Chapter 34 of The best short stories of 1921, and is here in full — 559 sentences across 112 reading sections, with audio for every sentence and word.
A keeper or guardian of historical records and memories.
Chapter XXXIV
Chapter 34 of The best short stories of 1921, and is here in full — 559 sentences across 112 reading sections, with audio for every sentence and word.
LEACH, PAUL R. (_See 1920._) Taps. Col. May 28. (3.) LEE, JENNETTE (BARBOUR PERRY).
Chapter 34 of The best short stories of 1921, and is here in full — 559 sentences across 112 reading sections, with audio for every sentence and word.
Reading 1/111 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
cause (a liquid) to leach or percolate
From this reading “LEACH, PAUL R.”
United States filmmaker whose works explore the richness of black culture in America (born in 1957)
From this reading “LEE, JENNETTE (BARBOUR PERRY).”
used to say something is possible, or to give permission
From this reading “Col. May 28.”
United States feminist (1885-1977)
From this reading “LEACH, PAUL R.”
United States philosopher (1876-1957)
From this reading “LEE, JENNETTE (BARBOUR PERRY).”
perceive by sight or have the power to perceive by sight
(military) signal to turn the lights out
From this reading “(_See 1920._) Taps.”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading (_See 1920._) Taps.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading Col. May 28.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading (3.)
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading LEE, JENNETTE (BARBOUR PERRY).
a pass between mountain peaks
From this reading Col. May 28.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading LEE, JENNETTE (BARBOUR PERRY).
cause (a liquid) to leach or percolate
From this reading LEACH, PAUL R.
United States filmmaker whose works explore the richness of black culture in America (born in 1957)
From this reading LEE, JENNETTE (BARBOUR PERRY).
used to say something is possible, or to give permission
From this reading Col. May 28.
United States feminist (1885-1977)
From this reading LEACH, PAUL R.
United States philosopher (1876-1957)
From this reading LEE, JENNETTE (BARBOUR PERRY).
a unit of radiation exposure; the dose of ionizing radiation that will produce 1 electrostatic unit of electricity in 1 cc of dry air
From this reading LEACH, PAUL R.
perceive by sight or have the power to perceive by sight
From this reading (_See 1920._) Taps.
(military) signal to turn the lights out
From this reading (_See 1920._) Taps.
Chapter 34 of The best short stories of 1921, and by Edward J. (Edward Joseph) [Editor] O'Brien holds 559 sentences, grouped into 112 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 34 holds 559 sentences of The best short stories of 1921, and, unabridged, divided into 112 reading sections.
This page carries chapter 34 of The best short stories of 1921, and by Edward J. (Edward Joseph) [Editor] O'Brien exactly as it stands in the source edition, without abridgement. It runs to 559 sentences, grouped into 112 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 112 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 112 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 34 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading The best short stories of 1921, and by Edward J. (Edward Joseph) [Editor] O'Brien on this page, its source edition and its audio.
Yes. All 20672 sentences of Project Gutenberg eBook #18709 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #18709, unabridged. The Project Gutenberg header, footer and licence are removed.
About 600 minutes of reading across 4135 sections of 5 sentences each, at an unhurried pace.
How to work through The best short stories of 1921, and section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 37 chapters of The best short stories of 1921, and to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in The best short stories of 1921, and, each tappable for pronunciation and meaning.
