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The Brand: A Tale of the Flathead Reservation
The Brand: A Tale of the Flathead Reservation

Chapter XII

Chapter 12 of The Brand: A Tale of the Flathead Reservation is here in full — 109 sentences across 22 reading sections, with audio for every sentence and word.

Cover illustration for The Brand: A Tale of the Flathead Reservation
Context Illustration Reading 1/21 · 5 lines
English subtitles · tap any word to listen 1 / 5
AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.
As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”
Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.
I love you—I love James—the birds—the grass and flowers!
I love the mountains and the wonderful lake!
0:00 / 0:00
Speed 0.75x
AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Brand: A Tale of the Flathead Reservation

Chapter XII

Chapter 12 of The Brand: A Tale of the Flathead Reservation is here in full — 109 sentences across 22 reading sections, with audio for every sentence and word.

Reading 1/21 · 5 reading units · Lines 1–5

Line 1
AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.
Line 2
As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”
Line 3
Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.
Line 4
I love you—I love James—the birds—the grass and flowers!
Line 5
I love the mountains and the wonderful lake!
/aɪ lʌv ðə ˈmaʊntənz ənd ðə ˈwʌndərfəl leɪk/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

culinary adjective US /ˈkjuːlɪneri/

of or relating to or used in cooking

From this reading “AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.”

dejected adjective US /dɪˈdʒektɪd/

affected or marked by low spirits

From this reading “As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.””

department noun US /dɪˈpɑːrtmənt/

a specialized division of a large organization

From this reading “AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.”

Impulsively adverb US /ˌɪmˈpʌlsɪvli/

in an impulsive or impetuous way; without taking cautions

From this reading “Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.”

ranch noun US /ræntʃ/

farm consisting of a large tract of land along with facilities needed to raise livestock (especially cattle)

From this reading “AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.”

tapped adjective US /tæpt/

in a condition for letting out liquid drawn out as by piercing or drawing a plug

From this reading “As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.””

transpired verb US /trænˈspaɪərd/

past form of “transpire” — pass through the tissue or substance or its pores or interstices, as of gas

From this reading “Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.”

West's noun US /wests/

possessive form of “west” — the countries of (originally) Europe and (now including) North America and South America

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

poured into verb + particle counted as “pour into”

In this reading “Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.”

during the day preposition + article + noun counted as “during … day”

In this reading “AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.”

IN THE MOONLIGHT preposition + article + noun counted as “in … moonlight”

In this reading “AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.”

at the door preposition + article + noun counted as “at … door”

In this reading “As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.””

in the evening preposition + article + noun counted as “in … evening”

In this reading “AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.”

All words in this reading · 75

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

aboutprepositionUS /əˈbaʊt/

on the subject of; concerning

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

alreadyadverbUS /ɔːlˈredi/

prior to a specified or implied time

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

ANdeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

armsnounUS /ɑːrmz/

weapons considered collectively

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

aroseverbUS /ərˈoʊz/

inflected form of “arise” — come into existence; take on form or shape

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

AsconjunctionUS /æz/

at the same time that; because; in the way that

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

astonishedadjectiveUS /əˈstɑːnɪʃt/

filled with the emotional impact of overwhelming surprise or shock

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

atprepositionUS /æt/

in or near a particular place or position

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

Bess

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

birdsnounUS /bɜːrdz/

plural of “bird” — warm-blooded egg-laying vertebrates characterized by feathers and forelimbs modified as wings

From this reading I love you—I love James—the birds—the grass and flowers!

cannot

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

culinaryadjectiveUS /ˈkjuːlɪneri/

of or relating to or used in cooking

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

dejectedadjectiveUS /dɪˈdʒektɪd/

affected or marked by low spirits

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

departmentnounUS /dɪˈpɑːrtmənt/

a specialized division of a large organization

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

dishevelledadjective

in disarray; extremely disorderly

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

doornounUS /dɔːr/

a swinging or sliding barrier that will close the entrance to a room or building or vehicle

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

duringprepositionUS /ˈdʊrɪŋ/

all through a period, or at some point within it

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

earsnounUS /ɪrz/

plural of “ear” — the sense organ for hearing and equilibrium

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

enteredverbUS /ˈentərd/

past form of “enter” — to come or go into

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

eveningnounUS /ˈiːvnɪŋ/

the latter part of the day (the period of decreasing daylight from late afternoon until nightfall)

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

experienceverbUS /ɪkˈspɪriəns/

undergo or live through a difficult experience

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

figurenounUS /ˈfɪɡjər/

a diagram or picture illustrating textual material

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

findverbUS /faɪnd/

come upon, as if by accident; meet with

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

finishedadjectiveUS /ˈfɪnɪʃt/

(of materials or goods) brought to the desired final state

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

flowersnounUS /ˈflaʊərz/

plural of “flower” — a plant cultivated for its blooms or blossoms

From this reading I love you—I love James—the birds—the grass and flowers!

flungverbUS /flʌŋ/

inflected form of “fling” — throw with force or recklessness

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

grassverbUS /ɡræs/

shoot down, of birds

From this reading I love you—I love James—the birds—the grass and flowers!

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

ImpulsivelyadverbUS /ˌɪmˈpʌlsɪvli/

in an impulsive or impetuous way; without taking cautions

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

INDIANadjectiveUS /ˈɪndiən/

of or relating to or characteristic of India or the East Indies or their peoples or languages or cultures

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

intoprepositionUS /ˈɪntuː/

moving to the inside of something

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

JamesnounUS /dʒeɪmz/

a Stuart king of Scotland who married a daughter of Henry VII; when England and France went to war in 1513 he invaded England and died in defeat at Flodden (1473-1513)

From this reading I love you—I love James—the birds—the grass and flowers!

lakenounUS /leɪk/

a body of (usually fresh) water surrounded by land

From this reading I love the mountains and the wonderful lake!

learnverbUS /lɜːrn/

gain knowledge or skills

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

lovenounUS /lʌv/

a strong positive emotion of regard and affection

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

MOONLIGHTnounUS /ˈmuːnlaɪt/

the light of the Moon

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

morningnounUS /ˈmɔːrnɪŋ/

the time period between dawn and noon

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

MothernounUS /ˈmʌðər/

a woman who has given birth to a child (also used as a term of address to your mother)

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

mountainsnounUS /ˈmaʊntənz/

plural of “mountain” — a land mass that projects well above its surroundings; higher than a hill

From this reading I love the mountains and the wonderful lake!

MrsnounUS /ˈmɪsɪz/

a form of address for a married woman

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

pouredverbUS /pɔːrd/

past form of “pour” — cause to run

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

ranchnounUS /ræntʃ/

farm consisting of a large tract of land along with facilities needed to raise livestock (especially cattle)

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

returnedverbUS /rɪˈtɜːrnd/

past form of “return” — go or come back to place, condition, or activity where one has been before

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

saidadjectiveUS /sed/

being the one previously mentioned or spoken of

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

softlyadverbUS /ˈsɔːftli/

with low volume

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

soughtadjectiveUS /sɔːt/

that is looked for

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

swiftlyadverbUS /ˈswɪftli/

in a swift manner

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

tappedadjectiveUS /tæpt/

in a condition for letting out liquid drawn out as by piercing or drawing a plug

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

tear-stained

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading As she tapped at the door and softly entered, a dejected, dishevelled and tear-stained figure arose and flung her arms about the “little Mother.”

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

transpiredverbUS /trænˈspaɪərd/

past form of “transpire” — pass through the tissue or substance or its pores or interstices, as of gas

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

WestnounUS /west/

the countries of (originally) Europe and (now including) North America and South America

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

West'snounUS /wests/

possessive form of “west” — the countries of (originally) Europe and (now including) North America and South America

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

WhenconjunctionUS /wen/

at the time that

From this reading AN INDIAN IN THE MOONLIGHT When Mrs. West returned to the ranch in the evening, she sought Bess in her room to learn of her experience in the culinary department during the day.

WhynounUS /waɪ/

the cause or intention underlying an action or situation, especially in the phrase “the whys and wherefores”

From this reading Impulsively and swiftly she poured into Mrs. West’s astonished ears all that had transpired that morning, and when she had finished, she said, “Why, little Mother, I love so much already, I cannot find room for any more.

wonderfuladjectiveUS /ˈwʌndərfəl/

extraordinarily good or great; used especially as intensifiers

From this reading I love the mountains and the wonderful lake!

youpronounUS /juː/

the person or people being spoken to

From this reading I love you—I love James—the birds—the grass and flowers!

Chapter 12 of The Brand: A Tale of the Flathead Reservation by Therese Broderick holds 109 sentences, grouped into 22 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 12 of The Brand: A Tale of the Flathead Reservation contain?

Chapter 12 holds 109 sentences of The Brand: A Tale of the Flathead Reservation, unabridged, divided into 22 reading sections.

This page carries chapter 12 of The Brand: A Tale of the Flathead Reservation by Therese Broderick exactly as it stands in the source edition, without abridgement. It runs to 109 sentences, grouped into 22 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 12 of The Brand: A Tale of the Flathead Reservation?

Work through the 22 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 22 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 12 be read aloud to me?

Yes — every sentence and every individual word in chapter 12 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Brand: A Tale of the Flathead Reservation

Common questions about reading The Brand: A Tale of the Flathead Reservation by Therese Broderick on this page, its source edition and its audio.

Is this the complete text of The Brand: A Tale of the Flathead Reservation?

Yes. All 3394 sentences of Project Gutenberg eBook #47817 are kept, with a record of which sentences cover which part.

Which edition of The Brand: A Tale of the Flathead Reservation is used?

Project Gutenberg eBook #47817, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Brand: A Tale of the Flathead Reservation take to read?

About 282 minutes of reading across 679 sections of 5 sentences each, at an unhurried pace.

How to read The Brand: A Tale of the Flathead Reservation section by section

How to work through The Brand: A Tale of the Flathead Reservation section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 30 chapters of The Brand: A Tale of the Flathead Reservation to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Brand: A Tale of the Flathead Reservation

Words and structures a reader meets early in The Brand: A Tale of the Flathead Reservation, each tappable for pronunciation and meaning.

Fletcher
A word that appears in the opening chapter of The Brand: A Tale of the Flathead Reservation; the reader can tap it to hear it and see its dictionary entry.
First
A word that appears in the opening chapter of The Brand: A Tale of the Flathead Reservation; the reader can tap it to hear it and see its dictionary entry.
Western
A word that appears in the opening chapter of The Brand: A Tale of the Flathead Reservation; the reader can tap it to hear it and see its dictionary entry.
Acquaintance
A word that appears in the opening chapter of The Brand: A Tale of the Flathead Reservation; the reader can tap it to hear it and see its dictionary entry.