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The Champagne Standard
The Champagne Standard

Chapter VI

Chapter 6 of The Champagne Standard is here in full — 427 sentences across 86 reading sections, with audio for every sentence and word.

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Context Illustration Reading 1/85 · 5 lines
English subtitles · tap any word to listen 1 / 5
When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.
One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.
Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.
In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.
We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.
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LEARNER DICTIONARY
Archivist
/ˈɑːrkɪvɪst/
Editorial verification pending

A keeper or guardian of historical records and memories.

The Champagne Standard

Chapter VI

Chapter 6 of The Champagne Standard is here in full — 427 sentences across 86 reading sections, with audio for every sentence and word.

Reading 1/85 · 5 reading units · Lines 1–5

Line 1
When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.
Line 2
One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.
Line 3
Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.
Line 4
In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.
Line 5
We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.
/wiː hæv lɜːrnt baɪ ɪkˈspɪriəns ðæt ˈsɜːrtən kaɪndz ʌv kloʊðz ˈɔːlweɪz kʌm tuː ə bæd end ðoʊ ˈnevər ənˈtɪl ðə fɪfθ ækt waɪl ˈvɝː.tʃuː wɪˈθaʊt ˈeni naɪs kloʊðz tuː ˈkʌmfərt hɜːr hæz ə ˈveri bæd taɪm fɔːr æt liːst fɔːr ækts ənd ə hæf/

Learner Dictionary

These definitions explain words found in the current reading and keep every example grounded in its original sentence.

Oxford-style entry order: headword, part of speech, US IPA, concise definition, contextual example, and audio.

clanking adjective US /ˈklæŋkɪŋ/

having a hard nonresonant metallic sound

From this reading “Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.”

dramatist noun US /ˈdrɑːmətɪst/

someone who writes plays

From this reading “When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.”

dungeons noun US /ˈdʌndʒənz/

plural of “dungeon” — the main tower within the walls of a medieval castle or fortress

From this reading “In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.”

estimable adjective US /ˈestəməbəl/

deserving of respect or high regard

From this reading “In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.”

fatiguing verb US /fəˈtiːɡɪŋ/

-ing form of “fatigue” — lose interest or become bored with something or somebody

From this reading “When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.”

immoral adjective US /ˌɪˈmɔːrəl/

deliberately violating accepted principles of right and wrong

From this reading “One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.”

realises verb US /ˈriːəlaɪzɪz/

third-person singular of “realise” — earn on some commercial or business transaction; earn as salary or wages

From this reading “When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.”

sophisticated adjective US /səˈfɪstəkeɪtɪd/

having or appealing to those having worldly knowledge and refinement and savoir-faire

From this reading “In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.”

Word partnerships in these lines

English keeps certain words together, and knowing the pair is worth more than knowing each word alone. Every partnership below was counted across our whole published library, and earns its place by appearing far more often than two unrelated words of the same frequency would.

Shown as this reading writes them, with the form the library counts, what kind of pairing it is, and how often it occurs.

opera cloak noun + noun

a large cloak worn over evening clothes

In this reading “In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.”

dramatic situations adjective + noun counted as “dramatic situation”

In this reading “When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.”

most interesting adverb + adjective

In this reading “When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.”

settle down verb + adjective

settle into a position, usually on a surface or ground

In this reading “In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.”

pass through verb + particle

make a passage or journey from one place to another

In this reading “One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.”

red hair noun + noun

In this reading “In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.”

beautiful creature adjective + noun

In this reading “In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.”

four acts noun + noun

In this reading “We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.”

All words in this reading · 189

Every word in these five lines is listed here, and every one of them can be played on its own.

Dictionary details are shown only when verified; these are not licensed Oxford entries.

adeterminerUS /ə/

used before a singular noun to mean one of a group, when it is not a particular one

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

absolutelyadverbUS /ˌæbsəˈluːtli/

completely and without qualification; used informally as intensifiers

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

actverbUS /ækt/

perform an action, or work out or perform (an action)

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

actsnounUS /ækts/

a New Testament book describing the development of the early church from Christ's Ascension to Paul's sojourn at Rome

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

agenounUS /eɪdʒ/

how long something has existed

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

alladjectiveUS /ɔːl/

(quantifier) used with either mass or count nouns to indicate the whole number or amount of or every one of a class

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

allurementnoun

attractiveness

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

alwaysadverbUS /ˈɔːlweɪz/

at all times; all the time and on every occasion

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

andeterminerUS /æn/

the form of “a” used before a word that begins with a vowel sound

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

andconjunctionUS /ənd/

used to join words or parts of a sentence that go together

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

announcedadjectiveUS /əˈnaʊnst/

declared publicly; made widely known

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

anyadjectiveUS /ˈeni/

one or some or every or all without specification

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

areauxiliary verbUS /ɑːr/

the form of “be” used with you, we, they, or a plural noun

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

asconjunctionUS /æz/

at the same time that; because; in the way that

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

atprepositionUS /æt/

in or near a particular place or position

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

audiencenounUS /ˈɑːdiəns/

a gathering of spectators or listeners at a (usually public) performance

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

badadjectiveUS /bæd/

having undesirable or negative qualities

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

beauxiliary verbUS /biː/

used with a past participle to form the passive, or with -ing for continuous tenses

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

beautifuladjectiveUS /ˈbjuːtəfəl/

delighting the senses or exciting intellectual or emotional admiration

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

bewitchingadjective

capturing interest as if by a spell

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

byprepositionUS /baɪ/

showing who or what does the action

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

canmodal verbUS /kæn/

to be able to, or to be allowed to

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

certainadjectiveUS /ˈsɜːrtən/

definite but not specified or identified

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

clankingadjectiveUS /ˈklæŋkɪŋ/

having a hard nonresonant metallic sound

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

cloaknounUS /kloʊk/

anything that covers or conceals

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

clothesnounUS /kloʊðz/

clothing in general

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

combinedadjectiveUS /kəmˈbaɪnd/

made or joined or united into one

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

comeverbUS /kʌm/

move toward, travel toward something or somebody or approach something or somebody

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

comfortnounUS /ˈkʌmfərt/

a state of being relaxed and feeling no pain

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

couldmodal verbUS /kʊd/

the past of “can”; used for possibility or polite requests

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

creaturenounUS /ˈkriːtʃər/

a living organism characterized by voluntary movement

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

crimenounUS /kraɪm/

(criminal law) an act punishable by law; usually considered an evil act

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

daysnounUS /deɪz/

the time during which someone's life continues

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

denounUS /diː/

a Mid-Atlantic state; one of the original 13 colonies

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

downadjectiveUS /daʊn/

being or moving lower in position or less in some value

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

dramaticadjectiveUS /drəˈmætɪk/

suitable to or characteristic of drama

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

dramatistnounUS /ˈdrɑːmətɪst/

someone who writes plays

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

dramatist's

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

dramatists

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

dressedadjectiveUS /drest/

dressed or clothed especially in fine attire; often used in combination

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

dungeonnounUS /ˈdʌndʒən/

the main tower within the walls of a medieval castle or fortress

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

dungeonsnounUS /ˈdʌndʒənz/

plural of “dungeon” — the main tower within the walls of a medieval castle or fortress

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

dyingadjectiveUS /ˈdaɪɪŋ/

in or associated with the process of passing from life or ceasing to be

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

endnounUS /end/

either extremity of something that has length

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

estimableadjectiveUS /ˈestəməbəl/

deserving of respect or high regard

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

experienceverbUS /ɪkˈspɪriəns/

undergo or live through a difficult experience

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

faithnounUS /feɪθ/

a strong belief in a supernatural power or powers that control human destiny

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

fascinatingadjectiveUS /ˈfæsəneɪtɪŋ/

capable of arousing and holding the attention

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

fastadverbUS /fæst/

quickly or rapidly (often used as a combining form)

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

fatiguingverbUS /fəˈtiːɡɪŋ/

-ing form of “fatigue” — lose interest or become bored with something or somebody

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

favouritenounUS /ˈfeɪvərɪt/

a competitor thought likely to win

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

fettersnounUS /ˈfetərz/

plural of “fetter” — a shackle for the ankles or feet

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

fifthnounUS /fɪfθ/

a quantity of liquor equal to one fifth of a United States gallon

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

forprepositionUS /fɔːr/

intended to be given to, or used by, somebody

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

fournounUS /fɔːr/

the cardinal number that is the sum of three and one

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

garmentsnounUS /ˈɡɑːrmənts/

plural of “garment” — an article of clothing

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

givesnounUS /ɡɪvz/

plural of “give” — the elasticity of something that can be stretched and returns to its original length

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

glanceverbUS /ɡlæns/

throw a glance at; take a brief look at

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

goodadjectiveUS /ɡʊd/

having desirable or positive qualities especially those suitable for a thing specified

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

gorgeousadjectiveUS /ˈɡɔːrdʒəs/

dazzlingly beautiful

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

hairnounUS /her/

a covering for the body (or parts of it) consisting of a dense growth of threadlike structures (as on the human head); helps to prevent heat loss

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

halfadjectiveUS /hæf/

consisting of one of two equivalent parts in value or quantity

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

hasauxiliary verbUS /hæz/

the form of “have” used with he, she, it, or a singular noun

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

haveauxiliary verbUS /hæv/

used with a past participle to form the perfect tenses

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

hearverbUS /hiːr/

perceive (sound) via the auditory sense

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

heelsnounUS /hiːlz/

plural of “heel” — the bottom of a shoe or boot; the back part of a shoe or boot that touches the ground and provides elevation

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

herdeterminerUS /hɜːr/

belonging to a woman, girl, or female animal already mentioned

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

hisdeterminerUS /hɪz/

belonging to a man, boy, or male animal already mentioned

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

hoursnounUS /ˈaʊərz/

a period of time assigned for work

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

how

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

ifconjunctionUS /ɪf/

on condition that; in the event that

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

imaginationnounUS /ˌɪmædʒəˈneɪʃən/

the formation of a mental image of something that is not perceived as real and is not present to the senses

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

immoraladjectiveUS /ˌɪˈmɔːrəl/

deliberately violating accepted principles of right and wrong

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

importancenounUS /ˌɪmˈpɔːrtəns/

the quality of being important and worthy of note

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

inprepositionUS /ɪn/

inside something, or within a place, period, or state

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

indicationnounUS /ˌɪndəˈkeɪʃən/

something that serves to indicate or suggest

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

indispensableadjectiveUS /ˌɪndɪˈspensəbəl/

not to be dispensed with; essential

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

intentionsnounUS /ˌɪnˈtentʃənz/

plural of “intention” — an anticipated outcome that is intended or that guides your planned actions

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

interestingadjectiveUS /ˈɪntrəstɪŋ/

arousing or holding the attention

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

isauxiliary verbUS /ɪz/

the form of “be” used with he, she, it, or a singular noun

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

justadverbUS /dʒʌst/

and nothing more

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

kindadjectiveUS /kaɪnd/

having or showing a tender and considerate and helpful nature; used especially of persons and their behavior

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

kindsnounUS /kaɪndz/

plural of “kind” — a category of things distinguished by some common characteristic or quality

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

laceverbUS /leɪs/

spin, wind, or twist together

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

learntverbUS /lɜːrnt/

inflected form of “learn” — gain knowledge or skills

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

leastadjectiveUS /liːst/

the superlative of “little” that can be used with mass nouns and is usually preceded by “the”; a quantifier meaning smallest in amount or extent or degree

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

leftnounUS /left/

location near or direction toward the left side; i.e. the side to the north when a person or object faces east

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

lessadverbUS /les/

used to form the comparative of some adjectives and adverbs

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

lifenounUS /laɪf/

a characteristic state or mode of living

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

likeverbUS /laɪk/

prefer or wish to do something

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

littleadjectiveUS /ˈlɪtəl/

limited or below average in number or quantity or magnitude or extent

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

LordnounUS /lɔːrd/

terms referring to the Judeo-Christian God

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

LouisnounUS /ˈluːɪs/

United States prizefighter who was world heavyweight champion for 12 years (1914-1981)

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

makeverbUS /meɪk/

engage in

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

materialadjectiveUS /məˈtɪriəl/

concerned with worldly rather than spiritual interests

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

monarchnounUS /ˈmɑːnɑːrk/

a nation's ruler or head of state usually by hereditary right

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

moneynounUS /ˈmʌni/

the most common medium of exchange; functions as legal tender

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

moreadjectiveUS /mɔːr/

(comparative of “much” used with mass nouns) a quantifier meaning greater in size or amount or extent or degree

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

mostadverbUS /moʊst/

used to form the superlative

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

muchadverbUS /mʌtʃ/

to a great degree or extent

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

nailedverbUS /neɪld/

past form of “nail” — attach something somewhere by means of nails

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

nearlyadverbUS /ˈnɪrli/

(of actions or states) slightly short of or not quite accomplished; all but

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

neitherdeterminerUS /ˈniːðər/

not one and not the other of two

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

neveradverbUS /ˈnevər/

not ever; at no time in the past or future

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

niceadjectiveUS /naɪs/

pleasant or pleasing or agreeable in nature or appearance

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

norconjunctionUS /nɔːr/

and not; used after a negative to add a second negative

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

notadverbUS /nɑːt/

used to make a word, phrase, or sentence negative

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

noticenounUS /ˈnoʊtəs/

an announcement containing information about an event

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

NowadverbUS /naʊ/

in the historical present; at this point in the narration of a series of past events

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

occasionallyadverbUS /əˈkeɪʒənəli/

sporadically and infrequently

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

ofprepositionUS /ʌv/

belonging to, or connected with, somebody or something

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

oftenadverbUS /ˈɔːfən/

many times at short intervals

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

olderadjectiveUS /ˈoʊldər/

advanced in years; (“aged” is pronounced as two syllables)

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

onprepositionUS /ɑːn/

touching and supported by a surface

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

onepronounUS /wʌn/

used to mean any person in general, including the speaker

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

onlyadverbUS /ˈoʊnli/

and nothing more

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

operanounUS /ˈɑːprə/

a drama set to music; consists of singing with orchestral accompaniment and an orchestral overture and interludes

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

ourdeterminerUS /ˈaʊər/

belonging to the speaker and others

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

outadjectiveUS /aʊt/

not allowed to continue to bat or run

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

passverbUS /pæs/

go across or through

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

perfectadjectiveUS /pərˈfekt/

being complete of its kind and without defect or blemish

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

permittedverbUS /pərˈmɪtɪd/

inflected form of “permit” — consent to, give permission

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

playverbUS /pleɪ/

participate in games or sport

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

quiteadverbUS /kwaɪt/

to a degree (not used with a negative)

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

ratheradverbUS /ˈræðər/

on the contrary

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

realadjectiveUS /riːl/

being or occurring in fact or actuality; having verified existence; not illusory

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

realisesverbUS /ˈriːəlaɪzɪz/

third-person singular of “realise” — earn on some commercial or business transaction; earn as salary or wages

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

rednounUS /red/

red color or pigment; the chromatic color resembling the hue of blood

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

refuseverbUS /rəˈfjuːz/

show unwillingness towards

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

regretsnounUS /rɪˈɡrets/

a polite refusal of an invitation

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

responsibleadjectiveUS /riˈspɑːnsəbəl/

worthy of or requiring responsibility or trust; or held accountable

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

scene-painter

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

seeverbUS /siː/

perceive by sight or have the power to perceive by sight

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

seesnounUS /siːz/

plural of “see” — the seat within a bishop's diocese where his cathedral is located

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

settleverbUS /ˈsetəl/

settle into a position, usually on a surface or ground

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

shepronounUS /ʃiː/

a woman, girl, or female animal already mentioned, as the subject

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

sidenounUS /saɪd/

a place within a region identified relative to a center or reference location

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

sign-post

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

simpleadjectiveUS /ˈsɪmpəl/

having few parts; not complex or complicated or involved

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

sinfulnessnoun

estrangement from god

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

singularadjectiveUS /ˈsɪŋɡjələr/

unusual or striking

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

situationsnounUS /ˌsɪtʃuːˈeɪʃənz/

plural of “situation” — the general state of things; the combination of circumstances at a given time

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

slippersnounUS /ˈslɪpərz/

plural of “slipper” — low footwear that can be slipped on and off easily; usually worn indoors

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

Smyth

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

Smyths

Dictionary entry pending editorial verification. Tap Listen to hear the word.

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

soconjunctionUS /soʊ/

for that reason; with the result that

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

societynounUS /səˈsaɪəti/

an extended social group having a distinctive cultural and economic organization

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

sophisticatedadjectiveUS /səˈfɪstəkeɪtɪd/

having or appealing to those having worldly knowledge and refinement and savoir-faire

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

stagenounUS /steɪdʒ/

any distinct time period in a sequence of events

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

stilladjectiveUS /stɪl/

not in physical motion

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

takeverbUS /teɪk/

carry out

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

talkverbUS /tɔːk/

exchange thoughts; talk with

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

tasteverbUS /teɪst/

To perceive flavor through the mouth.

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

thatconjunctionUS /ðæt/

used to introduce what somebody said, thought, or felt

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

thedeterminerUS /ðə/

used before a noun that is already known, already mentioned, or the only one of its kind

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

thenadverbUS /ðen/

subsequently or soon afterward (often used as sentence connectors)

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

thesedeterminerUS /ðiːz/

the plural of “this”: the people or things near, or just mentioned

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

theypronounUS /ðeɪ/

the people, animals, or things already mentioned, as the subject

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

thisdeterminerUS /ðɪs/

used for a person or thing that is near, or that has just been mentioned

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

thosedeterminerUS /ðoʊz/

the plural of “that”: the people or things further away, or already known

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

thoughconjunctionUS /ðoʊ/

in spite of the fact that

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

threenounUS /θriː/

the cardinal number that is the sum of one and one and one

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

thrillnounUS /θrɪl/

the swift release of a store of affective force

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

thrilledadjectiveUS /θrɪld/

feeling intense pleasurable excitement

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

thrillingadjectiveUS /ˈθrɪlɪŋ/

causing a surge of emotion or excitement

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

throughprepositionUS /θruː/

from one end or side of something to the other

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

timenounUS /taɪm/

an instance or single occasion for some event

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

toparticleUS /tuː/

used before the base form of a verb to make the infinitive

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

toilettenoun

the act of dressing and preparing yourself

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

tooadverbUS /tuː/

to a degree exceeding normal or proper limits

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

uninterestingadjectiveUS /əˈnɪntrəstɪŋ/

arousing no interest or attention or curiosity or excitement

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

untilprepositionUS /ənˈtɪl/

up to a particular time

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

upadjectiveUS /ʌp/

being or moving higher in position or greater in some value; being above a former position or level

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

veryadjectiveUS /ˈveri/

precisely as stated

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

virtuenounUS /ˈvɝː.tʃuː/

Moral excellence and goodness of character; the highest human attainment in Stoic philosophy.

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

wantedadjectiveUS /ˈwɔːntɪd/

desired or wished for or sought

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

wasauxiliary verbUS /wɑːz/

the past form of “be” used with I, he, she, it, or a singular noun

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

wepronounUS /wiː/

the speaker together with one or more other people

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

welladverbUS /wel/

(often used as a combining form) in a good or proper or satisfactory manner or to a high standard (“good” is a nonstandard dialectal variant for “well”)

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

wereauxiliary verbUS /wɜːr/

the past form of “be” used with you, we, they, or a plural noun

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

whatpronounUS /wʌt/

used to ask for information about something

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

whateverdeterminerUS /ˌwʌˈtevər/

any or all of a kind, it does not matter which

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

WhenconjunctionUS /wen/

at the time that

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

whichpronounUS /wɪtʃ/

used to introduce a clause giving more about a thing just mentioned

From this reading One only regrets, when society is a little fatiguing, that she is not occasionally permitted to pass through in her gorgeous toilette and her immoral slippers, and that bewitching side glance which one only sees on the stage, just to make society, like the stage, a little more thrilling.

whileconjunctionUS /waɪl/

during the time that

From this reading We have learnt by experience that certain kinds of clothes always come to a bad end, though never until the fifth act; while virtue, without any nice clothes to comfort her, has a very bad time for at least four acts and a half.

withprepositionUS /wɪð/

in the company of; together with

From this reading Now in the days of the older dramatists when much was left to what in this material age is fast dying out, that is the imagination, if the dungeon of Lord de Smyth was wanted, the scene-painter nailed up a sign-post with the simple notice, "This is the Dungeon of Lord de Smyth," and the audience were as much thrilled as if they could hear the clanking of the fetters.

withoutprepositionUS /wɪˈθaʊt/

not having, not using, or not accompanied by

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

wouldmodal verbUS /wʊd/

used for something imagined, polite, or habitual in the past

From this reading When one sees how uninteresting the play would be without her, how often virtue is rather fatiguing and not nearly so well dressed, and how the dramatist gives his favourite the most interesting talk and the most dramatic situations, one realises her importance, and that she is quite indispensable to the stage, whatever she is in real life.

XVnoun

the cardinal number that is the sum of fourteen and one

From this reading In these days we refuse to take our dungeons so absolutely on faith, and, still, if we see a too beautiful creature in red hair (fascinating crime always has red hair), gorgeous clothes, and slippers with Louis XV heels--that estimable monarch was responsible for so much sinfulness combined with singular good taste--and an opera cloak all lace and allurement, the kind for which virtue has neither the money nor the taste, then we can settle down to a good three hours' thrill, for those perfect garments are as much an indication of the dramatist's intentions as in less sophisticated days the sign-post which announced the dungeon of the de Smyths.

Chapter 6 of The Champagne Standard by John, Mrs. Lane holds 427 sentences, grouped into 86 reading sections of at most 5 sentences. The text is the source edition, unabridged, and the chapter records which sentences cover which part of the work so that nothing is dropped. Every word can be tapped for its pronunciation and dictionary entry.

What does chapter 6 of The Champagne Standard contain?

Chapter 6 holds 427 sentences of The Champagne Standard, unabridged, divided into 86 reading sections.

This page carries chapter 6 of The Champagne Standard by John, Mrs. Lane exactly as it stands in the source edition, without abridgement. It runs to 427 sentences, grouped into 86 sections of at most 5 sentences so that a reader can take the chapter in steady, finishable pieces. The chapter also stores a coverage record mapping every one of its sentences to a part of the work, which is how the edition demonstrates that no line was dropped.

How do I study chapter 6 of The Champagne Standard?

Work through the 86 sections in order, replaying any sentence and tapping unfamiliar words for their entries.

Each of the 86 sections in this chapter is short enough to read once, hear once, and then re-read with the vocabulary in view. Tapping a word plays it alone and opens its dictionary entry with IPA, part of speech and meaning, so the reader is never forced to guess a pronunciation from spelling. Working section by section keeps a long chapter from becoming an undifferentiated wall of text, which is the usual reason a reader abandons a work of this period.

Can chapter 6 be read aloud to me?

Yes — every sentence and every individual word in chapter 6 can be played aloud in United States English.

Audio covers the whole chapter: any sentence can be played, and any single word within it can be played on its own. The voice uses United States English. For a work of this period that matters, because spelling is an unreliable guide to pronunciation for vocabulary that has fallen out of daily use, and a learner who guesses wrong tends to keep the error. Hearing the word in its own sentence, and then alone, settles it.

Questions about reading The Champagne Standard

Common questions about reading The Champagne Standard by John, Mrs. Lane on this page, its source edition and its audio.

Is this the complete text of The Champagne Standard?

Yes. All 2637 sentences of Project Gutenberg eBook #41820 are kept, with a record of which sentences cover which part.

Which edition of The Champagne Standard is used?

Project Gutenberg eBook #41820, unabridged. The Project Gutenberg header, footer and licence are removed.

How long does The Champagne Standard take to read?

About 219 minutes of reading across 528 sections of 5 sentences each, at an unhurried pace.

How to read The Champagne Standard section by section

How to work through The Champagne Standard section by section, using the audio and the tap-to-define vocabulary.

  1. Open a chapter

    Choose one of the 6 chapters of The Champagne Standard to begin.

  2. Read one section

    Each section holds 5 sentences; read it once through.

  3. Listen and tap

    Play the section aloud, then tap any unfamiliar word for its entry.

Vocabulary met early in The Champagne Standard

Words and structures a reader meets early in The Champagne Standard, each tappable for pronunciation and meaning.

London
A word that appears in the opening chapter of The Champagne Standard; the reader can tap it to hear it and see its dictionary entry.
Bodley
A word that appears in the opening chapter of The Champagne Standard; the reader can tap it to hear it and see its dictionary entry.
Company
A word that appears in the opening chapter of The Champagne Standard; the reader can tap it to hear it and see its dictionary entry.
Mdccccv
A word that appears in the opening chapter of The Champagne Standard; the reader can tap it to hear it and see its dictionary entry.