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The Camp Fire Girls in the Outside World
The Camp Fire Girls in the Outside World

Chapter XVI · Chapter 16

Chapter 16 of The Camp Fire Girls in the Outside World is here in full — 119 sentences across 24 reading sections, with audio for every sentence and word.

Cover illustration for The Camp Fire Girls in the Outside World
Context Illustration Reading 1/23 · 5 lines
English subtitles · tap any word to listen 1 / 5
A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.
Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.
"Betty, did you call me?"
Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.
Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.
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AI-generated narration by OpenAI · Slow US English
LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Camp Fire Girls in the Outside World

Chapter XVI · Chapter 16

Chapter 16 of The Camp Fire Girls in the Outside World is here in full — 119 sentences across 24 reading sections, with audio for every sentence and word.

Reading 1/23 · 5 reading units · Lines 1–5

Line 1
A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.
Line 2
Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.
Line 3
"Betty, did you call me?"
Line 4
Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.
Line 5
Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

audible adjective US /ˈɑːdəbəl/

heard or perceptible by the ear

From this reading “A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.”

intensity noun US /ɪnˈtensəti/

the amount of energy transmitted (as by acoustic or electromagnetic radiation)

From this reading “Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.”

muffled adjective US /ˈmʌfəld/

being or made softer or less loud or clear

From this reading “A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.”

O'Neill noun US /oʊˈniːl/

United States playwright (1888-1953)

From this reading “Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.”

pierce verb US /pɪrs/

cut or make a way through

From this reading “Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.”

relaxed adjective US /rɪˈlækst/

without strain or anxiety

From this reading “Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.”

sleepily adverb US /ˈsliːpəli/

in a sleepy manner

From this reading “Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.”

straining noun US /ˈstreɪnɪŋ/

an intense or violent exertion

From this reading “Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.”

All words in this reading · 71

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

AdeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.

againstprepositionUS /əˈɡenst/

touching and pressing; in opposition to

From this reading Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

almostadverbUS /ˈɔːlmoʊst/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.

audibleadjectiveUS /ˈɑːdəbəl/

heard or perceptible by the ear

From this reading A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.

bednounUS /bed/

a piece of furniture that provides a place to sleep

From this reading Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.

beneathprepositionUS /bɪˈniːθ/

Directly under; in or to a lower position than.

From this reading Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.

Betty

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading "Betty, did you call me?"

Betty's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

bodynounUS /ˈbɑːdi/

the entire physical structure of an organism (an animal, plant, or human being)

From this reading Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

callverbUS /kɔːl/

assign a specified (usually proper) proper name to

From this reading "Betty, did you call me?"

clasping

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.

closeadjectiveUS /kloʊs/

at or within a short distance in space or time or having elements near each other

From this reading Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

clothesnounUS /kloʊðz/

clothing in general

From this reading Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.

coldadjectiveUS /koʊld/

having a low or inadequate temperature or feeling a sensation of coldness or having been made cold by e.g. ice or refrigeration

From this reading Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.

comingnounUS /ˈkʌmɪŋ/

the act of drawing spatially closer to something

From this reading Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

companionnounUS /kəmˈpænjən/

a friend who is frequently in the company of another

From this reading Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

darknessnounUS /ˈdɑːrknəs/

absence of light or illumination

From this reading Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.

didauxiliary verbUS /dɪd/

the past form of “do”, used in questions and negatives

From this reading "Betty, did you call me?"

earnounUS /iːr/

the sense organ for hearing and equilibrium

From this reading Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

feelverbUS /fiːl/

undergo an emotional sensation or be in a particular state of mind

From this reading Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

FIGUREnounUS /ˈfɪɡjər/

a diagram or picture illustrating textual material

From this reading A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.

getverbUS /ɡet/

come into the possession of something concrete or abstract

From this reading Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.

handnounUS /hænd/

the (prehensile) extremity of the superior limb

From this reading Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.

INprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.

inquiredverbUS /ˌɪnˈkwaɪərd/

past form of “inquire” — address a question to and expect an answer from

From this reading Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.

intensitynounUS /ɪnˈtensəti/

the amount of energy transmitted (as by acoustic or electromagnetic radiation)

From this reading Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.

itpronounUS /ɪt/

a thing, animal, or idea already mentioned

From this reading Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.

lipsnounUS /lɪps/

plural of “lip” — either of two fleshy folds of tissue that surround the mouth and play a role in speaking

From this reading Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

lowadjectiveUS /loʊ/

less than normal in degree or intensity or amount

From this reading A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.

mepronounUS /miː/

the person speaking, as the object of a verb or preposition

From this reading "Betty, did you call me?"

muffledadjectiveUS /ˈmʌfəld/

being or made softer or less loud or clear

From this reading A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.

murmuredverbUS /ˈmɜːrmərd/

past form of “murmur” — speak softly or indistinctly

From this reading A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.

NIGHTnounUS /naɪt/

the time after sunset and before sunrise while it is dark outside

From this reading A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.

NowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

O'NeillnounUS /oʊˈniːl/

United States playwright (1888-1953)

From this reading Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.

overprepositionUS /ˈoʊvər/

above and across; more than

From this reading Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.

ownverbUS /oʊn/

have ownership or possession of

From this reading Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

pierceverbUS /pɪrs/

cut or make a way through

From this reading Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.

Polly

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.

pressingnounUS /ˈpresɪŋ/

the act of pressing; the exertion of pressure

From this reading Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.

relaxedadjectiveUS /rɪˈlækst/

without strain or anxiety

From this reading Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.

scarcelyadverbUS /ˈskersli/

only a very short time before

From this reading A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.

sensesnounUS /ˈsensɪz/

plural of “sens” — street names for marijuana

From this reading Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

sleepilyadverbUS /ˈsliːpəli/

in a sleepy manner

From this reading Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.

slidverbUS /slɪd/

inflected form of “slide” — move obliquely or sideways, usually in an uncontrolled manner

From this reading Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.

soundnounUS /saʊnd/

the particular auditory effect produced by a given cause

From this reading A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.

strainingnounUS /ˈstreɪnɪŋ/

an intense or violent exertion

From this reading Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

suddenadjectiveUS /ˈsʌdən/

happening without warning or in a short space of time

From this reading Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.

THEdeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.

ThenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.

tonenounUS /toʊn/

the quality of a person's voice

From this reading A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.

touchingadjectiveUS /ˈtʌtʃɪŋ/

arousing affect

From this reading Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

tryingadjectiveUS /ˈtraɪɪŋ/

hard to endure

From this reading Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.

turningnounUS /ˈtɜːrnɪŋ/

the act of changing or reversing the direction of the course

From this reading Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading Now that she was coming to her senses, she could feel Betty's body straining close up against her own and her lips almost touching her ear.

viewnounUS /vjuː/

a way of regarding situations or topics etc.

From this reading Polly O'Neill inquired, turning over sleepily and trying to pierce the darkness so as to get a view of her companion.

voicenounUS /vɔɪs/

the distinctive quality or pitch or condition of a person's speech

From this reading A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.

warmadjectiveUS /wɔːrm/

having or producing a comfortable and agreeable degree of heat or imparting or maintaining heat

From this reading Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading A FIGURE IN THE NIGHT "Polly," a muffled voice murmured in so low a tone that the sound was scarcely audible.

withprepositionUS /wɪð/

in the company of; together with

From this reading Then a cold hand was slid beneath the bed clothes, clasping a warm, relaxed one and pressing it with sudden intensity.

youpronounUS /juː/

the person or people being spoken to

From this reading "Betty, did you call me?"

Chapter 16 of The Camp Fire Girls in the Outside World by Margaret Vandercook holds 119 sentences, grouped into 24 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 16 of The Camp Fire Girls in the Outside World contain?

Chapter 16 holds 119 sentences of The Camp Fire Girls in the Outside World, unabridged, divided into 24 reading sections.

This page carries chapter 16 of The Camp Fire Girls in the Outside World by Margaret Vandercook exactly as it stands in the source edition, without abridgement. It runs to 119 sentences, grouped into 24 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 16 of The Camp Fire Girls in the Outside World?

Work through the 24 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 24 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 16 be read aloud to me?

Yes — every sentence and every individual word in chapter 16 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Camp Fire Girls in the Outside World

Common questions about reading The Camp Fire Girls in the Outside World by Margaret Vandercook on this page, its source edition and its audio.

Is this the complete text of The Camp Fire Girls in the Outside World?

Yes. All 2261 sentences of Project Gutenberg eBook #22938 are kept, with a record of which sentences cover which part.

Which edition of The Camp Fire Girls in the Outside World is used?

Project Gutenberg eBook #22938, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Camp Fire Girls in the Outside World take to read?

About 188 minutes of reading across 453 sections of 5 sentences each, at an unhurried pace.

How to read The Camp Fire Girls in the Outside World section by section

How to work through The Camp Fire Girls in the Outside World section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 22 chapters of The Camp Fire Girls in the Outside World to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Camp Fire Girls in the Outside World

Words and structures a reader meets early in The Camp Fire Girls in the Outside World, each tappable for pronunciation and meaning.

Drawing
A word that appears in the opening chapter of The Camp Fire Girls in the Outside World; the reader can tap it to hear it and see its dictionary entry.
Crackling
A word that appears in the opening chapter of The Camp Fire Girls in the Outside World; the reader can tap it to hear it and see its dictionary entry.
Privilege
A word that appears in the opening chapter of The Camp Fire Girls in the Outside World; the reader can tap it to hear it and see its dictionary entry.
Lighting
A word that appears in the opening chapter of The Camp Fire Girls in the Outside World; the reader can tap it to hear it and see its dictionary entry.