Chapter XI

used before a singular noun to mean one of a group, when it is not a particular one

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

(followed by “to”) in agreement with or accordant with

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

plural of “ambassador” — a diplomat of the highest rank; accredited as representative from one country to another

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

surrounded by; in the middle of a group

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

the form of “a” used before a word that begins with a vowel sound

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

Belonging to the very distant past and no longer in existence or deeply revered.

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

used to join words or parts of a sentence that go together

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

plural of “antiquity” — the historic period preceding the Middle Ages in Europe

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

one or some or every or all without specification

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

an old form of “are”, used with “thou”

From this reading All this art seems to be lost, with the exception of the working of silver filigree, which still holds high rank.

relating to or characteristic of art or artists

From this reading Fine as is the artistic taste of the Indians of Mexico to-day, it is far behind that of the people whom Cortez found there.

studies intended to provide general knowledge and intellectual skills (rather than occupational or professional skills)

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

at the same time that; because; in the way that

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

a member of the Nahuatl people who established an empire in Mexico that was overthrown by Cortes in 1519

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading All this art seems to be lost, with the exception of the working of silver filigree, which still holds high rank.

at or toward the back of something

From this reading Fine as is the artistic taste of the Indians of Mexico to-day, it is far behind that of the people whom Cortez found there.

plural of “bird” — warm-blooded egg-laying vertebrates characterized by feathers and forelimbs modified as wings

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

possessing or displaying courage; able to face and deal with danger or fear without flinching

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

A person who commits illegal entry into a building with intent to steal valuable treasures.

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

showing who or what does the action

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

a very fine-grained soil that is plastic when moist but hard when fired

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

anything that covers or conceals

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

teach and supervise (someone); act as a trainer or coach (to), as in sports

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

the faculty and students of a school specializing in one of the fine arts

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

make right or correct

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

Spanish conquistador who defeated the Aztecs and conquered Mexico (1485-1547)

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

extreme greed for material wealth

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

a Mid-Atlantic state; one of the original 13 colonies

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

plural of “depredation” — an act of plundering and pillaging and marauding

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

true confidential information

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

of concern to or concerning the internal affairs of a nation

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

the 2nd smallest continent (actually a vast peninsula of Eurasia); the British use “Europe” to refer to all of the continent except the British Isles

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

a deliberate act of omission

From this reading All this art seems to be lost, with the exception of the working of silver filigree, which still holds high rank.

intense or sharp

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

large in spatial extent or range or scope or quantity

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

to a considerable degree; very much

From this reading Fine as is the artistic taste of the Indians of Mexico to-day, it is far behind that of the people whom Cortez found there.

planned and made or fashioned artistically

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

delicate and intricate ornamentation (usually in gold or silver or other fine twisted wire)

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

being satisfactory or in satisfactory condition

From this reading Fine as is the artistic taste of the Indians of Mexico to-day, it is far behind that of the people whom Cortez found there.

plural of “fish” — any of various mostly cold-blooded aquatic vertebrates usually having scales and breathing through gills

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

intended to be given to, or used by, somebody

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

a requirement of etiquette or custom

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

set up or found

From this reading Fine as is the artistic taste of the Indians of Mexico to-day, it is far behind that of the people whom Cortez found there.

of or relating to or resembling gladiators or their combat

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

the supernatural being conceived as the perfect and omnipotent and omniscient originator and ruler of the universe; the object of worship in monotheistic religions

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

coins made of gold

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

the organization that is the governing authority of a political unit

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

an interior passage or corridor onto which rooms open

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

a man, boy, or male animal already mentioned, as the subject

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

greater than normal in degree or intensity or amount

From this reading All this art seems to be lost, with the exception of the working of silver filigree, which still holds high rank.

belonging to a man, boy, or male animal already mentioned

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

the aggregate of past events

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

plural of “hold” — the act of grasping

From this reading All this art seems to be lost, with the exception of the working of silver filigree, which still holds high rank.

plural of “imitation” — the doctrine that representations of nature or human behavior should be accurate imitations

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

urged or forced to action through moral pressure

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

inside something, or within a place, period, or state

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

plural of “indian” — a native or inhabitant of India

From this reading Fine as is the artistic taste of the Indians of Mexico to-day, it is far behind that of the people whom Cortez found there.

moving to the inside of something

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

the form of “be” used with he, she, it, or a singular noun

From this reading Fine as is the artistic taste of the Indians of Mexico to-day, it is far behind that of the people whom Cortez found there.

a thing, animal, or idea already mentioned

From this reading Fine as is the artistic taste of the Indians of Mexico to-day, it is far behind that of the people whom Cortez found there.

a male sovereign; ruler of a kingdom

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

plural of “knife” — edge tool used as a cutting instrument; has a pointed blade with a sharp edge and a handle

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

a characteristic state or mode of living

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

the act of locking something up to protect it

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

no longer in your possession or control; unable to be found or recovered

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

(used as an intensifier) extremely well

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

possessive form of “max” — street names for gamma hydroxybutyrate

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

the force of workers available

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

the science and technology of metals

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

plural of “metal” — any of several chemical elements that are usually shiny solids that conduct heat or electricity and can be formed into sheets etc.

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

a native or inhabitant of Mexico

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

plural of “mexican” — a native or inhabitant of Mexico

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

a republic in southern North America; became independent from Spain in 1810

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

a preliminary sculpture in wax or clay from which a finished work can be copied

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

belonging to the modern era; since the Middle Ages

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

a gambling card game of Spanish origin; 3 or 4 cards are dealt face up and players bet that one of them will be matched before the others as the cards are dealt from the pack one at a time

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

evergreen tree with large leathery leaves and large pink to orange flowers; considered a link plant between families Bombacaceae and Sterculiaceae

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

a depository for collecting and displaying objects having scientific or historical or artistic value

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

an artistic form of auditory communication incorporating instrumental or vocal tones in a structured and continuous manner

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

of or relating to or belonging to a nation or country

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

characteristic of or existing by virtue of geographic origin

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

plural of “necessity” — the condition of being essential or indispensable

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

acid or granitic glass formed by the rapid cooling of lava without crystallization; usually dark, but transparent in thin pieces

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

a native inhabitant of the Occident

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

belonging to, or connected with, somebody or something

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

plural of “painting” — graphic art consisting of an artistic composition made by applying paints to a surface

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

a large and stately mansion

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

(plural) any group of human beings (men or women or children) collectively

From this reading Fine as is the artistic taste of the Indians of Mexico to-day, it is far behind that of the people whom Cortez found there.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

plural of “plant” — buildings for carrying on industrial labor

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

characterized by feeling or showing fond affection for

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

put into a certain place or abstract location

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

a row or line of people (especially soldiers or police) standing abreast of one another

From this reading All this art seems to be lost, with the exception of the working of silver filigree, which still holds high rank.

plural of “razor” — edge tool used in shaving

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

plural of “relic” — an antiquity that has survived from the distant past

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

remove something concrete, as by lifting, pushing, or taking off, or remove something abstract

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

a hotel located in a resort area

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

plural of “sacrifice” — the act of losing or surrendering something as a penalty for a mistake or fault or failure to perform etc.

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

used in or connected with a sacrifice

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

an area where merchandise (such as cars) can be displayed

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

the state of being free from danger or injury

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

third-person singular of “seem” — give a certain impression or have a certain outward aspect

From this reading All this art seems to be lost, with the exception of the working of silver filigree, which still holds high rank.

100 senti equal 1 kroon in Estonia

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

any spatial attributes (especially as defined by outline)

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

a protective covering or structure

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

a soft white precious univalent metallic element having the highest electrical and thermal conductivity of any metal; occurs in argentite and in free form; used in coins and jewelry and tableware and photography

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

an enlisted man or woman who serves in an army

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

(quantifier) used with either mass nouns or plural count nouns to indicate an unspecified number or quantity

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

a parliamentary monarchy in southwestern Europe on the Iberian Peninsula; a former colonial power

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

plural of “specimen” — an example regarded as typical of its class

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

the territory occupied by one of the constituent administrative districts of a nation

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

a sculpture representing a human or animal

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

not in physical motion

From this reading All this art seems to be lost, with the exception of the working of silver filigree, which still holds high rank.

a lump or mass of hard consolidated mineral matter

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

past form of “surpass” — distinguish oneself

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

To perceive flavor through the mouth.

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

used to introduce what somebody said, thought, or felt

From this reading Fine as is the artistic taste of the Indians of Mexico to-day, it is far behind that of the people whom Cortez found there.

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

belonging to the people or things already mentioned

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

in or at that place or location

From this reading Fine as is the artistic taste of the Indians of Mexico to-day, it is far behind that of the people whom Cortez found there.

the plural of “this”: the people or things near, or just mentioned

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

the people, animals, or things already mentioned, as the subject

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

used for a person or thing that is near, or that has just been mentioned

From this reading All this art seems to be lost, with the exception of the working of silver filigree, which still holds high rank.

an instance or single occasion for some event

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

used before the base form of a verb to make the infinitive

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Fine as is the artistic taste of the Indians of Mexico to-day, it is far behind that of the people whom Cortez found there.

a just detectable amount

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

an inherited pattern of thought or action

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

being or moving higher in position or greater in some value; being above a former position or level

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

the waging of armed conflict against an enemy

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

the waging of armed conflict against an enemy

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

cover with wax

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

the past form of “be” used with you, we, they, or a plural noun

From this reading According to history and tradition, their work in the precious metals surpassed that of any of the goldsmiths of Europe; they fashioned gold and silver into the shape of plants, birds, fishes, and quadrupeds, and their imitations were marvellously correct in all their details.

at the time that

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

used to introduce a clause giving more about a thing just mentioned

From this reading All this art seems to be lost, with the exception of the working of silver filigree, which still holds high rank.

the form of “who” used as the object of a verb or preposition

From this reading Fine as is the artistic taste of the Indians of Mexico to-day, it is far behind that of the people whom Cortez found there.

plural of “wish” — a specific feeling of desire

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.

in the company of; together with

From this reading All this art seems to be lost, with the exception of the working of silver filigree, which still holds high rank.

exert oneself by doing mental or physical work for a purpose or out of necessity

From this reading LOST ARTS IN MEXICO.--GOLDSMITHS' WORK IN THE TIME OF CORTEZ.--SILVER FILIGREE.--MODELLING IN WAX AND CLAY.--NATIVE TASTE FOR MUSIC.--NATIONAL CONSERVATORY OF MUSIC.--MUSEUM OF ANTIQUITIES.--THE SACRIFICIAL STONE.--SACRIFICES AMONG THE ANCIENT MEXICANS.--GLADIATORIAL STONE.--A BRAVE SOLDIER.--OBSIDIAN KNIVES AND RAZORS.--AZTEC METALLURGY.--STATUE OF THE GOD OF WAR.--SHIELD AND CLOAK OF MONTEZUMA.--AZTEC WARFARE AND DOMESTIC LIFE.--RELICS OF HIDALGO AND MAXIMILIAN.--MAX'S STATE COACH.--NATIONAL PALACE.--HALL OF THE AMBASSADORS.--MEXICAN PAINTINGS.--THE MONTE DE PIEDAD.--AN EXTENSIVE PAWN-SHOP.--LOCKING UP MEN AS SECURITY.--FORMALITIES OF THE SALESROOM.

actively engaged in paid work

From this reading All this art seems to be lost, with the exception of the working of silver filigree, which still holds high rank.

buildings for carrying on industrial labor

From this reading Cortez sent to Spain some exquisite specimens of Aztec work in gold and silver; and the cupidity of the King, impelled by the necessities of the Government, put all these precious works of Occidental art into the melting-pot, the resort of the modern burglar when he wishes to remove the trace of his depredations.