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The Brightener
The Brightener

Chapter XXI · Chapter 21

Chapter 21 of The Brightener is here in full — 196 sentences across 40 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/39 · 5 lines
English subtitles · tap any word to listen 1 / 5
THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.
Then she had gleamed wraithlike in the purple dusk of her purple room, with its purple-shaded lamps.
Now she stood in full daylight, against the frank background of a country cottage wall.
Yet she was still a mere film of a woman.
She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Brightener

Chapter XXI · Chapter 21

Chapter 21 of The Brightener is here in full — 196 sentences across 40 reading sections, with audio for every sentence and word.

Reading 1/39 · 5 reading units · Lines 1–5

Line 1
THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.
Line 2
Then she had gleamed wraithlike in the purple dusk of her purple room, with its purple-shaded lamps.
Line 3
Now she stood in full daylight, against the frank background of a country cottage wall.
/naʊ ʃiː stʊd ɪn fʊl ˈdeɪlaɪt əˈɡenst ðə fræŋk ˈbækɡraʊnd ʌv ə ˈkʌntri ˈkɑːtədʒ wɔːl/
Line 4
Yet she was still a mere film of a woman.
/jet ʃiː wɑːz stɪl ə mɪr fɪlm ʌv ə ˈwʊmən/
Line 5
She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

eerie adjective US /ˈɪri/

suggestive of the supernatural; mysterious

From this reading “She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.”

film noun US /fɪlm/

a form of entertainment that enacts a story by sound and a sequence of images giving the illusion of continuous movement

From this reading “Yet she was still a mere film of a woman.”

gleamed verb US /ɡliːmd/

past form of “gleam” — be shiny, as if wet

From this reading “Then she had gleamed wraithlike in the purple dusk of her purple room, with its purple-shaded lamps.”

heroines noun US /ˈheroʊənz/

plural of “heroine” — the main good female character in a work of fiction

From this reading “She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.”

leitmotif noun US /ˈlaɪtmoʊtiːf/

a melodic phrase that accompanies the reappearance of a person or situation (as in Wagner's operas)

Opal noun US /ˈoʊpəl/

a translucent mineral consisting of hydrated silica of variable color; some varieties are used as gemstones

From this reading “THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.”

operas noun US /ˈɑːprəz/

plural of “opera” — a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading “She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.”

savoy noun US /səˈvɔɪ/

a geographical region of historical importance; a former duchy in what is now southwestern France, western Switzerland, and northwestern Italy

From this reading “THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

five years noun + noun

In this reading “THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.”

full daylight adjective + noun

In this reading “Now she stood in full daylight, against the frank background of a country cottage wall.”

last time adjective + noun

In this reading “THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.”

stood in verb + particle

In this reading “Now she stood in full daylight, against the frank background of a country cottage wall.”

All words in this reading · 72

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading Now she stood in full daylight, against the frank background of a country cottage wall.

accompaniedadjectiveUS /əˈkʌmpənid/

having companions or an escort

From this reading She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading Now she stood in full daylight, against the frank background of a country cottage wall.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.

ATprepositionUS /æt/

in or near a particular place or position

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

backgroundnounUS /ˈbækɡraʊnd/

a person's social heritage: previous experience or training

From this reading Now she stood in full daylight, against the frank background of a country cottage wall.

byprepositionUS /baɪ/

showing who or what does the action

From this reading She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.

carryverbUS /ˈkæri/

move while supporting, either in a vehicle or in one's hands or on one's body

From this reading She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.

CHAIRnounUS /tʃer/

a seat for one person, with a support for the back

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

cottagenounUS /ˈkɑːtədʒ/

a small house with a single story

From this reading Now she stood in full daylight, against the frank background of a country cottage wall.

countrynounUS /ˈkʌntri/

a politically organized body of people under a single government

From this reading Now she stood in full daylight, against the frank background of a country cottage wall.

daynounUS /deɪ/

time for Earth to make a complete rotation on its axis

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

daylightnounUS /ˈdeɪlaɪt/

the time after sunrise and before sunset while it is light outside

From this reading Now she stood in full daylight, against the frank background of a country cottage wall.

dusknounUS /dʌsk/

the time of day immediately following sunset

From this reading Then she had gleamed wraithlike in the purple dusk of her purple room, with its purple-shaded lamps.

eerieadjectiveUS /ˈɪri/

suggestive of the supernatural; mysterious

From this reading She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.

effectnounUS /ɪˈfekt/

a phenomenon that follows and is caused by some previous phenomenon

From this reading She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.

Fawcett

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

filmnounUS /fɪlm/

a form of entertainment that enacts a story by sound and a sequence of images giving the illusion of continuous movement

From this reading Yet she was still a mere film of a woman.

firstadjectiveUS /fɜːrst/

preceding all others in time or space or degree

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

fivenounUS /faɪv/

the cardinal number that is the sum of four and one

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

frankadjectiveUS /fræŋk/

characterized by directness in manner or speech; without subtlety or evasion

From this reading Now she stood in full daylight, against the frank background of a country cottage wall.

fulladjectiveUS /fʊl/

containing as much or as many as is possible or normal

From this reading Now she stood in full daylight, against the frank background of a country cottage wall.

gleamedverbUS /ɡliːmd/

past form of “gleam” — be shiny, as if wet

From this reading Then she had gleamed wraithlike in the purple dusk of her purple room, with its purple-shaded lamps.

hadauxiliary verbUS /hæd/

the past form of “have”, used to form the past perfect

From this reading Then she had gleamed wraithlike in the purple dusk of her purple room, with its purple-shaded lamps.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

heroinesnounUS /ˈheroʊənz/

plural of “heroine” — the main good female character in a work of fiction

From this reading She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.

housenounUS /haʊs/

a dwelling that serves as living quarters for one or more families

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

IpronounUS /aɪ/

the person speaking or writing, as the subject of the verb

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

I'd

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading Then she had gleamed wraithlike in the purple dusk of her purple room, with its purple-shaded lamps.

ItpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

itsdeterminerUS /ɪts/

belonging to the thing or animal already mentioned

From this reading Then she had gleamed wraithlike in the purple dusk of her purple room, with its purple-shaded lamps.

JunenounUS /dʒuːn/

the month following May and preceding July

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

lampsnounUS /læmps/

plural of “lamp” — an artificial source of visible illumination

From this reading Then she had gleamed wraithlike in the purple dusk of her purple room, with its purple-shaded lamps.

lastadjectiveUS /læst/

immediately past

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

leitmotifnounUS /ˈlaɪtmoʊtiːf/

a melodic phrase that accompanies the reappearance of a person or situation (as in Wagner's operas)

From this reading She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.

mereadjectiveUS /mɪr/

being nothing more than specified

From this reading Yet she was still a mere film of a woman.

NowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Now she stood in full daylight, against the frank background of a country cottage wall.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Then she had gleamed wraithlike in the purple dusk of her purple room, with its purple-shaded lamps.

OpalnounUS /ˈoʊpəl/

a translucent mineral consisting of hydrated silica of variable color; some varieties are used as gemstones

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

operasnounUS /ˈɑːprəz/

plural of “opera” — a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.

ownverbUS /oʊn/

have ownership or possession of

From this reading She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.

purplenounUS /ˈpɜːrpəl/

a purple color or pigment

From this reading Then she had gleamed wraithlike in the purple dusk of her purple room, with its purple-shaded lamps.

purple-shaded

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Then she had gleamed wraithlike in the purple dusk of her purple room, with its purple-shaded lamps.

roomnounUS /ruːm/

an area within a building enclosed by walls and floor and ceiling

From this reading Then she had gleamed wraithlike in the purple dusk of her purple room, with its purple-shaded lamps.

SAVOYnounUS /səˈvɔɪ/

a geographical region of historical importance; a former duchy in what is now southwestern France, western Switzerland, and northwestern Italy

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

seemedverbUS /siːmd/

past form of “seem” — give a certain impression or have a certain outward aspect

From this reading She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.

seenverbUS /siːn/

inflected form of “see” — perceive by sight or have the power to perceive by sight

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Then she had gleamed wraithlike in the purple dusk of her purple room, with its purple-shaded lamps.

sinceprepositionUS /sɪns/

from a time in the past until now

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

specialadjectiveUS /ˈspeʃəl/

unique or specific to a person or thing or category

From this reading She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.

spot-light

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.

stilladjectiveUS /stɪl/

not in physical motion

From this reading Yet she was still a mere film of a woman.

stoodverbUS /stʊd/

Maintained an upright posture.

From this reading Now she stood in full daylight, against the frank background of a country cottage wall.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

theirdeterminerUS /ðer/

belonging to the people or things already mentioned

From this reading She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.

ThenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading Then she had gleamed wraithlike in the purple dusk of her purple room, with its purple-shaded lamps.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

wallnounUS /wɔːl/

an architectural partition with a height and length greater than its thickness; used to divide or enclose an area or to support another structure

From this reading Now she stood in full daylight, against the frank background of a country cottage wall.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

wentverbUS /went/

inflected form of “go” — change location; move, travel, or proceed, also metaphorically

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

whereverconjunctionUS /weˈrevər/

in or to any place at all

From this reading She seemed to carry her own eerie effect with her wherever she went, as the heroines of operas are accompanied by their special spot-light and _leitmotif_.

withprepositionUS /wɪð/

in the company of; together with

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

womannounUS /ˈwʊmən/

an adult female person (as opposed to a man)

From this reading Yet she was still a mere film of a woman.

wraithlikeadjective

lacking in substance

From this reading Then she had gleamed wraithlike in the purple dusk of her purple room, with its purple-shaded lamps.

yearsnounUS /jɪrz/

a late time of life

From this reading THE CHAIR AT THE SAVOY It was five years since I'd seen Opal Fawcett--for the first and last time, that day I went to her house with June.

YetconjunctionUS /jet/

but in spite of that

From this reading Yet she was still a mere film of a woman.

Chapter 21 of The Brightener by A. M. (Alice Muriel) Williamson holds 196 sentences, grouped into 40 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 21 of The Brightener contain?

Chapter 21 holds 196 sentences of The Brightener, unabridged, divided into 40 reading sections.

This page carries chapter 21 of The Brightener by A. M. (Alice Muriel) Williamson exactly as it stands in the source edition, without abridgement. It runs to 196 sentences, grouped into 40 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 21 of The Brightener?

Work through the 40 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 40 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 21 be read aloud to me?

Yes — every sentence and every individual word in chapter 21 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Brightener

Common questions about reading The Brightener by A. M. (Alice Muriel) Williamson on this page, its source edition and its audio.

Is this the complete text of The Brightener?

Yes. All 6165 sentences of Project Gutenberg eBook #32428 are kept, with a record of which sentences cover which part.

Which edition of The Brightener is used?

Project Gutenberg eBook #32428, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Brightener take to read?

About 513 minutes of reading across 1233 sections of 5 sentences each, at an unhurried pace.

How to read The Brightener section by section

How to work through The Brightener section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

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  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Brightener

Words and structures a reader meets early in The Brightener, each tappable for pronunciation and meaning.

People
A word that appears in the opening chapter of The Brightener; the reader can tap it to hear it and see its dictionary entry.
Books
A word that appears in the opening chapter of The Brightener; the reader can tap it to hear it and see its dictionary entry.
Explain
A word that appears in the opening chapter of The Brightener; the reader can tap it to hear it and see its dictionary entry.
Interest
A word that appears in the opening chapter of The Brightener; the reader can tap it to hear it and see its dictionary entry.