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The Betrayal
The Betrayal

Chapter XXI · Chapter 21

Chapter 21 of The Betrayal is here in full — 166 sentences across 34 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/33 · 5 lines
English subtitles · tap any word to listen 1 / 5
MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.
The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.
I simply stood and stared at him.
Lady Angela, however, after her first exclamation of surprise, went up and greeted him.
"Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Betrayal

Chapter XXI · Chapter 21

Chapter 21 of The Betrayal is here in full — 166 sentences across 34 reading sections, with audio for every sentence and word.

Reading 1/33 · 5 reading units · Lines 1–5

Line 1
MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.
Line 2
The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.
/ðə saɪt ʌv hɪm ənd ðə səɡˈnɪfɪkəns ʌv hɪz wuːndz rəˈduːst miː tuː ə steɪt ʌv əˈstɑːnɪʃmənt wɪtʃ kʊd faɪnd noʊ ˈaʊtlet ɪn wɜːrdz/
Line 3
I simply stood and stared at him.
/aɪ ˈsɪmpli stʊd ənd sterd æt hɪm/
Line 4
Lady Angela, however, after her first exclamation of surprise, went up and greeted him.
Line 5
"Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

customary adjective US /ˈkʌstəmeri/

in accordance with convention or custom

From this reading “MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.”

deliberately adverb US /dɪˈlɪbərətli/

with intention; in an intentional manner

From this reading “MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.”

emptied verb US /ˈemptid/

inflected form of “empty” — make void or empty of contents

From this reading “MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.”

exclamation noun US /ˌekskləˈmeɪʃən/

an abrupt excited utterance

From this reading “Lady Angela, however, after her first exclamation of surprise, went up and greeted him.”

outlet noun US /ˈaʊtlet/

a place of business for retailing goods

From this reading “The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.”

Ray noun US /reɪ/

a column of light (as from a beacon)

From this reading “MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.”

significance noun US /səɡˈnɪfɪkəns/

the quality of being significant

From this reading “The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.”

sprung verb US /sprʌŋ/

inflected form of “spring” — move forward by leaps and bounds

From this reading “"Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"”

All words in this reading · 67

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

afterprepositionUS /ˈæftər/

later than; following

From this reading Lady Angela, however, after her first exclamation of surprise, went up and greeted him.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

Angela

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

approachedverbUS /əˈproʊtʃt/

past form of “approach” — move towards

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

astonishmentnounUS /əˈstɑːnɪʃmənt/

the feeling that accompanies something extremely surprising

From this reading The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.

atprepositionUS /æt/

in or near a particular place or position

From this reading I simply stood and stared at him.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading "Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.

customaryadjectiveUS /ˈkʌstəmeri/

in accordance with convention or custom

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

dearadjectiveUS /dɪr/

dearly loved

From this reading "Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"

deliberatelyadverbUS /dɪˈlɪbərətli/

with intention; in an intentional manner

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

doingverbUS /ˈduːɪŋ/

-ing form of “do” — engage in

From this reading "Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"

emptiedverbUS /ˈemptid/

inflected form of “empty” — make void or empty of contents

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

enormousadjectiveUS /ɪˈnɔːrməs/

extraordinarily large in size or extent or amount or power or degree

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

exclaimedverbUS /ɪkˈskleɪmd/

past form of “exclaim” — utter aloud; often with surprise, horror, or joy

From this reading "Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"

exclamationnounUS /ˌekskləˈmeɪʃən/

an abrupt excited utterance

From this reading Lady Angela, however, after her first exclamation of surprise, went up and greeted him.

findverbUS /faɪnd/

come upon, as if by accident; meet with

From this reading The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading Lady Angela, however, after her first exclamation of surprise, went up and greeted him.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading "Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"

greetedverbUS /ˈɡriːtəd/

past form of “greet” — express greetings upon meeting someone

From this reading Lady Angela, however, after her first exclamation of surprise, went up and greeted him.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading "Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Lady Angela, however, after her first exclamation of surprise, went up and greeted him.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

howeveradverbUS /ˌhaʊˈevər/

used to add a contrasting statement

From this reading Lady Angela, however, after her first exclamation of surprise, went up and greeted him.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.

LadynounUS /ˈleɪdi/

a polite name for any woman

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

MAKESnounUS /meɪks/

plural of “make” — a recognizable kind

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.

MISSverbUS /mɪs/

fail to perceive or to catch with the senses or the mind

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

Mostyn

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"

MOYAT

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading "Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"

nodeterminerUS /noʊ/

not any; not one

From this reading The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.

outletnounUS /ˈaʊtlet/

a place of business for retailing goods

From this reading The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.

pipenounUS /paɪp/

a tube with a small bowl at one end; used for smoking tobacco

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

RaynounUS /reɪ/

a column of light (as from a beacon)

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

reducedadjectiveUS /rəˈduːst/

made less in size or amount or degree

From this reading The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.

SCENEnounUS /siːn/

the place where some action occurs

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading "Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"

sightnounUS /saɪt/

an instance of visual perception

From this reading The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.

significancenounUS /səɡˈnɪfɪkəns/

the quality of being significant

From this reading The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.

simplyadverbUS /ˈsɪmpli/

and nothing more

From this reading I simply stood and stared at him.

smokingnounUS /ˈsmoʊkɪŋ/

the act of smoking tobacco or other substances

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

sprungverbUS /sprʌŋ/

inflected form of “spring” — move forward by leaps and bounds

From this reading "Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"

staredverbUS /sterd/

past form of “stare” — look at with fixed eyes

From this reading I simply stood and stared at him.

statenounUS /steɪt/

the territory occupied by one of the constituent administrative districts of a nation

From this reading The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading I simply stood and stared at him.

surprisenounUS /sərˈpraɪz/

the astonishment you feel when something totally unexpected happens to you

From this reading Lady Angela, however, after her first exclamation of surprise, went up and greeted him.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading Lady Angela, however, after her first exclamation of surprise, went up and greeted him.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading Lady Angela, however, after her first exclamation of surprise, went up and greeted him.

whatpronounUS /wʌt/

used to ask for information about something

From this reading "Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"

whereverconjunctionUS /weˈrevər/

in or to any place at all

From this reading "Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading MISS MOYAT MAKES A SCENE Ray was smoking his customary enormous pipe, which he deliberately emptied as Lady Angela and I approached.

WhynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading "Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"

wordsnounUS /wɜːrdz/

the words that are spoken

From this reading The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.

woundsnounUS /wuːndz/

plural of “wound” — an injury to living tissue (especially an injury involving a cut or break in the skin)

From this reading The sight of him and the significance of his wounds reduced me to a state of astonishment which could find no outlet in words.

youpronounUS /juː/

the person or people being spoken to

From this reading "Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"

yourselfpronounUS /jərˈself/

used when the person spoken to is also the object of the action

From this reading "Why, my dear Mostyn," she exclaimed, "wherever have you sprung from, and what have you been doing to yourself?"

Chapter 21 of The Betrayal by E. Phillips (Edward Phillips) Oppenheim holds 166 sentences, grouped into 34 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 21 of The Betrayal contain?

Chapter 21 holds 166 sentences of The Betrayal, unabridged, divided into 34 reading sections.

This page carries chapter 21 of The Betrayal by E. Phillips (Edward Phillips) Oppenheim exactly as it stands in the source edition, without abridgement. It runs to 166 sentences, grouped into 34 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 21 of The Betrayal?

Work through the 34 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 34 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 21 be read aloud to me?

Yes — every sentence and every individual word in chapter 21 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Betrayal

Common questions about reading The Betrayal by E. Phillips (Edward Phillips) Oppenheim on this page, its source edition and its audio.

Is this the complete text of The Betrayal?

Yes. All 6547 sentences of Project Gutenberg eBook #16998 are kept, with a record of which sentences cover which part.

Which edition of The Betrayal is used?

Project Gutenberg eBook #16998, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Betrayal take to read?

About 545 minutes of reading across 1310 sections of 5 sentences each, at an unhurried pace.

How to read The Betrayal section by section

How to work through The Betrayal section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 39 chapters of The Betrayal to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Betrayal

Words and structures a reader meets early in The Betrayal, each tappable for pronunciation and meaning.

Hurried
A word that appears in the opening chapter of The Betrayal; the reader can tap it to hear it and see its dictionary entry.
Sitting
A word that appears in the opening chapter of The Betrayal; the reader can tap it to hear it and see its dictionary entry.
Chair
A word that appears in the opening chapter of The Betrayal; the reader can tap it to hear it and see its dictionary entry.
Pointing
A word that appears in the opening chapter of The Betrayal; the reader can tap it to hear it and see its dictionary entry.