Chapter IV
Chapter 4 of The Cask is here in full — 11 sentences across 3 reading sections, with audio for every sentence and word.
XXI. A NEW POINT OF VIEW XXII. FELIX TELLS A SECOND STORY XXIII. CLIFFORD GETS TO WORK XXIV. MR.
Chapter 4 of The Cask is here in full — 11 sentences across 3 reading sections, with audio for every sentence and word.
Chapter IV
Chapter 4 of The Cask is here in full — 11 sentences across 3 reading sections, with audio for every sentence and word.
XXI. A NEW POINT OF VIEW XXII. FELIX TELLS A SECOND STORY XXIII. CLIFFORD GETS TO WORK XXIV. MR.
Chapter 4 of The Cask is here in full — 11 sentences across 3 reading sections, with audio for every sentence and word.
Reading 1/2 · 5 reading units · Lines 1–5
These definitions explain words found in the current reading and keep every example grounded in its original sentence.
Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.
plural of “get” — a return on a shot that seemed impossible to reach and would normally have resulted in a point for the opponent
From this reading “CLIFFORD GETS TO WORK XXIV.”
not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered
From this reading “A NEW POINT OF VIEW XXII.”
a geometric element that has position but no extension
From this reading “A NEW POINT OF VIEW XXII.”
1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites
From this reading “FELIX TELLS A SECOND STORY XXIII.”
a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program
From this reading “FELIX TELLS A SECOND STORY XXIII.”
plural of “tell” — a Swiss patriot who lived in the early 14th century and who was renowned for his skill as an archer
From this reading “FELIX TELLS A SECOND STORY XXIII.”
a way of regarding situations or topics etc.
From this reading “A NEW POINT OF VIEW XXII.”
exert oneself by doing mental or physical work for a purpose or out of necessity
From this reading “CLIFFORD GETS TO WORK XXIV.”
English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.
Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.
In this reading “FELIX TELLS A SECOND STORY XXIII.”
Every word in these five lines is listed here, and every one of them can be played on its own.
Dictionary details are shown only when verified; these are not licensed Oxford entries.
used before a singular noun to mean one of a group, when it is not a particular one
From this reading A NEW POINT OF VIEW XXII.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading CLIFFORD GETS TO WORK XXIV.
Dictionary entry pending editorial verification. Tap Listen to hear the word.
From this reading FELIX TELLS A SECOND STORY XXIII.
plural of “get” — a return on a shot that seemed impossible to reach and would normally have resulted in a point for the opponent
From this reading CLIFFORD GETS TO WORK XXIV.
a form of address for a man
From this reading MR.
not of long duration; having just (or relatively recently) come into being or been made or acquired or discovered
From this reading A NEW POINT OF VIEW XXII.
belonging to, or connected with, somebody or something
From this reading A NEW POINT OF VIEW XXII.
a geometric element that has position but no extension
From this reading A NEW POINT OF VIEW XXII.
1/60 of a minute; the basic unit of time adopted under the Systeme International d'Unites
From this reading FELIX TELLS A SECOND STORY XXIII.
a message that tells the particulars of an act or occurrence or course of events; presented in writing or drama or cinema or as a radio or television program
From this reading FELIX TELLS A SECOND STORY XXIII.
plural of “tell” — a Swiss patriot who lived in the early 14th century and who was renowned for his skill as an archer
From this reading FELIX TELLS A SECOND STORY XXIII.
used before the base form of a verb to make the infinitive
From this reading CLIFFORD GETS TO WORK XXIV.
a way of regarding situations or topics etc.
From this reading A NEW POINT OF VIEW XXII.
exert oneself by doing mental or physical work for a purpose or out of necessity
From this reading CLIFFORD GETS TO WORK XXIV.
the cardinal number that is the sum of twenty and one
From this reading XXI.
the cardinal number that is the sum of twenty-one and one
From this reading A NEW POINT OF VIEW XXII.
the cardinal number that is the sum of twenty-two and one
From this reading FELIX TELLS A SECOND STORY XXIII.
the cardinal number that is the sum of twenty-three and one
From this reading CLIFFORD GETS TO WORK XXIV.
Chapter 4 of The Cask by Freeman Wills Crofts holds 11 sentences, grouped into 3 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.
Chapter 4 holds 11 sentences of The Cask, unabridged, divided into 3 reading sections.
This page carries chapter 4 of The Cask by Freeman Wills Crofts exactly as it stands in the source edition, without abridgement. It runs to 11 sentences, grouped into 3 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.
Work through the 3 sections in order, replaying any sentence and tapping unfamiliar words for their entries.
Each of the 3 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.
Yes — every sentence and every individual word in chapter 4 can be played aloud in United States English.
Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.
Common questions about reading The Cask by Freeman Wills Crofts on this page, its source edition and its audio.
Yes. All 7868 sentences of Project Gutenberg eBook #59854 are kept, with a record of which sentences cover which part.
Project Gutenberg eBook #59854, unabridged. The Project Gutenberg header, footer and licence are removed.
About 600 minutes of reading across 1574 sections of 5 sentences each, at an unhurried pace.
How to work through The Cask section by section, using the audio and the tap-to-define vocabulary.
Choose one of the 34 chapters of The Cask to begin.
Each section holds 5 sentences; read it once through.
Play the section aloud, then tap any unfamiliar word for its entry.
Words and structures a reader meets early in The Cask, each tappable for pronunciation and meaning.