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The Black Cross
The Black Cross

Chapter XXI · Chapter 21

Chapter 21 of The Black Cross is here in full — 205 sentences across 41 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/41 · 5 lines
English subtitles · tap any word to listen 1 / 5
The Friedrichs-Halle was old and shabby and had originally been a market.
The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.
Mendelssohn had walked there, and Schumann, and Brahms; and the air, as it could not be changed, was the same.
The very microbes were musical, and the walls were smudged with snatches of motives, jotted down for remembrance.
"Is there a seat left in the top gallery--just one?"
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Black Cross

Chapter XXI · Chapter 21

Chapter 21 of The Black Cross is here in full — 205 sentences across 41 reading sections, with audio for every sentence and word.

Reading 1/41 · 5 reading units · Lines 1–5

Line 1
The Friedrichs-Halle was old and shabby and had originally been a market.
Line 2
The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.
Line 3
Mendelssohn had walked there, and Schumann, and Brahms; and the air, as it could not be changed, was the same.
/ˈmendəlsən hæd wɔːkt ðer ənd ˈʃuːmən ənd brɑːmz ənd ðə er æz ɪt kʊd nɑːt biː tʃeɪndʒd wɑːz ðə seɪm/
Line 4
The very microbes were musical, and the walls were smudged with snatches of motives, jotted down for remembrance.
/ðə ˈveri ˈmaɪkroʊbz wɜːr ˈmjuːzɪkəl ənd ðə wɔːlz wɜːr smʌdʒd wɪð ˈsnætʃɪz ʌv ˈmoʊtɪvz ˈdʒɑːtɪd daʊn fɔːr riˈmembrəns/
Line 5
"Is there a seat left in the top gallery--just one?"

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

arcade noun US /ɑːrˈkeɪd/

a covered passageway with shops and stalls on either side

From this reading “The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.”

Brahms noun US /brɑːmz/

German composer who developed the romantic style of both lyrical and classical music (1833-1897)

From this reading “Mendelssohn had walked there, and Schumann, and Brahms; and the air, as it could not be changed, was the same.”

connecting verb US /kəˈnektɪŋ/

-ing form of “connect” — connect, fasten, or put together two or more pieces

From this reading “The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.”

jotted verb US /ˈdʒɑːtɪd/

inflected form of “jot” — write briefly or hurriedly; write a short note of

From this reading “The very microbes were musical, and the walls were smudged with snatches of motives, jotted down for remembrance.”

Mendelssohn noun US /ˈmendəlsən/

German musician and romantic composer of orchestral and choral works (1809-1847)

From this reading “Mendelssohn had walked there, and Schumann, and Brahms; and the air, as it could not be changed, was the same.”

microbes noun US /ˈmaɪkroʊbz/

plural of “microbe” — a minute life form (especially a disease-causing bacterium); the term is not in technical use

From this reading “The very microbes were musical, and the walls were smudged with snatches of motives, jotted down for remembrance.”

Schumann noun US /ˈʃuːmən/

German pianist and composer of piano music; renowned for her interpretation of music, especially the music of her husband Robert Schumann (1819-1896)

From this reading “Mendelssohn had walked there, and Schumann, and Brahms; and the air, as it could not be changed, was the same.”

smudged verb US /smʌdʒd/

past form of “smudge” — make a smudge on; soil by smudging

From this reading “The very microbes were musical, and the walls were smudged with snatches of motives, jotted down for remembrance.”

All words in this reading · 72

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading The Friedrichs-Halle was old and shabby and had originally been a market.

airnounUS /er/

a mixture of gases (especially oxygen) required for breathing; the stuff that the wind consists of

From this reading Mendelssohn had walked there, and Schumann, and Brahms; and the air, as it could not be changed, was the same.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading The Friedrichs-Halle was old and shabby and had originally been a market.

arcadenounUS /ɑːrˈkeɪd/

a covered passageway with shops and stalls on either side

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Mendelssohn had walked there, and Schumann, and Brahms; and the air, as it could not be changed, was the same.

associationsnounUS /əˌsoʊsiˈeɪʃənz/

plural of “association” — a formal organization of people or groups of people

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading Mendelssohn had walked there, and Schumann, and Brahms; and the air, as it could not be changed, was the same.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading The Friedrichs-Halle was old and shabby and had originally been a market.

BrahmsnounUS /brɑːmz/

German composer who developed the romantic style of both lyrical and classical music (1833-1897)

From this reading Mendelssohn had walked there, and Schumann, and Brahms; and the air, as it could not be changed, was the same.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

changedadjectiveUS /tʃeɪndʒd/

made or become different in nature or form

From this reading Mendelssohn had walked there, and Schumann, and Brahms; and the air, as it could not be changed, was the same.

connectingverbUS /kəˈnektɪŋ/

-ing form of “connect” — connect, fasten, or put together two or more pieces

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Mendelssohn had walked there, and Schumann, and Brahms; and the air, as it could not be changed, was the same.

dearadjectiveUS /dɪr/

dearly loved

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading The very microbes were musical, and the walls were smudged with snatches of motives, jotted down for remembrance.

entrancenounUS /ˈentrəns/

something that provides access (to get in or get out)

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading The very microbes were musical, and the walls were smudged with snatches of motives, jotted down for remembrance.

Friedrichs-Halle

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The Friedrichs-Halle was old and shabby and had originally been a market.

gallerynounUS /ˈɡæləri/

spectators at a golf or tennis match

From this reading "Is there a seat left in the top gallery--just one?"

green-room

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading The Friedrichs-Halle was old and shabby and had originally been a market.

heartsnounUS /hɑːrts/

a form of whist in which players avoid winning tricks containing hearts or the queen of spades

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

HousenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

ill-smellingadjective

having an unpleasant smell

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading "Is there a seat left in the top gallery--just one?"

Isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading "Is there a seat left in the top gallery--just one?"

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Mendelssohn had walked there, and Schumann, and Brahms; and the air, as it could not be changed, was the same.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

jottedverbUS /ˈdʒɑːtɪd/

inflected form of “jot” — write briefly or hurriedly; write a short note of

From this reading The very microbes were musical, and the walls were smudged with snatches of motives, jotted down for remembrance.

justadverbUS /dʒʌst/

and nothing more

From this reading "Is there a seat left in the top gallery--just one?"

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading "Is there a seat left in the top gallery--just one?"

lightadjectiveUS /laɪt/

of comparatively little physical weight or density

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

marketnounUS /ˈmɑːrkət/

the world of commercial activity where goods and services are bought and sold

From this reading The Friedrichs-Halle was old and shabby and had originally been a market.

MendelssohnnounUS /ˈmendəlsən/

German musician and romantic composer of orchestral and choral works (1809-1847)

From this reading Mendelssohn had walked there, and Schumann, and Brahms; and the air, as it could not be changed, was the same.

microbesnounUS /ˈmaɪkroʊbz/

plural of “microbe” — a minute life form (especially a disease-causing bacterium); the term is not in technical use

From this reading The very microbes were musical, and the walls were smudged with snatches of motives, jotted down for remembrance.

motivesnounUS /ˈmoʊtɪvz/

plural of “motive” — the psychological feature that arouses an organism to action toward a desired goal; the reason for the action; that which gives purpose and direction to behavior

From this reading The very microbes were musical, and the walls were smudged with snatches of motives, jotted down for remembrance.

musicaladjectiveUS /ˈmjuːzɪkəl/

characterized by or capable of producing music

From this reading The very microbes were musical, and the walls were smudged with snatches of motives, jotted down for remembrance.

musiciansnounUS /mjuːˈzɪʃənz/

plural of “musician” — someone who plays a musical instrument (as a profession)

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

narrowverbUS /ˈneroʊ/

make or become more narrow or restricted

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Mendelssohn had walked there, and Schumann, and Brahms; and the air, as it could not be changed, was the same.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

oldadjectiveUS /oʊld/

(used especially of persons) having lived for a relatively long time or attained a specific age

From this reading The Friedrichs-Halle was old and shabby and had originally been a market.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading "Is there a seat left in the top gallery--just one?"

OperanounUS /ˈɑːprə/

a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

originallyadverbUS /ərˈɪdʒənəli/

in an original manner

From this reading The Friedrichs-Halle was old and shabby and had originally been a market.

passagenounUS /ˈpæsədʒ/

the act of passing from one state or place to the next

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

reasonnounUS /ˈriːzən/

a rational motive for a belief or action

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

remembrancenounUS /riˈmembrəns/

the ability to recall past occurrences

From this reading The very microbes were musical, and the walls were smudged with snatches of motives, jotted down for remembrance.

sameadjectiveUS /seɪm/

Identical; not different.

From this reading Mendelssohn had walked there, and Schumann, and Brahms; and the air, as it could not be changed, was the same.

SchumannnounUS /ˈʃuːmən/

German pianist and composer of piano music; renowned for her interpretation of music, especially the music of her husband Robert Schumann (1819-1896)

From this reading Mendelssohn had walked there, and Schumann, and Brahms; and the air, as it could not be changed, was the same.

seatnounUS /siːt/

a space reserved for sitting (as in a theater or on a train or airplane)

From this reading "Is there a seat left in the top gallery--just one?"

shabbyadjectiveUS /ˈʃæbi/

showing signs of wear and tear

From this reading The Friedrichs-Halle was old and shabby and had originally been a market.

smudgedverbUS /smʌdʒd/

past form of “smudge” — make a smudge on; soil by smudging

From this reading The very microbes were musical, and the walls were smudged with snatches of motives, jotted down for remembrance.

snatchesnounUS /ˈsnætʃɪz/

plural of “snatch” — a small fragment

From this reading The very microbes were musical, and the walls were smudged with snatches of motives, jotted down for remembrance.

stage-door

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

ThedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading The Friedrichs-Halle was old and shabby and had originally been a market.

thereadverbUS /ðer/

in or at that place or location

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

topnounUS /tɑːp/

the upper part of anything

From this reading "Is there a seat left in the top gallery--just one?"

underprepositionUS /ˈʌndər/

below or beneath something; less than

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

undergroundadjectiveUS /ˈʌndərɡraʊnd/

under the level of the ground

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading The very microbes were musical, and the walls were smudged with snatches of motives, jotted down for remembrance.

walkedverbUS /wɔːkt/

past form of “walk” — use one's feet to advance; advance by steps

From this reading Mendelssohn had walked there, and Schumann, and Brahms; and the air, as it could not be changed, was the same.

wallsnounUS /wɔːlz/

plural of “wall” — an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading The very microbes were musical, and the walls were smudged with snatches of motives, jotted down for remembrance.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The Friedrichs-Halle was old and shabby and had originally been a market.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading The very microbes were musical, and the walls were smudged with snatches of motives, jotted down for remembrance.

windowsnounUS /ˈwɪndoʊz/

(trademark) an operating system with a graphical user interface

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

withprepositionUS /wɪð/

in the company of; together with

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading The entrance was under an arcade, and there was an underground passage, connecting the green-room with the stage-door of the Opera House; a passage narrow and ill-smelling, without windows or light; but dear to the hearts of musicians by reason of its associations.

Chapter 21 of The Black Cross by Olive M. (Olive Mary) Briggs holds 205 sentences, grouped into 41 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 21 of The Black Cross contain?

Chapter 21 holds 205 sentences of The Black Cross, unabridged, divided into 41 reading sections.

This page carries chapter 21 of The Black Cross by Olive M. (Olive Mary) Briggs exactly as it stands in the source edition, without abridgement. It runs to 205 sentences, grouped into 41 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 21 of The Black Cross?

Work through the 41 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 41 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 21 be read aloud to me?

Yes — every sentence and every individual word in chapter 21 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Black Cross

Common questions about reading The Black Cross by Olive M. (Olive Mary) Briggs on this page, its source edition and its audio.

Is this the complete text of The Black Cross?

Yes. All 5261 sentences of Project Gutenberg eBook #21259 are kept, with a record of which sentences cover which part.

Which edition of The Black Cross is used?

Project Gutenberg eBook #21259, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Black Cross take to read?

About 438 minutes of reading across 1053 sections of 5 sentences each, at an unhurried pace.

How to read The Black Cross section by section

How to work through The Black Cross section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 24 chapters of The Black Cross to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Black Cross

Words and structures a reader meets early in The Black Cross, each tappable for pronunciation and meaning.

Night
A word that appears in the opening chapter of The Black Cross; the reader can tap it to hear it and see its dictionary entry.
Petersburg
A word that appears in the opening chapter of The Black Cross; the reader can tap it to hear it and see its dictionary entry.
Heavens
A word that appears in the opening chapter of The Black Cross; the reader can tap it to hear it and see its dictionary entry.
Domes
A word that appears in the opening chapter of The Black Cross; the reader can tap it to hear it and see its dictionary entry.