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The bride's fate The sequel to "The changed brides"
The bride's fate The sequel to "The changed brides"

Chapter XXII · The Missing Boy

Chapter XXII of The bride's fate The sequel to "The changed brides", “The Missing Boy,” is here in full — 488 sentences across 98 reading sections, with audio for every sentence and word.

Cover illustration for The bride's fate The sequel to "The changed brides"
Context Illustration Reading 1/97 · 5 lines
English subtitles · tap any word to listen 1 / 5
Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.
Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.
She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.
Drusilla’s sleep was long and unbroken.
It was four o’clock in the afternoon before she joined Anna.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The bride's fate The sequel to "The changed brides"

Chapter XXII · The Missing Boy

Chapter XXII of The bride's fate The sequel to "The changed brides", “The Missing Boy,” is here in full — 488 sentences across 98 reading sections, with audio for every sentence and word.

Reading 1/97 · 5 reading units · Lines 1–5

Line 1
Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.
Line 2
Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.
Line 3
She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.
Line 4
Drusilla’s sleep was long and unbroken.
Line 5
It was four o’clock in the afternoon before she joined Anna.
/ɪt wɑːz fɔːr əˈklɑːk ɪn ðə ˌæftərˈnuːn bɪˈfɔːr ʃiː dʒɔɪnd ˈænə/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

caves noun US /keɪvz/

plural of “cave” — a geological formation consisting of an underground enclosure with access from the surface of the ground or from the sea

From this reading “Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.”

falsehood noun US /ˈfælshʊd/

a false statement

From this reading “Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.”

hunter's noun US /ˈhʌntərz/

possessive form of “hunter” — someone who hunts game

Lyon's noun US /ˈlaɪənz/

possessive form of “lyon” — a city in east-central France on the Rhone River; a principal producer of silk and rayon

shrieking noun US /ˈʃriːkɪŋ/

sharp piercing cry

From this reading “Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.”

soothe verb US /suːð/

give moral or emotional strength to

From this reading “Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.”

unbroken adjective US /ənˈbroʊkən/

marked by continuous or uninterrupted extension in space or time or sequence

From this reading “Drusilla’s sleep was long and unbroken.”

wrung verb US /rʌŋ/

inflected form of “wring” — twist and press out of shape

From this reading “Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

wrung From verb + particle counted as “wring from”

get or cause to become in a difficult or laborious manner

In this reading “Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.”

real cause adjective + noun

In this reading “Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.”

evil hour noun + noun

In this reading “She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.”

put off verb + particle

hold back to a later time

In this reading “She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.”

in the afternoon preposition + article + noun counted as “in … afternoon”

In this reading “It was four o’clock in the afternoon before she joined Anna.”

remained in verb + particle counted as “remain in”

In this reading “She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.”

All words in this reading · 83

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

actingnounUS /ˈæktɪŋ/

the performance of a part or role in a drama

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

actionnounUS /ˈækʃən/

something done (usually as opposed to something said)

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

afternoonnounUS /ˌæftərˈnuːn/

the part of the day between noon and evening

From this reading It was four o’clock in the afternoon before she joined Anna.

AndconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

AnnanounUS /ˈænə/

a former copper coin of Pakistan and India

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

awayadverbUS /əˈweɪ/

from a particular thing or place or position (“forth” is obsolete)

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

beforeprepositionUS /bɪˈfɔːr/

earlier than; in front of

From this reading It was four o’clock in the afternoon before she joined Anna.

ButconjunctionUS /bʌt/

used to introduce something that contrasts with what came before

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

BYRONnounUS /ˈbaɪrən/

English romantic poet notorious for his rebellious and unconventional lifestyle (1788-1824)

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

calmverbUS /kɑːm/

make calm or still

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

causenounUS /kɑːz/

events that provide the generative force that is the origin of something

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

cavesnounUS /keɪvz/

plural of “cave” — a geological formation consisting of an underground enclosure with access from the surface of the ground or from the sea

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

chambernounUS /ˈtʃeɪmbər/

a natural or artificial enclosed space

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

difficultynounUS /ˈdɪfəkəlti/

an effort that is inconvenient

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

distressnounUS /dɪˈstres/

psychological suffering

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

doauxiliary verbUS /duː/

used to form questions and negatives, and to give emphasis

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

drawing-room

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

Drusilla

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

Drusilla's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

dutynounUS /ˈduːti/

the social force that binds you to the courses of action demanded by that force

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

eitherdeterminerUS /ˈiːðər/

one or the other of two

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

evilnounUS /ˈiːvəl/

morally objectionable behavior

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

facenounUS /feɪs/

the front of the human head from the forehead to the chin and ear to ear

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

falsehoodnounUS /ˈfælshʊd/

a false statement

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

forestnounUS /ˈfɔːrəst/

the trees and other plants in a large densely wooded area

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

fournounUS /fɔːr/

the cardinal number that is the sum of three and one

From this reading It was four o’clock in the afternoon before she joined Anna.

FromprepositionUS /frʌm/

showing where something starts, or who sent it

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

GeneraladjectiveUS /ˈdʒenərəl/

applying to all or most members of a category or group

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

GoverbUS /ɡoʊ/

change location; move, travel, or proceed, also metaphorically

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

Hammond's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

hathauxiliary verbUS /hæθ/

an old form of “has”

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

hournounUS /ˈaʊər/

a period of time equal to 1/24th of a day

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

hunter'snounUS /ˈhʌntərz/

possessive form of “hunter” — someone who hunts game

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

ignorantadjectiveUS /ˈɪɡnərənt/

uneducated in general; lacking knowledge or sophistication

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading It was four o’clock in the afternoon before she joined Anna.

joinedadjectiveUS /dʒɔɪnd/

of or relating to two people who are married to each other

From this reading It was four o’clock in the afternoon before she joined Anna.

journeyverbUS /ˈdʒɜːrni/

undertake a journey or trip

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

keepverbUS /kiːp/

cause to continue in a certain state, position, or activity; e.g., “keep clean”

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

keptadjectiveUS /kept/

(especially of promises or contracts) not violated or disregarded

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

lionessnoun

a female lion

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

lonelyadjectiveUS /ˈloʊnli/

lacking companions or companionship

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

longadjectiveUS /lɔːŋ/

primarily temporal sense; being or indicating a relatively great or greater than average duration or passage of time or a duration as specified

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

Lyon'snounUS /ˈlaɪənz/

possessive form of “lyon” — a city in east-central France on the Rhone River; a principal producer of silk and rayon

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

mockverbUS /mɑːk/

treat with contempt

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

mydeterminerUS /maɪ/

belonging to the person speaking

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

o'clockadverbUS /əˈklɑːk/

according to the clock

From this reading It was four o’clock in the afternoon before she joined Anna.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

offadverbUS /ɔːf/

from a particular thing or place or position (“forth” is obsolete)

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

orconjunctionUS /ɔːr/

used to join alternatives or possibilities

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

perfectadjectiveUS /pərˈfekt/

being complete of its kind and without defect or blemish

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

planverbUS /plæn/

have the will and intention to carry out some action

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

possibleadjectiveUS /ˈpɑːsəbəl/

capable of happening or existing

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

putverbUS /pʊt/

put into a certain place or abstract location

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

remainedverbUS /rɪˈmeɪnd/

past form of “remain” — stay the same; remain in a certain state

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

returnedverbUS /rɪˈtɜːrnd/

past form of “return” — go or come back to place, condition, or activity where one has been before

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

Richard

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

ShepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

shriekingnounUS /ˈʃriːkɪŋ/

sharp piercing cry

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

sleepnounUS /sliːp/

a natural and periodic state of rest during which consciousness of the world is suspended

From this reading Drusilla’s sleep was long and unbroken.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

sootheverbUS /suːð/

give moral or emotional strength to

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

Southampton

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

tellingadjectiveUS /ˈtelɪŋ/

disclosing unintentionally something concealed

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

thereforeadverbUS /ˈðerfɔːr/

for that reason; as a result

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

unbrokenadjectiveUS /ənˈbroʊkən/

marked by continuous or uninterrupted extension in space or time or sequence

From this reading Drusilla’s sleep was long and unbroken.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Drusilla’s sleep was long and unbroken.

whenconjunctionUS /wen/

at the time that

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

wishedverbUS /wɪʃt/

past form of “wish” — hope for; have a wish

From this reading She wished to put off the evil hour as long as possible, so as to have time to perfect her plan of action, and therefore she kept away from Drusilla’s chamber and remained in the drawing-room.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading Anna returned to the drawing-room to face the difficulty of her duty to keep Drusilla ignorant of the real cause of General Lyon’s and Richard Hammond’s journey to Southampton, and to do this without either telling or acting a falsehood.

wrungverbUS /rʌŋ/

inflected form of “wring” — twist and press out of shape

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

youngadjectiveUS /jʌŋ/

(used of living things especially persons) in an early period of life or development or growth

From this reading Go, when the hunter’s hand hath wrung From forest caves her shrieking young, And calm the lonely lioness; But soothe not, mock not, my distress.—BYRON.

Chapter 22 of The bride's fate The sequel to "The changed brides" by Emma Dorothy Eliza Nevitte Southworth holds 488 sentences, grouped into 98 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 22 of The bride's fate The sequel to "The changed brides" contain?

Chapter 22 holds 488 sentences of The bride's fate The sequel to "The changed brides", unabridged, divided into 98 reading sections.

This page carries chapter 22 of The bride's fate The sequel to "The changed brides" by Emma Dorothy Eliza Nevitte Southworth exactly as it stands in the source edition, without abridgement. It runs to 488 sentences, grouped into 98 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 22 of The bride's fate The sequel to "The changed brides"?

Work through the 98 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 98 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 22 be read aloud to me?

Yes — every sentence and every individual word in chapter 22 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The bride's fate The sequel to "The changed brides"

Common questions about reading The bride's fate The sequel to "The changed brides" by Emma Dorothy Eliza Nevitte Southworth on this page, its source edition and its audio.

Is this the complete text of The bride's fate The sequel to "The changed brides"?

Yes. All 0 sentences of Project Gutenberg eBook #? are kept, with a record of which sentences cover which part.

Which edition of The bride's fate The sequel to "The changed brides" is used?

Project Gutenberg eBook #?, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The bride's fate The sequel to "The changed brides" take to read?

About 5 minutes of reading across 0 sections of 5 sentences each, at an unhurried pace.

How to read The bride's fate The sequel to "The changed brides" section by section

How to work through The bride's fate The sequel to "The changed brides" section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 0 chapters of The bride's fate The sequel to "The changed brides" to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The bride's fate The sequel to "The changed brides"

Words and structures a reader meets early in The bride's fate The sequel to "The changed brides", each tappable for pronunciation and meaning.

Chapter 1
One of the 0 chapters of The bride's fate The sequel to "The changed brides", divided into 5-sentence reading sections.
Chapter 2
One of the 0 chapters of The bride's fate The sequel to "The changed brides", divided into 5-sentence reading sections.
Chapter 3
One of the 0 chapters of The bride's fate The sequel to "The changed brides", divided into 5-sentence reading sections.