Complete classic literature • Five-line readings • Clear US narration
VELMORA ACADEMY
Academy of Archival Languages & Memory Studies
Menu Close
The Border Rifles: A Tale of the Texan War
The Border Rifles: A Tale of the Texan War

Chapter XXIII

Chapter 23 of The Border Rifles: A Tale of the Texan War is here in full — 138 sentences across 28 reading sections, with audio for every sentence and word.

Cover illustration for The Border Rifles: A Tale of the Texan War
Context Illustration Reading 1/27 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE WHITE SCALPER.
We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.
If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.
A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.
It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Border Rifles: A Tale of the Texan War

Chapter XXIII

Chapter 23 of The Border Rifles: A Tale of the Texan War is here in full — 138 sentences across 28 reading sections, with audio for every sentence and word.

Reading 1/27 · 5 reading units · Lines 1–5

Line 1
THE WHITE SCALPER.
/ðə waɪt ˈskælpər/
Line 2
We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.
/wiː mʌst naʊ stɑːp ˈaʊər ˈstɔːri fɔːr ə ˈlɪtəl waɪl ɪn ˈɔːrdər tuː ɡɪv ðə ˈriːdər ˈsɜːrtən dɪˈteɪlz əˈbaʊt ðə streɪndʒ mæn huːm wiː ˌɪntrəˈduːst ɪn ˈaʊər ˈpriːviəs ˈtʃæptər dɪˈteɪlz ˈdaʊtləs ˈveri ˌɪnkəmˈpliːt bʌt stɪl ˌɪndɪˈspensəbəl tuː ðə ˈprɑːpər ˌkɑːmpriˈhenʃən ʌv fækts ðæt hæv tuː ˈfɑːloʊ/
Line 3
If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.
/ɪf ˌɪnˈsted ʌv ˈtelɪŋ ə truː ˈstɔːri wiː wɜːr ˌɪnˈventɪŋ ə roʊˈmæns wiː ʃʊd ˈsɜːrtənli ɡɑːrd aʊərˈselvz əˈɡenst ˌɪntrəˈduːsɪŋ ˈɪntuː ˈaʊər ˈnærətɪv ˈpɜːrsənz laɪk ðə wʌn wiː hæv tuː diːl wɪð naʊ ənˈhæpəli wiː ɑːr kənˈstreɪnd tuː ˈfɑːloʊ ðə laɪn ˈredi treɪst bɪˈfɔːr ʌs ənd dɪˈpɪkt ˈaʊər ˈkærəktərz æz ðeɪ ɑːr æz ðeɪ ɪɡˈzɪstəd ənd æz ðə məˈdʒɔːrəti stɪl ɪɡˈzɪst/
Line 4
A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.
Line 5
It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.
/ɪt wɑːz ˈsteɪtɪd ðæt ə mæn əˈperəntli waɪt hæd bɪn fɔːr sʌm taɪm ɑːn ðə ˈdezərt pərˈsuːɪŋ ðə ˈredskɪnz əˈɡenst huːm hiː siːmd tuː hæv dɪˈklerd æn ˈɑːbstənət wɔːr/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

consistency noun US /kənˈsɪstənsi/

the property of holding together and retaining its shape

From this reading “A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.”

depict verb US /dɪˈpɪkt/

show in, or as in, a picture

From this reading “If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.”

icing noun US /ˈaɪsɪŋ/

the formation of frost or ice on a surface

From this reading “A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.”

incomplete adjective US /ˌɪnkəmˈpliːt/

not complete or total; not completed

From this reading “We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.”

inventing verb US /ˌɪnˈventɪŋ/

-ing form of “invent” — come up with (an idea, plan, explanation, theory, or principle) after a mental effort

From this reading “If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.”

notoriety noun US /ˌnoʊtərˈaɪəti/

the state of being known for some unfavorable act or quality

From this reading “A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.”

Redskins noun US /ˈredskɪnz/

plural of “redskin” — (slang) offensive term for Native Americans

From this reading “It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.”

scalper noun US /ˈskælpər/

someone who buys something and resells it at a price far above the initial cost

From this reading “THE WHITE SCALPER.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

previous chapter adjective + noun

In this reading “We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.”

certain degree adjective + noun

In this reading “A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.”

wander about verb + particle

In this reading “A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.”

few years adjective + noun

In this reading “A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.”

certain details adjective + noun

In this reading “We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.”

some time adjective + noun

In this reading “It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.”

introducing into verb + particle counted as “introduce into”

In this reading “If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.”

in order preposition + noun

in a state of proper readiness or preparation or arrangement

In this reading “We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.”

All words in this reading · 128

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

adventurersnounUS /ædˈventʃərərz/

plural of “adventurer” — a person who enjoys taking risks

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

apparentlyadverbUS /əˈperəntli/

from appearances alone

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

aroseverbUS /ərˈoʊz/

inflected form of “arise” — come into existence; take on form or shape

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

atprepositionUS /æt/

in or near a particular place or position

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

attainedadjectiveUS /əˈteɪnd/

achieved or reached

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

beenauxiliary verbUS /bɪn/

the past participle of “be”

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

beginsnounUS /bɪˈɡɪnz/

plural of “begin” — Israeli statesman (born in Russia) who (as prime minister of Israel) negotiated a peace treaty with Anwar Sadat (then the president of Egypt) (1913-1992)

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

Bravos

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

butconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

certainlyadverbUS /ˈsɜːrtənli/

definitely or positively (“sure” is sometimes used informally for “surely”)

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

chapternounUS /ˈtʃæptər/

a subdivision of a written work; usually numbered and titled

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

charactersnounUS /ˈkærəktərz/

plural of “character” — an imaginary person represented in a work of fiction (play or film or story)

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

comprehensionnounUS /ˌkɑːmpriˈhenʃən/

an ability to understand the meaning or importance of something (or the knowledge acquired as a result)

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

consistencynounUS /kənˈsɪstənsi/

the property of holding together and retaining its shape

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

constrainedadjectiveUS /kənˈstreɪnd/

lacking spontaneity; not natural

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

continuallyadverbUS /kənˈtɪnjuːəli/

seemingly without interruption

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

dealverbUS /diːl/

act on verbally or in some form of artistic expression

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

declaredadjectiveUS /dɪˈklerd/

made known or openly avowed

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

degreenounUS /dɪˈɡriː/

a position on a scale of intensity or amount or quality

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

depictverbUS /dɪˈpɪkt/

show in, or as in, a picture

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

descriptionnounUS /dɪˈskrɪpʃən/

a statement that represents something in words

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

desertverbUS /ˈdezərt/

leave someone who needs or counts on you; leave in the lurch

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

desertsnounUS /ˈdezərts/

plural of “desert” — arid land with little or no vegetation

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

detailsnounUS /dɪˈteɪlz/

true confidential information

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

doubtlessadverbUS /ˈdaʊtləs/

without doubt; certainly

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

dulladjectiveUS /dʌl/

lacking in liveliness or animation

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

everydeterminerUS /ˈevəri/

all the members of a group, with none left out

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

existverbUS /ɪɡˈzɪst/

have an existence, be extant

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

existedverbUS /ɪɡˈzɪstəd/

past form of “exist” — have an existence, be extant

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

factsnounUS /fækts/

plural of “fact” — a piece of information about circumstances that exist or events that have occurred

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

fearverbUS /fɪr/

be afraid or feel anxious or apprehensive about a possible or probable situation or event

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

fewadjectiveUS /fjuː/

a quantifier that can be used with count nouns and is often preceded by “a”; a small but indefinite number

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

followverbUS /ˈfɑːloʊ/

to travel behind, go after, come after

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

giveverbUS /ɡɪv/

cause to have, in the abstract sense or physical sense

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

greatadjectiveUS /ɡreɪt/

relatively large in size or number or extent; larger than others of its kind

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

guardnounUS /ɡɑːrd/

a person who keeps watch over something or someone

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

hepronounUS /hiː/

a man, boy, or male animal already mentioned, as the subject

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

icingnounUS /ˈaɪsɪŋ/

the formation of frost or ice on a surface

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

IfconjunctionUS /ɪf/

on condition that; in the event that

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

incompleteadjectiveUS /ˌɪnkəmˈpliːt/

not complete or total; not completed

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

Indios

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

indispensableadjectiveUS /ˌɪndɪˈspensəbəl/

not to be dispensed with; essential

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

insteadadverbUS /ˌɪnˈsted/

in place of, or as an alternative to

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

introducedverbUS /ˌɪntrəˈduːst/

past form of “introduce” — cause to come to know personally

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

introducingverbUS /ˌɪntrəˈduːsɪŋ/

-ing form of “introduce” — cause to come to know personally

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

inventingverbUS /ˌɪnˈventɪŋ/

-ing form of “invent” — come up with (an idea, plan, explanation, theory, or principle) after a mental effort

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

likeverbUS /laɪk/

prefer or wish to do something

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

linenounUS /laɪn/

a formation of people or things one beside another

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

majoritynounUS /məˈdʒɔːrəti/

the property resulting from being or relating to the greater in number of two parts; the main part

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

mannounUS /mæn/

an adult person who is male (as opposed to a woman)

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

mustmodal verbUS /mʌst/

used to say something is necessary, or almost certainly true

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

narrativenounUS /ˈnærətɪv/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

notorietynounUS /ˌnoʊtərˈaɪəti/

the state of being known for some unfavorable act or quality

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

nowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

obstinateadjectiveUS /ˈɑːbstənət/

tenaciously unwilling or marked by tenacious unwillingness to yield

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

ordernounUS /ˈɔːrdər/

(often plural) a command given by a superior (e.g., a military or law enforcement officer) that must be obeyed

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

ourselvespronounUS /aʊərˈselvz/

used when we are both doing the action and receiving it

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

partnounUS /pɑːrt/

something determined in relation to something that includes it

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

periodnounUS /ˈpɪriəd/

an amount of time

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

personsnounUS /ˈpɜːrsənz/

plural of “person” — a human being

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

previousadjectiveUS /ˈpriːviəs/

just preceding something else in time or order

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

properadjectiveUS /ˈprɑːpər/

marked by suitability or rightness or appropriateness

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

pursuingadjectiveUS /pərˈsuːɪŋ/

following in order to overtake or capture or as accompaniment to such pursuit

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

readernounUS /ˈriːdər/

a person who enjoys reading

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

readyadjectiveUS /ˈredi/

completely prepared or in condition for immediate action or use or progress

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

RedskinsnounUS /ˈredskɪnz/

plural of “redskin” — (slang) offensive term for Native Americans

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

romancenounUS /roʊˈmæns/

a relationship between two lovers

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

rumournounUS /ˈruːmər/

gossip (usually a mixture of truth and untruth) passed around by word of mouth

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

SCALPERnounUS /ˈskælpər/

someone who buys something and resells it at a price far above the initial cost

From this reading THE WHITE SCALPER.

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

shouldmodal verbUS /ʃʊd/

used to say what is right, expected, or advisable

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

solitudes

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

someadjectiveUS /sʌm/

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

soonadverbUS /suːn/

in the near future

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

statedadjectiveUS /ˈsteɪtɪd/

declared as fact; explicitly stated

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

stilladjectiveUS /stɪl/

not in physical motion

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

stopverbUS /stɑːp/

come to a halt, stop moving

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

storynounUS /ˈstɔːri/

a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

strangeadjectiveUS /streɪndʒ/

being definitely out of the ordinary and unexpected; slightly odd or even a bit weird

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

suddenlyadverbUS /ˈsʌdənli/

happening unexpectedly

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

tellingadjectiveUS /ˈtelɪŋ/

disclosing unintentionally something concealed

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

TexasnounUS /ˈteksəs/

the second largest state; located in southwestern United States on the Gulf of Mexico

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE WHITE SCALPER.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

tracedverbUS /treɪst/

past form of “trace” — follow, discover, or ascertain the course of development of something

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

trueadjectiveUS /truː/

consistent with fact or reality; not false

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

unhappilyadverbUS /ənˈhæpəli/

in an unpleasant way

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

uspronounUS /ʌs/

the speaker and others, as the object of a verb or preposition

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

vastadjectiveUS /væst/

unusually great in size or amount or degree or especially extent or scope

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

wanderverbUS /ˈwɑːndər/

move about aimlessly or without any destination, often in search of food or employment

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

warnounUS /wɔːr/

the waging of armed conflict against an enemy

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading It was stated that a man, apparently white, had been for some time on the desert, pursuing the Redskins, against whom he seemed to have declared an obstinate war.

WepronounUS /wiː/

the speaker together with one or more other people

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

whileconjunctionUS /waɪl/

during the time that

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

WHITEnounUS /waɪt/

a Caucasian

From this reading THE WHITE SCALPER.

whopronounUS /huː/

which person or people

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

whompronounUS /huːm/

the form of “who” used as the object of a verb or preposition

From this reading We must now stop our story for a little while, in order to give the reader certain details about the strange man whom we introduced in our previous chapter, details doubtless very incomplete, but still indispensable to the proper comprehension of facts that have to follow.

withprepositionUS /wɪð/

in the company of; together with

From this reading If, instead of telling a true story, we were inventing a romance, we should certainly guard ourselves against introducing into our narrative persons like the one we have to deal with now; unhappily, we are constrained to follow the line ready traced before us, and depict our characters as they are, as they existed, and as the majority still exist.

yearsnounUS /jɪrz/

a late time of life

From this reading A few years before the period at which the first part of our story begins, a rumour, at first dull, but which soon attained a certain degree of consistency and a great notoriety in the vast deserts of Texas, arose almost suddenly, icing with fear the Indios Bravos, and the adventurers of every description who continually wander about these vast solitudes.

Chapter 23 of The Border Rifles: A Tale of the Texan War by Gustave Aimard holds 138 sentences, grouped into 28 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 23 of The Border Rifles: A Tale of the Texan War contain?

Chapter 23 holds 138 sentences of The Border Rifles: A Tale of the Texan War, unabridged, divided into 28 reading sections.

This page carries chapter 23 of The Border Rifles: A Tale of the Texan War by Gustave Aimard exactly as it stands in the source edition, without abridgement. It runs to 138 sentences, grouped into 28 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 23 of The Border Rifles: A Tale of the Texan War?

Work through the 28 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 28 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 23 be read aloud to me?

Yes — every sentence and every individual word in chapter 23 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Border Rifles: A Tale of the Texan War

Common questions about reading The Border Rifles: A Tale of the Texan War by Gustave Aimard on this page, its source edition and its audio.

Is this the complete text of The Border Rifles: A Tale of the Texan War?

Yes. All 3796 sentences of Project Gutenberg eBook #40219 are kept, with a record of which sentences cover which part.

Which edition of The Border Rifles: A Tale of the Texan War is used?

Project Gutenberg eBook #40219, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Border Rifles: A Tale of the Texan War take to read?

About 316 minutes of reading across 760 sections of 5 sentences each, at an unhurried pace.

How to read The Border Rifles: A Tale of the Texan War section by section

How to work through The Border Rifles: A Tale of the Texan War section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 30 chapters of The Border Rifles: A Tale of the Texan War to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Border Rifles: A Tale of the Texan War

Words and structures a reader meets early in The Border Rifles: A Tale of the Texan War, each tappable for pronunciation and meaning.

Border
A word that appears in the opening chapter of The Border Rifles: A Tale of the Texan War; the reader can tap it to hear it and see its dictionary entry.
Rifles
A word that appears in the opening chapter of The Border Rifles: A Tale of the Texan War; the reader can tap it to hear it and see its dictionary entry.
Texan
A word that appears in the opening chapter of The Border Rifles: A Tale of the Texan War; the reader can tap it to hear it and see its dictionary entry.
Author
A word that appears in the opening chapter of The Border Rifles: A Tale of the Texan War; the reader can tap it to hear it and see its dictionary entry.