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The Book of Art for Young People
The Book of Art for Young People

Chapter IV · Chapter 4

Chapter 4 of The Book of Art for Young People is here in full — 143 sentences across 29 reading sections, with audio for every sentence and word.

Cover illustration for The Book of Art for Young People
Context Illustration Reading 1/28 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.
The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.
In the end of the Sabbath, as it began to dawn toward the first day of the week, came Mary Magdalene, and the other Mary, to see the Sepulchre.
And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.
His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Book of Art for Young People

Chapter IV · Chapter 4

Chapter 4 of The Book of Art for Young People is here in full — 143 sentences across 29 reading sections, with audio for every sentence and word.

Reading 1/28 · 5 reading units · Lines 1–5

Line 1
THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.
Line 2
The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.
Line 3
In the end of the Sabbath, as it began to dawn toward the first day of the week, came Mary Magdalene, and the other Mary, to see the Sepulchre.
Line 4
And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.
/ənd bɪˈhoʊld ðer wɑːz ə ɡreɪt ˈɜːrθkweɪk fɔːr ðə ˈeɪndʒəl ʌv ðə lɔːrd dɪˈsendəd frʌm ˈhevən ənd keɪm ənd roʊld bæk ðə stoʊn frʌm ðə dɔːr ənd sæt əˈpɑːn ɪt/
Line 5
His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

compare verb US /kəmˈper/

examine and note the similarities or differences of

From this reading “THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.”

detail noun US /dɪˈteɪl/

an isolated fact that is considered separately from the whole

From this reading “The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.”

earthquake noun US /ˈɜːrθkweɪk/

shaking and vibration at the surface of the earth resulting from underground movement along a fault plane or from volcanic activity

From this reading “And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.”

faithfully adverb US /ˈfeɪθfəli/

in a faithful manner

From this reading “The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.”

keepers noun US /ˈkiːpərz/

plural of “keeper” — someone in charge of other people

From this reading “His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.”

Matthew noun US /ˈmæθjuː/

(New Testament) disciple of Jesus; traditionally considered to be the author of the first Gospel

From this reading “The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.”

painter noun US /ˈpeɪntər/

an artist who paints

From this reading “THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.”

Sabbath noun US /ˈsæbəθ/

a day of rest and worship: Sunday for most Christians; Saturday for the Jews and a few Christians; Friday for Muslims

From this reading “In the end of the Sabbath, as it began to dawn toward the first day of the week, came Mary Magdalene, and the other Mary, to see the Sepulchre.”

All words in this reading · 102

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

AngelnounUS /ˈeɪndʒəl/

spiritual being attendant upon God

From this reading And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading In the end of the Sabbath, as it began to dawn toward the first day of the week, came Mary Magdalene, and the other Mary, to see the Sepulchre.

atprepositionUS /æt/

in or near a particular place or position

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

backadverbUS /bæk/

in or to or toward a former location

From this reading And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

becameverbUS /bɪˈkeɪm/

inflected form of “become” — enter or assume a certain state or condition

From this reading His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.

BeforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

beganverbUS /bɪˈɡæn/

inflected form of “begin” — take the first step or steps in carrying out an action

From this reading In the end of the Sabbath, as it began to dawn toward the first day of the week, came Mary Magdalene, and the other Mary, to see the Sepulchre.

beholdverbUS /bɪˈhoʊld/

see with attention

From this reading And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

byprepositionUS /baɪ/

showing who or what does the action

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

cameverbUS /keɪm/

inflected form of “come” — move toward, travel toward something or somebody or approach something or somebody

From this reading In the end of the Sabbath, as it began to dawn toward the first day of the week, came Mary Magdalene, and the other Mary, to see the Sepulchre.

carefullyadverbUS /ˈkerfəli/

taking care or paying attention

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

compareverbUS /kəmˈper/

examine and note the similarities or differences of

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

countenancenounUS /ˈkaʊntənəns/

the appearance conveyed by a person's face

From this reading His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.

coursenounUS /kɔːrs/

education imparted in a series of lessons or meetings

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

dawnnounUS /dɔːn/

the first light of day

From this reading In the end of the Sabbath, as it began to dawn toward the first day of the week, came Mary Magdalene, and the other Mary, to see the Sepulchre.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading In the end of the Sabbath, as it began to dawn toward the first day of the week, came Mary Magdalene, and the other Mary, to see the Sepulchre.

deadadjectiveUS /ded/

no longer having or seeming to have or expecting to have life

From this reading His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.

descendedverbUS /dɪˈsendəd/

past form of “descend” — move downward and lower, but not necessarily all the way

From this reading And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.

detailnounUS /dɪˈteɪl/

an isolated fact that is considered separately from the whole

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.

earthquakenounUS /ˈɜːrθkweɪk/

shaking and vibration at the surface of the earth resulting from underground movement along a fault plane or from volcanic activity

From this reading And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.

endnounUS /end/

either extremity of something that has length

From this reading In the end of the Sabbath, as it began to dawn toward the first day of the week, came Mary Magdalene, and the other Mary, to see the Sepulchre.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

Eycknoun

Flemish painter who was a founder of the Flemish school of painting and who pioneered modern techniques of oil painting (1390-1441)

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

EYCKS

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

faithfullyadverbUS /ˈfeɪθfəli/

in a faithful manner

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

fearverbUS /fɪr/

be afraid or feel anxious or apprehensive about a possible or probable situation or event

From this reading His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

followedverbUS /ˈfɑːloʊd/

past form of “follow” — to travel behind, go after, come after

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.

fromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.

HeavennounUS /ˈhevən/

any place of complete bliss and delight and peace

From this reading And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.

himpronounUS /hɪm/

the male already mentioned, as the object of a verb or preposition

From this reading His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.

HisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

Hubert

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

IInoun

the cardinal number that is the sum of one and one or a numeral representing this number

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

keepersnounUS /ˈkiːpərz/

plural of “keeper” — someone in charge of other people

From this reading His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.

knownadjectiveUS /noʊn/

apprehended with certainty

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

letauxiliary verbUS /let/

used to make a suggestion or a command including the speaker

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

lightningnounUS /ˈlaɪtnɪŋ/

abrupt electric discharge from cloud to cloud or from cloud to earth accompanied by the emission of light

From this reading His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.

likeverbUS /laɪk/

prefer or wish to do something

From this reading His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.

lookingnounUS /ˈlʊkɪŋ/

the act of directing the eyes toward something and perceiving it visually

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

LordnounUS /lɔːrd/

terms referring to the Judeo-Christian God

From this reading And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.

Magdalene

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In the end of the Sabbath, as it began to dawn toward the first day of the week, came Mary Magdalene, and the other Mary, to see the Sepulchre.

Maries

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

MarynounUS /ˈmeri/

the mother of Jesus; Christians refer to her as the Virgin Mary; she is especially honored by Roman Catholics

From this reading In the end of the Sabbath, as it began to dawn toward the first day of the week, came Mary Magdalene, and the other Mary, to see the Sepulchre.

MatthewnounUS /ˈmæθjuː/

(New Testament) disciple of Jesus; traditionally considered to be the author of the first Gospel

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

maymodal verbUS /meɪ/

used to say something is possible, or to give permission

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

mennounUS /men/

the force of workers available

From this reading His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.

nextadjectiveUS /nekst/

immediately following in time or order

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

originaladjectiveUS /ərˈɪdʒənəl/

preceding all others in time or being as first made or performed

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

otheradjectiveUS /ˈʌðər/

not the same one or ones already mentioned or implied

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

painternounUS /ˈpeɪntər/

an artist who paints

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

passagenounUS /ˈpæsədʒ/

the act of passing from one state or place to the next

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

passingnounUS /ˈpæsɪŋ/

(American football) a play that involves one player throwing the ball to a teammate

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

picturenounUS /ˈpɪktʃər/

a visual representation (of an object or scene or person or abstraction) produced on a surface

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

pleaseverbUS /pliːz/

give pleasure to or be pleasing to

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

raimentnoun

especially fine or decorative clothing

From this reading His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.

readverbUS /red/

interpret something that is written or printed

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

Richard

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

rolledadjectiveUS /roʊld/

especially of petals or leaves in bud; having margins rolled inward

From this reading And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.

SabbathnounUS /ˈsæbəθ/

a day of rest and worship: Sunday for most Christians; Saturday for the Jews and a few Christians; Friday for Muslims

From this reading In the end of the Sabbath, as it began to dawn toward the first day of the week, came Mary Magdalene, and the other Mary, to see the Sepulchre.

satnounUS /sæt/

the seventh and last day of the week; observed as the Sabbath by Jews and some Christians

From this reading And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

Sepulchrenoun

a chamber that is used as a grave

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

shakeverbUS /ʃeɪk/

move or cause to move back and forth

From this reading His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.

snownounUS /snoʊ/

precipitation falling from clouds in the form of ice crystals

From this reading His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.

St

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

stonenounUS /stoʊn/

a lump or mass of hard consolidated mineral matter

From this reading And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.

subjectnounUS /səbˈdʒekt/

the subject matter of a conversation or discussion

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

tellingadjectiveUS /ˈtelɪŋ/

disclosing unintentionally something concealed

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

thereadverbUS /ðer/

in or at that place or location

From this reading And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

ThreenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

towardprepositionUS /təˈwɔːrd/

in the direction of

From this reading In the end of the Sabbath, as it began to dawn toward the first day of the week, came Mary Magdalene, and the other Mary, to see the Sepulchre.

uponprepositionUS /əˈpɑːn/

a formal word for “on”

From this reading And, behold, there was a great earthquake: for the Angel of the Lord descended from Heaven, and came and rolled back the stone from the door, and sat upon it.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

VANnounUS /væn/

any creative group active in the innovation and application of new concepts and techniques in a given field (especially in the arts)

From this reading THE VAN EYCKS Before passing to Hubert van Eyck, the painter of the original of our next picture, please compare carefully the picture of Richard II. and this of the Three Maries, looking first at one and then at the other.

visitverbUS /ˈvɪzɪt/

go to see a place, as for entertainment

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

weeknounUS /wiːk/

any period of seven consecutive days

From this reading In the end of the Sabbath, as it began to dawn toward the first day of the week, came Mary Magdalene, and the other Mary, to see the Sepulchre.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

whitenounUS /waɪt/

a Caucasian

From this reading His countenance was like lightning, and his raiment white as snow: And for fear of him the keepers did shake, and became as dead men.

youpronounUS /juː/

the person or people being spoken to

From this reading The subject of the visit of the Maries to the Sepulchre is, of course, well known to you, but let us read the beautiful passage from St. Matthew telling of it, that we may see how faithfully in every detail it was followed by Hubert van Eyck.

Chapter 4 of The Book of Art for Young People by Agnes Ethel Conway holds 143 sentences, grouped into 29 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 4 of The Book of Art for Young People contain?

Chapter 4 holds 143 sentences of The Book of Art for Young People, unabridged, divided into 29 reading sections.

This page carries chapter 4 of The Book of Art for Young People by Agnes Ethel Conway exactly as it stands in the source edition, without abridgement. It runs to 143 sentences, grouped into 29 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 4 of The Book of Art for Young People?

Work through the 29 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 29 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 4 be read aloud to me?

Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Book of Art for Young People

Common questions about reading The Book of Art for Young People by Agnes Ethel Conway on this page, its source edition and its audio.

Is this the complete text of The Book of Art for Young People?

Yes. All 1688 sentences of Project Gutenberg eBook #17395 are kept, with a record of which sentences cover which part.

Which edition of The Book of Art for Young People is used?

Project Gutenberg eBook #17395, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Book of Art for Young People take to read?

About 140 minutes of reading across 338 sections of 5 sentences each, at an unhurried pace.

How to read The Book of Art for Young People section by section

How to work through The Book of Art for Young People section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 15 chapters of The Book of Art for Young People to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Book of Art for Young People

Words and structures a reader meets early in The Book of Art for Young People, each tappable for pronunciation and meaning.

Almost
A word that appears in the opening chapter of The Book of Art for Young People; the reader can tap it to hear it and see its dictionary entry.
Pleasantest
A word that appears in the opening chapter of The Book of Art for Young People; the reader can tap it to hear it and see its dictionary entry.
Thing
A word that appears in the opening chapter of The Book of Art for Young People; the reader can tap it to hear it and see its dictionary entry.
World
A word that appears in the opening chapter of The Book of Art for Young People; the reader can tap it to hear it and see its dictionary entry.