ˈbreθləs/

not breathing or able to breathe except with difficulty

From this reading “Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.”

lids noun US /lɪdz/

plural of “lid” — either of two folds of skin that can be moved to cover or open the eye

From this reading “He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.”

lifting verb US /ˈlɪftɪŋ/

-ing form of “lift” — raise from a lower to a higher position

From this reading “He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.”

limp verb US /lɪmp/

walk impeded by some physical limitation or injury

From this reading “He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.”

reluctant adjective US /rɪˈlʌktənt/

unwillingness to do something contrary to your custom

From this reading “He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.”

wrists noun US /rɪsts/

plural of “wrist” — a joint between the distal end of the radius and the proximal row of carpal bones

From this reading “He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.”

yielded verb US /ˈjiːldɪd/

past form of “yield” — be the cause or source of

From this reading “He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.”

All words in this reading · 48

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading It's a faint, ain't it?

ain't

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It's a faint, ain't it?

atprepositionUS /æt/

in or near a particular place or position

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

besideprepositionUS /bɪˈsaɪd/

next to; at the side of

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

bosomnounUS /ˈbʊzəm/

the chest considered as the place where secret thoughts are kept

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

boundsnounUS /baʊndz/

the line or plane indicating the limit or extent of something

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

breathlessadjectiveUS /ˈbreθləs/

not breathing or able to breathe except with difficulty

From this reading Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.

burstverbUS /bɜːrst/

come open suddenly and violently, as if from internal pressure

From this reading Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.

earnounUS /iːr/

the sense organ for hearing and equilibrium

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

faintadjectiveUS /feɪnt/

deficient in magnitude; barely perceptible; lacking clarity or brightness or loudness etc

From this reading It's a faint, ain't it?

feelingnounUS /ˈfiːlɪŋ/

the experiencing of affective and emotional states

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

fleshnounUS /fleʃ/

the soft tissue of the body of a vertebrate: mainly muscle tissue and fat

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.

grenadinenoun

thin syrup made from pomegranate juice; used in mixed drinks

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

Haas

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.

HepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

helpverbUS /help/

give help or assistance; be of service

From this reading "Mr. Haas my mother--help--my mother!

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It's a faint, ain't it?

It's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading It's a faint, ain't it?

laceratedadjective

irregularly slashed and jagged as if torn

From this reading Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.

layingnounUS /ˈleɪɪŋ/

the production of eggs (especially in birds)

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

lidsnounUS /lɪdz/

plural of “lid” — either of two folds of skin that can be moved to cover or open the eye

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

liftingverbUS /ˈlɪftɪŋ/

-ing form of “lift” — raise from a lower to a higher position

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

limpverbUS /lɪmp/

walk impeded by some physical limitation or injury

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

mothernounUS /ˈmʌðər/

a woman who has given birth to a child (also used as a term of address to your mother)

From this reading "Mr. Haas my mother--help--my mother!

MrnounUS /ˈmɪstər/

a form of address for a man

From this reading Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading "Mr. Haas my mother--help--my mother!

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.

quietadjectiveUS /ˈkwaɪət/

characterized by an absence or near absence of agitation or activity

From this reading Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.

raucouslyadverb

with a raucous sound

From this reading Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.

reluctantadjectiveUS /rɪˈlʌktənt/

unwillingness to do something contrary to your custom

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.

scenenounUS /siːn/

the place where some action occurs

From this reading Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.

touchverbUS /tʌtʃ/

make physical contact with, come in contact with

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

touchingadjectiveUS /ˈtʌtʃɪŋ/

arousing affect

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

twonounUS /tuː/

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

UponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading Upon that scene, the quiet of the room so raucously lacerated, burst Mr. Haas, too breathless for voice.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

wristsnounUS /rɪsts/

plural of “wrist” — a joint between the distal end of the radius and the proximal row of carpal bones

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

yieldedverbUS /ˈjiːldɪd/

past form of “yield” — be the cause or source of

From this reading He was beside her at two bounds, feeling of the limp wrists, laying his ear to the grenadine bosom, lifting the reluctant lids, touching the flesh that yielded so to touch.

Chapter 20 of The best short stories of 1917, and by Edward J. (Edward Joseph) [Editor] O'Brien holds 447 sentences, grouped into 90 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 20 of The best short stories of 1917, and contain?

Chapter 20 holds 447 sentences of The best short stories of 1917, and, unabridged, divided into 90 reading sections.

This page carries chapter 20 of The best short stories of 1917, and by Edward J. (Edward Joseph) [Editor] O'Brien exactly as it stands in the source edition, without abridgement. It runs to 447 sentences, grouped into 90 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 20 of The best short stories of 1917, and?

Work through the 90 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 90 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 20 be read aloud to me?

Yes — every sentence and every individual word in chapter 20 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The best short stories of 1917, and

Common questions about reading The best short stories of 1917, and by Edward J. (Edward Joseph) [Editor] O'Brien on this page, its source edition and its audio.

Is this the complete text of The best short stories of 1917, and?

Yes. All 18263 sentences of Project Gutenberg eBook #20872 are kept, with a record of which sentences cover which part.

Which edition of The best short stories of 1917, and is used?

Project Gutenberg eBook #20872, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The best short stories of 1917, and take to read?

About 600 minutes of reading across 3653 sections of 5 sentences each, at an unhurried pace.

How to read The best short stories of 1917, and section by section

How to work through The best short stories of 1917, and section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 40 chapters of The best short stories of 1917, and to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The best short stories of 1917, and

Words and structures a reader meets early in The best short stories of 1917, and, each tappable for pronunciation and meaning.

Editor
A word that appears in the opening chapter of The best short stories of 1917, and; the reader can tap it to hear it and see its dictionary entry.
Short
A word that appears in the opening chapter of The best short stories of 1917, and; the reader can tap it to hear it and see its dictionary entry.
Stories
A word that appears in the opening chapter of The best short stories of 1917, and; the reader can tap it to hear it and see its dictionary entry.
Fourth
A word that appears in the opening chapter of The best short stories of 1917, and; the reader can tap it to hear it and see its dictionary entry.